The Sign of the Cross | |
---|---|
Directed by | Cecil B. DeMille |
Screenplay by | |
Based on | The Sign of the Cross by Wilson Barrett |
Produced by | Cecil B. DeMille |
Starring | |
Cinematography | Karl Struss |
Edited by | Anne Bauchens |
Music by | Rudolph G. Kopp |
Production company | Paramount Pictures |
Distributed by | Paramount Pictures |
Release dates |
|
Running time | 125 minutes |
Country | United States |
Language | English |
Budget | $694,065 [1] |
Box office | $2,738,993 [1] |
The Sign of the Cross is a 1932 American pre-Code epic film produced and directed by Cecil B. DeMille and released by Paramount Pictures. Based on the original 1895 play by English playwright Wilson Barrett, [2] the screenplay was written by Waldemar Young and Sidney Buchman. It stars Fredric March, Elissa Landi, Claudette Colbert, and Charles Laughton, with Ian Keith and Arthur Hohl.
Both play and film have a strong resemblance to the 1895–96 novel Quo Vadis and, like the novel, take place in ancient Rome during the reign of Nero. The art direction and costume design were by Mitchell Leisen, who also acted as assistant director. Karl Struss was nominated for an Academy Award for Best Cinematography. [3] It is the third and last in DeMille's biblical trilogy, following The Ten Commandments (1923) and The King of Kings (1927).
During the Great Fire of Rome in AD 64, Emperor Nero "fiddles". Tigellinus informs Nero that he is suspected of starting the fire. Nero instead has the fire blamed on the Christians. In Rome, the Apostle Titus, Mercia, and Favius are apprehended by a mob for being Christians. Marcus Superbus, the prefect of Rome, arrives and disperses the mob, allowing the Christians to go free.
News of Marcus's mercy towards the Christians spreads throughout Rome, including to Empress Poppaea. At a fountain, Marcus meets with Mercia again; there, Licinius reads Nero's edict to Marcus reminding him of his duty to arrest Christians. Later that night, Titus sends Stephan, a young Christian man, to tell other Christians of the secret meeting at the Cestian Bridge. Shortly after, Marcus arrives at Mercia's home wanting to take her for himself, but Mercia decides to stay. Stephan is arrested by Licinius under suspicion of being a Christian. In a dungeon, under torture Stephan reveals the location of the Christians' secret meeting.
After learning of Stephan's arrest and torture, Marcus races to the meeting hoping to save Mercia. Along the way, he crashes into Poppaea's carriage. She demands Marcus stay, but he leaves her and promises to be with her in the morning. At the meeting, Roman soldiers surround the Christians, and Titus and some members of his congregation are struck dead by arrows. Marcus arrives at the meeting and saves Mercia, and takes her home, while the other Christians are arrested and imprisoned.
The next morning, Poppaea scolds Marcus for his affections to Mercia. Elsewhere in the palace, Tigellinus informs Nero of Marcus's disobedience to his edict. Nero accuses Marcus of betrayal. Jealous of Mercia, Poppaea influences Nero to sign an order for Mercia's arrest. At a feast in Marcus's home, he introduces Mercia to Ancaria, who performs an exotic dance. Outside, Ancaria's performance is drowned out by the Christians' singing. Annoyed by the singing, Marcus sends his party away so he may be alone with Mercia. He tries to get Mercia to renounce her Christian faith so she may be with him, but she refuses. Shortly after, Licinius arrives to arrest Mercia, who is to be executed for treason amongst one hundred Christians in the arena.
Marcus returns to Nero's palace and demands that the emperor spare Mercia, but Nero refuses. In the arena, the audience is entertained by several spectacles, including gladiator battles. When the time for the Christians' execution arrives, Mercia is told to stay behind by Poppaea's orders, as she is to be executed alone. In the arena, the Christians are mauled to death by lions. Following the execution, Marcus again asks for Mercia to renounce her faith and be his wife. Mercia refuses once more, but she states that she loves him. Refusing to live without her, Marcus accompanies Mercia, and they are both executed.
The famous scene in which Poppaea (Claudette Colbert) bathes in asses' milk took several days to shoot. DeMille announced to the press that real asses' milk was used; however, it was actually powdered cow's milk. After a few days under the hot lights, the milk turned sour, making it very unpleasant for Colbert to work in the stench. [5] [6] [7]
To save production expense during the Great Depression, existing sets were reused as well as costumes left over from the making of The Ten Commandments (1923). [8] DeMille also attempted to provide out-of-work actors jobs as extras such as the crowd arena scenes. [8]
Paramount marketed the film using market segmentation by focusing their promotion efforts on three market segments. The first was general moviegoers and movie enthusiasts who enjoyed certain features of religiously themed movies, movie goers who regularly attended church, and students of primary and elementary schools. [9]
In 2008, the film was nominated for the American Film Institute's 10 Top 10 in the Epic Film category. [10]
As with many other pre-Code films that were reissued after the Motion Picture Production Code was strictly enforced in 1934, this film has a history of censorship. In the original version, Marcus Superbus (Fredric March) is unsuccessful in his attempt to seduce Mercia (Elissa Landi), an innocent Christian girl. He then urges Ancaria (Joyzelle Joyner) to perform the erotic "Dance of the Naked Moon" that will "warm her into life". [11] This "lesbian dance" was cut from the negative for a 1938 reissue, but was restored by MCA/Universal for its 1993 video release. [12] Some gladiatorial combat footage was also cut for the 1938 reissue, as were arena sequences involving naked women being attacked by crocodiles and a gorilla. These were also restored in 1993. [13]
DeMille himself supervised a new version for its 1944 rerelease. New footage with a World War II setting, featuring actor Stanley Ridges (who did not originally appear in the film) was added to make the film more topical. In the new prologue, a group of planes is seen flying over what was ancient Rome. The conversation of the soldiers in one of the planes leads directly into the film's original opening scene. The last few seconds of the edited version of the film showed the planes flying off into the distance, rather than simply fading out on the original closing scene of the movie.
For many years, this edited version was the only one available. The version now shown on Turner Classic Movies has been restored to the original 125 minute length by the UCLA Film and Television Archive with the help of the DeMille estate and Universal Television, which now owns most pre-1950 Paramount sound features.
The reaction of the Catholic Church in the United States to the content in this film and in Ann Vickers helped lead to the 1934 formation of the Catholic Legion of Decency, an organization dedicated to identifying and combating objectionable content, from the point of view of the Church, in motion pictures. [14]
This film, along with Four Frightened People (1934), Cleopatra (1934), The Crusades (1935) and Union Pacific (1939), was released on DVD in 2006 by Universal Studios as part of The Cecil B. DeMille Collection, a new Blu-ray edition was released on August 25, 2020 by Kino Lorber.
Cecil Blount DeMille was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.
Nero Claudius Caesar Augustus Germanicus was a Roman emperor and the final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68.
Otho was Roman emperor, ruling for three months from 15 January to 16 April 69. He was the second emperor of the Year of the Four Emperors.
The 60s decade ran from January 1, AD 60, to December 31, AD 69.
Émilie Chauchoin, professionally known as Claudette Colbert, was an American actress. Colbert began her career in Broadway productions during the late 1920s and progressed to films with the advent of talking pictures. Initially contracted to Paramount Pictures, Colbert became one of the few major actresses of the period who worked freelance; that is to say, independently of the studio system.
Ofonius Tigellinus was a prefect of the Roman imperial bodyguard, known as the Praetorian Guard, from 62 until 68, during the reign of emperor Nero. Tigellinus gained imperial favour through his acquaintance with Nero's mother Agrippina the Younger, and was appointed prefect upon the death of his predecessor Sextus Afranius Burrus, a position Tigellinus held first with Faenius Rufus and then Nymphidius Sabinus.
Quo Vadis is a 1951 American religious epic film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz. Produced by Metro-Goldwyn-Mayer and filmed in Technicolor, it was directed by Mervyn LeRoy from a screenplay by S. N. Behrman, Sonya Levien, and John Lee Mahin. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars Robert Taylor, Deborah Kerr, Leo Genn, and Peter Ustinov, and features Patricia Laffan, Finlay Currie, Abraham Sofaer, Marina Berti, Buddy Baer, and Felix Aylmer. Future Italian stars Sophia Loren and Bud Spencer appeared as uncredited extras. The score is by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall. The film was released by Metro-Goldwyn-Mayer on November 2, 1951.
Wilson Barrett was an English manager, actor, and playwright. With his company, Barrett is credited with attracting the largest crowds of English theatregoers ever because of his success with melodrama, an instance being his production of The Silver King (1882) at the Princess's Theatre of London. The historical tragedy The Sign of the Cross (1895) was Barrett's most successful play, both in England and in the United States.
Quo Vadis: A Narrative of the Time of Nero is a historical novel written by Henryk Sienkiewicz in Polish.
Poppaea Sabina, also known as Ollia, was a Roman empress as the second wife of the emperor Nero. She had also been wife to the future emperor Otho. The historians of antiquity describe her as a beautiful woman who used intrigues to become empress.
Arthur Hohl was an American stage and motion-picture character actor.
A.D. (1985) is an American/Italian miniseries in six parts that adapts the narrative in the Acts of the Apostles. Considered as the third and final installment in a TV miniseries trilogy that began with Moses the Lawgiver (1974) and Franco Zeffirelli's Jesus of Nazareth (1977), it was adapted from Anthony Burgess's 1985 novel The Kingdom of the Wicked, which was itself a sequel to Burgess's book Man of Nazareth, on which was based Zeffirelli's movie. The title is the abbreviation for Anno Domini, as the events occur in the first years of the Christian Era.
Cleopatra is a 1934 American epic film directed by Cecil B. DeMille and distributed by Paramount Pictures. A retelling of the story of Cleopatra VII of Egypt, the screenplay was written by Waldemar Young and Vincent Lawrence and was based on Bartlett Cormack's adaptation of historical material. Claudette Colbert stars as Cleopatra, Warren William as Julius Caesar, and Henry Wilcoxon as Mark Antony.
Ancient Rome: The Rise and Fall of an Empire is a 2006 BBC One docudrama series, with each episode looking at a different key turning point in the history of the Roman Republic and Empire. This docudrama focuses on the Latin western half of the Roman Empire.
Four Frightened People is a 1934 American Pre-Code adventure film directed by Cecil B. DeMille and starring Claudette Colbert, Herbert Marshall, Mary Boland, and William Gargan. It is based on the 1931 novel by E. Arnot Robertson.
Quo Vadis is a 2001 Polish film directed by Jerzy Kawalerowicz based on the 1896 book of the same title by Henryk Sienkiewicz. It was Poland's submission to the 74th Academy Awards for the Academy Award for Best Foreign Language Film, but was not nominated.
The Sign of the Cross is an 1895 four-act historical tragedy, by Wilson Barrett and popular for several decades. Barrett said its Christian theme was his attempt to bridge the gap between Church and stage. The plot resembles that of Henryk Sienkiewicz's historical novel Quo Vadis, which was first published between 26 March 1895 and 29 February 1896 in the Gazeta Polska, 11 months after the play's first production.
Quo Vadis is an Italian film directed by Enrico Guazzoni for Cines in 1913, based on the 1896 novel of the same name written by Henryk Sienkiewicz. It was one of the first blockbusters in the history of cinema, with 5,000 extras, lavish sets, and a lengthy running time of two hours, setting the standard for "superspectacles" for decades to come.
The Sign of the Cross is a 1914 American drama silent film directed by Frederick A. Thomson based on the 1895 play by Wilson Barrett. The film stars William Farnum, Rosina Henley, Sheridan Block, Morgan Thorpe, Ethel Grey Terry, Lila Barclay and George Majeroni. The film was released on December 21, 1914, by Paramount Pictures.
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