Principal photography began in Atlanta, Georgia, in 2022, with production moving to London later in the year. Civil War premiered at South by Southwest on March 14, 2024, and was theatrically released in the United States by A24 and in the United Kingdom by Entertainment Film Distributors on April 12, 2024. With a budget of $50 million, Civil War was A24's most expensive film at the time.[2] The film has grossed over $126.2 million worldwide, becoming A24's second-highest-grossing film, and received generally positive reviews from critics.
Plot
A civil war has engulfed the United States. An authoritarian federal government, led by a third-term president, is embattled by secessionist movements. Despite the president claiming victory is imminent, it is widely expected that Washington, D.C. will soon be reached by the "Western Forces" (WF) led by Texas and California, while forces of the southeast Florida Alliance are also fast approaching. After surviving a suicide bombing in New York City, jaded veteran war photographer Lee Smith and journalist colleague Joel meet with their mentor Sammy to share their plan to interview the isolated president. Lee and Joel are headed to Washington, D.C., to interview the president before his likely capture, while Sammy joins them to catch a ride to the WF frontline at Charlottesville, Virginia. The next morning, Lee finds Joel has allowed a young aspiring photojournalist whom Lee encountered at the bombing, Jessie Cullen, to join them.
After departing the city, the group stops at a gas station protected by armed men. Jessie explores a nearby car wash, where she finds the men torturing two alleged looters. One of the guards follows Jessie, but Lee defuses the situation by taking a photo of the man posing with his victims. Later, Jessie berates herself for being too scared to take photos.
Following an overnight stop near ongoing fighting, the group documents combat the next day as secessionist militiamen successfully assault a loyalist-held building. Lee recognizes Jessie's potential as a war photographer and begins to mentor her, while Jessie photographs the secessionists executing prisoners. The group spends the night at a refugee camp before passing through a small town where, under watchful guard, residents attempt to live in ignorance of the war.
Later, they are caught in a sniper battle amid the remains of a Christmas fair. Nearby snipers mock Joel's questioning what side they are fighting for, instead summarizing the situation as killing those trying to kill them. Jessie's nerve and photography skills improve as she becomes increasingly desensitized to violence. Jessie asks if Lee would photograph her in the event she were killed in a combat zone, to which Lee responds in the affirmative.
While driving, the four encounter two foreign reporters they know, Tony and Bohai. Tony and Jessie switch vehicles before Bohai drives off ahead with Jessie in his car. The others catch up to find the pair held at gunpoint by uniformed soldiers who are burying civilians in a mass grave. Sammy stays behind as the other three approach to attempt to negotiate their release, but the leader of the soldiers executes both Bohai and Tony for not being "American". Sammy saves the others by ramming the group's truck into the soldiers but is shot while fleeing afterwards and gets mortally wounded.
Traumatized, the remaining three arrive at the Charlottesville WF base and find most of the remaining loyalists have surrendered, leaving Washington, D.C., defended only by fanatical remnants of the armed forces and Secret Service. Joel drunkenly lashes out at what he views as Sammy's pointless death, while Lee tries to console Jessie by saying that Sammy would've liked to die on the job. Lee finds herself unable to document Sammy's death, deleting a photo she took of his body.
The trio embed themselves with the WF as they assault the White House, where Jessie repeatedly endangers herself during fighting to capture photographs, while Lee struggles with post-traumatic stress disorder from the carnage. When the WF breaches the White House's fortified perimeter, a convoy with the presidential limousine flees but WF units eliminate the convoy, and its occupants are killed. Lee realizes it is a diversionary decoy, leading her two colleagues into the White House, soon joined by five WF soldiers.
Advancing through the largely-abandoned building filled with dead staffers, an abortive attempt by a single Secret Service agent to negotiate the president's surrender and safe passage results in the death of the agent. The group of eight advance, with the five soldiers engaging in a room-by-room firefight with the few remaining Secret Service agents guarding the president. Jessie repeatedly ignores the commands of the soldiers and steps into the open to shoot images of Secret Service agents at the far end of a hall; Lee rushes and pushes Jessie to the ground, but is killed by the Secret Service–while a prone Jessie captures five progressive images of Lee's demise.
Jessie unemotionally continues into the Oval Office, watching the soldiers drag the president from under his desk and prepare to summarily execute him. Joel momentarily stops them to get a quote from the president, who replies, "Don't let them kill me." Satisfied, Joel steps back Jessie takes the million-dollar photographs of the WF soldiers executing the president, followed by a shot of them posing with his corpse.
Cast
Kirsten Dunst as Lee, a renowned war photojournalist from Colorado. She is said to be the youngest member of the Magnum Photos cooperative. Her first name is a reference to famed World War II photojournalist Lee Miller.[7]
Additional cast members Jared Shaw, Justin Garza, Brian Philpot, and Tywaun Tornes as the Western Forces soldiers led by the sergeant in storming the White House. Jesse Plemons makes an uncredited appearance as a racist[8]ultranationalist militant who kills the two journalists who had briefly joined Lee's group en route to Charlottesville.[9][10]
Production
Development and casting
In January 2022, Deadline reported that Alex Garland had signed on to write and direct the film for A24 with DNA Films co-producing. Kirsten Dunst, Wagner Moura, Stephen McKinley Henderson and Cailee Spaeny were confirmed to star.[11] In April, Karl Glusman was announced[by whom?] as part of the cast.[12] In a May interview with The Daily Telegraph, Garland described the film as a companion piece to his 2022 film Men, and said it is "set at an indeterminate point in the future—just far enough ahead for me to add a conceit—and serves as a sci-fi allegory for our currently polarized predicament". In the same interview, Sonoya Mizuno was revealed as part of the cast, having appeared in all of Garland's previous films.[13]
Jesse Plemons, Dunst's husband, was cast in the uncredited role at Dunst's suggestion after the originally cast actor became unavailable a few days before shooting began. Garland called Plemons' availability "a stunning bit of good luck."[9][10]
Filming
Principal photography began in Atlanta on March 15, 2022, under the code name Road Trip.[14][15][16] By May, production had moved to London.[17] The production budget for Civil War was $50 million, making it A24's most expensive film at the time.[2] It was shot partially on the prosumerDJI Ronin 4D camera.[18][19] The film's Washington D.C.-based finale required months of planning, with Alex Garland and cinematographer Rob Hardy holding a series of roundtable discussions with production designer Caty Maxey, VFX supervisor David Simpson,[20] military supervisor Ray Mendoza and stunt coordinator Jeff Dashnaw.[21][22] The scenes in the Washington streets were filmed in Stone Mountain, Georgia, while the White House sequences were filmed at the Tyler Perry Studios in Atlanta.[21][22]
In a March 2024 interview with The Guardian, Garland stated that after Civil War, he intends to step back from directing and focus only on writing.[23]
Civil War had its world premiere at South by Southwest on March 14, 2024, with favorable reactions from the audience and positive reviews from critics.[28][29]
The film was previously scheduled to be released on April 26, 2024.[30][31] It was screened at the BFI IMAX in London on April 11, 2024, and received a wide release on April 12, 2024, in the United States by A24 and in the United Kingdom by Entertainment Film, with engagements in IMAX and Dolby Cinema.[32][33][34] The film was released in mainland China on June 7, 2024.[35]
On April 17, 2024, A24 promoted the film on Instagram by posting five images created by artificial intelligence (AI), each showing a different American city in postapocalyptic disarray. The images were criticized for inaccurately depicting certain cityscapes: the AI-generated image of Chicago wrongfully represented the Marina City apartment complex, with its buildings being separated by a non-existent island on the Chicago River. In real life, the buildings are located directly next to each other.[39][40] A source connected to the film confirmed to The Hollywood Reporter that they were "AI images inspired by the movie. The entire movie is a big 'what if' and so we wanted to continue that thought on social — powerful imagery of iconic landmarks with that dystopian realism."[41][42][43]
Reception
Box office
Civil War grossed $68.6million in the United States and Canada and $55.3million in other territories, for a worldwide total of $124million.[4][5]
In the United States and Canada, the film was projected to gross $18–24 million from 3,838 theaters (the widest-ever R-rated release by an independent studio) in its opening weekend.[44] The film made $10.8 million on its first day, including $2.9 million from Thursday night previews (a record for an A24 release). It went on to debut to $25.7 million, surpassing Hereditary as the biggest opening weekend in A24's history as well as the studio's first film to top the box office.[3] The opening weekend audience skewed male at 63%, while 57% of attendees were between ages 18–34. IMAX contributed over 16% of the opening weekend gross, with the main reasons given for seeing the film being its subject matter, the action, and a general interest in indie films (each grouping made up a third of the audience, with the former narrowly higher).[45]
In its second weekend the film made $11.1 million (a 56% drop), remaining in first place, before falling to fourth place in its third weekend with $7million.[46][47]
Variety noted that, despite its U.S.-centric subject matter, Civil War performed well in several markets outside the United States. This includes the United Kingdom, where it grossed $7.9 million as of May 19, and the Netherlands, where it reached ticket sales of $750,000. The film additionally opened in first place at the box office in Brazil, Spain, Belgium, Finland and Portugal.[48]
Critical response
Dunst at the film's world premiere. Her performance was widely praised, even by the film's detractors.
On the review aggregator website Rotten Tomatoes, 81% of 388 critics' reviews are positive, with an average rating of 7.6/10.The website's consensus reads: "Tough and unsettling by design, Civil War is a gripping close-up look at the violent uncertainty of life in a nation in crisis."[50]Metacritic, which uses a weighted average, assigned the film a score of 75 out of 100, based on 64 critics, indicating "generally favorable" reviews.[51]
Following the SXSW premiere, Rotten Tomatoes noted that critics called the film "a gorgeously shot cautionary tale full of big ideas and a fantastic performance by Kirsten Dunst, but it may surprise some viewers". Critics praised the "beauty and intensity of the dystopian drama" while noting its "potential for controversy and disappointment" due to the effectiveness of its messages.[49]
In a positive review, Peter Debruge of Variety wrote: "Garland's the last person to suggest a group hug. As statements go, his powerful vision leaves us shaken, effectively repeating the question that quelled the L.A. riots: Can we all get along?"[52]Matt Zoller Seitz, writing for RogerEbert.com, compared Civil War to films about "Western journalists covering the collapse of foreign countries", such as The Year of Living Dangerously (1982) and Welcome to Sarajevo (1997), ultimately praising the film as "furiously convincing and disturbing".[53]
Lovia Gyarkye of The Hollywood Reporter also gave the film a positive review, writing: "With the precision and length of its violent battle sequences, it's clear Civil War operates as a clarion call. Garland wrote the film in 2020 as he watched cogs on America's self-mythologizing exceptionalist machine turn, propelling the nation into a nightmare. With this latest film, he sounds the alarm, wondering less about how a country walks blindly into its own destruction and more about what happens when it does."[6]Manohla Dargis of The New York Times echoed the sentiment, writing: "Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor's face that, like Dunst's, expressed a nation's soul-sickness so vividly that it felt like an X-ray."[54]
Some critics had mixed reactions. The Washington Post's Amy Nicholson described the film as "coldly, deliberately incurious about the combatants and the victims," but also wrote "the film feels poetically, deeply true, even when it's suggesting that humans are more apt to tear one another apart for petty grievances than over a sincere defense of some kind of principles".[55][56]
Valerie Complex of Deadline Hollywood offered negative comments, writing: "The script's utilization of characters of color as conduits for brutality needed to be explored further ... Ultimately, Civil War feels like a missed opportunity. The director's vision of a fractured America, embroiled in conflict, holds the potential for introspection on our current societal divisions. However, the film's execution, hampered by thin characterization, a lackluster narrative and an overreliance on spectacle over substance, left me disengaged."[57]
Johnny Oleksinski of the New York Post observed: "Civil War's shtick is that it's not specifically political. For instance, as the US devolves into enemy groups of secessionist states, Texas and California have banded together to form the Western Forces. That such an alliance could ever occur is about as likely as [a] Sweetgreen/Kentucky Fried Chicken combo restaurant."[58] Eisa Nefertari Ulen, writing for The Hollywood Reporter, also found that the film, despite being "otherwise solid," was partially missing its point, stating: "Casablanca endures because it spoke to a moment as 'crazy and mixed-up' as this one, and nudged the country away from its isolationist inaction. Civil War does not resonate like that classic, because it does not explicitly address this moment. We as a people cannot fix a problem we cannot name."[59]
Stephanie Zacharek of Time observed: "Civil War has the vibe of your standard desolate zombie movie with a modern American backdrop, but it's far less effective than your average George A. Romero project: sometimes a B movie with a sense of humor about itself says more about a nation's despair than an overserious, breast-beating one ... Do we really need a movie to invent, and rub our noses in, the possibility of a bleaker future?"[60]
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↑ "Civil War". Production List. Film & Television Industry Alliance. February 21, 2022. Archived from the original on February 15, 2024. Retrieved April 6, 2022.
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