"Sultans of Swing" was originally composed by Mark Knopfler on a National Steel guitar in open tuning. He thought the song was "dull" until he bought his first Fender Stratocaster in 1977:"It just came alive as soon as I played it on that '61 Strat ... the new chord changes just presented themselves and fell into place."[7]
The lyrics were inspired by a performance of a Dixieland jazz band playing in the corner of an almost empty pub in Deptford,South London. At the end of their performance,the lead singer announced their name,the Sultans of Swing;Knopfler found the contrast between the group's dowdy appearance and surroundings and their grandiose name amusing.[8]
The song is set in common time,with a tempo of 149 beats per minute. It is in the key of D minor with Knopfler's vocal range spanning G2 to D4. It uses a chord progression of Dm–C–B♭–A for the verses,and F–C–B♭ for the choruses.[9] The riff uses triads,particularly second inversions. The song employs the Andalusian cadence or diatonic phrygian tetrachord.[10] All the chords are compatible with a D natural minor scale,except for the A major triad,which suggests a D harmonic minor scale. Knopfler used similar triads on "Lady Writer".[11]
Recording
Shortly after Dire Straits formed in 1977,they recorded a five-song demo tape at Pathway Studios,including "Sultans of Swing".[12][13] They took the tape to DJ Charlie Gillett,presenter of Honky Tonk on BBC Radio London,hoping for advice. Gillett liked the music and put "Sultans of Swing" on his rotation. Two months later,Dire Straits signed a recording contract with Phonogram Records.[12]
Ken Tucker of Rolling Stone singled out "Sultans of Swing" as a highlight of the album for its "inescapable hook" and compared Knopfler's vocal stylings to those of Bob Dylan.[15]Cash Box said that "the phrasing of the vocals is reminiscent of Lou Reed" and that "the arrangement of moderate beat and excellent guitar work are exceptionally fluid and engaging."[16]Record World said that "The lyrics are thoughtful and the hook instantly memorable."[17]The New Rolling Stone Album Guide called the song "an insinuating bit of bar-band mythmaking" whose lyrics "paint a vivid picture of an overlooked and underappreciated pub combo".[18]
The Spokane Chronicle's Jim Kershner wrote that "Sultans of Swing" is "remarkable,both for its lyrics that made fun of hip young Londoners and the phenomenal guitar sound of Knopfler",which "sounded like no other guitar on radio".[19] Jon Marlowe of The Palm Beach Post called it "an infectious,sounds-damn-good-on-the-car-radio ode to every bar band who has ever done four sets a night,seven nights a week".[20]Classic Rock critic Paul Rees rated the live version on Alchemy to be Dire Straits' greatest song.[21]
Writing in 2013 on the impact of the song,Rick Moore of American Songwriter reflected:
With "Sultans of Swing" a breath of fresh air was exhaled into the airwaves in the late '70s. Sure, Donald Fagen and Tom Waits were writing great lyrics about characters you'd love to meet and Jeff Beck and Eddie Van Halen were great guitar players. But Knopfler, he could do both things as well or better than anybody out there in his own way, and didn't seem to have any obvious rock influences unless you try to include Dylan. Like his contemporary and future duet partner Sting, Knopfler's ideas were intellectually and musically stimulating, but were also accessible to the average listener. It was almost like jazz for the layman. "Sultans of Swing" was a lesson in prosody and tasty guitar playing that has seldom been equaled since. If you aren't familiar with "Sultans of Swing" or haven't listened to it in a while, you should definitely check it out.[22]
The song was originally released in May 1978, but it did not chart at the time. Following its re-issue in January 1979, the song entered the American music pop chart. Unusually, the success of this single release came more than six months after the relatively unheralded release of the band's debut album in October 1978. BBC Radio was initially unwilling to play the song due to its high lyrical content but after it became a US hit, their line softened.[29] The song reached the top 10 in both the UK and the US, reaching No. 8 on the UK Singles Chart and No. 4 on the Billboard Hot 100 and helped drive sales of the album, which also became a hit.
Knopfler has improvised and expanded the solo during live performances. The coda of the live recording on the 1984 album Alchemy stretches the song to nearly 11 minutes.[30] Another live version of the song came at the 1988 Nelson Mandela 70th Birthday Tribute concert in London when Eric Clapton teamed up with the band to play the song, providing rhythm guitar.
↑ "Spinning on Air". WNYC.org. All of the chords are compatible with a D natural minor scale, except for the A major triad which suggests a D harmonic minor scale.
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