Raymond Mathewson Hood was an American architect who worked in the Neo-Gothic and Art Deco styles. He is best known for his designs of the Tribune Tower, American Radiator Building, and Rockefeller Center. Through a short yet highly successful career, Hood exerted an outsized influence on twentieth century architecture.
A tower block, high-rise, apartment tower, residential tower, apartment block, block of flats, or office tower is a tall building, as opposed to a low-rise building and is defined differently in terms of height depending on the jurisdiction. It is used as a residential, office building, or other functions including hotel, retail, or with multiple purposes combined. Residential high-rise buildings are also known in some varieties of English, such as British English, as tower blocks and may be referred to as MDUs, standing for multi-dwelling units. A very tall high-rise building is referred to as a skyscraper.
The Chicago School refers to two architectural styles derived from the architecture of Chicago. In the history of architecture, the first Chicago School was a school of architects active in Chicago in the late 19th, and at the turn of the 20th century. They were among the first to promote the new technologies of steel-frame construction in commercial buildings, and developed a spatial aesthetic which co-evolved with, and then came to influence, parallel developments in European Modernism. Much of its early work is also known as Commercial Style.
The Main Street District of downtown Dallas, Texas runs along Main Street and is bounded by Elm Street one block north, Commerce St. one block south, N. Lamar St. to the west, and US 75/I-45 (I-345) elevated highway to the east. The district is the spine of downtown Dallas, and connects many of the adjoining business and entertainment districts. It does not include Dealey Plaza or the John Fitzgerald Kennedy Memorial which are a few blocks west in the West End Historic District.
Emery Roth was a Hungarian-American architect of Hungarian-Jewish descent who designed many New York City hotels and apartment buildings of the 1920s and 1930s, incorporating Beaux-Arts and Art Deco details. His sons continued in the family enterprise, largely expanding the firm under the name Emery Roth & Sons.
The architecture of Philadelphia is a mix of historic and modern styles that reflect the city's history. The first European settlements appeared within the present day borders of Philadelphia, Pennsylvania in the 17th century with most structures being built from logs. By the 18th century, brick structures had become common. Georgian and later Federal style buildings dominated much of the cityscape. In the first half of the 19th century, Greek revival appeared and flourished with architects such as William Strickland, John Haviland, and Thomas U. Walter. In the second half of the 19th century, Victorian architecture became popular with the city's most notable Victorian architect being Frank Furness.
The Jeffersonian Apartments—currently branded as “The Jefferson”—is a large apartment building at 9000 East Jefferson Avenue, on the near-east side of Detroit, Michigan. Built in 1965, primarily of glass and steel in the international architecture style, it is one of Detroit's tallest residential buildings -- standing 30 stories with 412 residential units.
Lafayette Towers Apartments East is one of two identical apartment buildings designed by Mies van der Rohe. The other is Lafayette Towers Apartments West.
The Harvard Square Centre is a building located at 1344–1346 Broadway Street in Downtown Detroit, within the Broadway Avenue Historic District and next to the Merchants Building. It was built in 1925 and stands at 12 floors in height, designed in the Beaux-Arts architectural style with Romanesque accents. It is currently unused. The current plans for the building calls for a renovation that will include 21 loft apartments. Heritage National Investment has proposed converting the building into 21 residential loft apartments.
The Sovereign is a large five-story, 130 unit apartment building in Santa Monica, California, United States. Built in 1928, it was designed by architect Kurt Meyer-Radon and the Anglo American Building Company in the Mission Revival-Spanish Colonial Revival styles.
The Preston Centre is a 27-story, 317-foot (97 m) office building and skyscraper on Capitol Square in Downtown Columbus, Ohio. The Preston Centre is the 15th-tallest building in Columbus. The tower is named for Preston Wolfe, a former worker there. It is diagonally adjacent to the Borden Building.
Le Port-Royal is an apartment building on Sherbrooke Street in the Golden Square Mile district of Montreal, Quebec, Canada. It is 33 stories, and 122 metres (400 ft) tall. Completed in 1964, it used to be the highest residential building in Canada east of Toronto until the completion of Altitude Montreal in 2013. It was built in the modernist style, with a concrete and glass facade. Le Port-Royal is located at 1455 Sherbrooke Street West opposite Mackay Street, and next to the Church of St. Andrew and St. Paul. The building consists of luxury apartments.
8 Spruce Street, previously known as the Beekman Tower and New York by Gehry, is a residential skyscraper on Spruce Street in the Financial District of Manhattan is New York City. Designed by architect Frank Gehry + Gehry Partners LLP and developed by Forest City Ratner, the building rises 870 feet with 76 stories. WSP Cantor Seinuk was the lead structural engineer, Jaros, Baum & Bolles provided MEP engineering, and Kreisler Borg Florman was construction manager. 8 Spruce Street was the tallest residential tower in the Western Hemisphere at the time of opening in February 2011.
West Side Place is a completed A$2.4 billion complex of four buildings, located on 250 Spencer Street, Melbourne.
Art Deco architecture flourished in New York City during the 1920s and 1930s. The style broke with many traditional architectural conventions and was characterized by verticality, ornamentation, and building materials such as plastics, metals, and terra cotta. Art Deco is found in government edifices, commercial projects, and residential buildings in all five boroughs. The architecture of the period was influenced by worldwide decorative arts trends, the rise of mechanization, and New York City's 1916 Zoning Resolution, which favored the setback feature in many buildings.
