Slave to the Grind

Last updated

Slave to the Grind
Skidrow-slavecover.jpg
Cover art by David Bierk
Studio album by
Skid Row
ReleasedJune 11, 1991 (1991-06-11)
Recorded1990–1991
Studio
Genre
Length48:41
Label Atlantic
Producer Michael Wagener
Skid Row chronology
Skid Row
(1989)		Slave to the Grind
(1991)		 B-Side Ourselves
(1992)
Singles from Slave to the Grind
  1. "Monkey Business"
    Released: May 1991
  2. "Slave to the Grind"
    Released: September 1991 (UK) [1]
  3. "Wasted Time"
    Released: November 1991 [2]
  4. "In a Darkened Room"
    Released: November 1991 (Europe)
  5. "Quicksand Jesus"
    Released: May 1992 (Japan) [3]

Slave to the Grind is the second studio album by American heavy metal band Skid Row, released on June 11, 1991, [4] by Atlantic Records. The album displayed a harsher sound than its predecessor and lyrics that avoided hard rock cliches. Slave to the Grind is the first heavy metal album to chart at number one on the Billboard 200 in the Nielsen SoundScan era, selling 134,000 copies in its opening week. The album was certified 2× platinum by the Recording Industry Association of America (RIAA) in 1998 for shipping two million copies in the United States. It produced five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus". Skid Row promoted the album opening for Guns N' Roses in 1991 and as a headliner the following year.

Contents

Composition and recording

Skid Row wrote most of Slave to the Grind in a New Jersey studio and demoed the tracks with Michael Wagener, who produced their previous album. Recording began in late 1990 and took place at two studios: New River in Fort Lauderdale, Florida and Scream in Studio City, California. Slave to the Grind marked the band's move toward a heavier sound, with the title track verging on speed metal, [5] but the album also includes power ballads [4] [6] and a few lighter tracks. Some sources still classified the album as glam metal, despite its heavier sound. [7] The lyrics were more complex, criticizing modern ways of life, authority, politics, drugs, and organized religion, among other topics. Wagener said the demoing and pre-production went well, and the title track was recorded and mixed in an hour, and was placed on the album without being remixed. [8]

During a February 2017 interview for the Backspin segment of Yahoo! Music, vocalist Sebastian Bach revealed that the version of the title track included in the finished album is actually the original demo the band recorded during pre-production with producer Michael Wagener. The band recorded a proper version during the album sessions, but were unable to match the intensity of the demo, and therefore opted to use the latter instead. [9]

Cover art

Sebastian Bach's father, David Bierk, painted the cover art, which is actually a long mural, continued inside the album's booklet. [10] Although it is set in the medieval era, it depicts people using modern technological gadgets. The cover was inspired by Caravaggio's Burial of St. Lucy from 1608 and shows John F. Kennedy in the crowd.

Release and promotion

When recording finished, Skid Row opened for Guns N' Roses on the 1991 North American leg of their Use Your Illusion Tour. [10] In 1992, Skid Row took Pantera and Soundgarden as supporting bands on its Slave to the Grind Tour. [11] Two different versions of the album were released: the original and a "clean" version, in which "Get the Fuck Out" is replaced with the less-offensive "Beggar's Day". [12] Music videos were produced for all five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which feature on the video album No Frills Video . Skid Row's label Atlantic Records was not supportive of the group's transformation when filming the video for the title track. The label wanted a bikini model to star in the video, but the idea was turned down by the band because the song was not about female sexuality. [12] A music video was also made for "Psycho Love" in 3D which featured on the video album Road Kill .

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [4]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar half.svg [13]
Christgau's Consumer Guide Rating-Christgau-dud.svg [14]
Collector's Guide to Heavy Metal 9/10 [15]
Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [16]
Entertainment Weekly A− [17]
Kerrang! Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
NME 1/10 [19]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [20]

Slave to the Grind received generally positive reviews by music critics. Spin 's Daina Darzin said the album had integrity and passion, and reminded her of early Mötley Crüe and Judas Priest. [21] Martin Popoff called the album "a surprising and welcome jolt to the system", with Skid Row "proving their mettle, their self-worth, their guts" on songs taking the listener "to dark unsettling places where reflection collides with worry." [15] AllMusic's Steve Huey said Slave to the Grind was more aggressive than its predecessor and called it one of the best examples of mainstream hard rock and heavy metal. [4] Brenda Herrmann of the Chicago Tribune observed that Bolan and Sabo improved their songwriting and wrote positively about the group's attitude and humor. [13] Conversely, Rolling Stone's David Fricke thought Skid Row had not matured lyrically at all, rehashing the glam metal cliches. However, he complimented Wagener's production and the band's interplay and sound. [20] Robert Christgau was less enthusiastic and graded the album a "dud", indicating "a bad record whose details rarely merit further thought". [14] Janiss Garza of the Entertainment Weekly praised the ballads' lyrical depth and the fury of "Riot Act" and the title track, giving the album an A−. [17]

Slave to the Grind debuted at number one on the Billboard 200, selling 134,000 copies in its first week. [22] The album was the first to debut atop the Billboard 200 in the Nielsen SoundScan era, since it was uncommon for albums to open at number one before SoundScan began tracking sales in 1991. [23] Previously, the only albums to debut at number one had been Elton John's Captain Fantastic and the Brown Dirt Cowboy in 1975 and Michael Jackson's Bad in 1987. [24] [25]

Track listing

All tracks are written by Dave Sabo and Rachel Bolan, except where noted.

No.TitleWriter(s)Length
1."Monkey Business" 4:20
2."Slave to the Grind"
3:31
3."The Threat" 3:52
4."Quicksand Jesus" 5:26
5."Psycho Love"Bolan3:58
6."Get the Fuck Out" 2:42
7."Livin' on a Chain Gang" 4:00
8."Creepshow"
3:59
9."In a Darkened Room"
  • Sabo
  • Bolan
  • Bach
 [†] 3:57
10."Riot Act" 2:42
11."Mudkicker"
  • Bolan
  • Hill
  • Bach
3:56
12."Wasted Time"
  • Sabo
  • Bolan
  • Bach
5:50
Total length:48:41
Japanese edition bonus tracks [26]
No.TitleWriter(s)Length
13."Beggar's Day" (replaces "Get the Fuck Out" on the clean version)
  • Sabo
  • Bolan
  • Bach
4:05
14."Holidays in the Sun" (Sex Pistols cover)
3:38
15."Get the Fuck Out" (live at Wembley Stadium, 1991) 5:31
16."Delivering the Goods" (Judas Priest cover, live in Arizona, 1992)
4:52
Total length:64:05

^ † Album liner notes incorrectly list the length as 4:57.

Personnel

Credits are adapted from the album's liner notes. [27]

Skid Row

Production

Charts

Certifications

RegionCertification Certified units/sales
Australia (ARIA) [45] Gold35,000^
Canada (Music Canada) [46] Platinum100,000^
Japan (RIAJ) [47] Gold100,000^
United Kingdom (BPI) [48] Silver60,000^
United States (RIAA) [49] 2× Platinum2,000,000^

^ Shipments figures based on certification alone.

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References

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  6. ↑ "Top 10 Power Ballads That Don't Suck". Loudwire. April 12, 2018.
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  19. ↑ Hobbs, Mary Anne (June 15, 1991). "Skid Markers". NME: 38.
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  47. ↑ "Japanese album certifications – Skid Row – Slave to the Grind" (in Japanese). Recording Industry Association of Japan.Select 1992年3月 on the drop-down menu
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