2025 in jazz | |
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Decade | 2020s in jazz |
Music | 2025 in music |
Standards | List of jazz standards |
See also | 2024 in jazz – 2026 in jazz |
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This is a timeline documenting events of jazz in the year 2025.
Month | Day | Artist | Album | Label | Notes | Ref. |
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June | 14 | Daniel Carter | Stream of a Dream | 577 Records | Featuring Matthew Putman and Federico Ughi | [2] |
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas. It encompasses multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound.
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent.
Kiki Gyan, also known as Kiki Djan, was a Ghanaian musician. He was the keyboardist of the band Osibisa which was popular in the 1970s. He also recorded and produced a series of disco records. He was a prodigy who could play the keyboard exceptionally well.
Osibisa is a British-Ghanaian-Caribbean Afro rock band founded in London in the late 1960s by four expatriate West African and three London based Caribbean musicians.
Guy Warren of Ghana, also known as Kofi Ghanaba, was a Ghanaian musician, most notable as the inventor of Afro-jazz — "the reuniting of African-American jazz with its African roots" — and as a member of The Tempos, alongside E. T. Mensah. He also inspired musicians such as Fela Kuti. Warren's virtuosity on the African drums earned him the appellation "The Divine Drummer". At different stages of his life, he additionally worked as a journalist, DJ and broadcaster.
Afro rock is a style of rock music that incorporates African influences, blending elements of Western rock with traditional African rhythms, melodies, and instrumentation. Emerging in the late 1960s and early 1970s, Afro rock reflected a dynamic interplay between the global popularity of rock music and the rich musical heritage of Africa. Prominent Afro rock bands and artists from this period include Osibisa, Assagai, and the Lafayette Afro Rock Band.
Mustapha Tettey Addy is a Ghanaian master drummer and ethnomusicologist. Addy is the founder of The Obonu Drummers, which performs creative drumming composed by Addy that is based upon the royal Obonu drumming of the Ga people and other Ghanaian drumming forms. He has recorded many albums and has performed extensively in Africa and Europe, and briefly in North America in the early 1970s and late 1990s.
Soul to Soul is a 1971 documentary film about the Independence Day concert held in Accra, Ghana, on 6 March 1971. It features an array of mostly American R&B, soul, rock, and jazz musicians.
Woyaya is the second album by Ghanaian Afro-rock band Osibisa released in 1971 by MCA. It was reissued in 2004 in a two-CD pack together with the self-titled album Osibisa by BGO Records.
Jan Gunnar Hoff is a Norwegian jazz pianist, composer, arranger and professor, living in Bodø, known from cooperations with jazz musicians like Pat Metheny, Mike Stern, Alex Acuña, Audun Kleive, Mathias Eick, John Surman, Karin Krog, Maria João, Marilyn Mazur, Anders Jormin, Arve Henriksen, Per Jørgensen, Tore Brunborg, Bjørn Kjellemyr, Ernst-Wiggo Sandbakk, Per Mathisen, Gary Novak, Arild Andersen, Tore Johansen, Nils Petter Molvær, Ståle Storløkken, Gary Husband a.o.
Henning Gravrok is a Norwegian jazz musician (saxophone) and music teacher, raised in Harstad and educated as teacher. Since 1975 he has been central to the Tromsø and Bodø jazz scenes.
Teddy Osei was a Ghanaian musician who was a saxophone player, drummer and vocalist, and best known as the leader of the Afro-pop band Osibisa, founded in 1969. Born in Kumasi, Osei was introduced to musical instruments while still a child. He began to play the saxophone while attempting to create a band with his college friends in the coastal city of Sekondi. After graduating from college, he worked as a building inspector for a year before creating a band called "The Comets." The Comets enjoyed brief popularity before Osei travelled to London in 1962. He received a grant from the Ghanaian government to study at a private music and drama school for three years, before being forced to leave by a regime change in Ghana. In 1969, he founded Osibisa along with several other musicians. The band remained popular through the 1970s, before experiencing a decline, although it continues to perform today.
Bodø Jazz Open is a jazz festival, presented at the end of January every year since 2011. The aim of the festival is to bring together local, national and international artists for collaborations, jam sessions and workshops. Every year between 2000 and 3000 festival participants visit the festival, and bring more life to Bodø in wintertime. Bodø Jazz Open brings jazz to Bodø's nightlife, and organizes gigs at local venues like Topp 13, Dama di, Paviljongen, Sinus, Bodø Kulturhus and Sydøst.
The following is a list of notable events and releases of the year 2018 in Norwegian music.
Mystic Energy is an album by the British band Osibisa. It was released in 1980 by Calibre Records. It continued their shift towards R&B and away from the world music style they had debuted with. The elephant on the cover echoes the artwork of their earlier albums.
This is a timeline documenting events of jazz in the year 2019.
The following is a list of notable events and releases of the year 2019 in Norwegian music.
Frank Tontoh is a Ghanaian percussionist.
This topic covers events and articles related to 2025 in music.