Rain, Steam and Speed – The Great Western Railway | |
---|---|
Artist | J. M. W. Turner |
Year | 1844 |
Medium | oil on canvas |
Dimensions | 91 cm× 121.8 cm(36 in× 48.0 in) |
Location | National Gallery, London |
Rain, Steam, and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner. [1]
The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier. [lower-roman 1] It is now in the collection of the National Gallery, London. The painting gives an impression of great speed in a static painting, an attribute that distinguished Turner from other artists. [2] The work combines the power of nature and technology to create an emotional tension associated with the concept of the sublime.
The painting was painted close to the end of the Industrial Revolution, which brought a massive shift from an agrarian economy to one dominated by machine manufacturing in the Victorian era. [3] The railway was among the most potent symbols of industrialisation, since this new way of transportation heavily affected industrial and social life. [4] Turner seemed to be a generation ahead of other artists, as he was among the few painters at the time to consider industrial advancement as a commendable subject of art. [2] The painting suggests that modern technology is a reality racing towards us. [2]
The Great Western Railway (GWR) was one of a number of private British railway companies created to develop the new means of transport. The location of the painting is widely accepted as Maidenhead Railway Bridge, across the River Thames between Taplow and Maidenhead; a place that Turner had been exploring for over thirty years. [5] The view is looking east towards London. The bridge was designed by Isambard Kingdom Brunel and completed in 1839.
Turner's painting illustrates an oncoming train in the countryside during a summer rainstorm. The train in the center is dark and rain-shrouded, surrounded by a golden natural landscape on both sides. [6] However, the train and bridge, the solid elements of the painting, are barely hinted at, disappearing into the hazy and unreal atmosphere. The mist rising from the water, the rain that veils the sky, and the steam from the locomotive are blurred and mixed, unifying the painting's colors. [2] In the lower-left corner of the painting, we can see a couple on a boat, making evident that the bridge is constructed on top of a river. In the bottom right of the painting, a hare runs along the track. Three white puffs of steam released by the engine into the air indicate that the train is in motion. The first, and nearest to the engine is the most distinct puff, while the other two gradually disappear in the horizon. For some, this detail expresses the idea of speed, as the puffs are progressively left behind. [7] However, they could equally well have been dispersed by the furious wind evident in the grey streaks painted across the viaduct. In the interior of the train, Turner depicted a crowd of waving figures that served as a reminder that the railway was a festive and popular entertainment. [7]
Turner frequently created an atmospheric tonality in his artistic creations by spreading the paint in short, broad brushstrokes from a filthy palette onto the canvas and gradually drawing forms out of his color ground. [2] In the center of the painting and the upper right, Turner used thick impasto with a palette knife. [8] To illustrate the rain, he dabbed dirty putty on to the canvas with a trowel, whereas the sunshine scintillates out of thick, smeary chunks of chrome yellow. [5] Additionally, Turner used cool tones of crimson lake to illustrate the shadows and, even though the fire in the steam-engine appears to be red, it is most likely painted with cobalt and pea-green. [5] Structurally, the picture has a balanced arrangement of forms with its firm geometrical elements. [8]
This celebrated picture demonstrates Turner's commitment to classical landscape, as well as his passion for experimentation and interest in the modern world. [9] The painting is interpreted as a celebration of travel and new technological power, with the railways representing the convergence of technology and natural forces. [10] These elements create an emotional tension associated with the overwhelming power of the sublime. The thrilling essence of speed was an innovative factor of life, with the power to alter our emotions of nature, while the steam of the locomotive provided a groundbreaking atmospheric scenery. [10] Turner was not painting a factual view of the Great Western Railway, but rather an allegory of the powers of nature and technology. [5]
A hare runs along the track in the bottom right of the painting, possibly symbolizing speed itself. [5] Some think this is a reference to the limits of technology. [2] Others believe the animal is running in fear of the new machinery and Turner meant to hint at the danger of man's new technology destroying the sublime elements of nature. [12] Turner considered both hound and hare as the most characteristic emblems of speed, in which the hare does everything in its power to stay safe from the predator who chases it. In fact, he had used these symbols in previous works. In the 1810s, in Battle Abbey; the Spot Where Harold Fell, and later in 1837, in the Apollo and Daphne, he portrayed this detail of a hare being chased. A hare was likely to outpace a Great Western steam locomotive pulling a luggage train of open passenger wagons as depicted by Turner yet in Rain, Steam, and Speed, the modern observer might experience a feeling the poor hare could be crushed in an instant. [5] It is speculated that Turner, played on the idea of an animal chase, aware that a Great Western Firefly type of passenger locomotive engine was named Greyhound but his rendering of the engine is so indistinct to prevent any identification of its type and, in any case, fast and powerful Firefly locomotives were not allocated to luggage trains. [5] [13]
Some people interpret this painting as analogous to that of The Fighting Temeraire , since there seems to be a transition from the past towards the future as the train speeds towards us. [5] Additionally, both paintings create a contrast between technology and the beautiful, peaceful landscape. [5] Other interpretations say that at the left of the painting, Turner features a second stone bridge that serves as an analogue to the bridge in Apullia and Appullus of 1814, emphasizing that both principal structural elements have been pushed to the edges of the canvas. [14]
A locomotive or engine is a rail transport vehicle that provides the motive power for a train. If a locomotive is capable of carrying a payload, it is usually rather referred to as a multiple unit, motor coach, railcar or power car; the use of these self-propelled vehicles is increasingly common for passenger trains, but rare for freight trains.
Rail transport is a means of transport using wheeled vehicles running in tracks, which usually consist of two parallel steel rails. Rail transport is one of the two primary means of land transport, next to road transport. It is used for about 8% of passenger and freight transport globally, thanks to its energy efficiency and potentially high speed.
The Great Western Railway (GWR) was a British railway company that linked London with the southwest, west and West Midlands of England and most of Wales. It was founded in 1833, received its enabling act of Parliament on 31 August 1835 and ran its first trains in 1838 with the initial route completed between London and Bristol in 1841. It was engineered by Isambard Kingdom Brunel, who chose a broad gauge of 7 ft —later slightly widened to 7 ft 1⁄4 in —but, from 1854, a series of amalgamations saw it also operate 4 ft 8+1⁄2 in standard-gauge trains; the last broad-gauge services were operated in 1892.
A steam locomotive is a locomotive that provides the force to move itself and other vehicles by means of the expansion of steam. It is fuelled by burning combustible material to heat water in the locomotive's boiler to the point where it becomes gaseous and its volume increases 1,700 times. Functionally, it is a steam engine on wheels.
The history of rail transport began before the beginning of the common era. It can be divided into several discrete periods defined by the principal means of track material and motive power used.
A geared steam locomotive is a type of steam locomotive which uses gearing, usually reduction gearing, in the drivetrain, as opposed to the common directly driven design.
A tank locomotive or tank engine is a steam locomotive that carries its water in one or more on-board water tanks, instead of a more traditional tender. Most tank engines also have bunkers to hold fuel; in a tender-tank locomotive a tender holds some or all of the fuel, and may hold some water also.
The American Locomotive Company was an American manufacturer that operated from 1901 to 1969, initially specializing in the production of locomotives but later diversifying and fabricating at various times diesel generators, automobiles, steel, tanks, munitions, oil-production equipment, as well as heat exchangers for nuclear power plants.
The London, Brighton and South Coast Railway was a railway company in the United Kingdom from 1846 to 1922. Its territory formed a rough triangle, with London at its apex, practically the whole coastline of Sussex as its base, and a large part of Surrey. It was bounded on its western side by the London and South Western Railway (L&SWR), which provided an alternative route to Portsmouth. On its eastern side the LB&SCR was bounded by the South Eastern Railway (SER)—later one component of the South Eastern and Chatham Railway (SE&CR)—which provided an alternative route to Bexhill, St Leonards-on-Sea, and Hastings. The LB&SCR had the most direct routes from London to the south coast seaside resorts of Brighton, Eastbourne, Worthing, Littlehampton and Bognor Regis, and to the ports of Newhaven and Shoreham-by-Sea. It served the inland towns and cities of Chichester, Horsham, East Grinstead and Lewes, and jointly served Croydon, Tunbridge Wells, Dorking and Guildford. At the London end was a complicated suburban and outer-suburban network of lines emanating from London Bridge and Victoria, and shared interests in two cross-London lines.
Rail transport terms are a form of technical terminology applied to railways. Although many terms are uniform across different nations and companies, they are by no means universal, with differences often originating from parallel development of rail transport systems in different parts of the world, and in the national origins of the engineers and managers who built the inaugural rail infrastructure. An example is the term railroad, used in North America, and railway, generally used in English-speaking countries outside North America and by the International Union of Railways. In English-speaking countries outside the United Kingdom, a mixture of US and UK terms may exist.
Dieselisation is the process of equipping vehicles with a diesel engine or diesel engines.
Otto August Kuhler was an American designer, one of the best known industrial designers of the American railroads. According to Trains magazine he streamstyled more locomotives and railroad cars than Cret, Dreyfuss and Loewy combined. His extensive concepts for the modernization of the American railroads have repercussions onto the railways worldwide until today. In addition he was a prolific artist of industrial aesthetics and of the American West in general.
Wylam Dilly is the second oldest surviving railway locomotive in the world; it was built circa 1815 by William Hedley and Timothy Hackworth for Christopher Blackett, the owner of Wylam colliery, west of Newcastle upon Tyne. Wylam Dilly was initially designed for and used on the Wylam Waggonway to transport coal. The four driving wheels are connected by a train of spur wheels driven by a central crankshaft.
The WAGR P and Pr classes were two classes of 4-6-2 steam locomotives designed for express passenger service on the Western Australian Government Railways mainline network. The initial designs were prepared by E.S. Race and together the two classes had a total build number of thirty-five locomotives, the P and Pr classes entering service in 1924 and 1938 respectively. Both classes were used on express passenger services, greatly improving the economy and speed of long-distance passenger travel in Western Australia, the results of which were most visible on the Western Australian stage of the Trans-Australian Railway and Westland Express.
China Railway SY is a 2-8-2 Mikado locomotive operated by the China Railway. It was built mostly by Tangshan Railway Vehicle between 1960 and 1999.
Gnome Watching Railway Train is an 1848 oil-on-wood painting by the German painter Carl Spitzweg.
The Train in the Snow, or Le train dans la neige, is a landscape painting by the French Impressionist artist Claude Monet. The work depicts a train surrounded by snow at the Argenteuil station in France. Art historians see the work as a significant example of Monet's efforts to integrate nature and industry in his work. Many historians believe that Monet, out of all of the notable nineteenth century artists, made the most paintings of trains in his lifetime.
External videos | |
---|---|
Turner's Rain, Steam, and Speed – The Great Western Railway at Smarthistory. |