Rabies | ||||
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Studio album by | ||||
Released | November 21, 1989 | |||
Recorded | 1988–1989 | |||
Studio | ||||
Genre | ||||
Length |
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Label | Nettwerk | |||
Producer | ||||
Skinny Puppy chronology | ||||
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Singles from Rabies | ||||
Rabies is the fifth studio album by Skinny Puppy. It was released on November 21, 1989 through Nettwerk. The album notably features Ministry frontman Al Jourgensen (credited as Alien Jourgensen) who performed electric guitar and vocals on several songs. The album spawned two singles, "Tin Omen" and "Worlock", the latter of which becoming one of the band's most recognizable songs. The cover art was made by longtime Skinny Puppy collaborator Steven R. Gilmore. In 1993 the CD edition was reissued by Nettwerk to correct mastering errors in the original release. [1]
Rabies was a commercial success for the band, but received mixed reviews from critics upon release, several of whom drew parallels between the record and Ministry's style, both favorably and unfavorably. A joint tour with Ministry, KMFDM, and My Life with the Thrill Kill Kult, dubbed The Mutants of Rock Tour, was planned but ultimately cancelled when Skinny Puppy ended its commitment to the project.
Most of the band's previous albums had been mixed and produced by the group's "fourth member" Dave "Rave" Ogilvie. For Rabies, lead singer/songwriter Nivek Ogre brought in friend and Ministry frontman, Al Jourgensen. Ogre had met Jourgensen during the recording of the PTP song "Show Me Your Spine" in 1987. Ogre later toured with Ministry (Ogre can be seen and heard on the In Case You Didn't Feel Like Showing Up video and CD) and would also go on to provide vocals for Jourgensen's side project Revolting Cocks. [2] [3] The other two members of Skinny Puppy, cEvin Key (drummer) and Dwayne Goettel (keyboardist/synthesist), did not approve of Jourgensen's takeover, creating a "glacial coldness" between the band members. [4] [5] A couple years following the release of Rabies, Key mentioned to Alternative Press that he believed Jourgensen's motive for assisting in the album's production was to try and break up Skinny Puppy. [5]
Much of the album had been written before Jourgensen was officially involved, though Key has mentioned that the process was influenced by the notion that Jourgensen might join them in the studio to "jam". The group took into consideration what type of music Jourgensen would be interested in making, thus writing guitar heavy material such as "Tin Omen", [5] a song which makes reference to the Tiananmen Square protests of 1989. [6] "Fascist Jock Itch", also written with Jourgensen in mind, [5] was inspired by an incident between Ogre and a few skinheads. Ogre states that he had been approached by the skinheads who then proceeded to question him regarding his "loyalty towards communism" (prompted by a small Red star on his pants). Feeling threatened, Ogre pushed one of them away and a short scuffle ensued. [3] Other songs on the album, such as "Worlock" and "Choralone", have been described as being more "pure" to previous Skinny Puppy material. [5] The song "Hexonxonx", a song which criticizes the use of oil (written in the aftermath of the Exxon Valdez oil spill of 1989), [7] has been described as being an exemplary mixture of "twisted humor and Throbbing Gristle-like experimentation", while other entries from the album have been noted for their novel use of sampling. [8]
The song "Worlock" has been played on every tour after its conception. A Roland Harmonizer was used to create the vocoder-effect during the chorus. Samples of the song "Helter Skelter" by the Beatles are mixed with an excerpt of Charles Manson singing the song; [9] the excerpt comes from the 1973 documentary Manson . [10]
The original CD release on Nettwerk (and the licensed version on Capitol) was mistakenly mastered with Dolby B noise reduction, which resulted in a muffled sound. In 1993, the album was digitally remastered and re-released on Nettwerk. [1]
Only one promotional video was produced for Rabies. The "Worlock" video was primarily a rhythmically edited string of horror movie clips featuring outtakes and clips from the band's earlier video, "Stairs and Flowers" (from the album Mind: The Perpetual Intercourse ). The video, which opens with a "Rated X" graphic, was intended to be a critique of the concept of censorship in America. [3] Many of the movie clips featured in the video were from films made by controversial Italian filmmaker Dario Argento, whose work has a reputation for being heavily censored by US distributors in order to gain "R-Ratings" from the MPAA. [11] For the "Worlock" video Skinny Puppy included footage deleted from the US versions of such Argento films as Deep Red , Suspiria , Tenebrae , Phenomena , and Opera . Other films included in the music video include, The Beyond , Hellbound: Hellraiser II , Bad Taste , Dead and Buried , Luther The Geek , Henry: Portrait of a Serial Killer , From Beyond , Death Warmed Up, Eraserhead and Altered States .
Due to the graphic violence of the horror film clips used in the video, and also copyright violations, "Worlock" was subsequently banned by MTV, and did not receive any television airplay. [12] In 1992, Skinny Puppy released a compilation of their music videos, but "Worlock" was noticeably absent. According to Nettwerk, the video was omitted partially due to copyright problems and also because of concern the video would be banned by other countries which might find the video's content obscene.[ citation needed ] However, in recent years the video has been widely bootlegged among fans on the Internet. "Backing" videos for "Tin Omen" and "Choralone" were produced for the Too Dark Park tour in 1990, and have also been spread on the Internet.
A limited run of promotional mechanical pencils were made and sent to college (and possibly other) radio stations along with the album. Shaped like a syringe the pencils were white with black lettering "SKINNY [PUPPY]" and white on black lettering "RABIES". They were approximately 4 inches in length.
The Mutants of Rock Tour, which was to include a quadruple bill including Skinny Puppy, Ministry, KMFDM, and My Life with the Thrill Kill Kult, was to begin on December 27, 1989. However, according to Key, the tour was called off when Skinny Puppy collectively decided to pull out, citing concerns regarding the band's then uncertain situation. Key suggested a potential line of shows for the summer of 1990, but expressed little faith in any tour supporting Rabies ever happening. [13] Ogre ultimately joined Ministry's tour for The Mind Is a Terrible Thing to Taste . [14]
Review scores | |
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Source | Rating |
AllMusic | [8] |
Sputnikmusic | [15] |
Tampa Bay Times | [16] |
Since the album's release, reception from both critics and fans has been mixed. Alternative Press said Rabies was more of a Skinny Puppy/Ministry hybrid and was not representative of the group's best work. [5]
Tim DiGravina from AllMusic stated that Rabies was a solid release, even though he felt the band was not performing "at their peak". He goes on to praise the album's implementation of movie dialogue, particularly commending its use in the songs "Worlock", "Tin Omen", and "Rivers". DiGravina was, however, less impressed by Jourgensen's contributions, asserting that the same qualities which made The Mind Is a Terrible Thing to Taste a good album were not suitable for Rabies. [8] Trey Spencer from Sputnikmusic was less favorable, calling the record one of the group's "low points". He was critical of the album's use of simple (and sometimes "formless") song structures and claimed that the sampling brought nothing meaningful to the table. Spencer was more receptive to the song "Worlock", calling it the band's "defining moment", but concludes by saying that "the rest of the album consists of two good Industrial Metal songs, three average songs, and five songs that aren’t worth wasting your time on". [15]
Beth Fertig of The Boston Globe panned the album as "just another festering collection of noise", but pointed out the use of humor on songs such as "Fascist Jock Itch" as a positive element of the band's music. [17] Daniel Lukes of Kerrang! said that despite a "handful of undeniably classic tracks", the album comes across more as a collection of "Ministry B-sides" than a typical Skinny Puppy record. [18]
In a positive review from the Los Angeles Times , writers Jonathan Gold and David Kendrick list Rabies as an essential industrial album, calling it a "slightly atypical" offering that "also rocks a little harder". [19] This sentiment was echoed by CMJ's Brad Filicky, who called the album "a masterpiece of the industrial genre". [20] Jean Carey of the Tampa Bay Times praised the album, calling attention to the use of sampling, the song "Worlock", and Ogre's vocal work, which was compared to a "crazed Jimmy Durante". Carey concluded by saying that "Skinny Puppy's willingness to experiment and change makes [Rabies] well worth a listen". [16] Mark Jenkins of The Washington Post thought the album was less theatrical than their previous efforts, but concluded that the album's "groove is as solid as any the Puppy has ever fetched". [21]
All tracks are written by Skinny Puppy
No. | Title | Sample(s) [22] [9] [10] | Length |
---|---|---|---|
1. | "Rodent" | 5:48 | |
2. | "Hexonxonx" | Contains samples of:
| 5:24 |
3. | "Two Time Grime" | 5:38 | |
4. | "Fascist Jock Itch" | Contains samples of:
| 4:58 |
5. | "Worlock" | Contains samples of:
| 5:30 |
6. | "Rain" | 1:26 | |
7. | "Tin Omen" | Contains samples of:
| 4:36 |
8. | "Rivers" | Contains samples of:
| 4:48 |
9. | "Choralone" | 2:43 | |
Total length: | 40:51 |
No. | Title | Length |
---|---|---|
10. | "Amputate" | 3:40 |
11. | "Spahn Dirge" | 16:23 |
Total length: | 60:54 |
Chart (1996) | Peak position |
---|---|
Canada Top Albums/CDs ( RPM ) [23] | 88 |
Skinny Puppy was a Canadian electro-industrial band formed in Vancouver in 1982. The group was among the founders of the industrial rock and electro-industrial genres. Initially envisioned as an experimental side-project by cEvin Key while he was in the new wave band Images in Vogue, Skinny Puppy evolved into a full-time project with the addition of vocalist Nivek Ogre. Over the course of 13 studio albums and many live tours, Key and Ogre were the only constant members. Other members have included Dwayne Goettel, Dave "Rave" Ogilvie, Bill Leeb, Mark Walk (2003–2023), and a number of guests, including Al Jourgensen (1989), Danny Carey (2004), and many others.
Kevin Graham Ogilvie, known professionally as Nivek Ogre, is a Canadian musician, performance artist and actor, best known for his work with the industrial music group Skinny Puppy, which he co-founded with cEvin Key. Since 1982, he has served as Skinny Puppy's primary lyricist and vocalist, occasionally providing instrumentation and samples. Ogre's charismatic personality, guttural vocals and use of costumes, props, and fake blood on stage helped widen Skinny Puppy's fanbase and has inspired numerous other musicians.
Dwayne Rudolph Goettel was a Canadian electronic musician, best known for his work in the industrial music group Skinny Puppy. Starting his career playing for a variety of acts around Edmonton, he joined Skinny Puppy in 1986 following the departure of keyboardist Bill Leeb. A classically trained pianist, he helped to broaden Skinny Puppy's sound with his extensive knowledge of equipment and sampling. He assisted bandmate cEvin Key on a number of side projects such as The Tear Garden and Doubting Thomas, and helped form the experimental electronic group Download. He also created the independent record label Subconscious Communications with friend and colleague Phil Western as a means to release his solo work.
ohGr is an American industrial band formed by Nivek Ogre and Mark Walk of Skinny Puppy. Early ohGr releases incorporated hip hop and synth-pop influences, and in contrast to Skinny Puppy, utilized conventional structures and a lighter tone. Ogre noted that this direction was inspired by the pop bands he enjoyed as a child, such as The Archies. However, in releases such as Devils in my Details, ohGr has taken to a more abrasive, non-linear flavour of electro-industrial, while continuing to release pop albums such as 2018's Tricks.
VIVIsectVI is the fourth studio album by Canadian electro-industrial band Skinny Puppy. It was released on September 12, 1988 through Nettwerk. Despite tackling controversial topics like animal rights, chemical warfare, and environmental waste, VIVIsectVI was well-received. It spawned two singles, "Censor", which was released on the album as "Dogshit", and "Testure", which was Skinny Puppy's only song to chart on Billboard's Dance Club Songs. VIVIsectVI was followed by a theatrically involved tour with Nine Inch Nails as the opening act.
Remission is a 1984 EP by Canadian electro-industrial band Skinny Puppy, their record label debut and first release with Nettwerk. The 12-inch EP originally featured six tracks, then, a year later in 1985, it was released on cassette with five additional songs that lengthened the release to a full album. This expansion became the default version of Remission.
Mind: The Perpetual Intercourse is the second studio album by Skinny Puppy, released on September 5, 1986. It contained the single "Dig It", which inspired several industrial music contemporaries, including Nine Inch Nails. "Dig It" received extensive airplay on MTV and was listed by Billboard as a recommended dance track. The song "Stairs and Flowers" was also released as a single.
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos. Lyrical themes include collapse of society due to destruction of nature, drug addiction, and psychological issues.
Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as moments of uncharacteristic softness. Along with containing some of the band's most impenetrable walls of sound and an eleven-minute track composed almost entirely of manipulated and distorted samples, Last Rights also features Skinny Puppy's first ballad.
Doomsday is a live CD from the band, Skinny Puppy. The album was recorded at an August 20, 2000 performance at the Doomsday Festival in Dresden, Germany. This performance marked the reunion of former bandmates, cEvin Key and Nivek Ogre. It was the first Skinny Puppy concert since 1992, first in Europe since 1988, and first ever in the former East Germany. Skinny Puppy resumed touring in 2004 with The Greater Wrong of the Right Tour.
The Canadian electro-industrial band Skinny Puppy has released twelve studio albums and two extended plays along with a number of live albums, compilations, and singles. The group formed in 1982 and released its debut EP, Back & Forth, in 1984. Later that year, Skinny Puppy was picked up by Nettwerk and released another EP, Remission, in December 1984. The band's first studio album, 1985's Bites, was its last with the original lineup of vocalist Nivek Ogre and producer / multi-instrumentalist cEvin Key; Dwayne Goettel joined in 1986, and the band released its next two albums, Mind: The Perpetual Intercourse and Cleanse Fold and Manipulate, in 1986 and 1987 respectively.
The Singles Collect is a compilation album by Canadian electro-industrial band Skinny Puppy, released in 1999. The release serves as a collection of singles along with a few assorted promotional singles and alternate mixes. The compilation represents all of the singles released by Nettwerk before the band's move to American Recordings and subsequent break-up.
B-Sides Collect is a compilation album by Canadian electro-industrial band Skinny Puppy, released in 1999. The album serves as a collection of several B-sides from earlier singles that were out of print by the time of the collection's release. With the exception of "Serpents", this release complements one of the band's earlier compilations, Twelve Inch Anthology.
"Censor" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in the same year. "Censor's" original title was "Dogshit", which was changed for this release's marketability.
Worlock is a single by the band Skinny Puppy from the album Rabies. The song uses a sample of the guitars in "Helter Skelter" by The Beatles, as well as a vocal sample of Charles Manson singing the song. Vocalist Nivek Ogre considered it one of the band's better songs.
"Testure" is a song by Canadian electro-industrial band Skinny Puppy, taken from its 1988 album VIVIsectVI and released as a single in 1989. "Testure" was the group's first and last song to chart on Billboards's Dance Club Songs, and it was accompanied with a controversial music video.
"Tin Omen" is a single by the band Skinny Puppy, taken from their 1989 album Rabies. The song name is a reference to the 1989 Tiananmen Square protests and massacre. The song also refers to the My Lai massacre of 1968 and the Kent State shootings of 1970.
"Inquisition" is a song by Canadian electro-industrial band Skinny Puppy. It was released as a single on March 24, 1992 in advance of its host album, Last Rights (1992). The B-side "Lahuman8" was created at the request of the Québécois contemporary dance group La La La Human Steps.
Spasmolytic is a single by the band Skinny Puppy from the album Too Dark Park. Deftones created a remix of the song that was included on Remix dystemper and the Saw IV soundtrack. At a running time of 31:22, "Spasmolytic" is Skinny Puppy's longest 12-inch single.