Sorath Rai Diyach | |
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Folk tale | |
Name | Sorath Rai Diyach |
Region | Sindh, Gujarat |
This article is part of the series |
Sindhi folklore لوڪ ڪهاڻيون |
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Sindh portal |
Sorath Rai Diyach is a romantic folktale in Sindhi and Gujarati folklore. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi , Sassui Punnhun , Sohni Mehar , Lilan Chanesar , Noori Jam Tamachi and Momal Rano commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.
Sorath was the queen of King Rai Diyach alias of Raja Dhaj, Ror Kumar [1] of Girnar, Junagadh now in Gujarat who sacrificed herself for the sake of her love for husband. Diyach gave his head to wandering minstrel and followed him to the world of dead. Highly pleased with the songs of minstrel, Bijal, Diyach offered him to ask for anything he liked to have. As the intrigues of fate would have it, his son asked for his head. The kind and generous king gave it.
Now the song resounded in Sorath's head. She bid farewell to life and to the pain of separation from him. [2] [3]
Sur Sorath is one of 30 surs (chapters) of Shah Jo Risalo in that touching points of the well-known tale of Rai Diyach and Sorath are given. The contents of this Sur, section by section, are described below:
Rai Daich, an adaptation of the folk tale, is a 1958 Indian Sindhi film directed by J.B. Lulla and produced by Atu Lalwani. It was written by Ram Panjwani and starred Lalwani, Shanti Ramchandani and Bhudo Advani. The film's music, for which it is known, was composed by Bulo C. Rani. [4] Panjwani also wrote a play in Sindhi titled Bijal Rai Diyach. [5] Sati Sorath, an Indian Gujarati-language drama film based on the folktale released in 1978 starring Kamini Bhatia and Arvind Joshi. [4]
Bhit or Bhit Shah is a small town located in Matiari District, Sindh, Pakistan. The town is best known as the location of the shrine to the Sindhi Sufi poet, Shah Abdul Latif Bhittai, who came to be called Bhittai on account of the town's name. Passing along the road that leaves Haala for Hyderabad, beyond the shrubs there are a solitary group of large white mounds, which form hills known as Bhit in Sindhi.
Shah Abdul Latif Bhittai, commonly known by the honorifics Lakhino Latif, Latif Ghot, Bhittai, and Bhit Jo Shah, was a Sindhi Sufi mystic and poet from Pakistan, widely considered to be the greatest poet of the Sindhi language.
Pakistani folklore encompasses the mythology, poetry, songs, dances and puppetry from Pakistan's various ethnic groups.
Shah Jo Risalo is a book of poems of the Sindhi Sufi poet Shah Abdul Latif Bhittai. Shah Abdul Latif's poetry was transmitted orally during his lifetime and compiled after his death and designated as Shah Jo Risalo or Poetry of Shah.
Sassi Punnu or Sassui Punnhun is a folktale in the Sindhi, Balochi and Punjabi folklore. It is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi. In Punjab, it is four of the most popular romances. The other three are Heer Ranjha, Sohni Mahiwal and Mirza Sahiban. It also remains one of the most popular folktales in Balochistan. The story is about a faithful lover who will endure any difficulty while seeking her beloved husband who was separated from her by rivals.
Sohni Mahiwal or Suhni Mehar is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sassui Punnhun, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi. In Punjab, it is four of the most popular romances. The other three are Heer Ranjha, Sassui Punnhun and Mirza Sahiban.
Sindhi literature is the collection of oral and written literature in the Sindhi language in prose and poetry. The Sindhi language of the province of Sindh in Pakistan is considered one of the oldest languages of ancient India, and influenced the language of Indus Valley inhabitants. Sindhi literature has developed over a thousand years.
Noori Jam Tamachi is a folktale in the Sindhi folklore dating back to the 15th century.
Sindhi folk music is traditional folk music and singing from Sindh, which is sung and generally performed in 5 genres that originated in Sindh, the first genre "Bait" styles. The Bait style is vocal music in Sanhoon and Graham. Second style "Waee" instrumental music is performed in a variety of ways using a string instrument. Waee, also known as Kafi. Sindhi folk music was popularized by great Sindhi sufi poet Shah Abdul Latif Bhitai.
Nabi Bakhsh Khan Baloch was a Sindhi research scholar, historian, sindhologist, educationist, linguist and writer. He predominantly wrote in Sindhi, including Urdu, English, Persian and Arabic. He has been described as the "moving library" of the Pakistani province of Sindh.
Momal Rano or Mumal Rano is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation, and above all romantic tragedy.
Umar Marvi is a folktale story from Sindh, Pakistan about a village girl Marvi, who resists the overtures of a powerful King and the temptation to live in the palace as a queen, preferring to be in a simple rural environment with her own village folk. It dates back to the 14th century
Lilan Chanesar is a traditional story which dates back to the time of Jam Chanesar, one of the Soomra rulers in the 14th century Thatta, Sindh, Pakistan. It has often been retold in Sindhi and Persian.
Sindhi folklore is the folk tradition which has developed in Sindh over a number of centuries. Sindh abounds with folklore, in all forms, and colors from such obvious manifestations as the traditional Watayo Faqir tales, the legend of Moriro, epic poetry tale of Dodo Chanesar, to the heroic character of Marui which distinguishes it among the contemporary folklores of the region. The love story of Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Other examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar.
Sindhi folktales play an important part in the culture of the Sindhi people of southern Pakistan. Pakistan's Sindh province abounds in fairy-tales and folktales that form its folklore. Some of these folktales are particularly important for the development of higher literature in Sindhi, since they were to form the core of mystical tales of Sindh immortalized by Shah Abdul Latif Bhittai, and are generally known as Heroines of Shah.
Seven Queens is a name commonly used for referring to the seven female characters that appear in the poetry book Shah Jo Risalo of the Sindhi poet Shah Abdul Latif Bhittai. They include:
Tomb paintings of Sindh are paintings found dispersed throughout tombs in the Sindh province of Pakistan.
The Shrine of Shah Abdul Latif Bhittai is an 18th-century Sufi shrine located in the town of Bhit Shah, in the Pakistani province of Sindh. The shrine is considered to be one of the most important in Sindh, and its annual urs festival attracts up to 500,000 visitors.
Latif Award is given by Department of Culture, Tourism and Antiquities, government of Sindh to the best researchers and singers of Shah Abdul Latif Bhittai who made extraordinary work in Arts and Research field related with mystic poetry of Shah Abdul Latif Bhittai, Sindhi language and Sindhi music. This award is a highest cultural decoration given by Government of Sindh. The award is given on Urs of Shah Abdul Latif Bhittai each year. Latif Award is a unique golden model of Tamboro, a stringed music instrument, which is said to be invented by Shah Abdul Latif Bhittai himself.
Surando is an ancient traditional Sindhi musical instrument. It is played by musicians in Sindh, Kutch, Rajasthan, and Balochistan. The term "Surando" is derived from the Persian word "Surayindah," meaning "producer of tunes."