Background and recording
Following the success of their debut album Lost Souls and subsequent tours of the United Kingdom and their first tour of North America,the band entered the studio in January 2001 to begin work on the follow-up album. "When we went back into the studio this time,we were determined to get rid of the perception that people had of us," said Jimi Goodwin in an interview with NME . [1] Jez Williams told NME,"This time around,we had a lot more confidence." [1] In a 2010 interview with Spinner.com,Jez furthered,"It was like a big burst of energy... it affected our songwriting. We wanted it to be optimistic,more hopeful." [2]
The band moved away from the Cheetham Hill studio they had recorded Lost Souls in for Revolution Studios in Manchester,Parr Street Studios in Liverpool,Peter Gabriel's Real World Studios in Bath,The Dairy and 2 kHz Studios in London,and a cottage in Lancashire. [1] Additionally,"M62 Song" is credited as being recorded under a flyover of the M62 motorway in Northenden. However,in a 2022 interview on the XS Long Player Podcast with Jim Salveson,Andy Williams revealed that the song was actually recorded under the M60 motorway flyover but the band "got the name wrong," also adding that "'M62 Song' sounds better anyway". [3]
In a 2009 interview with QTheMusic.com ,Jez said that the songs came quickly and effortlessly:"I had this little house in Northenden where my makeshift studio was. It took a couple of nights to get the backing track with the top line melody to 'There Goes the Fear'. Literally the next night I had 'Words' coming out of the speakers." [4]
"Caught by the River" was the final song recorded for the album,which took form at a rehearsal room in Stockport called The Green Room. "Jimi,Andy and I just started to play these three chords. Jimi started to sing this great top line melody and there it was... very natural and easy. Andy started to write these very poignant lyrics about a friend of ours;everything started to click like at the start of the recording. That was the last piece of the jigsaw for the album," said Jez. [4]
The band also incorporated string,brass,and woodwind arrangements into the songs,arranged by The High Llamas frontman Sean O'Hagan,as well as gospel choir vocals on "Satellites",while lead single "There Goes the Fear" features a Brazilian Carnival-inspired percussive outro. Doves wrote,recorded,and mixed the album within eight months,"which for Doves was incredibly fast," concluded Jez Williams. [4]
"M62 Song" is credited to the band and Robert Fripp,Michael Giles,Greg Lake,Ian McDonald,and Peter Sinfield because,as stated in the album sleeve,the song is an adaptation of "Moonchild" by King Crimson. Similarly,the B-side "Hit the Ground Running" is an adaptation of "Werewolves of London" by Warren Zevon.
Release and legacy
"For me they were good days. The simple focus of writing and recording that album; no personal fuck-ups or problems, I was in a good place. We were just in it riding the wave – enjoying the act of making music – so simple!"
—Jez Williams on the album's streamlined recording process [4] The Last Broadcast was released on 29 April 2002, and topped the UK Albums Chart. [5] The release of the first single "There Goes the Fear" on 15 April brought the band their highest-charting single to date, peaking at number 3 on the UK Singles Chart. [5] The single, pressed as a limited edition eCD and a 10" vinyl record, was released and deleted on the same day. When asked in a 2010 interview with Under the Radar as to why the single was limited, Jez Williams stated, "It was to do something different from the norm. Just wanted to try something different really. I can't remember exactly whose idea it was. It might have been the manager's, but we were kind of into it. A kind of statement, in a way. We liked the fact that you could only get a hold of a certain amount of this or a certain amount of that. Especially in this day and age of readily available bits of music, it's kind of nice: a physical copy that's precious to you because you managed to get to the shop that day and actually own that." [6] The Last Broadcast sold 52,000 copies in its first week, [7] and has since been certified platinum by the British Phonographic Industry. [8] The album's second single "Pounding" was released in July 2002, and peaked at number 21, while third and final single "Caught by the River" was released in October 2002 and reached number 29 on the charts. [5] Like "There Goes the Fear" before them, the singles for "Pounding" and "Caught by the River" were also limited in released quantities. The Last Broadcast was released by Capitol Records in the United States on 4 June 2002; first pressings of the album stateside included a limited edition bonus disc, featuring four songs released as B-sides on the UK singles.
The band began touring in promotion for the album at the end of February 2002. By summer of 2002, Doves were touring for the album in the United States, the Netherlands and Europe, Australia, and Japan. [9] Their July performance at The Eden Sessions in Cornwall was filmed and featured on the band's full-length compilation DVD Where We're Calling From , released in September 2003. In addition to the live concert, the DVD prominently featured a documentary on the band, including previously unreleased footage of the recording of The Last Broadcast as well as previous album Lost Souls, along with all of the band's music videos to date and a myriad of special features. [10]
A remixed version of "Words" entitled Live for City is played at the start of all Manchester City F.C. games at the City of Manchester Stadium, due to the band's support of the team. The intro to "Words" has also been used as the background music for both ITV Sport's FA Cup coverage and the NFL Network's commercials during the 2006-07 football season. "There Goes the Fear" was featured in the film and on the original motion picture soundtrack to (500) Days of Summer in 2009, while "Pounding" was used in the Vancouver 2010 Winter Olympics With Glowing Hearts/Des Plus Brilliants Exploits advertisement campaign and in pre-event intros.
Reception
The Last Broadcast was met with critical praise. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has received an average score of 85, based on 20 reviews. [11] NME awarded the album 9 out of 10 stars, calling the album "the most uplifting miserable album you'll hear all year." [16] The Austin Chronicle called the album "[a] stunner... an infectious, melancholy, ultimately euphoric barrage of sound wrapped in a sheeting of guitars and subtle effects that coalesce around frontman Jimi Goodwin's plaintive voice and brothers Jez and Andy Williams' lovely, pounding, relentless vibe that echoes with hints of Northern soul and terrifically big beats." [22] Blender called the album "utterly entrancing," [23] while AllMusic praised it as a "musical daybreak." [12]
Like its predecessor Lost Souls in 2000, The Last Broadcast was nominated for the Mercury Prize in 2002. The album lost to Ms. Dynamite's debut album A Little Deeper . Kludge included it on their list of best albums of 2002. [24]
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