The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of Canadians Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and American Levon Helm. The Band combined elements of Americana, folk, rock, jazz and country, influencing artists such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
Music from Big Pink is the debut studio album by Canadian-American rock band the Band. Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
The Band is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969, by Capitol Records. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
Richard Clare Danko was a Canadian musician, bassist, songwriter, and singer, best known as a founding member of the Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994.
Richard George Manuel was a Canadian musician, singer, and songwriter, best known as a pianist and one of three lead singers in the Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1994.
Stage Fright is the third studio album by Canadian-American rock band the Band, released on August 17, 1970, by Capitol Records. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
Rock of Ages: The Band in Concert is a live album by the Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971. It peaked at No. 6 on the Billboard 200 chart, and was certified a gold record by the RIAA. An expanded release of recordings taken from the same series of shows, called Live at the Academy of Music 1971, was released in 2013.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots. It was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks, and it is the only Band album where all songs are credited as compositions of guitarist Robbie Robertson.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
Jericho is the eighth studio album by Canadian-American rock group the Band. Coming seventeen years after their "farewell concert", it was released in 1993 and was the first album to feature the latter-day configuration of the group, as well as their first release for the Rhino subsidiary Pyramid Records.
Jubilation is the tenth and final studio album by Canadian/American rock group the Band. Recorded in the spring of 1998 in Levon Helm's home studio in Woodstock, New York, it was released on September 15, 1998. For the first time since the group reformed without guitarist and songwriter Robbie Robertson, there were more originals than covers. Songs include "Last Train to Memphis", featuring guest guitarist Eric Clapton, Garth Hudson's solo instrumental closer "French Girls", Rick Danko's "High Cotton" and the ode to Ronnie Hawkins, "White Cadillac".
Live at Watkins Glen is a 1995 album by the Band, presented by Capitol Records as a live album from the Summer Jam at Watkins Glen rock festival held outside Watkins Glen, New York, on July 28, 1973, in front of 600,000 people. Garth Hudson's organ solo, "Too Wet to Work", and the plainly titled "Jam" come from the actual Watkins Glen concert, as does the introduction of the group by Bill Graham. The former track appears on the out-of-print 1994 box set Across the Great Divide, but the latter track is only present on the Watkins Glen disc. The remainder of the tracks are two studio outtakes with overdubbed crowd noise, "Back to Memphis" and "Endless Highway", plus five tracks from the Academy of Music shows in December 1971 and "Don't Ya Tell Henry" from the Woodstock festival in 1969. The two studio outtakes are available on the 2001 re-release of Moondog Matinee, without the crowd overdubs. The Academy of Music tracks are available on the 2001 two-CD re-release of Rock of Ages as "previously unavailable" tracks.
Rick Danko is the 1977 eponymous debut by the bassist and singer for the Band. Featuring ten tracks mainly written by Danko, mostly in conjunction with lyricists Bobby Charles and Emmett Grogan, it was the first solo album by any member of the group and was Danko's only solo studio album; the other two albums he released in his lifetime were solo live recordings and collaborative studio albums.
Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on Santana IV in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 16-year-old guitarist Neal Schon to the group.
Elizabeth Titus is an American singer and songwriter.
"Chest Fever" is a song recorded by the Band on its 1968 debut, Music from Big Pink. It is, according to Peter Viney, a historian of the group, the album track that has appeared on the most subsequent live albums and compilations, second only to "The Weight".
Stanley Martin Szelest was an American musician from Buffalo, New York, known for founding an influential blues band in the 1950s and 1960s, Stan and the Ravens, and later as a keyboardist with Ronnie Hawkins and, briefly, with The Band.
Let It Rock is a Juno Award-nominated album that documents American-Canadian singer Ronnie Hawkins's 60th birthday celebration and concert at Massey Hall in Toronto, Ontario. The concert took place on January 8, 1995, and featured performances by Hawkins, Carl Perkins, Jerry Lee Lewis, the Band and Larry Gowan. Jeff Healey sat in on guitar for most, if not all, of the performances. Hawkins's band, the Hawks, or permutations of it, backed most, if not all, of the acts. All of the musicians performing that night were collectively dubbed "the Rock ‘N’ Roll Orchestra". The concert is among the last recorded of both Perkins and Rick Danko of the Band. An eponymous video of the concert was also released.
"We Can Talk" is a 1968 song by The Band that was the opener for the second side of their debut album Music From Big Pink Written by Richard Manuel, it features The Band's three main vocalists in nearly equal turns, often finishing each other's phrases. Initially a staple of their concerts, it was dropped from the set list in 1971.
"4% Pantomime" is a song written by Robbie Robertson and Van Morrison. It was first released on the Band's 1971 album Cahoots.
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