Sisterhood Is Powerful

Last updated

Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement
Robin Morgan - Sisterhood Is Powerful.jpg
Cover of the first edition
Editor Robin Morgan
CountryUnited States
LanguageEnglish
Publisher Vintage Books
Publication date
1970
Media typePrint
Pages602
ISBN 0-394-70539-4
OCLC 96157
LC Class 70117694
Followed by Sisterhood Is Global: The International Women's Movement Anthology  

Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement is a 1970 anthology of feminist writings edited by Robin Morgan, a feminist poet and founding member of New York Radical Women. [1] It is one of the first widely available anthologies of second-wave feminism. It is both a consciousness-raising analysis and a call-to-action. [2] Sisterhood Is Global: The International Women's Movement Anthology (1984) is the follow-up to Sisterhood Is Powerful. [3] After Sisterhood Is Global came its follow-up, Sisterhood Is Forever: The Women's Anthology for a New Millennium (2003). [3]

Contents

Background

Kathie Sarachild coined the phrase "sisterhood is powerful" in 1968, in a flier she wrote for the keynote speech she gave for New York Radical Women's first public action at the convocation of the Jeannette Rankin Brigade. [4]

Contents

The collection addresses several major issues including "the need for radical feminism, the discrimination women experienced from men in the political left, and the blatant sexism faced in the workplace." [5]

It includes classic feminist essays and writings by activists such as Naomi Weisstein, Kate Millett, Eleanor Holmes Norton, Florynce Kennedy, Frances M. Beal, Lucinda Cisler, Joreen, Marge Piercy, Lynn Strongin, and Mary Daly, as well as historical documents including the N.O.W. Bill of Rights, excerpts from the SCUM Manifesto, the Redstockings Manifesto, and historical documents from W.I.T.C.H. It also includes a document from the Black Women's Liberation Group from Mount Vernon; this piece demonstrates the race-conscious "sisterhood" that some second-wave black feminists demanded and was used by many second-wave feminists to communicate this demand. [6] It also includes what Morgan coined "verbal karate": useful quotes and statistics about women. [7]

Reception

The anthology was cited by the New York Public Library as one of the "New York Public Library's Books of the [20th] Century". [8] However, Chile, China and South Africa banned the anthology. [9]

Legacy

The Oxford English Dictionary credits Robin Morgan with first using the term "herstory" in print in the book. Concerning the feminist organization W.I.T.C.H., Morgan wrote:

The fluidity and wit of the witches is evident in the ever-changing acronym: the basic, original title was Women's International Terrorist Conspiracy from Hell [...] and the latest heard at this writing is Women Inspired to Commit Herstory." [10] [11]

Morgan established the first American feminist grant-giving organization, The Sisterhood Is Powerful Fund, with the royalties from Sisterhood Is Powerful. [9]

In a 2019 Paris Fashion Week show, Christian Dior's creative director Maria Grazia Chiuri debuted a collection of T-shirts that read Sisterhood Is Powerful, Sisterhood Is Global and Sisterhood Is Forever, respectively. [12] [13]

The 2016 coming-of-age film 20th Century Women prominently features the book, being lent to Jamie (Lucas Jade Zumann) by Abbie (Greta Gerwig).

Related Research Articles

Herstory is a term for history written from a feminist perspective and emphasizing the role of women, or told from a woman's point of view. It originated as an alteration of the word "history", as part of a feminist critique of conventional historiography, which in their opinion is traditionally written as "his story", i.e., from the male point of view. The term is a neologism and a deliberate play on words; the word "history"—via Latin historia from the Ancient Greek word ἱστορία, a noun meaning 'knowledge obtained by inquiry'— is etymologically unrelated to the possessive pronoun his.

Radical feminism is a perspective within feminism that calls for a radical re-ordering of society in which male supremacy is eliminated in all social and economic contexts, while recognizing that women's experiences are also affected by other social divisions such as in race, class, and sexual orientation. The ideology and movement emerged in the 1960s.

<span class="mw-page-title-main">Robin Morgan</span> American poet, writer and activist (born 1941)

Robin Morgan is an American poet, writer, activist, journalist, lecturer and former child actor. Since the early 1960s, she has been a key radical feminist member of the American Women's Movement, and a leader in the international feminist movement. Her 1970 anthology Sisterhood Is Powerful was cited by the New York Public Library as "One of the 100 Most Influential Books of the 20th Century.". She has written more than 20 books of poetry, fiction, and nonfiction, and was editor of Ms. magazine.

<span class="mw-page-title-main">Lesbian feminism</span> Feminist movement

Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.

W.I.T.C.H., originally the acronym for Women's International Terrorist Conspiracy from Hell, was the name of several related but independent feminist groups active in the United States as part of the women's liberation movement during the late 1960s. The W.I.T.C.H. moniker was sometimes alternatively expanded as "Women Inspired to Tell their Collective History", or "Women Interested in Toppling Consumer Holidays", among other variations.

The Feminists was a second-wave radical feminist group active in New York City from 1968 to 1973.

Redstockings, also known as Redstockings of the Women's Liberation Movement, is a radical feminist nonprofit that was founded in January 1969 in New York City, whose goal is "To Defend and Advance the Women's Liberation Agenda". The group's name is derived from bluestocking, a term used to disparage feminist intellectuals of earlier centuries, and red, for its association with the revolutionary left.

<span class="mw-page-title-main">New York Radical Women</span> American feminist group (1967–1969)

New York Radical Women (NYRW) was an early second-wave radical feminist group that existed from 1967 to 1969. They drew nationwide media attention when they unfurled a banner inside the 1968 Miss America pageant displaying the words "Women's Liberation".

Frances M. Beal, also known as Fran Beal, is a Black feminist and a peace and justice political activist. Her focus has predominantly been regarding women's rights, racial justice, anti-war and peace work, as well as international solidarity. Beal was a founding member of the SNCC Black Women's Liberation Committee, which later evolved into the Third World Women's Alliance. She is most widely known for her publication, “Double Jeopardy: To Be Black and Female", which theorizes the intersection of oppression between race, class, and gender. Beal currently lives in Oakland, California.

<i>This Bridge Called My Back</i> 1981 feminist anthology

This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa, first published in 1981 by Persephone Press. The second edition was published in 1983 by Kitchen Table: Women of Color Press. The book's third edition was published by Third Woman Press until 2008, when it went out of print. In 2015, the fourth edition was published by State University of New York Press, Albany.

<span class="mw-page-title-main">Miss America protest</span> Demonstration held at the Miss America 1968

The Miss America protest was a demonstration held at the Miss America 1969 contest on September 7, 1968, attended by about 200 feminists and civil rights advocates. The feminist protest was organized by New York Radical Women and included putting symbolic feminine products into a "Freedom Trash Can" on the Atlantic City boardwalk, including bras, hairspray, makeup, girdles, corsets, false eyelashes, mops, and other items. The protesters also unfurled a large banner emblazoned with "Women's Liberation" inside the contest hall, drawing worldwide media attention to the Women's Liberation Movement.

<span class="mw-page-title-main">Feminist movements and ideologies</span>

A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.

<span class="mw-page-title-main">Martha Shelley</span> American lesbian feminist activist

Martha Shelley is an American activist, writer, and poet best known for her involvement in lesbian feminist activism.

<i>Sisterhood Is Forever</i> 2003 feminist anthology

Sisterhood Is Forever: The Women's Anthology for a New Millennium is a 2003 anthology of feminist writings edited by Robin Morgan. It has more than fifty women contributing sixty original essays written specifically for it. It is the follow-up anthology to Sisterhood Is Global: The International Women's Movement Anthology (1984), which itself is the follow-up to Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement (1970).

<i>Sisterhood Is Global</i> 1984 anthology of feminist writings

Sisterhood Is Global: The International Women's Movement Anthology is a 1984 anthology of feminist writings edited by Robin Morgan, published by Anchor Press/Doubleday. It is the follow-up to Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement (1970). After Sisterhood Is Global came its follow-up, Sisterhood Is Forever: The Women's Anthology for a New Millennium (2003).

Lucinda Cisler is an American abortion rights activist, Second Wave feminist, and member of the New York-based radical feminist group the Redstockings. Her writings on unnecessary obstructions to medical abortion procedures in many ways predicted anti-abortion strategies in the 2010s, called Targeted Regulation of Abortion Providers (TRAP) by abortion rights advocates.

<span class="mw-page-title-main">Women's liberation movement in North America</span>

The Women's liberation movement in North America was part of the feminist movement in the late 1960s and through the 1980s. Derived from the civil rights movement, student movement and anti-war movements, the Women's Liberation Movement took rhetoric from the civil rights idea of liberating victims of discrimination from oppression. They were not interested in reforming existing social structures, but instead were focused on changing the perceptions of women's place in society and the family and women's autonomy. Rejecting hierarchical structure, most groups which formed operated as collectives where all women could participate equally. Typically, groups associated with the Women's Liberation Movement held consciousness-raising meetings where women could voice their concerns and experiences, learning to politicize their issues. To members of the WLM rejecting sexism was the most important objective in eliminating women's status as second-class citizens.

Celestine Ware was a radical and Black feminist theorist and activist. A founding member of the Stanton-Anthony Brigade and of the New York Radical Feminists (NYRF), she authored Woman Power: The Movement for Women's Liberation.

References

  1. "Ironic Feminism, Empathic Activism: Robin Morgan's Saturday's Child". Ms. Magazine. March 30, 2001.
  2. Fogarty, Michael P. (1973). "Review of The Feminine Mystique by Betty Friedan; Patriarchal Attitudes by Eva Figes; The Female Eunuch by Germaine Greer; Sexual Politics by Kate Millet; Woman's Estate by Juliet Mitchell; Sisterhood is Powerful: An Anthology of Writings from the Women's Liberation Movement by Robin Morgan; Voices from Women' Liberation by Leslie B. Tanner". International Review of Education. 19 (1). JSTOR   3442984.
  3. 1 2 "BOOKS | An Interview With Robin Morgan". Hybridmagazine.Com. Retrieved October 15, 2015.
  4. Love, Barbara J. (2006). Feminists who Changed America, 1963-1975 . University of Illinois Press. ISBN   978-0-252-03189-2.
  5. Napikoski, Linda (2014). "Sisterhood is Powerful". AboutEducation. About.com. Archived from the original on September 7, 2012.
  6. Brain, Norman (2006). "The Consciousness-Raising Document, Feminist Anthologies, and Black Women in Sisterhood Is Powerful". Frontiers: A Journal of Women Studies. 27 (3): 38–64. doi:10.1353/fro.2006.a209988. JSTOR   4137384.
  7. Battle-Sister, Ann (1971). "Review of 'A Tyrant's Plea,' Dominated Man by Albert Memmi; Born Female by Caroline Bird; Sisterhood is Powerful by Robin Morgan". Journal of Marriage and Family . 33 (3): 592–597. doi:10.2307/349862. JSTOR   349862.
  8. Diefendorf, Elizabeth (1996). The New York Public Library's Books of the Century. Oxford University Press. Retrieved March 3, 2012.
  9. 1 2 Morgan, Robin Morga (November 1, 2007). Sisterhood Is Forever: The Women's Anthology for a New Millennium. Simon and Schuster. pp. 18–. ISBN   978-1-4165-9576-2.
  10. "herstory, n." . Oxford English Dictionary Online. Retrieved March 8, 2017.
  11. “Dry Your Smile”, by Robin Morgan, Ms.
  12. Conlon, Scarlett (February 26, 2019). "Christian Dior launches latest 'sisterhood' slogans". The Guardian . Retrieved December 1, 2019.
  13. Robinson, Roxanne; Schmidt, Ingrid (February 27, 2019). "Paris Fashion Week: Dior's Latest Feminist Message, Saint Laurent Channels Bianca Jagger". The Hollywood Reporter . Retrieved December 1, 2019.

Further reading