Rock 'n' Roll Animal | ||||
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Live album by | ||||
Released | February 1974 | |||
Recorded | December 21, 1973 | |||
Venue | Howard Stein's Academy of Music, New York City | |||
Genre | ||||
Length | 40:32 (original) 48:12 (remaster) | |||
Label | RCA Victor | |||
Producer |
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Lou Reed chronology | ||||
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Singles from Rock 'n' Roll Animal | ||||
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Rock 'n' Roll Animal is a live album by American musician Lou Reed, released in February 1974 by RCA Records. In its original form, it features five songs, four of which were initially recorded by The Velvet Underground. Reed's band included Pentti Glan (drums), Prakash John (bass), Ray Colcord (keyboards), and Dick Wagner and Steve Hunter (guitars). (The two guitarists would later form the basis of the first Alice Cooper solo band, beginning on Welcome to My Nightmare , which also features Glan and John.)
The album was recorded live on December 21, 1973, at Howard Stein's Academy of Music in New York City. A sleeper hit, it peaked at No. 26 in the UK and No. 45 on the Billboard 200 album chart during a 28-week stay before earning Reed's first RIAA gold certification in 1978. [7] [8] [9]
Paul Nelson of Rolling Stone magazine was in attendance that night. Writing about Rock 'n' Roll Animal and its sequel, Lou Reed Live , which were both recorded at the same show, he recalled: "As it happens, I had seen Reed and a mediocre pickup band at Lincoln Center some months earlier in his first New York non-Velvets appearance and he was tragic in every sense of the word. So, at the Academy, I didn't expect much and when his new band came out and began to play spectacular, even majestic, rock & roll, management's strategy for the evening became clear: Elevate the erratic and unstable punkiness of the centerpiece into punchy, swaggering grandeur by using the best arrangements, sound and musicians that money could buy; the trimmings, particularly guitarists Dick Wagner and Steve Hunter, were awesome enough so that if Reed were merely competent, the concert would be a success. And it was, as one can judge from the resultant albums. The band does not emulate the violent, hypnotic, dope-trance staccato power and subway lyricism of the Velvet Underground, but rather opts for a hard, clean, clear, near-royal Mott the Hoople/Eric Clapton (Layla) opulence and Reed sings out most of the songs in his effective street-talk style. Animal, coming first, naturally contains the best performances ("Intro/Sweet Jane," "White Light/White Heat," the first half of "Rock 'n' Roll")." [10]
Review scores | |
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Source | Rating |
AllMusic | [11] |
Chicago Tribune | [12] |
Christgau's Record Guide | A− [13] |
Overdose | A [14] |
The Rolling Stone Album Guide | [15] |
Spin Alternative Record Guide | 7/10 [16] |
Uncut | [17] |
Rolling Stone editor Timothy Ferris described Rock 'n' Roll Animal as "a record to be played loud", continuing: "As background music it isn't much, but powered up on a strong system loud enough to make enemies a quarter-mile away, Rock 'n' Roll Animal... is, well, very fine." [18]
Paul Morley, writing in NME in 1979, said, "Rock 'n' Roll Animal and Lou Reed Live were the ultimate insults, Reed wrecking the rare beauty and affirmation of his greatest songs by turning them into cliché ridden hack heavy metal mutations." [19]
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said, "At its best, Reed's live music brings the Velvets into the arena in a clean redefinition of heavy, thrilling without threatening to stupefy. 'Lady Day,' the slow one here, would pass for uptempo at many concerts, the made-in-Detroit guitars of Steve Hunter and Dick Wagner mesh naturally with the unnatural rhythms, and Reed shouts with no sacrifice of wit. I could do without Hunter's showboating 'Introduction,' and I've always had my reservations about 'Heroin,' but this is a live album with a reason for living." [13]
A remastered version was released on CD in 2000. It featured two tracks not included on the original LP or 1990 CD release.
Further excerpts from the same concert were released in 1975 as Lou Reed Live (between the remastered Rock 'n' Roll Animal and Lou Reed Live the entire show has been released, albeit in a different order than the original concert). "Rock 'n' Roll Animal"'s stereo mix isolates guitarist Steve Hunter on the right channel, and Dick Wagner on the left; this arrangement is reversed on Lou Reed Live.
All tracks are written by Lou Reed, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Intro/Sweet Jane" |
| 7:55 |
2. | "Heroin" | 13:05 |
No. | Title | Length |
---|---|---|
3. | "White Light/White Heat" | 5:15 |
4. | "Lady Day" | 4:00 |
5. | "Rock 'n' Roll" | 10:15 |
No. | Title | Length |
---|---|---|
1. | "Intro/Sweet Jane" | 7:48 |
2. | "Heroin" | 13:12 |
3. | "How Do You Think It Feels" | 3:41 |
4. | "Caroline Says I" | 4:06 |
5. | "White Light/White Heat" | 4:55 |
6. | "Lady Day" | 4:05 |
7. | "Rock 'n' Roll" | 10:21 |
Adapted from the Rock 'n' Roll Animal liner notes. [20]
Production
Chart (1974) | Peak position |
---|---|
Australian Albums (Kent Music Report) [21] | 20 |
UK Albums (OCC) [7] | 26 |
US Billboard 200 [8] | 45 |
Region | Certification | Certified units/sales |
---|---|---|
France (SNEP) [22] | Gold | 100,000* |
United States (RIAA) [9] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track "Candy Says" and the closing track "After Hours" is sung by drummer Maureen Tucker.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released on November 8, 1972 by RCA Records. It is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, prostitution and drug use. Although Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band the Velvet Underground and used his fame to promote Reed, who had not yet achieved mainstream success.
Welcome to My Nightmare is the debut solo studio album by American rock musician Alice Cooper, released on February 28, 1975 by Atlantic Records. A concept album, its songs played in sequence form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and his Welcome to My Nightmare concert film in 1976. The tour was one of the most over-the-top excursions of that era. Most of Lou Reed's band joined Cooper for this record. Welcome to My Nightmare is his only album under the Atlantic Records label in North America; internationally, it was released on the ABC subsidiary Anchor Records.
Street Hassle is the eighth solo studio album by American rock musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural recording technology. Street Hassle combines live concert tapes and studio recordings.
Lou Reed is the debut solo studio album by American rock musician Lou Reed, released in May 1972 by RCA Records, two years after he left the Velvet Underground. It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the British progressive rock band Yes. Wakeman recalled that during the recording sessions, "the lights had to be out so nobody could see." The album was recorded at Morgan Studios in London, between December 1971 and January 1972.
Berlin is the third solo studio album by American rock musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time.
VU is an album by the American musical group the Velvet Underground, recorded in 1968 and 1969 and released sixteen years later in February 1985 by Verve Records. Some sources refer to VU as a compilation album, while music critic Robert Christgau called it an unofficial Velvets' studio album. Most avoid both of these labels, as well as other terms occasionally used when discussing the album such as archival album or collection of outtakes.
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States. The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
Richard Allen Wagner was an American rock guitarist, songwriter and author best known for his work with Alice Cooper, Lou Reed, and Kiss. He also fronted his own Michigan-based bands, the Frost and the Bossmen.
"Heroin" is a song by American rock band the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin usage and its effects, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stone's list of "The 500 Greatest Songs of All Time", and was re-ranked at number 455 in 2010.
Lou Reed Live is a live album by Lou Reed, released in 1975. It was recorded at the same concert as Rock 'n' Roll Animal ; on December 21, 1973, at Howard Stein's Academy of Music in New York. It features three songs from Transformer, one song from The Velvet Underground & Nico and two songs from Berlin. Between this album and the remastered Rock 'n' Roll Animal, the entire show has been released, albeit in a different order than the original concert setlist.
"Sweet Jane" is a song by American rock band the Velvet Underground. Appearing on their fourth studio album Loaded (1970), the song was written by band leader and primary songwriter Lou Reed, who continued to incorporate the piece into live performances after he left the band.
Mandala was a Canadian R&B and soul band from the 1960s. The band was formed in 1965 in Toronto, Ontario as The Rogues and changed their name prior to their first Canadian Top 40 hit "Opportunity".
Prakash John is an Indian-Canadian rock and rhythm & blues bassist. He is known as one of the originators of the 'Toronto sound'.
Stephen John Hunter is an American guitarist, primarily a session player. He has worked with Lou Reed and Alice Cooper, acquiring the moniker "The Deacon". Hunter first played with Mitch Ryder's Detroit, beginning a long association with record producer Bob Ezrin who has said Steve Hunter has contributed so much to rock music in general that he truly deserves the designation of "Guitar Hero". Steve Hunter has played some of the greatest riffs in rock history - the first solo in Aerosmith's "Train Kept A Rollin'", the acoustic intro on Peter Gabriel's "Solsbury Hill" and he wrote the intro interlude on Lou Reed's live version of "Sweet Jane" on Reed's first gold record.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde earned them little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, experimentation, and nihilistic attitude were also instrumental in the development of punk rock, new wave and several other genres.
"Rock & Roll" is a song by the Velvet Underground, originally appearing on their 1970 album Loaded. The song was written by the Velvets' leader Lou Reed, who continued to incorporate the song into his own live performances years later as a solo artist.
Pentti "Whitey" Glan was a Finnish-Canadian rock drummer, best known for his work with Alice Cooper and Lou Reed.
But Reed also went gold by playing slightly cheesy hard-rock version of Velvet Underground songs on his 1974 live album Rock 'N' Roll Animal.(Subscription required.)
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