Subhuman Race | ||||
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Studio album by | ||||
Released | March 28, 1995 | |||
Recorded | October–December 1994 [1] | |||
Studio | Greenhouse Studios and Seacoast Sound (Vancouver, Canada) | |||
Genre | ||||
Length | 56:39 | |||
Label | Atlantic | |||
Producer | Bob Rock | |||
Skid Row chronology | ||||
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Singles from Subhuman Race | ||||
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Subhuman Race (stylized sUBHUMAN rACE) is the third studio album by American heavy metal band Skid Row, released on March 28, 1995, by Atlantic Records. This is the last Skid Row album with singer Sebastian Bach and drummer Rob Affuso, and the last one to be released on Atlantic. Despite receiving positive reviews, Subhuman Race was not as successful as the band's first two albums. Certain tracks from the album were remixed for the band's compilation 40 Seasons: The Best of Skid Row , given slightly cleaner mixes to fit better with the other tracks.
Released during the decline of hard rock and heavy metal, Subhuman Race marked a significant change in the band's sound, with Bob Rock replacing Michael Wagener as its producer, and resembling a mixture of heavy metal with grunge, alternative, punk rock, thrash metal and groove metal influences. [4] [5] It has also been noted as more of a dark album than previous works. [4] [6]
To promote Subhuman Race, Skid Row supported Van Halen in North America on their Balance tour. Following the album and tour, they released a live EP titled Subhuman Beings on Tour , featuring live performances from the Subhuman Race tour. The band has not played any songs from Subhuman Race since the album's tour in 1995–1996, [7] though Bach has occasionally played them on his solo tours, including "Beat Yourself Blind", "Frozen", and the singles "My Enemy", "Into Another" and "Breakin' Down". [8] [9] [10] [11] "Beat Yourself Blind" was the only song from this album to be performed live since Bach's departure, until ZP Theart performed "Medicine Jar" in 2018, while "Remains to Be Seen" has never been played live once. [7]
The album debuted at #35 on the Billboard 200, staying for nine weeks, [12] being a significant drop off from Slave to the Grind's #1 debut. By July 1999, Subhuman Race has sold 165,424 copies, falling significantly behind their previous records. [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | [14] |
Chicago Tribune | [15] |
Collector's Guide to Heavy Metal | 8/10 [16] |
Entertainment Weekly | D [17] |
Kerrang! | [18] |
Q | [19] |
Rock Hard | 7/10 [20] |
Rolling Stone | [21] |
Subhuman Race received mixed to mostly positive reviews from music critics. AllMusic's Stephen Thomas Erlewine wrote that it saw the band "strip back their music to the basics" and was their "strongest and most vicious record to date." [14] Rolling Stone reviewer called it "the freshest riffage since last year's Soundgarden record" and also noted the "tight, hot guitar lines and radio hooks that burn themselves into your brain". [21] Q praised both the guitars that "grumble and mutter more menacingly than ever" and Bach's "awesome vocal pyrotechnics", summarizing that "Skid Row has come up with an outright winner." [19] Canadian journalist Martin Popoff found the album quite complex, with Skid Row "absorbing the best elements of grunge into their over-the-top love of all things metal." He praised Bach's performance and the band's "street-savvy" attitude and "prog ethic" shown in the record. [16]
Conversely, Jim Farber of Entertainment Weekly considered Subhuman Race made of "the same squealing, yowling, third-rate metal that made Skid Row pariahs in the first place", calling them an "unrepentant hair band of the '80s" which had mangled their melodies "to get over their old 'power ballad' stigma." [17] Dean Golemis of the Chicago Tribune criticised Skid Row's "campy, formulaic arrangements that still cater to commercial appeal and offer nothing new to a genre plagued by cliches and copycats", but remarked as "Bach's vocal bravura stands as the album's saving grace." [15] Thomas Kupfer in his review for the German Rock Hard magazine wrote that "Skid Row will offend a lot of old fans with this disc", where "mediocrity dominates, the songs seem uninspired, and only the compact sound and the solid craftsmanship of the band members" save the album. [20]
The band members also do not reflect positively on their work on Subhuman Race. In an interview in November 2006, bassist Rachel Bolan expressed his negative feelings about the album: "That record was a nightmare. Internally the band had fallen apart but we were forced to go in and do another record and it was a nightmare with the recording, writing and producing. We worked with someone we had not worked with before after being so successful with Michael and we were used to the way he did things. I am not slighting Bob at all, he is a genius producer but it was bad timing. I did not have the greatest time, it was nobody's fault, it was just the way things were. Also the record absolutely sucks." [22] In a June 2018 interview on the "Rock Talk with Mitch Lafon" podcast, vocalist Sebastian Bach indicated that, despite featuring "some good tunes", the "very dated production sound" of Subhuman Race has made it an unlistenable album: "In the same way, probably, Lars Ulrich might think St. Anger is dated to that time, I think Subhuman Race might be our St. Anger." [23]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "My Enemy" | 3:38 | |
2. | "Firesign" |
| 4:54 |
3. | "Bonehead" |
| 2:16 |
4. | "Beat Yourself Blind" |
| 5:02 |
5. | "Eileen" |
| 5:36 |
6. | "Remains to be Seen" |
| 3:34 |
7. | "Subhuman Race" |
| 2:40 |
8. | "Frozen" |
| 4:43 |
9. | "Into Another" |
| 4:02 |
10. | "Face Against My Soul" |
| 4:20 |
11. | "Medicine Jar" |
| 3:36 |
12. | "Breakin' Down" | Sabo | 4:30 |
13. | "Iron Will" |
| [†] 7:43 |
Total length: | 56:39 |
^ † The song "Iron Will" ends at 4:45 followed by 2:15 of silence before a hidden track plays.
Chart (1995) | Peak position |
---|---|
Australian Albums (ARIA) [24] | 5 |
Canada Top Albums/CDs ( RPM ) [25] | 31 |
Dutch Albums (Album Top 100) [26] | 84 |
Finnish Albums (The Official Finnish Charts) [27] | 15 |
French Albums (SNEP) [28] | 36 |
German Albums (Offizielle Top 100) [29] | 57 |
Japanese Albums (Oricon) [30] | 6 |
Scottish Albums (OCC) [31] | 18 |
Swedish Albums (Sverigetopplistan) [32] | 21 |
Swiss Albums (Schweizer Hitparade) [33] | 49 |
UK Albums (OCC) [34] | 8 |
UK Rock & Metal Albums (OCC) [35] | 1 |
US Billboard 200 [36] | 35 |
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [37] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Slave to the Grind is the second studio album by American heavy metal band Skid Row, released on June 11, 1991, by Atlantic Records. The album displayed a harsher sound than its predecessor and lyrics that avoided hard rock cliches. Slave to the Grind is the first heavy metal album to chart at number one on the Billboard 200 in the Nielsen SoundScan era, selling 134,000 copies in its opening week. The album was certified 2× platinum by the Recording Industry Association of America (RIAA) in 1998 for shipping two million copies in the United States. It produced five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus". Skid Row promoted the album opening for Guns N' Roses in 1991 and as a headliner the following year.
Skid Row is the debut studio album by American heavy metal band Skid Row, released on January 24, 1989, by Atlantic Records. After signing with manager Doc McGhee, Skid Row signed with Atlantic and began recording its debut. The album was recorded in Lake Geneva, Wisconsin with producer Michael Wagener, and received mixed reviews upon its release. The band toured behind the album mainly as an opening act, supporting Bon Jovi and Aerosmith in 1989–1990. The album peaked at number six on the Billboard 200 and was certified 5× platinum by the Recording Industry Association of America (RIAA) in 1995 for shipping five million copies in the United States. It generated four singles: "Youth Gone Wild", "18 and Life", "I Remember You" and "Piece of Me", all of which were accompanied by music videos and received heavy rotation on MTV. The album's commercial and critical success made Skid Row a regular feature in rock magazines and brought the group nationwide popularity.
Sebastian Philip Bierk, known professionally as Sebastian Bach, is a Canadian-American singer who achieved mainstream success as the frontman of the hard rock band Skid Row from 1987 to 1996. He has acted on Broadway and has made appearances in film and television such as Trailer Park Boys, The Masked Singer and Gilmore Girls. He continues his music career as a solo artist.
Skid Row is an American rock band formed in 1986 in Toms River, New Jersey. Their current lineup comprises bassist Rachel Bolan, guitarists Dave Sabo and Scotti Hill and drummer Rob Hammersmith. The group achieved commercial success in the late 1980s and early 1990s, with its first two albums Skid Row (1989) and Slave to the Grind (1991) certified multi-platinum, the latter of which reached number one on the Billboard 200. Those two albums also produced some of Skid Row's most popular hits, both in and outside of the United States, including "18 and Life" and "I Remember You", which peaked in the top 10 of the Billboard Hot 100, and other charting singles such as "Youth Gone Wild", "Monkey Business", "Slave to the Grind", "Wasted Time", and "In a Darkened Room". The band's third album Subhuman Race (1995) was also critically acclaimed, but failed to repeat the success of its predecessors. Those three albums featured the band's "classic" lineup, which consisted of Bolan, Sabo, Hill, drummer Rob Affuso and frontman Sebastian Bach. The band had sold 20 million albums worldwide by the end of 1996. Amid rising tensions, Bach was fired and Affuso left Skid Row towards the end of that year, after which the band entered a three-year hiatus.
David Michael Sabo, nicknamed The Snake, is an American musician best known as one of the guitarists of heavy metal band Skid Row.
"I Remember You" is a song by American heavy metal band Skid Row. It was released in November 1989 as the third single from their eponymous debut album. Composed as a power ballad, it was written by bandmates Rachel Bolan and Dave "the Snake" Sabo. It reached number six on the US Billboard Hot 100 and number 23 on the Album Rock Tracks in early 1990, being their second and last US Top 10 hit. The song also charted at number two in New Zealand, number 12 in Ireland and Australia, number 14 in Canada, number 18 in Finland, and number 36 on the UK Singles Chart.
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"Wasted Time" is a song by Skid Row. It was their third single released from their second album, Slave to the Grind. The song was released in 1991 and written by bandmates Sebastian Bach, Rachel Bolan and Dave "the Snake" Sabo. It became the band's last song to appear on the US Billboard Hot 100 and was promoted with a music video.
"Monkey Business" is a song by American heavy metal band Skid Row. It was released in June 1991 as the lead single from their second album, Slave to the Grind (1991). It was written by bandmates Rachel Bolan and Dave "The Snake" Sabo.
"Into Another" is a song by Skid Row. It was a single from their third album, Subhuman Race. The song was released in 1995 and written by bandmates Rachel Bolan and Dave "the Snake" Sabo. This is the last single Skid Row released with Sebastian Bach.
Revolutions per Minute is the fifth studio album by American heavy metal band Skid Row, released on October 24, 2006. It is the band's only release with drummer Dave Gara, their last full album with vocalist Johnny Solinger, and also their last studio album for sixteen years until 2022's The Gang's All Here.
The Moscow Music Peace Festival was a rock concert that took place in the USSR on 12 and 13 August 1989 at Central Lenin Stadium in Moscow. Occurring during the glasnost era, it was one of first hard rock and heavy metal acts from abroad that were granted permission to perform in the capital city,. Over 100,000 people attended and it was broadcast live to 59 nations including MTV in the United States. The event promoted understanding between the Western Bloc and the Eastern Bloc during the Cold War and also raised money to help those addicted to drugs and alcohol. The concert featured six bands from abroad and three Russian bands. The concert ended with the various band members participating in jam session. An album and documentary were released.
The discography of Skid Row, an American heavy metal band, consists of six studio albums, four EPs, and one compilation album.
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