Out of the Blue | ||||
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Studio album by | ||||
Released | 24 October 1977 (US) [1] 28 October 1977 (UK) [2] | |||
Recorded | May–August 1977 | |||
Studio | Musicland Studios, Munich | |||
Genre | ||||
Length | 70:16 | |||
Label | ||||
Producer | Jeff Lynne | |||
Electric Light Orchestra chronology | ||||
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Electric Light Orchestra studio album chronology | ||||
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Singles from Out of the Blue | ||||
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Out of the Blue is the seventh studio album by the British rock group Electric Light Orchestra (ELO),released on 24 October 1977 in the United States and four days after in the UK on 28 October. Written and produced by ELO frontman Jeff Lynne,the double album is among the most commercially successful records in the group's history,selling about 10 million copies worldwide by 2007. [6]
Jeff Lynne wrote the entire album in three and a half weeks after a sudden burst of creativity while hidden away in his rented chalet in the Swiss Alps. It took a further two months to record in Munich.[ citation needed ]
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Out of the Blue was one of the first pop albums to have an extensive use of the vocoder,[ citation needed ] and helped to popularize it. [7]
The opening track, "Turn To Stone", was described by Donald A. Guarisco as "a good example of Electric Light Orchestra's skill for mixing string-laden pop hooks with driving rock and roll", praising the "array of swirling string lines that dart in and out of the mix and some dazzling falsetto harmonies that interact with Lynne's lead vocal in call and response style". [8] The song features a "tongue-twister section" where the song "stops dead", leaving only "slightly phased" vocals punctuated by Bev Bevan's drum hits. [9]
The following track is "It's Over", which takes on what Billboard described as a "classical feel". [10] Cash Box said that it begins "with simple chording which opens to a strumming beat" and that the "strings add panorama" and that "the vocals are characteristically crystalline and soaring." [11]
"Sweet Talkin' Woman" serves as the band's "first real step into the disco sound [...] a string-laden pop tune whose dance-friendly edge helped it become a disco-era hit". AllMusic's Donald A. Guarisco attributed its disco sound to "Bev Bevan's steady drum work" and "pounding piano lines, delirous bursts of swirling strings, and endlessly overdubbed backing vocals [that] mesh seamlessly to form an ornate but driving funhouse of pop hooks". [12] Billboard described the song as a "catchy rocker characterized by semi-classical elements." [13]
"Across the Border" begins with the same "clanging train" sound effect used on the ABBA song "Nina, Pretty Ballerina" and a violin solo by Mik Kaminski. The song itself takes on a "Mexico-infused" style with a verse melody reminiscent of the Beach Boys' song "Heroes and Villains", and Lynne and Groucutt singing in harmony in a "staccato" vocal style. [14]
Side 2 begins with "Night in the City", which Classic Rock History critic Brian Kachejian rated as ELO's 5th greatest song. [15] Kachejian said that "the song’s chorus and verses, bridge, innovative introductions and ending made for one fun ride." [15] The song begins with an unusual segment where keyboardist Richard Tandy's keyboards emulate "the noise and cacophony of busy traffic", combined with "frenzied" string sections invoking "the oppressive atmosphere of being trapped in a city that never sleeps". [16]
The song "Starlight" was inspired by "the night stars in the mountains of Switzerland". ELO drummer Bev Bevan said that the song was "meant to have a rhythm and blues feeling to it ... something like Al Green." [17] ELO historian Barry Delve describes the song as having a "dreamy night-time vibe". [17]
"Jungle" takes a stylistic left turn, featuring "Tarzan effects, trumpeting elephants, a talking line, and a Terpsichorean interlude" that Delve describes as part of the song's "unashamed goofiness". [18] The song is divisive among fans, with some seeing it as "an unworthy novelty". [18]
"Believe Me Now" is a short, "dramatic" interlude dominated by piano, orchestra, and vocoder that serves as an introduction to the following song. [19] "Steppin' Out" is a "tender ballad" [20] with lyrics about leaving home. In the final two minutes, the previously stripped-back arrangement is augmented with increasingly large layers of guitars and vocal harmonies, building to a "grand finish". [21] Lynne has said that he regrets his original vocal take on the released song, saying in 2015 "I really messed up the original on Out of the Blue. ... It's just so flimsy." [21]
Side three of the release is subtitled Concerto for a Rainy Day, a four-track musical suite with common themes of the weather, inspired by the "relentless rain" Lynne experienced in Switzerland while writing the album. [22] Rain and thunder sound effects, recorded in Munich during the recording of the album, appear at the beginning of the suite, and between each song. [22]
"Standin' in the Rain" opens the suite with a simple, "nursery rhyme-like tune" and quiet, distant weather sounds. After a cymbal crash, the orchestra takes prominence, and a heavily distorted voice, manipulated to resemble thunder crackling, voices the words "A concerto for a rainy day". [23] From this point, the song develops into an "exhilarating instrumental workout" that evokes the intensity of a rainstorm. [23]
"Big Wheels" forms the second part of the suite. The song adds layers of instrumentation as it progresses, building from an intimate beginning towards an "epic" crescendo. In the intro of the song, a vocoder sings a melody that reappears in orchestral form at the end of the last song in the suite, "Mr. Blue Sky". [24] Apart from its inclusion on the Out of the Blue album, the song has never appeared on any of the band's compilations or as a B-side until 2000, when Lynne included it on the group's retrospective Flashback album.[ citation needed ]
"Summer and Lightning" is the third song in the suite, and takes on a more lively atmosphere. [25] The Guardian's Mark Beaumont praised the song, ranking it as one of the band's best ten songs. [26] [25]
The suite concludes with "Mr. Blue Sky", a lively, optimistic song celebrating sunshine. [27] Jeff Lynne has told the story of how he wrote the song: [28]
The weather had been really bad, and then one day I got up and it was fantastic, the sun was brilliant and shining, all the mountains were lit up and this mist had gone away. It was gorgeous and I came up with "Mr. Blue Sky".
The arrangement has a prominent cowbell-like sound, [29] and at the end of the song, a vocoder sings "please turn me over", [30] [31] [28] [32] an instruction to physically turn the vinyl over to listen to the final side. [32] [30] The song was released as the album's second UK single in 1978. It was also released in other countries and territories, some of which removed the final outro with the vocoder. [28]
Mark Beaumont said that the first track on Side 4, "Sweet Is the Night", "[sweeps] from an elegant glam-funk strut to a chorus that [is] essentially All The Young Dudes base-jumping." [26] Lynne and Groucutt share singing duties again, with lyrics that Delve describes as "the only love song [on the album] with a happy ending". [33]
"The Whale" is an instrumental track that begins with a "flurry of aquatic, atmospheric effects", and uses the stereo soundscape greatly to "convey the ocean's space and expanse." [34] Lynne wrote the song after watching a TV episode about the hunting of whales, and a part of the proceeds from Out of the Blue were donated to environmental advocacy group Greenpeace. [34] ELO historian Barry Delve praised the song, calling it a "a great one to listen to in headphones", [34] though Mark Beaumont was more critical, naming its "lumbering, ambient depths" as one of the worst moments of Out of the Blue, alongside a "shonky side two". [26]
"Birmingham Blues" is a bluesy rock tune with lyrics about life as a touring band and homesickness. [35]
The album closer is "Wild West Hero", which features "yearning" lyrics as well as many tempo and stylistic changes across its runtime. [36] Mark Beaumont described it as "'Hey Jude' on horseback". [26] The song was released as the third single from the album, and reached a peak position of number 6. [37] [38]
The large spaceship on the album's cover (by then symbolic of the group) was designed by Kosh with art by Shusei Nagaoka. It was based on the logo Kosh designed for ELO's previous album, A New World Record, [39] and looks like the space station with a docking shuttle from 2001: A Space Odyssey (1968). [40] The number JTLA 823 L2 which is featured on the shuttle arriving at the space station is the original catalogue number for the album. The album also included an insert of a cardboard cutout of the space station as well as a fold-out poster of the band members. The space theme was carried onto the live stage in the form of a huge glowing flying saucer stage set, inside which the band performed.[ citation needed ]
Out of the Blue was successful upon release, reaching No.4 in both the US and UK charts, as well as No.3 in Australia and No.2 in Sweden. The album spawned five hit singles in different countries, and was ELO's most commercially successful studio album. It was also the first double album in the history of the UK music charts to generate four top twenty hit singles. Lynne considers A New World Record and Out of the Blue to be the group's crowning achievements, [41] [42] and both sold extremely well, reaching multi-platinum according to RIAA Certification. Capital Radio and The Daily Mirror Rock and Pop Awards (forerunner to The Brit Awards) named it "Album of the Year" in 1978. Lynne received his first Ivor Novello award for Outstanding Contributions to British Music the same year.
The US release of Out of the Blue was originally distributed by United Artists. This changed after United Artists Records was sold by Transamerica Corporation to an EMI Records-backed partnership, which triggered Jet Records' change of control clause in its distribution contract, and Jet shifted to CBS Records as its new distributor. [43] [44] American cut-out copies of Out of the Blue soon became widely available at discounted prices in record shops in the US and Canada shortly after the album's release, affecting the album's sales and triggering lawsuits by CBS and Jet. The suits were ultimately unsuccessful in stopping the discounted sales. [45]
The 30th Anniversary Edition was released in February 2007 with three bonus tracks, as part of the Sony/BMG Music Epic/Legacy series. The 30th anniversary issue was a limited pressing in hardback book with expanded 24-page full colour booklet. It includes full-length sleeve notes by Lynne and ELO archivist Rob Caiger, as well as rare photos and memorabilia. A push-out replica ELO Space Station is included as well as the standard jewel case edition with a full colour 12-page edited booklet. The album once again reached the top twenty album charts in the UK peaking at number 18. A sixth single "Latitude 88 North" was released as digital download single and as a promo 7" single.
In 2012, Music on Vinyl re-released Out of the Blue on vinyl on Epic; the first 1,000 copies were made on transparent blue vinyl and the rest were released in the standard black vinyl.
In 2017, to celebrate the 40th anniversary of the album, a double picture vinyl disc was released by Sony Music and Epic Records.
Review scores | |
---|---|
Source | Rating |
AllMusic | [46] |
The Encyclopedia of Popular Music | [47] |
The Guardian | [48] |
MusicHound Rock | [49] |
Pitchfork | 8.1/10 [50] |
PopMatters | 7/10 [51] |
Record Mirror | [52] |
The Rolling Stone Album Guide | [53] |
With a four out of 5 stars rating Jim Evans of Record Mirror called Out of the Blue "almost a masterpiece and easily one of the best albums this year. And to better 'A New World Record' is a great achievement." [52] Billy Altman of Rolling Stone said that the album was "meticulously produced and performed" and showed the influence of the Beatles, the Beach Boys and the Bee Gees. However, he detected a lack of passion in the work, which he dismissed as a "totally uninteresting and horrifyingly sterile package" and "All method and no madness: perfectly hollow and bland rock Muzak." [54]
Over the years a more favourable view has developed. Ian Gittens of The Guardian , who gave a 3 out of 5 stars rating, found that "this baroque double album has aged better than the three-chord wonders who derided it." He added "Out of the Blue could have managed without the four-song "suite", Concerto for a Rainy Day, but beneath the lavish over-production tracks like Sweet Talkin' Woman, Turn to Stone and Mr Blue Sky were simply great pop songs." [48] With an 8.1/10 score in a 2007 review Rob Mitchum of Pitchfork wrote "Calling in the string section and commissioning the spaceship cover-art may be a big gamble, but Out of the Blue is proof of how good it can sound when the grand approach works." [50] Dan MacIntosh of PopMatters gave a 7/10 score saying "Even with all the excessive rock trappings inherent during ELO’s era, Out of the Blue nevertheless stands up well as a creative endeavor. Best of all, it has the undiminished ability to break through the clouds with plenty of “Mr. Blue Sky” joy — even now." [51] Chris Jones of the BBC exclaimed that "Out of the Blue remains an essential purchase for anyone wishing to bask in their pop perfection." [55]
In 2000, it was voted number 346 in Colin Larkin's All Time Top 1000 Albums . [56] The album was also included in the book 1001 Albums You Must Hear Before You Die . [57]
Axl Rose – by his own admission "an old ELO fanatic" – said: "Out of the Blue is an awesome record." [58]
In October 2013, the album was ranked 23rd on VH1's list "Double Trouble: The 35 Best-Selling Double Albums of All Time". [59]
All songs written by Jeff Lynne. [60]
No. | Title | Length |
---|---|---|
1. | "Turn to Stone" | 3:47 |
2. | "It's Over" | 4:08 |
3. | "Sweet Talkin' Woman" | 3:47 |
4. | "Across the Border" | 3:52 |
Total length: | 15:34 |
No. | Title | Length |
---|---|---|
5. | "Night in the City" | 4:02 |
6. | "Starlight" | 4:30 |
7. | "Jungle" | 3:51 |
8. | "Believe Me Now" (instrumental) | 1:21 |
9. | "Steppin' Out" | 4:38 |
Total length: | 18:22 |
No. | Title | Length |
---|---|---|
1. | "Standin' in the Rain" | 4:20 |
2. | "Big Wheels" | 5:10 |
3. | "Summer and Lightning" | 4:13 |
4. | "Mr. Blue Sky" | 5:05 |
Total length: | 18:48 |
No. | Title | Length |
---|---|---|
5. | "Sweet Is the Night" | 3:26 |
6. | "The Whale" (instrumental) | 5:05 |
7. | "Birmingham Blues" | 4:21 |
8. | "Wild West Hero" | 4:40 |
Total length: | 17:32 |
No. | Title | Length |
---|---|---|
1. | "Wild West Hero" (alternate bridge: home demo) | 0:26 |
2. | "The Quick and the Daft" (previously unreleased) | 1:49 |
3. | "Latitude 88 North" (previously unreleased; also released as a single) | 3:24 |
Credits according to the record liner notes, unless noted. [61]
Electric Light Orchestra
Technical personnel
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [84] | Platinum | 100,000^ |
Germany (BVMI) [85] | Gold | 250,000^ |
Netherlands (NVPI) [86] | Gold | 50,000^ |
United Kingdom (BPI) [87] | Platinum | 300,000^ |
United States (RIAA) [88] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. From this point until their first break-up in 1986, Lynne, Bevan, and keyboardist Richard Tandy were the group's only consistent members.
Jeffrey Lynne is an English musician, singer-songwriter and record producer. He is the co-founder and currently the sole member of the rock band Electric Light Orchestra (ELO), which was formed in 1970, and as a songwriter has written most of the band's hits, including "Evil Woman", "Livin' Thing", "Telephone Line", "Mr. Blue Sky", "Don't Bring Me Down" and "Hold On Tight".
A New World Record is the sixth studio album by Electric Light Orchestra (ELO). It was released on 15 October 1976 on United Artists Records in the U.S., and on 19 November 1976 on Jet Records in the United Kingdom. A New World Record marked ELO's shift towards shorter pop songs, a trend which would continue across their career.
Discovery is the eighth studio album by English rock band Electric Light Orchestra (ELO). It was released on 1 June 1979 in the United Kingdom by Jet Records, where it topped record charts, and on 8 June in the United States on Jet through Columbia Records distribution. A music video album featuring all the songs being played by the band was then released on VHS in 1979, then re-released as part of the Out of the Blue: Live at Wembley DVD and VHS in 1998.
Time is the ninth studio album by English rock band Electric Light Orchestra, released in July 1981 on Jet Records. It is a concept album about a man from the 1980s who is taken to the year 2095, where he is confronted by the dichotomy between technological advancement and a longing for past romance. The record topped the UK Albums Chart for two weeks, though it attracted mixed reviews for its heavy use of synthesizers and stylistic shift away from the orchestral rock of previous ELO albums. It has since gained a cult following, particularly among retrofuturist enthusiasts.
Balance of Power is the eleventh studio album by the Electric Light Orchestra (ELO). It was released in 1986. It is the final album by the band to feature co-founder Bev Bevan on drums, as well as the last album to feature a significant contribution from keyboardist Richard Tandy.
"Livin' Thing" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It appears on ELO's 1976 album A New World Record and was also released as a single. Patti Quatro sang uncredited vocals, particularly the "higher and higher" parts.
"Strange Magic" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It was originally released on their 1975 Face the Music album.
"Mr. Blue Sky" is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by frontman Jeff Lynne, the song forms the fourth and final track of the "Concerto for a Rainy Day" suite on side three of the original double album. "Mr. Blue Sky" was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.
"Can't Get It Out of My Head" is a song written by Jeff Lynne and originally recorded by Electric Light Orchestra.
"Do Ya" is a song written by Jeff Lynne, that was originally recorded by The Move, which became a hit for the Electric Light Orchestra in 1977.
"Turn to Stone" is a 1977 song by Electric Light Orchestra (ELO).
"Evil Woman" is a song recorded by Electric Light Orchestra (ELO) and written by lead vocalist Jeff Lynne. It was first released on the band's fifth album, 1975's Face the Music.
"Telephone Line" is a song by English rock band Electric Light Orchestra (ELO). It was released in May 1977 through Jet Records and United Artists Records as part of the album A New World Record. It was commercially successful, topping the charts of Canada and New Zealand and entering the top 10 in Australia, the United Kingdom, and the United States.
"Don't Bring Me Down" is the ninth and final track on the English rock band the Electric Light Orchestra's 1979 album Discovery. It is their highest-charting hit in the United States to date.
"Confusion" is the second song from the 1979 Electric Light Orchestra (ELO) album Discovery. It features 12-string acoustic guitar and vocoder.
"Twilight" is a song written by Jeff Lynne for English rock band Electric Light Orchestra (ELO), originally released on their 1981 album Time. The lyrics tell of a man who falls asleep while in a twilight state, where he imagines everything in his life that is going to happen to him. They contribute to the album's overarching theme of time travel. ELO writer Barry Delve says that "a cacophony of sound effects...transport us chaotically to the year 2095" to start the album and that the song "doesn't stop or pause for at least 2 minutes," making the song "one of the most exciting experiences ELO ever gave you." Delve suggests that the piano break is influenced by Sergei Rachmaninoff. Billboard said that it was "more intricate" than most ELO songs and that "a grand orchestral build coincides with swirling vocal harmonies for great effect." Record World said that it has "roller-coaster surges of angelic voices and awesome strings." Messenger-Press critic Steve Wosahla said that "Twilight" "indicates that ELO may never get away from Jeff Lynne's accessibly spacey pop pizzaz." Cincinnati Post critic Jerry Stein said that it "is a pounding tune but still has that soaring arrangement favored by the Beatles in so many of their uptempo songs.
"Boy Blue" is a song written by Jeff Lynne and performed by the Electric Light Orchestra (ELO) which first appeared as track number 3 from their 1974 album Eldorado.
Mr. Blue Sky: The Very Best of Electric Light Orchestra is an album of re-recordings by Jeff Lynne of hits by Electric Light Orchestra. It was issued in 2012 by Frontiers Music simultaneously with Lynne's cover album Long Wave.
Wembley or Bust is a live album and concert film by Jeff Lynne's ELO. It was recorded during the Alone in the Universe Tour at Wembley Stadium. The album peaked at number 8 on the UK Albums Chart and at number 12 on the Billboard Top Rock Albums. The album was also certified silver in the United Kingdom.
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