The Height of Callousness | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 10, 2000 | |||
Recorded | 2000 | |||
Studio | Mushroom Studios (Vancouver, British Columbia, Canada) | |||
Genre | ||||
Length | 37:12 | |||
Label | Roadrunner | |||
Producer |
| |||
Spineshank chronology | ||||
| ||||
Singles from The Height of Callousness | ||||
|
The Height of Callousness is the second studio album by American metal band Spineshank, released on October 10, 2000, through Roadrunner Records. It was produced by Garth "GGGarth" Richardson alongside Spineshank guitarist Mike Sarkisyan and drummer Tommy Decker, and it was recorded at Mushroom Studios in Vancouver, Canada. The album has a heavier, more aggressive sound than the band's debut album Strictly Diesel (1998), and incorporates more melodic and electronic elements. Its themes are depression, betrayal, anger, self-doubt and self-confidence.
Critics praised The Height of Callousness for its improved, catchy songwriting but others criticized its aggression. The album sold 3,682 copies in its first week, debuting at number 183 on the US Billboard 200 chart and peaking at number 104 on the UK Albums Chart. Tracks "Synthetic" and "New Disease" were released as singles from the album, and music videos accompanied both tracks. "New Disease" reached number 33 on the US Mainstream Rock Tracks chart and number 84 on the UK Singles Chart. The album has sold over 146,000 copies in the United States as of March 2002, and the British Phonographic Industry (BPI) certified it silver in 2013 for the sale of 60,000 copies in the United Kingdom.
In 1998, Spineshank released their debut album Strictly Diesel , which despite receiving endorsements from Fear Factory—especially from their guitarist Dino Cazares—was a critical and commercial disappointment. Furthermore, the album's stylistic similarities with the works of Korn, Fear Factory, Deftones and Sepultura—whom Spineshank cited as musical influences—led to the band being dismissed as impersonators. [1] [2] [3] [4] Spineshank and their record label Roadrunner Records considered the album a failure. [5] In June 1999, after touring in support of Strictly Diesel, Spineshank began writing their second album for the label. [6] [5] [7] The band worked on new material for a year at their rehearsal space in Vernon, California, close to their home city Los Angeles. [1]
When writing The Height of Callousness, Spineshank wanted to avoid repeating the mistakes they had made on Strictly Diesel, take control of their creative process and establish a musical identity that was "100% Spineshank". [1] [7] [8] According to the band's vocalist Jonny Santos Strictly Diesel had been "compromised by the opinions of outsiders and by [Spineshank's] own lack of a clear identity"; Santos also said the band did not want to set any limits for themselves for their next album. [1] [9] To distance themselves from other contemporaneous acts, Spineshank ruled there would be "no covers, no guests and no rap". [10] The band also wanted to move out from the shadow of their association with Fear Factory and Cazares, for whom they held no negative feelings. "With all due respect to Dino [Cazares]—and we still love him to death—he didn't write our songs", Santos said. [1] While writing for the album, the members of Spineshank went through several negative experiences in their personal lives; Santos was stabbed at a party and his mother was diagnosed with cancer. These experiences influenced the album's tone and lyrics. [10] [11]
The Height of Callousness was recorded at Mushroom Studios in Vancouver, British Columbia, with producer Garth "GGGarth" Richardson. Amir Derakh, who co-produced, engineered and mixed Strictly Diesel, handled the album's pre-production and set up a string section. [1] Richardson became interested in working with Spineshank after hearing the band's demos for Strictly Diesel; [7] he suggested the band record at Mushroom Studios to get away from Los Angeles and their friends, and to prevent a repeat of their partying and drinking habits that marred the quality and production of Strictly Diesel. [7] [10] [12] Spineshank spent the first three days at the studio talking "intensely" with Richardson about "how we wanted to move things up a dozen levels and start expressing who we are", according to Santos. [11] The band also told Richardson they wanted the new album to sound "raw and in your face", akin to his work with Rage Against the Machine and the Red Hot Chilli Peppers. [13]
Richardson pushed hard to draw out the band's emotions in their performances; according to drummer Tommy Decker: "If GGGarth thinks something sucks, he'll tell you. He'll berate you for 15 minutes until you're crying and sitting in the corner." [13] GGGarth, however, was initially hesitant about to do so; guitarist Mike Sarkisyan said; "GGGarth was like, 'Are you sure you want to do that? It ain't going to be pretty!' But we were like, 'We don't care! We just want to make the greatest record that we can' ". [1] Although tensions were sometimes high during the recording of The Height of Callousness—the members got into a fist fight at one point, and Santos almost left the band in Vancouver—Santos and Sarkisyan felt Spineshank had emerged from the album's production "a stronger unit"; [1] [10] they praised Richardson for "pulling the right performances out of [the band]". [10] [11] [14] Santos, who credited Richardson for helping him find his own voice, said: [11]
There were times where it was real hard. [GGGarth would] be pushing me all the time and I'd come out of the vocal booth ready to fucking kill him. He'd just say, 'Come in here and have a listen', and I'd hear what I'd created and realise it was all worth it. He made us pull shit out of ourselves that we didn't know we had—or think we could do. [11]
Decker and Sarkisyan were given a co-producer credit on the album, which according to Kerrang! "appears to be a polite way of saying that [Decker and Sarkisyan] were professional trainspotters in the control booth, making minute sonic changes that both [of them] admit no one in their right minds would ever care about". [1] After recording was completed Scott Humphrey and Frank Gryner mixed the album at the Chop Shop in Los Angeles. [13] [15] Decker praised Humphrey's mixing, saying: "We had been living with some of these songs for ten months. We were so sick of them, but he got [the band] excited by the way he did it." [13] Of the 50 songs written for The Height of Callousness, Spineshank recorded 16 with Richardson then chose "the 11 most vile and pissed off ones for the record", according to Santos. [14] Decker said one of the album's B-sides "Four Letter Word" was cut from the album because "the label liked [it] and [Spineshank] didn't". [8]
The Height of Callousness has been described as nu metal, [16] [17] [18] industrial metal, [19] "techno-metal" [20] [21] and electronica. [22] [23] "Cyanide 2600" has been described as drum 'n' bass. [24] [25] The album has a heavier, more-energetic and more-aggressive sound than Strictly Diesel, although some elements on The Height of Callousness, such as drop-tuned guitars, and the mix of electronic programming and samples with live drumming, are carried over from the earlier album. [1] The album was also noted for its slicker production, [17] more melodic choruses and songwriting, [4] [26] and Santos' mix of clean singing and screaming. [4] [27]
The album's lyrics are themed around depression, betrayal, anger, self-doubt and self-confidence. [1] [10] Decker wrote most of the album's lyrics, feeling he had to prove himself due to the reception of Strictly Diesel. He said:
I was really focused and I felt like I had a lot to prove. All the shit talking got to me, and I felt like saying when we did Strictly Diesel, we were the band we always knew we could be, but we just didn't know how to get it out. [1]
In an interview with Metal Hammer , Santos described the album's lyrics as "honest", and said it is "really about, 'Yeah, I'm fucked, there's nothing you can do to help me. I'm going to face my doom on my own' ". [11] Sarkisyan has said The Height of Callousness is not a concept album, despite its recurring themes. [10] According to Decker, the album's title is "about getting to that point, where you truly do not give a fuck what anyone in the world thinks! That's the point where nothing matters except the real shit, the stuff that's in your head, its a fucked up place to be emotionally." [8]
In the August 2000 issue of Metal Hammer , Spineshank announced they had completed The Height of Callousness and exclusively revealed the album's track listing to the magazine. [13] Roadrunner released the album in Europe on October 9, 2000, in the United States the day after. [1] [28] In the lead-up to the album's release, Spineshank were due to join the Tattoo the Earth tour in July 2000 as a replacement for Puya but canceled due to communication issues. [8] [29] "Our booking agent told us we were on the tour, but we weren't. We ended up following it for four or five shows and played only one of them", Sarkisyan said. [30] In August 2000, the band filmed a music video for "Synthetic" with director Nathan Cox, and filmed a cameo appearance for the 2001 film Knight Club . [8] [31] Afterward, Spineshank toured the U.S. with Hed PE and Slaves on Dope from September to October 2000. [12] [32] Spineshank was also promoted through appearances on MTV's compilation The Return of the Rock Volume 2, which was released in November 2000; [33] on the soundtrack album for the 2001 film 3000 Miles to Graceland ; [34] [35] and in the video games Shaun Palmer's Pro Snowboarder (2001), [36] MX Superfly (2002) [37] and Backyard Wrestling: Don't Try This at Home (2003). [38]
Between February 20 and March 9, 2001, Spineshank toured as support for Orgy on their Vapor Transmission tour, [35] [39] then toured with Disturbed as support for their headlining U.S. tour from March to April 2001. [40] Spineshank also performed on the second stage of the 2001 Ozzfest tour, [41] which Sarkisyan credited with giving the band significant exposure. [30] On July 25, 2001, Roadrunner re-released The Height of Callousness in Europe as a "Collectors Digipak Edition" that includes four bonus tracks, and enhanced CD music videos of "Synthetic" and "New Disease" in an attempt to "combat expensive US imports" of the album. [42] The digipak edition was released in the U.S. on September 25, 2001. [43] Between September 2 and September 8, 2001, Spineshank embarked on a brief tour of the United Kingdom with labelmates Dry Kill Logic as support, and participated in in-store signing events in the country. [44] [45]
The Height of Callousness sold 3,682 copies in its first week, entering the Billboard 200 chart at number 183 [46] [47] and the UK Albums Chart at number 123. [48] In June 2001, the album peaked on the UK Albums Chart at number 104. [48] As of March 2002, The Height of Callousness has sold over 146,000 units in the U.S., according to Nielsen SoundScan. [49] On July 22, 2013, the British Phonographic Industry (BPI) certified the album silver, signifying the sale of 60,000 copies in the UK. [50]
"Synthetic" was issued as the lead single from The Height of Callousness on September 26, 2000, receiving moderate radio airplay and rotation on MTV. [33] [51] [52] On January 15, 2001, "New Disease" was released to radio stations in the United States as the album's second single. [53] "New Disease" experienced significant radio success, reaching number 33 on the Billboard Mainstream Rock Tracks chart on April 21, 2001. [54] [55] The single also received airplay on the British alternative radio station Xfm. [56] Coinciding with the band's tour of the UK, Roadrunner released "New Disease" as a single in that country on September 10, 2001, reaching number 84 on the UK Singles Chart. [45] [57] Billboard's Airplay Monitor ranked "New Disease" at number 78 on their list of the "Most-Played Active Rock Songs of 2001". [58] Despite the single's chart success, David Locano, a Roadrunner rep, said "New Disease" suffered from being released as the album's second single "in a time when radio really didn't have patience for follow-ups to mediocre performing songs". [59]
Review scores | |
---|---|
Source | Rating |
AllMusic | [28] |
Blabbermouth.net | 8/10 [26] |
Classic Rock | [60] |
The Encyclopedia of Popular Music | [3] |
Kerrang! | [4] |
NME | 2/10 [17] |
Rock Hard | 8.5/10 [61] |
Rock Sound | [27] |
Terrorizer | 6.5/10 [18] |
Vue Weekly | [62] |
The Height of Callousness received generally positive reviews. Several critics compared the album to Strictly Diesel and saw it as an improvement over that album. [2] [4] [27] A retrospective review of The Height of Callousness in The Encyclopedia of Popular Music said it "could have been the work of a different band". [3] Liam Sheils of Kerrang! and Lewis Fraser of Rock Sound both said while The Height of Callousness is not a radical reinvention of Spineshank's sound, its memorable choruses significantly strengthen the album; both reviewers also said it compliments its aggressive edge. [4] [27] Others, however, were more critical; Catherine Yates of Terrorizer commented the album's tracks, except "New Disease" and "Cyanide 2600", "fail to provide true neck-snapping euphoria". [18] Andy Capper of NME said the album was proof that the nu metal genre was "bland, copycat, inspirationless garbage", perceiving the album's production and "radio playability" to be a cover for its lack of original riffs and "godawful" lyrics. [17]
Kevin L. Smith of AllMusic found the album difficult to listen to due to its aggression. [28] Blabbermouth.net said the "harsh edge" of its guitars is at odds with the accessibility of its material but that this is "a relatively minor flaw that should have no bearing on [Spineshank]'s ability to make a significant commercial impact". [26] Vue Weekly 's T.C. Shaw found the album becomes more accessible with repeated listens despite its aggressive qualities. [63] According to Gregg Pratt of Exclaim! , the album's anger is "forced" and its use of electronics is "kind of embarrassing sounding somehow". [64]
Kerrang!, [65] Metal Hammer [66] [67] and Loudwire [68] have included The Height of Callousness on retrospective album lists for the nu metal genre. "New Disease" has also appeared on retrospective nu metal songs lists by Metal Hammer, [69] NME [70] and Spin . [71] In 2022, a Revolver readers' poll of the "Top 5 Heaviest Nu-Metal Songs" ranked the album's title track fifth. [72]
All music is composed by Spineshank. [15]
No. | Title | Lyrics | Length |
---|---|---|---|
1. | "Asthmatic" | Tommy Decker | 3:30 |
2. | "The Height of Callousness" | Decker | 3:03 |
3. | "Synthetic" | Decker | 3:10 |
4. | "New Disease" | Decker | 3:14 |
5. | "(Can't Be) Fixed" | Decker | 3:12 |
6. | "Cyanide 2600" |
| 3:10 |
7. | "Play God" |
| 4:02 |
8. | "Malnutrition" | Decker | 3:30 |
9. | "Seamless" | Santos | 3:44 |
10. | "Negative Space" | Santos | 2:39 |
11. | "Transparent" | Santos | 3:53 |
Total length: | 37:12 |
No. | Title | Lyrics | Length |
---|---|---|---|
12. | "Perfect Ending" | Santos | 3:48 |
13. | "Full Circle" | Santos | 3:26 |
14. | "The Height of Callousness" (Fist Fuck Integrity Mix [lower-alpha 2] ) | 3:19 | |
15. | "Asthmatic" (Punctured Lung Mix) | 4:29 | |
Total length: | 52:15 |
Personnel per liner notes. [15] [73]
Spineshank
Additional personnel
Artwork
| Production
|
Chart (2000–01) | Peak position |
---|---|
UK Albums (OCC) [48] | 104 |
UK Rock & Metal Albums (OCC) [74] | 5 |
US Billboard 200 [46] | 183 |
US Heatseekers Albums ( Billboard ) [75] | 13 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [76] | Silver | 60,000^ |
United States | — | 146,568 [49] |
^ Shipments figures based on certification alone. |
Reigon | Label | Format | Date | Catalog # | Ref. |
---|---|---|---|---|---|
Europe | Roadrunner | CD | October 9, 2000 | RR 8563-2 | [1] |
United States | October 10, 2000 | [28] | |||
Europe | CD (Collector's Digipak Edition) | July 23, 2001 | RR 8563-5 | [42] | |
United States | September 25, 2001 | 168 618 468-2 | [43] | ||
Various | Real Gone Music | LP | April 1, 2022 | RGM-1282 | [77] |
Nu metal is a subgenre of alternative metal that combines elements of heavy metal music with elements of other music genres such as hip hop, alternative rock, funk, industrial, and grunge. Nu metal rarely features guitar solos or other displays of musical technique; the genre is heavily syncopated and based on guitar riffs. Many nu metal guitarists use seven-string guitars that are down-tuned to produce a heavier sound. DJs are occasionally featured in nu metal to provide instrumentation such as sampling, turntable scratching and electronic background music. Vocal styles in nu metal include singing, rapping, screaming and growling. Nu metal is one of the key genres of the new wave of American heavy metal.
Make Yourself is the third studio album by American rock band Incubus. It was released on October 26, 1999, through Epic Records and Immortal Records. The album received double platinum certification by the RIAA and produced three charting singles—"Pardon Me", "Stellar", and "Drive"—all of which reached the top three of the Billboard Alternative Songs chart, with the latter topping the chart and also becoming the band's sole top ten hit to date on the Billboard Hot 100, where it peaked at number nine.
Around the Fur is the second studio album by the American alternative metal band Deftones, released on October 28, 1997, by Maverick Records. The songs "My Own Summer " and "Be Quiet and Drive " were released as singles with accompanying music videos. The album was certified gold by the RIAA in 1999, and was later certified platinum in 2011.
Iowa is the second studio album by American heavy metal band Slipknot. Produced by the band and Ross Robinson, it was released on August 28, 2001, by Roadrunner Records. The title derives from the band's home state, Iowa, which members have stated is one of their greatest sources of inspiration. With much anticipation for the album following the success of their 1999 self-titled debut, pressures on the band were high. Their relationships with each other suffered and this was later described as the darkest time of their career. It was also the first full album to feature guitarist Jim Root after only appearing on one song from their previous album. Despite troubles within the band and with Iowa's development, Slipknot promoted it for almost a year.
Slipknot is the debut studio album by American heavy metal band Slipknot. It was released on June 29, 1999, by Roadrunner Records, following a demo containing a few of the songs which had previously been released in 1998. Later, it was reissued in December 1999 with a slightly-altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction. This is the only album to feature original guitarist Josh Brainard who left at the end of recording in late 1998 while the band was taking a brief break. Jim Root, who recorded two tracks at this point, would appear full time on subsequent albums starting with their next album Iowa.
The Sickness is the debut studio album by American heavy metal band Disturbed. It was released on March 7, 2000, by Giant and Reprise Records. The album peaked at number 29 on the US Billboard 200, and spent a total of 106 weeks on the chart. It was Disturbed's only album to not hit number one on the US Billboard 200 until their seventh album Evolution debuted at number 4 in 2018. In 2018, The Sickness was certified five times platinum by the RIAA for shipments of over five million copies in the US, making it the band's most successful album.
Snot is an American nu metal band from Santa Barbara, California. Formed in 1995, the band released their only studio album Get Some with founding vocalist Lynn Strait in 1997 and disbanded after his death in 1998. In 2008, the lineup of lead guitarist Mikey Doling, bassist John Fahnestock, drummer Jamie Miller and rhythm guitarist Sonny Mayo reunited. In 2009, a new band, Tons, was formed, with Brandon Espinosa as vocalist. As of February 2014, Snot has reformed again.
Roadrunner Records is an American record label focused on heavy metal and hard rock bands. Founded in the Netherlands in 1980, it is now a division of Warner Music Group and is based in New York City.
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However the death growl is also a popular technique within the genre.
L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released on August 22, 2000, it is the band's first release on Epic Records, following the independently-released extended play Kill, I Oughtta. The album was co-produced by Garth Richardson and Mudvayne, and executive produced by Steve Richards and Slipknot member Shawn "Clown" Crahan.
Spineshank was an American industrial metal band from Los Angeles. The band released four studio albums: Strictly Diesel (1998), The Height of Callousness (2000), Self-Destructive Pattern (2003), and Anger Denial Acceptance (2012).
Spit is the debut studio album by Canadian heavy metal band Kittie, originally released on November 13, 1999, through Ng Records. Kittie were formed in 1996, and signed to Ng in 1999 after Jake Weiner, the record label's second-in-command, witnessed one of the band's shows. Produced by Garth Richardson, Spit was recorded over nine days in May 1999 at EMAC Studios in London, Ontario, and was completed in August 1999. Spit is a nu metal album that incorporates various elements from several heavy metal subgenres, and its lyrical themes include sexism, hatred, ignorance, betrayal, bullying and life experiences. The album is Kittie's only release with their original line-up, featuring bassist Tanya Candler and guitarist Fallon Bowman; Candler was replaced by Talena Atfield, who appears on the cover of all subsequent reissues of the album.
Oracle is the second studio album by Canadian heavy metal band Kittie, released on November 13, 2001, through Artemis Records. Produced by Garth Richardson, the album saw Kittie transition towards an extreme metal and death metal-based sound, moving on from the nu metal sound of Spit (1999). The album was recorded as a trio, following the departure of co-founding member and guitarist Fallon Bowman in May 2001; Jeff Phillips was subsequently brought in as an additional guitarist for the band's live performances in support of the album. Oracle was Kittie's only album with bassist Talena Atfield, who left the band four months after its release.
Self-Destructive Pattern is the third studio album by American metal band Spineshank, released on September 9, 2003, through Roadrunner Records. The single "Smothered" was nominated for a Grammy in the category of Best Metal Performance (2004).
Creeper are an English rock band from Southampton. Formed in 2014, the group originally featured vocalist Will Gould, guitarists Ian Miles and Sina Nemati, bassist Sean Scott, and drummer Dan Bratton. The band independently released their self-titled debut EP in 2014, before signing with Roadrunner Records and issuing follow-up The Callous Heart the next year. At the end of 2015, Nemati was replaced by Oliver Burdett and touring keyboardist/second vocalist Hannah Greenwood became an official band member. A third EP, The Stranger, was released in 2016 and reached the UK Rock & Metal Albums Chart top ten.
Strictly Diesel is the debut studio album by American metal band Spineshank, released on September 22, 1998, through Roadrunner Records. After forming in 1996, Spineshank shopped a demo tape around the Los Angeles area, bringing them to the attention of Fear Factory guitarist Dino Cazares. The band subsequently began opening for Fear Factory and other bands from early 1997 onwards, attracting the attention of Roadrunner A&R rep Kevin Estrada, who signed the band. Produced by Jay Baumgardner and Amir Derakh, Strictly Diesel is a nu metal and industrial metal album whose sound was compared to bands such as Deftones, Fear Factory, Korn and Sepultura—all of whom Spineshank cited as musical influences.
Violence is the third album by the Washington, D.C.-based alternative metal band Nothingface. The album was released on September 5, 2000, via TVT Records. The album received positive reviews, but didn't experience mainstream popularity, selling only 87,000 copies in the United States.
"New Disease" is a single by the American industrial metal band Spineshank. The song appears on the band's second album The Height of Callousness and was included on the soundtrack for the video game Shaun Palmer's Pro Snowboarder and MX Superfly. The song was also featured on the soundtrack of the film 3000 Miles to Graceland.
The Best of Spineshank is a greatest hits compilation album, released by the American industrial metal band Spineshank's former record label Roadrunner Records. It was released on January 29, 2008 and features material from the band's first 3 studio albums presented in reverse chronological order. The album has sold over 10,000 copies as of March 11, 2008.
Garth "GGGarth" Richardson is a Canadian record producer and music engineer. He is the son of music producer Jack Richardson, a pioneer of the music recording industry in the 1960s and 1970s. Garth Richardson has done music engineering work for the likes of Red Hot Chili Peppers, Nickelback, and Mötley Crüe, and produced for Kittie, Biffy Clyro, Rage Against the Machine, Mudvayne, Melvins, Shihad, Kensington, and many others. He cofounded the Nimbus School of Recording Arts in Vancouver, British Columbia together with Bob Ezrin and Kevin Williams. The school was named after Richardson's father's production company, Nimbus 9, and offers courses in production, recording, and audio. Richardson has the nickname 'GGGarth' due to his mild stutter.