["},"rev10":{"wt":"''[[Spin (magazine)|Spin]]''"},"rev10score":{"wt":"7/10][{{cite web|url=http://www.spin.com/reviews/britney-spears-femme-fatale|title=Britney Spears' Femme Fatale Review|last=Ganz|first=Caryn|date=March 29, 2011|access-date=March 29, 2011|work=[[Spin (magazine)|Spin]]|archive-date=April 2, 2011|archive-url=https://web.archive.org/web/20110402072530/http://www.spin.com/reviews/britney-spears-femme-fatale|url-status=live}}]"}},"i":0}}]}" id="mwAv4">Professional ratings Aggregate scores Source Rating AnyDecentMusic? 6.1/10 [ 100] Metacritic 67/100 [ 101] Review scores Source Rating AllMusic [ 102] Entertainment Weekly B+ [ 19] The Guardian [ 103] The Independent [ 20] MSN Music (Expert Witness )B+ [ 104] NME 7/10 [ 105] The Observer [ 42] Rolling Stone [ 23] Slant Magazine [ 106] Spin 7/10 [ 107] The album received generally positive reviews from music critics. At Metacritic , Femme Fatale holds an average score of 67 out of 100 (indicating "generally favorable reviews") based on 25 reviews from mainstream music critics . [ 108] Jody Rosen of Rolling Stone commented that it "may be Britney's best album; certainly it's her strangest". [ 23] AllMusic editor Stephen Thomas Erlewine viewed that Spears's presence on the album is overshadowed by its "high-class" production, calling the album "essentially a cleaner, classier remake of the gaudily dark Blackout [...] a producer's paradise". [ 102] Robert Everett-Green of The Globe and Mail gave the album three-and-a-half out of four stars and complimented its "grainy, glistening electronic sound", calling it "one of the major guilty pleasures in pop this year". [ 109] Kitty Empire of The Observer commented that Spears "has turned out the "fierce dance record" she promised". [ 42] Ailbhe Malone of NME viewed it as her "best work" and wrote that it "brims with the laidback confidence of someone who knows she's back on top." [ 105]
MSN Music ' s Robert Christgau gave the album a B+ rating, [ 104] indicating "remarkable one way or another, yet also flirts with the humdrum or the half-assed". [ 110] Slant Magazine ' s Sal Cinquemani commented that Spears's lack of involvement makes "the success of a Britney song rest almost entirely on the quality of other people's songwriting and production, and almost every track on Femme Fatale succeeds or fails on that basis". [ 106] Los Angeles Times writer Carl Wilson felt that the album "finds unity of subject, style and sound by imagining scenarios in which vanishing into anonymity can be comfort and liberation". [ 111] Tom Gockelen-Kozlowski of The Daily Telegraph felt that, "despite her weak voice and empty lyrics, [Spears] has placed herself at the avant-garde of pop with this masterful mixture of über-cool dubstep and sugary pop". [ 112] The A.V. Club ' s Genevieve Koski wrote that Spears "settles into [the production], game for whatever and confident in the hands of trusted professionals who know how to best utilize her". [ 113]
In a mixed review, Andy Gill of The Independent criticized its "single-minded dedication to dancefloor utility" and observed "only the tiniest of rhythmic variants or differences in electronic tones distinguishing one producer's work from another's". [ 20] Jon Caramanica of The New York Times commented that "much of the music on this album feels flat and redundant, no more invigorating than the average European dance-pop album of five years ago". [ 114] The Guardian ' s Alexis Petridis wrote that Spears's "voice is as anonymous as ever, a state of affairs amplified by the lavishing of Auto-Tune". [ 103] Evan Sawdey of PopMatters wrote that "Spears' worldview is completely self-contained" and described Femme Fatale as "just a big dumb club album". [ 115] Rich Juzwiak of The Village Voice wrote that her "voice doesn't add much to the conversation", writing that her lack of presence is "problematic for an album whose subject matter is hedonism and how being hot facilitates it". [ 116]
Music critics, despite giving favorable reviews, noted Spears's apparent lack of input on Femme Fatale . [ 102] Singer-songwriter Ryan Tedder defended her, stating that "[Frank] Sinatra didn't write a song, Garth Brooks barely wrote anything, George Strait has had I think 51 No. 1's and he has yet to write a song. Rascal Flatts are one of the biggest country acts in the world, and all of their hits are written by other people." [ 117] Spears responded to further criticism of her performing abilities, [ 118] "I don’t really have anything to prove at this point. I just do it for fun and see what happens." [ 119]
Jocelyn Vena of MTV noted that "for the first time in a while, she seemed comfortable being the pop megastar that she is." [ 120] Spin named Femme Fatale the 50th best album of 2011 [ 121] and also placed it at number 3 in their "20 Best Pop Albums of 2011" list. [ 122] Digital Spy ranked the album at number 11 at their year ends list. [ 123] "Till the World Ends" was named the third best song of 2011 by Rolling Stone [ 124] and the third best single of 2011 by Billboard , who described it as "Britney's most immediate single since 'Toxic '." [ 125] Sam Lansky of PopCrush considered "Till the World Ends" the best pop song of 2011. [ 126] Digital Spy also considered the track as the best song of 2011, naming it "Britney's best track since 'Toxic'" and "her most underrated hit." [ 127]
Accolades Awards and nominations Despite receiving mostly favorable reviews from the music critics, Femme Fatale did not receive any nominations at the 54th Annual Grammy Awards (2012). John Mitchell of MTV criticized the award show and stated that "Till the World Ends" should have won a nomination for Best Dance Recording . [ 131] Robbie Daw of Idolator also stated that Spears should have been nominated, commenting: "She had a No. 1 album that yielded a trio of hits. So what gives?" [ 132] Ed Christman of Billboard noted that Femme Fatale was "overlooked" by the Grammy Award voters. [ 133] James Montgomery, also of MTV, however, noted that Spears has "never been considered a Grammy artist, and has won just once during her entire career." [ 134]
Spears performing "(Drop Dead) Beautiful" during the Femme Fatale Tour , 2011 Femme Fatale debuted at number one on the US Billboard 200 , with first-week sales of 276,000 copies. [ 135] This gave Spears her sixth debut at the top of the chart and leaves her in a four-way tie for third most number-one albums for a female artist, along with Mariah Carey , Janet Jackson and Beyoncé . [ 135] [ 136] In its second week, the album fell one slot to number two, with sales of 75,000 units, giving it a two-week total of 351,000 sold in the United States. [ 137] The album spent five consecutive weeks within the Billboard 200 top ten. [ 138] The album was certified platinum in April 2011 by the Recording Industry Association of America (RIAA), [ 139] and has sold 805,000 copies in the country as of May 2020. [ 140] In Mexico, the album debuted at number one upon its release, spending three weeks inside the top ten before falling to number thirteen. [ 141] Asociación Mexicana de Productores de Fonogramas y Videogramas (AMPROFON) has certified the album gold and according to Sony Music México , the album has gone on to sell over 40,000 copies in the country. [ 142]
The album debuted at number eight on the UK Albums Chart , selling 31,650 copies in its first week, [ 143] [ 144] becoming her lowest-charting studio album in the United Kingdom since In the Zone (2003), which peaked at number thirteen in July 2004. In Germany, the album debuted at number ten, making it her seventh consecutive top-ten studio album, and her eighth top-ten album with the inclusion of the greatest hits album Greatest Hits: My Prerogative (2004), which peaked at number four. [ 145] [ 146] Femme Fatale debuted at number eight in Denmark, selling 1,009 copies in its first week. [ 147] On April 4, 2011, Femme Fatale debuted at number one in Australia, making it Spears's first number-one album in the country. It was also certified gold by the Australian Recording Industry Association (ARIA) during its debut week for shipments over 35,000 copies. [ 148]
On 2011 Billboard ' s mid-year sales list, Spears appeared twice: Femme Fatale reached number twelve with 590,000 sold units and its second single "Till the World Ends" number eighteen with 1,989,000 sold units. [ 129] As of February 2014, the album had sold 2.4 million copies worldwide. [ 149]
Track listing Femme Fatale – Standard edition Title Writer(s) Producer(s) 1. "Till the World Ends " 3:57 2. "Hold It Against Me " Dr. Luke Martin Billboard [b] 3:48 3. "Inside Out" Dr. Luke Martin Billboard Wright [a] 3:38 4. "I Wanna Go " 3:30 5. "How I Roll" 3:36 6. "(Drop Dead) Beautiful" (featuring Sabi ) 3:36 7. "Seal It with a Kiss" 3:26 8. "Big Fat Bass " (featuring will.i.am ) William Adams will.i.am 4:44 9. "Trouble for Me" Smith 3:19 10. "Trip to Your Heart" Karlsson Jonback Lidehäll Winnberg Morier Sophie Stern Bloodshy Jonback Magnus Wright [a] 3:33 11. "Gasoline" 3:08 12. "Criminal " 3:45 Total length: 44:00
Femme Fatale – Deluxe edition Title Writer(s) Producer(s) 13. "Up n' Down" 3:42 14. "He About to Lose Me" Jerkins 3:48 15. "Selfish " 3:43 16. "Don't Keep Me Waiting" Jerkins 3:21 Total length: 58:34
Femme Fatale – Japanese deluxe edition (bonus track) Title Writer(s) Producer(s) 17. "Scary" Smith 3:39 Total length: 62:13
Notes
Personnel Credits for Femme Fatale adapted from AllMusic . [ 150]
Ammo – instrumentation, producer, programming, background vocals Beatriz Artola – engineer Stacey Barnett – background vocals Billboard – instrumentation, producer, programming Benny Blanco – instrumentation, producer, programming, background vocals Sophia Black – background vocals Christian Karlsson – instrumentation, producer, programming, vocal producer Heather Bright – background vocals Tom Coyne – mastering Ester Dean – background vocals Megan Dennis – production coordination DJ Ammo – drum programming, synthesizer Dr. Luke – executive producer, instrumentation, producer, programming, background vocals Dream Machine – instrumentation, producer, programming Dylan Dresdow – mixing Eric Eylands – assistant engineer Ashton Foster – background vocals Livvi Franc – background vocals Fraser T Smith – drum programming, keyboards, producer Clint Gibbs – production coordination Aniela Gottwald – assistant Tatiana Gottwald – assistant Venza Gottwald – assistant John Hanes – engineer, mixing Jeri Heiden – art direction Jacob Kasher Hindlin Sam Holland – engineer, background vocals J-MIKE – instrumentation, producer, programming, background vocals Cristyle Johnson – background vocals Henrik Jonback – instrumentation, producer, programming, vocal producer Claude Kelly – background vocals Padraic Kerin – engineer Alexander Kronlund – instrumentation, programming Adam Leber – A&R Jeremy "J Boogs" Levin – assistant Magnus – instrumentation, producer, programming, vocal producer Myah Marie – background vocals Max Martin – engineer, executive producer, instrumentation, keyboards, producer, programming, background vocals Bonnie McKee – background vocals, guest vocals Nicole Morier – background vocals Jackie Murphy – creative director Rob Murray – assistant Chris "Tek" O'Ryan – engineer Chau Phan – background vocals Irene Richter – production coordination Tim Roberts – assistant engineer, mixing assistant Patrizia Rogosch – background vocals Larry Rudolph – A&R Britney Spears – lead vocals, concept, background vocals Shellback – bass, engineer, guitar, keyboards, producer Nick Steinhardt – art direction, design Ryan Supple – photo production Peter Thea – A&R Dave Thomas – stylist will.i.am – drum programming, engineer, piano, producer, synthesizer, guest vocals Emily Wright – engineer, vocal producer Randee St. Nicholas – photography Şerban Ghenea – mixing References ↑ Haylock, Zoe (April 16, 2020). 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