Perissodactyla is an order of ungulates. The order includes about 17 living species divided into three families: Equidae, Rhinocerotidae (rhinoceroses), and Tapiridae (tapirs). They typically have reduced the weight-bearing toes to three or one of the five original toes, though tapirs retain four toes on their front feet. The nonweight-bearing toes are either present, absent, vestigial, or positioned posteriorly. By contrast, artiodactyls bear most of their weight equally on four or two of the five toes: their third and fourth toes. Another difference between the two is that perissodactyls digest plant cellulose in their intestines, rather than in one or more stomach chambers as artiodactyls, with the exception of Suina, do.
The qilin is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or death of a sage or illustrious ruler. Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures.
The Javan rhinoceros, Javan rhino, Sunda rhinoceros or lesser one-horned rhinoceros is a critically endangered member of the genus Rhinoceros, of the rhinoceros family, Rhinocerotidae, and one of the five remaining extant rhinoceros species across South Asia and Africa. The Javan rhinoceros is one of the smallest rhinoceros species, along with the Sumatran, or "hairy", rhinoceros. They are superficially similar to Indian rhinos, as they have plate-like, "armored" protective skin folds, but are slightly smaller, at just 3.1–3.2 m (10–10 ft) long and 1.4–1.7 m (4.6–5.6 ft) tall, on average. The heaviest specimens weigh around 2,300 kg/2.3 tonnes, similar to a black rhinoceros. However, unlike the long and potentially lethal horns of the black or white rhinoceroses of Africa, the Javan species' single, somewhat blunted horn is usually shorter than 25 cm (9.8 in).
King Wu of Zhou, personal name Ji Fa, was the founding king of the Chinese Zhou dynasty. The chronology of his reign is disputed but is generally thought to have begun around 1046 BCE and ended with his death three years later.
The black rhinoceros, sometimes also called the hook-lipped rhinoceros, is a species of rhinoceros, native to eastern Africa and southern Africa, including Angola, Botswana, Kenya, Malawi, Mozambique, Namibia, South Africa, Eswatini, Tanzania, Zambia, and Zimbabwe. Although the species is referred to as black, its colours vary from brown to grey. It is the only extant species of the genus Diceros.
The Sumatran rhinoceros, also known as the Sumatran rhino, hairy rhinoceros or Asian two-horned rhinoceros, is a rare member of the family Rhinocerotidae and one of five extant species of rhinoceros; it is the only extant species of the genus Dicerorhinus. It is the smallest rhinoceros, although it is still a large mammal; it stands 112–145 cm (44–57 in) high at the shoulder, with a head-and-body length of 2.36–3.18 m and a tail of 35–70 cm (14–28 in). The weight is reported to range from 500–1,000 kg (1,100–2,200 lb), averaging 700–800 kg (1,540–1,760 lb). Like both African species, it has two horns; the larger is the nasal horn, typically 15–25 cm (5.9–9.8 in), while the other horn is typically a stub. A coat of reddish-brown hair covers most of the Sumatran rhino's body.
The zun or yi, used until the Northern Song (960–1126) is a type of Chinese ritual bronze or ceramic wine vessel with a round or square vase-like form, sometimes in the shape of an animal, first appearing in the Shang dynasty. Used in religious ceremonies to hold wine, the zun has a wide lip to facilitate pouring. Vessels have been found in the shape of a dragon, an ox, a goose, and more. One notable zun is the He zun from the Western Zhou.
A rhinoceros, commonly abbreviated to rhino, is a member of any of the five extant species of odd-toed ungulates in the family Rhinocerotidae; it can also refer to a member of any of the extinct species of the superfamily Rhinocerotoidea. Two of the extant species are native to Africa, and three to South and Southeast Asia.
The Indian rhinoceros, also known as the greater one-horned rhinoceros, great Indian rhinoceros, or Indian rhino for short, is a rhinoceros species native to the Indian subcontinent. It is the second largest extant species of rhinoceros, with adult males weighing 2.07–2.2 tonnes and adult females 1.6 tonnes. The skin is thick and is grey-brown in colour with pinkish skin folds. They have a single horn on their snout that grows to a maximum of 57.2 cm (22.5 in). Their upper legs and shoulders are covered in wart-like bumps, and aside from the eyelashes, ear fringes and tail brush, Indian rhinoceroses are nearly hairless.
The xun is a globular, vessel flute from China. It is one of the oldest musical instruments in China and has been in use for approximately 7,000 years. The xun was initially made of stone, baked clay, or bone, and later of clay or ceramic; sometimes the instrument is made with bamboo. It is the only surviving example of an earth instrument from the traditional "eight-tone" (bayin) classifications of musical instruments.
Chinese armour was predominantly lamellar from the Warring States period onward, prior to which animal parts such as rhinoceros hide, rawhide, and turtle shells were used for protection. Lamellar armour was supplemented by scale armour since the Warring States period or earlier. Partial plate armour was popular from the Eastern and Southern dynasties (420–589), and mail and mountain pattern armour from the Tang dynasty (618–907). Chain mail had been known since the Han dynasty, but did not see widespread production or battlefield use, and may have seen as "exotic foreign armor" used as a display of wealth for wealthier officers and soldiers. During the Ming dynasty (1368–1644), brigandine began to supplant lamellar armour and was used to a great degree into the Qing dynasty (1644–1912). By the 19th century most Qing armour, which was of the brigandine type, were purely ceremonial, having kept the outer studs for aesthetic purposes, and omitted the protective metal plates.
Jiaolong or jiao is a dragon in Chinese mythology, often defined as a "scaled dragon"; it is hornless according to certain scholars and said to be aquatic or river-dwelling. It may have referred to a species of crocodile.
The xiezhi is a mythical creature of Chinese origin found throughout Sinospheric legends. It resembles an ox or goat, with thick dark fur covering its body, bright eyes, and a single long horn on its forehead. It has great intellect and understands human speech. The xiezhi possesses the innate ability to distinguish right from wrong, and when it finds corrupt officials, it will ram them with its horn and devour them. It is known as a symbol of justice.
Wallowing in animals is comfort behaviour during which an animal rolls about or lies in mud, water or snow. Some definitions include rolling about in dust, however, in ethology this is usually referred to as dust bathing. Wallowing is often combined with other behaviours to fulfil its purpose; for example, elephants will often blow dirt over themselves after wallowing to create a thicker "coating", or pigs will allow the mud to dry before rubbing themselves on a tree or rock to remove ectoparasites stuck in the mud.
The southern white rhinoceros or southern white rhino is one of the two subspecies of the white rhinoceros. It is the most common and widespread subspecies of rhinoceros.
The northern Sumatran rhinoceros, also known as Chittagong rhinoceros or northern hairy rhinoceros, was the most widespread subspecies of Sumatran rhinoceros, as well as the only known subspecies native to mainland Asia.
The Shenglei was the first Chinese rime dictionary, compiled c. 230 CE by Li Deng (李登), a lexicographer from the state of Cao Wei (220–266). Earlier dictionaries were organized either by semantic fields or by character radicals. The last copies of the Shenglei were lost around the 13th century, and it is known only from earlier descriptions and quotations, which say it was in ten volumes and listed 11520 Chinese characters, with entries categorized by linguistic tone in terms of the 'five tones' of the pentatonic scale from Chinese musicology and wuxing theory.
"Hymn to the Fallen" (Jiu Ge) is a Classical Chinese poem which has been preserved in the Nine Songs section of the ancient Chinese poetry anthology, the Chu ci, or The Songs of Chu, which is an ancient set of poems. Together, these poems constitute one of the 17 sections of the poetry anthology which was published under the title of the Chuci. Despite the "Nine" in the title, the number of these poetic pieces actually consists of eleven separate songs, or elegies. This set of verses seems to represent some shamanistic dramatic practices of the Yangzi River valley area involving the invocation of divine beings and seeking their blessings by means of a process of courtship. The poetry consists of lyrics written for performance as part of a religious drama, however the lack of stage directions or indications of who is supposed to be singing at any one time or whether some of the lines represent lines for a chorus makes an accurate reconstruction of how such a shamanic drama would actually have been performed quite uncertain; although, there are internal textual clues, for example indicating the use of spectacular costumes for the performers, and an extensive orchestra. Although not precisely dated, "Hymn to the Fallen" dates from the end of the late the Warring States period, ended 221 BCE, with possible revisions in the Han dynasty, particularly during the reign of Han Wudi, during 141 to 87 BCE. The poem has been translated into English by David Hawkes as "Hymn to the Fallen". "Guo shang" is a hymn to soldiers killed in war. Guó (國) means the "state", "kingdom", or "nation". Shāng (殤) means to "die young". Put together, the title refers to those who meet death in the course of fighting for their country. David Hawkes describes it as "surely one of the most beautiful laments for fallen soldiers in any language".
Mo (貘) was the Chinese name for the giant panda from the 3rd century BCE to the 19th century CE. In 1824, the French sinologist Jean-Pierre Abel-Rémusat identified the mo as the black-and-white Malayan tapir. Chinese woodblocks depict the mo (貘) as having an elephant trunk, rhinoceros eyes, cow tail and tiger paws, following the description of 9th-century Tang poet Bai/Bo Juyi. Abel-Rémusat's interpretation was adopted in Western zoology, and later accepted as modern scientific fact in China and Japan. In the 20th century, since mo had lost its original meaning, the giant panda was given a new Chinese name da xiongmao.
