Tour by Britney Spears | |
Location |
|
---|---|
Associated album | Oops!... I Did It Again |
Start date | June 20, 2000 |
End date | January 18, 2001 |
Legs | 3 |
No. of shows | 88 |
Supporting acts |
|
Box office | $40.5 million ($71.66 in 2023 dollars) [1] |
Britney Spears concert chronology |
The Oops!... I Did It Again Tour (billed as Oops!... I Did It Again Tour 2000) was the third concert tour by American entertainer Britney Spears. It supported her second studio album, Oops!... I Did It Again (2000), and visited North America, Europe, and Brazil. The tour was announced in February 2000, while Spears was in the midst of the Crazy 2k Tour. The stage was much more elaborative than her previous tours and featured video screens, fireworks and moving platforms. The setlist was composed by songs from her first two studio albums, ...Baby One More Time and Oops!... I Did It Again, as well as a few covers. Showco was the sound company, who used the PRISM system to adapt the show to each venue. Spears used a handheld microphone and a headset during the shows, while an ADAT was used to replace her voice during energetic dance routines.
The show consisted of four segments with each segment being followed by an interval to the next segment, and it ended with an encore. The show began with Spears descending from a giant orb. Most of the songs displayed energetic dance routines with the exception of the second segment, which featured mostly ballads. The encore consisted of a performance with fireworks. The Oops!... I Did It Again Tour received positive reviews from critics, who praised Spears's energy onstage as well as the band. It was also a commercial success; the reported dates by Billboard averaged $507,786 in grosses and nearly 15,841 in attendance. According to Pollstar , it brought a total of $40.5 million in North America only and became one of the highest-grossing tours of 2000. The Oops!... I Did It Again Tour was broadcast by many channels around the world. Former Wishbone star Mikaila was one of the opening acts for the tour. [2]
On February 22, 2000, Spears announced a summer tour in support of her second studio album, Oops!... I Did It Again (2000). [3] The tour marked the first time Spears toured Europe. She commented, "I'm going to go to Europe, and just basically go everywhere for six months, [...] I've never toured outside of the U.S. I've never experienced other fans in other places, and performing in front of them is going to be so exciting." [4] Before the tour began, Forbes reported that concert promoter SFX Entertainment guaranteed her a minimum of $200,000 per show. [5] Tour sponsors from the 2000 leg of the ...Baby One More Time Tour, Got Milk?, and Polaroid, remained. Clairol's Herbal Essences was also added as a sponsor. [6] Spears recorded a song for the latter called "I've Got the Urge to Herbal" to be used on their radio campaign, though she chose to not attend a photoshoot for the product when she decided to support an 86-day strike by the Screen Actors Guild (SAG). She later donated $1 from each ticket sold from her Inglewood, California show on July 28, 2000 to the union. [7] For the European leg of the tour, Spears originally was going to do a co-headlining tour with NSYNC following the group's No Strings Attached Tour. [8] Spears ended up touring the region solo.
Jamie King was chosen as tour director. [9] Tim Miller and Kevin Antunes served as director of production and musical director, respectively. [10] Mark Foffano was chosen as the lightning director. [11] Spears described the tour as "like a Broadway show". [7] The setlist included material from her first studio album ...Baby One More Time (1999) as well as seven songs from Oops!... I Did It Again. Spears explained, "I've been singing the same material for so long now. It'll be nice to change it up a little bit." [12] She also talked about her expectations for the tour, saying, "I can't wait. I'll have a world tour. I'm going to have more dancers, a bigger stage, more pyro... just a lot bigger". [13] The proscenium stage was much more elaborate than the stage of her previous tour and included video screens, movable platforms and different props. [14] It cost $2.2 million to build. The tone of the show varied from the beginning: for the performance of "Born to Make You Happy", Spears sang in a set resembling a children's bedroom, complete with large toys and a pillow fight routine. On the contrary, she unveiled a more sophisticated image for "Don't Let Me Be the Last to Know", and followed it with raunchy performances for "...Baby One More Time" and "Oops!... I Did It Again". [7]
The sound equipment was provided by Showco who used the PRISM system, which adapted the show for each venue according to its height, width and the coverage required. The sound was mixed by Front of house engineer Monty Lee Wilkes on a combination of Yamaha PM4000 and PM3000 consoles, an unusual choice for Spears's shows. He used dbx 903 compressors for kick and snare drums. The compressors were also used on Spears's microphones, a Shure Beta 58A handheld and a Crown CM-311AE headset-mounted capsule. Spears's vocals were mostly live—pre-recorded vocals ran in parallel on an ADAT machine during the shows, and were used to replace her live microphone when the dance routines became too energetic for good voice control. [15] Spears's band, backline technicians and monitor engineer Raza Sufi were all fitted with in-ear monitors and headset mics, enabling rapid and clear communications around the stage area. Spears did not use them, preferring the ambient sound of a battery of eight Showco SRM wedges spread across the downstage area. These were augmented by Showco SS full-range sidefills and a pair of one-by-18-inch subs on each side of the stage. Sufi also used a dbx 160A to limit Spears's louder moments, while backing vocalists were controlled by a duo of BSS DPR901 dynamic equalizers. Effects were limited to vocal and drum reverbs. Amplification for the wedges and the FOH system were all Crown-based, with a pair of drum stool shakers completing the line-up. All the cables used during the tour were brought from the US, even in Europe, something unusual in audio production. [15]
The show began with the video introduction "The Britney Spears Experience", in which three images of Spears welcomed spectators to the show. [16] Then, a giant metal orb was lowered onstage and lifted again to reveal Spears standing behind it, wearing a pink halter top (some shows It was orange), a side silver jacket, and glittery jeans. [17] Spears started with two dance-oriented performances of "(You Drive Me) Crazy" and "Stronger". This was followed by "What U See (Is What U Get)" in which she removed her silver side jacket and she danced on a stripper pole wearing a pink cowboy hat. [18] The act ended with Spears talking to the audience and sitting on a stool to perform "From the Bottom of My Broken Heart" with her guitarist Skip.
After she left the stage, there was a video interlude hosted by NSYNC (via screen) and Spears' two background singers (two female background dancers in Europe) in which contestants did different games in order to meet Spears. She appeared onstage to meet the chosen fan and then welcomed the audience into her bedroom. Wearing white pajamas and slippers, she performed "Born to Make You Happy", which included a dance segment near the end. She then continued with "Lucky" featuring her two background singers (two female background dancers during all the European show) helping Spears getting ready for a typical day. Halfway through the song during the dance break, her male dancers all dressed in navy sailor costumes do a routine before Spears continues the remainder of the song dressed as a ship captain. "Sometimes", in which changed back into her white pajamas and slippers (coincidentally an outfit similar to the one she wore in the music video of the song) and featured Spears' and her dancers throwing teddy bears, beach balls, and squirting the audience with water guns. At the end, she climbed the staircase and briefly spoke to the audience before moving into a performance of "Don't Let Me Be The Last To Know", for which she wore a long white dress trimmed with boa feathers (dressed up much like in the music video as Lucky). [7] [16]
A band interlude showcasing a mix of funk and progressive rock from her band followed, and Spears reappeared to perform her cover of Sonny & Cher's "The Beat Goes On." During the performance, she was lifted into the air wearing a kimono that covered most of the stage. She continued with "Don't Go Knockin' on My Door" (loosing the kimono wearing a full purple jumpsuit) and her cover of The Rolling Stones's "(I Can't Get No) Satisfaction", which ended with a dance sequence set to the original version.
Next, there was a dance interval in which the dancers showed their individual moves while their names appeared on the screens. Spears took the stage again in a conservative schoolgirl outfit to perform "...Baby One More Time." She ripped it off halfway through the song to reveal a cheerleader ensemble. [7] [16] Spears then thanked the audience, took a bow and left the stage. She returned shortly after (wearing a black two-piece jumpsuit imprinted with orange flames) to perform "Oops!... I Did It Again", that included an extended dance break after the second chorus, pyrotechnics and other special effects. [16] She ended the performance disappearing through a tunnel of fire. [7]
The show received positive reviews from critics. Andrew Miller of The Pitch stated "[the concert] at Sandstone proved that many [of Spears's] criticisms are off-base observations from people who have never actually attended one of these stars' shows. The music came from a talented band, not a DAT, and the bass lines to such songs as "... Baby One More Time" and "The Beat Goes On" rose to a funky growl in the live setting. For another, Spears' vocals were the real thing, as she sang in an alluringly low tone [...] but capably hit the high notes [...], however, she left the upper-octave duties to her background singers [...] during Spears' most strenuous dance routines". [16] Richard Leiby of The Washington Post believed that the show "[was] great". [19] Letta Tayler of Newsday said "For half the show, she remained the old Britney, the budding teen who dreamed of romance. But the rest of the time, she was a full-throttle tease, with sprayed- on clothes, a hard-edged attitude and a harder edge to her techno and hip-hop- coated pop to match". [20]
Jon Pareles of The New York Times stated "What you get from this 18-year-old singer is a big smile, a little voice, gushes of sincerity, hardworking dance routines, shameless advertising and a determination to play both sides of pubescence for all they're worth". [17] Jim Farber of New York Daily News commented that "Despite such spicy bits, the core of Britney's concert suffered from the familiarity and cheesiness of all teen road shows these days. The sparklers, explosions and mandatory flying dancers conformed to the corniness of theme park entertainment". [18] The ticket prices were set at $32 in North America. The reported dates averaged $507,786 in grosses and 15,841 in attendance. Susanne Ault of Billboard also reported that many of the shows sold out in one day. [21] The tour had a total gross of $40.5 million only counting the North American dates. [22] It became the tenth highest-grossing tour of the year in North America, as well as the second highest-grossing tour by a solo artist, only behind Tina Turner's Twenty Four Seven Tour. [23] Roger Moore of the Orlando Sentinel analyzed Spears to emulate "a lot of Janet Jackson's old concert act and cleaned it up for a younger audience", also noting choreography resembling "Rhythm Nation" precision." [24]
On November 30, 2000, the September 20 concert at the Louisiana Superdome in New Orleans aired on Fox. The special was titled Britney Spears: There's No Place Like Home. [25] One of the shows performed at London Arena was filmed and broadcast by Sky1. [26]
Source: [16]
Venue | City | Tickets sold / available | Gross revenue [28] |
---|---|---|---|
Hersheypark Stadium | Hershey | 28,701 / 28,701 (100%) | $1,014,096 |
Jones Beach Theater | Wantagh | 56,550 / 56,550 (100%) | $2,055,861 |
Cynthia Woods Mitchell Pavilion | The Woodlands | 25,916 / 25,972 (99%) | $912,149 |
Great Western Forum | Inglewood | 25,756 / 29,000 (89%) | $977,849 |
The Gorge Amphitheatre | George | 20,000 / 20,000 (100%) | $814,630 |
Coca-Cola Lakewood Amphitheatre | Atlanta | 18,254 / 18,954 (96%) | $596,110 |
Palau Sant Jordi | Barcelona | 20,000 / 20,000 (100%) | — |
Total | 195,177 / 199,177 (98%) | $6,370,695 |
Date | City | Country | Venue | Reason |
---|---|---|---|---|
July 26, 2000 [29] | Morrison | United States | Red Rocks Amphitheatre | Production difficulties [30] |
Britney Jean Spears is an American singer. Often referred to as the "Princess of Pop", she is credited with influencing the revival of teen pop during the late 1990s and early 2000s. Spears has sold over 150 million records worldwide, making her one of the world's best-selling music artists. She has earned numerous awards and accolades, including a Grammy Award, 15 Guinness World Records, six MTV Video Music Awards, seven Billboard Music Awards, the inaugural Radio Disney Icon Award, and a star on the Hollywood Walk of Fame. Her heavily choreographed music videos earned her the Michael Jackson Video Vanguard Award.
...Baby One More Time is the debut studio album by American singer Britney Spears. It was released on January 12, 1999, by Jive Records. Spears had been a child performer on The All-New Mickey Mouse Club from 1993 to 1994, and was looking to expand her career as a teen singer. After being turned away by several record companies, Spears signed with Jive for a multi-album deal in 1997. She travelled to Sweden to collaborate with producers Max Martin and Rami Yacoub, who had been writing songs with producer Denniz Pop and others, for ...Baby One More Time. Their collaboration created a pop, bubblegum pop, dance-pop, and teen pop record, with Spears later saying that she felt excited when she heard it and knew it was going to be a hit record. The album was completed in June 1998.
"(You Drive Me) Crazy" is a song by American singer Britney Spears from her debut studio album, ...Baby One More Time (1999). Written and produced by Max Martin, Per Magnusson and David Kreuger with additional writing by Jörgen Elofsson and remix by Martin and Rami Yacoub, it was released as the album's third single on August 24, 1999, by Jive Records. It was featured on the soundtrack of the 1999 teen romantic comedy film Drive Me Crazy. The song garnered positive reviews from music critics, some of whom praised its simple formula and noted similarities to Spears's debut single, "...Baby One More Time".
"Born to Make You Happy" is a song by American singer Britney Spears from her debut studio album, ...Baby One More Time (1999). It was released on December 6, 1999, by Jive Records, as the fourth single from the album in Europe. Spears—whose vision for her sound differed stylistically from that of her producer's—was unhappy with the sexual overtones of the song, and the song underwent at least one re-write before its release. The singer first recorded the vocals for the track in May 1998, which were later re-recorded in September 1999 for the 'Bonus Remix' of the song. The teen pop song alludes to a relationship that a woman desires to correct, not quite understanding what went wrong, as she comes to realize that she was "born to make [her lover] happy".
"From the Bottom of My Broken Heart" is a song by American singer Britney Spears from her debut studio album, ...Baby One More Time (1999). It was released on December 14, 1999, by Jive Records as the fifth and final single from the album. After Spears recorded an unused song from Toni Braxton and sent it through Larry Rudolph to several labels, executives from Jive Records commented that it was very rare to hear someone so young who could deliver emotional content and commercial appeal, appointing the singer to work with producer Eric Foster White. The teen pop ballad was written and produced by White, and features Spears singing about the loss of a first love and how breaking up can be hard.
"Oops!... I Did It Again" is a pop song recorded by American singer Britney Spears from her second studio album of the same name. It was released on April 11, 2000, by Jive Records as the lead single from the album, and her sixth single overall. It was written and produced by Max Martin and Rami Yacoub. The lyrics refer to a woman who views love as a game, and she decides to use that to her advantage by playing with the emotions of a boy who likes her. Its bridge features spoken dialogue which references the hit 1997 film Titanic.
"Stronger" is a song by American singer Britney Spears from her second studio album, Oops!... I Did It Again (2000). It was released on October 31, 2000, by Jive Records as the third single from the album. After meeting with producers Max Martin and Rami in Sweden, Spears recorded several songs for the album, including "Stronger". The dance-pop, synth-pop and teen pop song features self-empowerment lyrics about a girl who is tired of her cheating boyfriend and decides to move on without him. It received acclaim from music critics, who described the song as being both musically and lyrically innovative, with some deeming it the best track on Oops!... I Did It Again.
"Don't Let Me Be the Last to Know" is a song by American singer Britney Spears from her second studio album, Oops!... I Did It Again (2000). It was released on March 12, 2001, by Jive Records as the fourth and final single from the album. After meeting with producer Robert John "Mutt" Lange in Switzerland, Spears recorded several songs for the album, including "Don't Let Me Be the Last to Know", which she considered one of her favorites on the album. Additional lyrics were written by guitar player Keith Scott and country pop singer Shania Twain. The pop ballad speaks of a woman wanting to hear her boyfriend say that he loves her, and is sonically similar to David Bowie and Iggy Pop's song "China Girl" (1983).
The Britney Spears doll is a celebrity doll made in the likeness of American pop singer Britney Spears. Several versions of the doll were released. Each doll is dressed in costumes that resemble the clothing Spears had worn in concerts, appearances, and music videos. The Britney Spears doll was the first doll produced by Play Along Toys.
The Onyx Hotel Tour was the fifth concert tour by American entertainer Britney Spears. It showcased her fourth studio album, In the Zone (2003), and visited North America and Europe. A tour to promote the album was announced in December 2003. Its original name was the In the Zone Tour, but Spears was sued for trademark infringement and banned from using the name. Spears felt inspired to create a show with a hotel theme which she later mixed with the concept of an onyx stone. The stage, inspired by Broadway musicals, was less elaborate than her previous tours. The setlist was composed mostly by songs from In the Zone as well as some of her past songs reworked with different elements of jazz, blues, and Latin percussion. Tour promoter Clear Channel Entertainment marketed the tour to a more adult audience than her previous shows, while sponsor MTV promoted the tour heavily on TV shows and the network's website.
The (You Drive Me) Crazy Tour was the second concert tour by American entertainer Britney Spears, launched in support of her first and second studio albums, ...Baby One More Time (1999) and Oops!... I Did It Again (2000), respectively. The tour was formulated as a continuation of the ...Baby One More Time Tour (1999) and as a prelude to the then-upcoming Oops!... I Did It Again Tour (2000). It was sponsored by Got Milk? and Polaroid.
The Dream Within a Dream Tour was the fourth concert tour by American entertainer Britney Spears. It was launched in support of her third studio album, Britney (2001). The tour was promoted by Concerts West, marking the first time Spears did not tour with Clear Channel Entertainment. On September 21, 2001, a North American tour was announced that kicked off in November after various dates were postponed. In February 2002, Spears announced a second leg of the tour. It was directed and choreographed by Wade Robson, who explained the main theme of the show was Spears's coming of age and newfound independence. The stage was designed by Steve Cohen and Rob Brenner and was composed of a main stage and a B-stage, united by a runway. Inspired by Cleopatra's barge, a flying device was developed so Spears could travel over the audience to the B-stage. The setlist was mostly composed by songs from the supporting album, as Spears felt they were more reflective of her personality. Songs from her previous two studio albums were also included in remixed form by Robson.
The M+M's Tour was the sixth concert tour by American entertainer Britney Spears, consisting of six brief shows at clubs in the United States. Spears expressed interest in touring again as early as February 2006. She started rehearsing for a show at House of Blues venues in secret, and pulled out of a surprise performance on April 25, 2007, at Los Angeles nightclub Forty Deuce. After a marquee reading "The M+M's" at the House of Blues in San Diego, California, appeared in late April 2007, media sources identified the act as Spears, and the show quickly sold out. The title, "M+M's" code name was claimed to be Mother and Miss. The tour marked the first time Spears performed live since The Onyx Hotel Tour in June 2004.
The Circus Starring Britney Spears, commonly referred to as the Circus Tour, was the seventh concert tour by American entertainer Britney Spears. It was launched in support of her sixth studio album, Circus (2008). Rumors of a tour arose as early as October 2007, however, nothing was confirmed until December 2008, when the tour was officially announced, with North American and European dates revealed. The stage was composed of three rings and set in-the-round to resemble an actual circus. Fashion designers Dean and Dan Caten created the costumes. A giant cylinder screen was set above the stage to showcase videos and backdrops. Effects were provided by Solotech. Magician Ed Alonzo joined Spears during the second act. The setlist was composed generally from her albums In the Zone, Blackout and Circus. Spears announced she would tour Australia for the first time in June 2009.
Oops!... I Did It Again is the second studio album by American singer Britney Spears released on May 3, 2000, by Jive Records. Following the enormous commercial success of her debut studio album ...Baby One More Time (1999) and the completion of its accompanying concert tour of the same title, Spears began recording material for her second studio album in September 1999. Pressured to duplicate the success of ...Baby One More Time, she collaborated with a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange for Oops!... I Did It Again. The final result was a pop, dance-pop and teen pop record exceedingly in the vein of ...Baby One More Time, but incorporating funk and R&B. The production, sonic quality, and Spears's vocal performance received critical acclaim upon the album's release.
The Femme Fatale Tour was the eighth concert tour by American entertainer Britney Spears. It was launched in support of her seventh studio album, Femme Fatale (2011). It was officially announced in March 2011, initially with dates for North American venues revealed. The tour was originally planned as a co-headlining tour with Enrique Iglesias, but he canceled only hours after the announcement. The show was inspired by the concept of the "femme fatale" and iconic femmes fatales throughout the ages. The setlist was mostly composed of songs from the album Femme Fatale, although Spears also performed hits from her previous albums for her fans. Zaldy Goco designed the costumes. In July 2011, Spears announced her plans of a South American leg on the tour, in territories she either had never been to or had not played for over a decade. Spears has named the Femme Fatale Tour as the "best" show of her career.
Britney: Piece of Me was the first concert residency by American entertainer Britney Spears, performed at The AXIS auditorium located in the Planet Hollywood Resort & Casino in Las Vegas, Nevada. The show, which opened on December 27, 2013, was initially set for two years; it was well received by critics and also achieved huge commercial success. The residency won the best of Las Vegas award in 2015 and 2017. In 2015, Spears extended her contract with Planet Hollywood for an additional two years, concluding the residency on December 31, 2017. After 248 performances, the show grossed $137.7 million from 916,184 tickets at an average price of $150.
The Piece of Me Tour was the tenth concert tour by American entertainer Britney Spears. Although it largely mirrors her Las Vegas residency, Britney: Piece of Me, which concluded in December 2017; the stage-show was updated with new remixes, production technology, visuals and set list modifications to accommodate for arena shows.
Britney: Live in Concert was the ninth concert tour by American entertainer Britney Spears. The tour marks Spears' first international concert tour in six years, the last being the Femme Fatale Tour in 2011. The tour largely mirrors her Britney: Piece of Me residency in Las Vegas.