In cryptography, a block cipher is a deterministic algorithm operating on fixed-length groups of bits, called blocks. Block ciphers are specified elementary components in the design of many cryptographic protocols and are widely used to encrypt large amounts of data, including in data exchange protocols. A block cipher uses blocks as an unvarying transformation.
In music, a tone row or note row, also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometimes found.
In abstract algebra, group theory studies the algebraic structures known as groups. The concept of a group is central to abstract algebra: other well-known algebraic structures, such as rings, fields, and vector spaces, can all be seen as groups endowed with additional operations and axioms. Groups recur throughout mathematics, and the methods of group theory have influenced many parts of algebra. Linear algebraic groups and Lie groups are two branches of group theory that have experienced advances and have become subject areas in their own right.
In mathematics, the Klein four-group is an abelian group with four elements, in which each element is self-inverse (composing it with itself produces the identity) and in which composing any two of the three non-identity elements produces the third one. It can be described as the symmetry group of a non-square rectangle (with the three non-identity elements being horizontal and vertical reflection and 180-degree rotation), as the group of bitwise exclusive or operations on two-bit binary values, or more abstractly as Z2 × Z2, the direct product of two copies of the cyclic group of order 2. It was named Vierergruppe (meaning four-group) by Felix Klein in 1884. It is also called the Klein group, and is often symbolized by the letter V or as K4.
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-century composers. Many important composers who had originally not subscribed to or actively opposed the technique, such as Aaron Copland and Igor Stravinsky, eventually adopted it in their music.
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Howard Hanson first elaborated many of the concepts for analyzing tonal music. Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, drawing on the twelve-tone theory of Milton Babbitt. The concepts of musical set theory are very general and can be applied to tonal and atonal styles in any equal temperament tuning system, and to some extent more generally than that.
In music using the twelve-tone technique, derivation is the construction of a row through segments. A derived row is a tone row whose entirety of twelve tones is constructed from a segment or portion of the whole, the generator. Anton Webern often used derived rows in his pieces. A partition is a segment created from a set through partitioning.
In cryptography, confusion and diffusion are two properties of the operation of a secure cipher identified by Claude Shannon in his 1945 classified report A Mathematical Theory of Cryptography. These properties, when present, work together to thwart the application of statistics and other methods of cryptanalysis.
In music, a permutation (order) of a set is any ordering of the elements of that set. A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre. Different permutations may be related by transformation, through the application of zero or more operations, such as transposition, inversion, retrogradation, circular permutation, or multiplicative operations. These may produce reorderings of the members of the set, or may simply map the set onto itself.
In post-tonal music theory, identity is similar to identity in universal algebra. An identity function is a permutation or transformation which transforms a pitch or pitch class set into itself. Generally this requires symmetry. For instance, inverting an augmented triad or C4 interval cycle, 048, produces itself. Performing a retrograde operation upon the tone row 01210 produces 01210. Doubling the length of a rhythm while doubling the tempo produces a rhythm of the same durations as the original.
The mathematical operations of multiplication have several applications to music. Other than its application to the frequency ratios of intervals, it has been used in other ways for twelve-tone technique, and musical set theory. Additionally ring modulation is an electrical audio process involving multiplication that has been used for musical effect.
Symmetry occurs not only in geometry, but also in other branches of mathematics. Symmetry is a type of invariance: the property that a mathematical object remains unchanged under a set of operations or transformations.
In mathematics, permutation relates to the act of arranging all the members of a set into some sequence or order.
A substitution is a syntactic transformation on formal expressions. To apply a substitution to an expression means to consistently replace its variable, or placeholder, symbols with other expressions.
In cryptography, CIKS-1 is a block cipher designed in 2002 by A.A. Moldovyan and N.A. Moldovyan. Like its predecessor, Spectr-H64, it relies heavily on permutations of bits, so is better suited to implementation in hardware than in software.
In music theory, an inversion is a type of change to intervals, chords, voices, and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.
In musical composition, developing variation is a formal technique in which the concepts of development and variation are united in that variations are produced through the development of existing material.
A mathematical object is an abstract concept arising in mathematics. In the usual language of mathematics, an object is anything that has been formally defined, and with which one may do deductive reasoning and mathematical proofs. Typically, a mathematical object can be a value that can be assigned to a variable, and therefore can be involved in formulas. Commonly encountered mathematical objects include numbers, sets, functions, expressions, geometric objects, transformations of other mathematical objects, and spaces. Mathematical objects can be very complex; for example, theorems, proofs, and even theories are considered as mathematical objects in proof theory.
In music theory, equivalence class is an equality (=) or equivalence between properties of sets (unordered) or twelve-tone rows. A relation rather than an operation, it may be contrasted with derivation. "It is not surprising that music theorists have different concepts of equivalence [from each other]..." "Indeed, an informal notion of equivalence has always been part of music theory and analysis. Pitch class set theory, however, has adhered to formal definitions of equivalence." Traditionally, octave equivalency is assumed, while inversional, permutational, and transpositional equivalency may or may not be considered.
VMPC for cryptography is a stream cipher similar to the well known and popular cipher RC4 designed by Ron Rivest. It was designed by Bartosz Żółtak, presented in 2004 at the Fast Software Encryption conference. VMPC is a modification of the RC4 cipher.
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