Commit This to Memory

Last updated

Commit This to Memory
Motion City Soundtrack - Commit This to Memory cover.jpg
Studio album by
Motion City Soundtrack
ReleasedJune 7, 2005
RecordedOctober–November 2004
Seedy Underbelly Studios (Valley Village, California)
Sound Castle (Silver Lake, California)
Cello Studios (Hollywood, California)
Genre
Length39:19
Label Epitaph
Producer Mark Hoppus
Motion City Soundtrack chronology
I Am the Movie
(2003)		Commit This to Memory
(2005)		 Even If It Kills Me
(2007)
Singles from Commit This to Memory
  1. "Everything Is Alright"
    Released: 2005
  2. "Hold Me Down"
    Released: 2006
  3. "L.G. Fuad"
    Released: 2006

Commit This to Memory is the second studio album by American rock band Motion City Soundtrack. Produced by Mark Hoppus, the album was released on June 7, 2005, in the United States by Epitaph Records. The Minnesota-based rock act formed in 1997, developing their emotionally-charged, pop-punk sound over the interim years. Their debut LP, I Am the Movie , saw release on independent label Epitaph in 2003. It was followed with a heavy touring schedule, including stints on the Warped Tour and as the opening act for multi-platinum group Blink-182. Blink bassist Hoppus took a liking to the quintet, offering to produce their next studio effort.

Contents

Recorded over six weeks in late 2004, Commit This to Memory was created largely at Seedy Underbelly Studios, a suburban home converted into a studio in Los Angeles' Valley Village region. The album was partially composed there and in their hometown of Minneapolis, during a period in which frontman Justin Pierre was seeking treatment for alcohol abuse. He aimed for stronger storytelling in his lyricism, inspired by the work of Tom Waits, Ben Folds, and John K. Samson. Hoppus mainly worked with the band on finalizing song arrangements.

Commit This to Memory became the band's breakthrough and remains the band's most successful release. Both the album and main single "Everything Is Alright" were certified gold by the Recording Industry Association of America. The album peaked at number two on Billboard 's Independent Albums chart. The singles' music videos achieved rotation on cable channel MTV2 while the band toured alongside Fall Out Boy and Panic! at the Disco. In 2014, The A.V. Club referred to the album as a pop punk classic, "full of hook-laden, keyboard-assisted songs whose bright melodies don't mask the despair and self-loathing lurking beneath them." [2]

Background

Motion City Soundtrack was formed in Minneapolis, Minnesota. Vocalist Justin Pierre and guitarist Joshua Cain were friends who had come up playing in several local bands. Influenced by the synth-heavy rock of bands like the Rentals and Superchunk, the duo formed Motion City Soundtrack in 1997. It went through several lineup changes, with the band gaining permanent members Tony Thaxton (drums), Jesse Johnson (keys) and Matthew Taylor (bass) in 2001. The quintet recorded and self-released their debut album, I Am the Movie , in 2002, selling copies out of the back of their tour van for a year. [3] The next year, it was picked up for larger distribution through California-based independent label Epitaph, best known as the home of punk rockers the Offspring and Bad Religion. The group were part of an abundance of Epitaph signings, including Matchbook Romance and From First to Last, amid concerns the label had strayed too far from its roots, or "a little too emo." [4] The band toured heavily in support of the LP, attracting a new fanbase; their 2004 stint on the famed Vans Warped Tour was considered a "must-see" among punk fans. [4]

Their rise to prominence continued when the group joined Blink-182 - then one of the largest pop-punk acts worldwide - on a European arena tour. That band's bassist, Mark Hoppus, had first heard of the group from an employee at his clothing company, Atticus Clothing. He enjoyed the group so much that he raved about them in Rolling Stone magazine, and invited them to open for Blink. The six musicians became quick friends, frequently talking backstage before performances. [5] [6] Hoppus was developing an interest in recording music from a production standpoint, having recently acquired a large amount of gear and amplifiers. [6] At the final show of the tour, Cain went to Hoppus' dressing room and asked him to produce their next record. [7] Although Hoppus had never produced anything before, he was excited to be a part of the album and accepted the offer. [6] [8]

Recording and production

Mark Hoppus of Blink-182 produced the album. Mark Hoppus 2004.jpg
Mark Hoppus of Blink-182 produced the album.

The band first began writing songs at their rehearsal space in Minneapolis, which they nicknamed the "Dungeon" due to its ability to "suck the life and energy out of the band." [3] For Pierre, the album came at the brink of a personal transition in which he began to seek treatment for alcohol abuse. [9] He left the band during the writing stages for Los Angeles where he moved in with Epitaph founder Brett Gurewitz and began attending Alcoholics Anonymous meetings. [10] Afterwards, the group rejoined Pierre in L.A. to begin recording demos for a month; the change of scenery brought about a new energy for the quintet. [3] Commit This to Memory would be the first album by the band to feature material crafted by each musician in the group, as previous releases had featured songs written in the years prior to each member joining. [3] "It was also the first time we had a lot more time and money to go in and feel like we were making a real record this time, whereas I Am the Movie was recorded in little segments here and there and eventually pieced together," said drummer Tony Thaxton. [11]

Recording sessions for Commit This to Memory were booked by Hoppus and scheduled over six weeks at Seedy Underbelly Studios in the L.A. suburb of Valley Village. The studio was actually a rented house that had once belonged to Jeff Porcaro, the drummer for Toto. [5] [6] [12] The band had, according to Hoppus, "a million ideas and a lot of energy and enthusiasm to make a great record". [6] Living in a suburb, the neighbors had called police to the band and Hoppus several times for being too loud at night time, especially when Hoppus brought a Roland TR-808 drum machine outside to work on a song late at night. [12] According to Pierre, Hoppus was not interested in putting his own stamp on the music, but rather bringing out the best in what he saw in the group. [9] Hoppus generally modeled his production after Jerry Finn (a longtime producer of Blink-182), and therefore it involved much watching and listening. "Mark kept telling us, 'Your name is going to be a lot bigger on the front than mine is on the back'," recalled Justin Pierre, "So he would throw suggestions out there but always say, 'Feel free to turn these down.' And we would!" [5]

Pierre characterized Hoppus as both "very involved and not involved", with his job as producer mainly giving notes on the sound of the instruments and offering suggestions to improve songs. Hoppus mostly worked with the band on arrangements, believing the songs were too packed and "needed to breathe". [6] Hoppus mentioned that label politics had hindered the creativity of Blink's Take Off Your Pants and Jacket (2001), and did not want to see the same fate befall the band. [13] He was "meticulous" in his approach, partially due to the fact that it was his first production job. Hoppus was the one who advised the band to merge two previously unrelated songs—a slower, softer song and a pulsating drum track—into one, which became "Time Turned Fragile". [9] The frontman of Fall Out Boy, Patrick Stump, contributed guest vocals to "Everything Is Alright", and Hoppus to "Hangman". [14] With production completed, Hoppus was very excited for the band that he felt was on the cusp of "great things", recalling, "After six weeks of these guys living all together in two rooms of this house with a studio attached they created this amazingly beautiful and honest album. Justin's lyrics are so brutally truthful." [6] The group completed recording in November 2004, and judged final mixes over the interim months. [4] Pierre later called Commit This to Memory his personal favorite album by the band. [15]

Music

Ben Folds at Uptown Mix 2004 cropped.jpg
Weakerthans guy, by tao zhyn.jpg
Pierre hoped to emulate the writing styles of Tom Waits, Ben Folds and John K. Samson.

In a 2015 interview, Pierre notes that fans have told him that they find Commit This to Memory a "winter album", to which he agrees, noting the unintentional mention of the new year in several songs. [9] His lyricism on Commit This to Memory centralizes around change and, in his words, "being a complete fuckup, yet, at the same time, being somewhat successful". [16] On the record, he "addresses the themes of substance abuse, psychological disorders and failing relationships." [17] Pierre penned "Everything Is Alright" as a summary of his OCD (Obsessive–compulsive disorder) tendencies. He intended to utilize his social anxiety and fears in the song's form, which he has since employed in numerous other compositions. "I don't think the [phrase] "tongue-in-cheek" is correct, but it's something where the verses are one thing and then the chorus is another, but it's sort of like giving yourself a pep talk", said Pierre. [18] The song's lyrics include hating such mundane things as "theme parks, flying, strangers, [and] waiting in line," things that Pierre genuinely disliked at the time of the song's writing. [18] For the record, he intended to simplify his lyrics to enhance storytelling and he drew inspiration from Tom Waits, Ben Folds and John K. Samson's writing styles. [16] Keeping in the Waits/Folds inspiration, Pierre strove to write from another person's point of view; in the case of "Time Turned Fragile", it is sung from the perspective of his father. [8] Pierre has also suggested the Carpenters were an unlikely influence, obserivng "it’s similar how both their music and [Memory] has a darkness lurking underneath it all." [19]

Gnome-mime-sound-openclipart.svg
"L.G. Fuad"
The band's style combines Pierre's dark lyrics with more upbeat music, including prominent use of the Moog synthesizer. [2]
Problems playing this file? See media help.

Pierre has in retrospect labeled half of the album's writing as being completed while inebriated and the other half while getting sober. [15] For example, he penned the lyrics to "Attractive Today" and "Time Turned Fragile" while drunk in his apartment, in a "sad and lonely place". [9] In this approach, words mostly "just came out", and were not substantially revised. In addition, he was listening to the 2003 album Reconstruction Site by the Weakerthans, and found himself inspired by the songwriting of frontman John K. Samson. [9] Pierre would often take lyrics from other bands songs for song titles; "Time Turned Fragile" is lifted from a lyric in Limbeck's "Julia", while "Together We'll Ring in the New Year" was pulled from the Tom Waits song "Please Wake Me Up". [9] "L.G. Fuad"—which stands for "Let's Get Fucked Up and Die"—grew out of a night on Motion City Soundtrack's 2003 UK tour with The All-American Rejects, in which the latter band's merchandise manager was severely inebriated. [16] He stood on the merchandise stand and shouted what became the song's refrain. All involved found great humor in the "mantra", which went on to be printed on business cards as a joke. [16] "Hold Me Down" was inspired by a former roommate of Pierre's. After she had moved out, Pierre found a portion of her math homework in a couch cushion, leading to him imagining a scenario of finding a letter from a departed lover. [9]

The album has been called definitive of pop punk. [2] Joshua Cain dismissed this label, remarking, "I definitely wouldn't consider us a pop-punk band. Our influences are more based on '90s bands like Superchunk and early Weezer." [20] Pierre strove for the record to have a sound that resembled the bands Braid, Superchunk, Jawbox and the Pixies. [12]

Reception

Professional ratings
Review scores
SourceRating
AbsolutePunk (Favorable) [21]
Allmusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [22]
Alternative Press Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg link
Entertainment Weekly (mixed) [23]
PopMatters (5/10) [24]

Upon its release, Commit This to Memory received general acclaim from music critics. Scott Heisel of Alternative Press wrote that "Memory is an inspired, mature sophomore disc chock full of catchy, intelligent pop-rock." [25] Allmusic's Johnny Loftus considered the band more intelligent and sophisticated than their Warped Tour peers: "Motion City Soundtrack['s] wistful memories, tales of breaking up, and frantic searches for answers [are] realer than the next pop-punk combo on the quadruple summertime bill." [26] Jennifer Maerz of Entertainment Weekly ended her review with the note that "MCS' slick, soaring anthems ultimately unite the spirits of those who see themselves, like Pierre, as 'lifeless corners of this empty frame.'" [23] Mark Griffiths of Kerrang! wrote, "It's a bright and invigorating affair [...] and is, in short, fantastic." [27] The Washington Post 's Marianne Meyer opined that the record "nimbly moves from skittish rhythms to genuinely tender sentiment." [28]

Jessica Grose of Spin favorably compared it to Blink-182's Enema of the State (1999). [29] Tony McMenamin of Blender deemed it the publication's album of the month, calling it "a charged mix of instantly catchy pop-punk lashings and somber acoustic wailings." [30]

The album was leaked to file sharing websites within a day of the final mastering and months before its official release. [31] It debuted on the Billboard 200 in the issue dated June 25, 2005 at position 72, [32] selling 16,000 copies in its opening week. [33] It charted better on the magazine's Independent Albums chart, where it peaked at number two. [34] By the end of its inaugural year, the album had moved 125,000 units. [35] The last official estimate placed it at 285,000 albums sold in the U.S., [36] but Pierre said in 2015 interview that the number is closer to 500,000. [15] The band's music videos found regular rotation on networks such as MTV2, and the band also performed on Late Night with Conan O'Brien . [37] Rolling Stone 's Lauren Gilton considered the album a sleeper hit. [38] Nevertheless, the band's breakthrough brought naysayers, and the group became targets for critics of pop punk: "[the band was] frequently characterized as the sort of ultra-commercial punk poseurs who water down the genre to the point of drowning it." [37]

Subsequent reviews of the album have continued to be positive. In 2014, The A.V. Club referred to the album as a classic of pop punk, "full of hook-laden, keyboard-assisted songs whose bright melodies don't mask the despair and self-loathing lurking beneath them." [2] Reyan Ali of Cincinnati CityBeat wrote that Commit This to Memory "absolutely bleeds charm", commenting, "Even with all the dire thematic matter Pierre's lyrics covered, [...] the band framed the words with music that sparkled, owing to spunky, inspired hooks, full-sounding record production and ample doses of Moog." [10] Alternative Press 's Tyler Sharp deemed the record a "classic", [39] while Taylor Morgan of OC Weekly called it "the soundtrack of millennial youth, reminiscent of breakups, making out, goofing off, and growing up." [36] James Rettig at Stereogum termed it their best album. [40] BuzzFeed included the album at number 21 on their "36 Pop Punk Albums You Need To Hear Before You F——ing Die" list. [41] NME listed the album as one of "20 Pop Punk Albums Which Will Make You Nostalgic". [42]

Touring

The band performs in Denver, Colorado in February 2005. Motion City Soundtrack in Denver.jpg
The band performs in Denver, Colorado in February 2005.

During the recording of the album, the band embarked on their first headlining tour, The Sub-Par Punk Who Cares Tour 2004. [4] After recording, the band set out on the inaugural Epitaph Tour, alongside Matchbook Romance and From First to Last, with appearances by the Matches and Scatter the Ashes on select dates. [43] The tour visited every major US city, and ran from February 2 to March 19, 2005. [43] The band played to larger crowds on the tours supporting the album, including over 9,000 fans on a Chicago date in 2005. [3] The group "toured incessantly", including dates on the Warped Tour 2005. [11] Afterwards, the band joined the Nintendo Fusion Tour with Fall Out Boy, Panic! at the Disco, and The Starting Line, which was their largest nationwide tour to that point. [3] The group had been friends with Fall Out Boy for many years prior, having both played side-by-side before either group found their respective success. [11] The next year, the band also played more U.S. shows with OK Go and Plain White Ts, and again headlined the Warped Tour. [35]

The band has on two occasions celebrated the album's tenth and seventeenth anniversaries, respectively, with full-album concerts. The band first played the album in full in 2009; [44] in 2012, they played the full record as part of their "4 Albums. 2 Nights. 7 Cities" jaunt. [45] They embarked on a tour celebrating the tenth anniversary of the album between January and February 2015; [39] the group later extended this outing, and further toured the album between June and August 2015. [46] The band planned to celebrate the album's fifteenth birthday with another anniversary tour, but the COVID-19 pandemic shunted their plans; these shows were later performed in 2022. [47]

Track listing

All tracks are written by Motion City Soundtrack

Commit This to Memory
No.TitleLength
1."Attractive Today"1:42
2."Everything Is Alright"3:26
3."When "You're" Around"2:51
4."Resolution"3:48
5."Feel Like Rain"3:34
6."Make Out Kids"3:04
7."Time Turned Fragile"4:15
8."L.G. Fuad"3:06
9."Better Open the Door"3:00
10."Together We'll Ring in the New Year"2:13
11."Hangman"2:51
12."Hold Me Down"5:19
Bonus Tracks
No.TitleLength
13."Invisible Monsters"3:55

Personnel

Credits adapted from the album's liner notes. [14]

Charts

Certifications

RegionCertification Certified units/sales
United States (RIAA) [50] Gold500,000‡

‡ Sales+streaming figures based on certification alone.

Related Research Articles

<i>Take Off Your Pants and Jacket</i> 2001 studio album by Blink-182

Take Off Your Pants and Jacket is the fourth studio album by American rock band Blink-182, released on June 12, 2001, by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career. The album's title is a tongue-in-cheek pun on male masturbation, and its cover art has icons for each member of the trio: an airplane, a pair of pants, and a jacket. It is the band's final release through MCA.

<i>Enema of the State</i> 1999 studio album by Blink-182

Enema of the State is the third studio album by American rock band Blink-182, released on June 1, 1999, by MCA Records. After a long series of performances at various clubs and festivals and several indie recordings throughout the 1990s, Blink-182 first achieved popularity on the Warped Tour and in Australia following the release of their second album Dude Ranch (1997) and its rock radio hit "Dammit." To record their third album, Blink-182 turned to veteran punk rock producer Jerry Finn, who previously worked on Green Day's breakthrough album Dookie (1994). Enema was the band's first album to feature drummer Travis Barker, who replaced original drummer Scott Raynor.

<span class="mw-page-title-main">The Rock Show</span> 2001 single by Blink-182

"The Rock Show" is a song by American rock band Blink-182 for the group's fourth studio album, Take Off Your Pants and Jacket (2001). It was released as the lead single from the album on May 7, 2001. The track was composed primarily by bassist Mark Hoppus about meeting a girl at a rock concert. It was inspired by the band's early days touring punk rock clubs, mainly Soma in their hometown of San Diego.

<i>Dude Ranch</i> (album) 1997 studio album by Blink-182

Dude Ranch is the second studio album by American rock band Blink-182, released on June 17, 1997, by Cargo Music and MCA Records, making it their major record label debut. MCA signed the band in 1996 following moderate sales of their 1995 debut Cheshire Cat and their growing popularity in Australia. Dude Ranch was the band's final recording released on Cargo and the last to feature their full original lineup as drummer Scott Raynor was dismissed from the band in 1998.

<span class="mw-page-title-main">Mark Hoppus</span> American musician (born 1972)

Mark Allan Hoppus is an American musician who is known as the bassist and co-lead vocalist for the rock band Blink-182, and the only member to appear on each album.

<span class="mw-page-title-main">Motion City Soundtrack</span> American rock band

Motion City Soundtrack is an American rock band formed in Minneapolis, Minnesota in 1997. The band's line-up consists of vocalist and guitarist Justin Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton. Over the course of their career, the group has toured heavily and released six studio albums, the majority on independent label Epitaph Records. The band's sound, usually described as pop-punk and/or emo, makes notable use of the Moog synthesizer. Pierre mainly handles the band's lyrics, which often touch on themes of anxiety, alienation, relationships, and self-destructive behavior.

<span class="mw-page-title-main">Justin Pierre</span> American musician

Justin Courtney Pierre is an American singer, songwriter, and guitarist originally from Mahtomedi, Minnesota. He is the co-founder and lead vocalist of the pop punk band Motion City Soundtrack, and is known for his interests and pursuits in film making and production of music.

<span class="mw-page-title-main">+44 (band)</span> American rock band

+44 was an American rock supergroup formed in Los Angeles, California, in 2005. The group consisted of vocalist and bassist Mark Hoppus and drummer Travis Barker of Blink-182, lead guitarist Shane Gallagher of The Nervous Return, and rhythm guitarist Craig Fairbaugh of Mercy Killers. Hoppus and Barker created +44 shortly after the initial 2005 breakup of Blink-182 and before it was later reformed. The band's name refers to the international dialing code of the United Kingdom, the country where the duo first discussed the project. Early recordings were largely electronic in nature, and featured vocals by Carol Heller, formerly of the all-girl punk quartet Get the Girl.

<i>When Your Heart Stops Beating</i> 2006 studio album by 44

When Your Heart Stops Beating is the only album by the American rock supergroup +44, released on November 14, 2006, by Interscope Records. Mark Hoppus and Travis Barker of Blink-182 formed +44 as an experimental electronic outfit following the breakup of Blink-182. The project started in early 2005, and was later joined by lead guitarist Shane Gallagher and rhythm guitarist Craig Fairbaugh.

<span class="mw-page-title-main">Joshua Cain</span> American musician

Joshua Allen Cain, is a guitarist and record producer from Saint Paul, Minnesota. He was the co-founder and lead guitarist of American pop punk band Motion City Soundtrack. Cain is also a music producer with multiple past projects; comprising an EP for Epitaph-signed band Sing It Loud and two songs from Metro Station's debut album.

<span class="mw-page-title-main">Blink-182</span> American punk rock band

Blink-182 is an American rock band formed in 1992 in Poway, California. Their current and best-known line-up consists of bassist and vocalist Mark Hoppus, guitarist and vocalist Tom DeLonge, and drummer Travis Barker. Though their sound has diversified throughout their career, their musical style, described as pop-punk, blends catchy pop melodies with fast-paced punk rock. Their lyrics primarily focus on relationships, adolescent frustration, and maturity—or lack thereof. The group emerged from a suburban, Southern California skate punk scene and first gained notoriety for high-energy live shows and irreverent humour.

<i>Even If It Kills Me</i> 2007 studio album by Motion City Soundtrack

Even if It Kills Me is the third studio album by American rock band Motion City Soundtrack. Produced by Ric Ocasek, Adam Schlesinger, and Eli Janney, the album was released on September 18, 2007, in the United States by Epitaph Records. Motion City Soundtrack, based in Minneapolis, Minnesota, made a breakthrough with their second album, Commit This to Memory, garnering praise and independent buzz upon its 2005 release. Following the release, the band toured relentlessly over the next two years, during which time frontman Justin Pierre struggled with alcohol and substance abuse. These addictions were infused into the writing process of Even If Kills Me, which was recorded in early 2007 Stratosphere Studios in Chelsea and the legendary Electric Lady Studios in Greenwich Village.

<span class="mw-page-title-main">Motion City Soundtrack discography</span>

The following is the discography of Motion City Soundtrack, an American rock band that formed in Minneapolis, Minnesota in 1997. The band's line-up consisted of vocalist and guitarist Justin Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton. Over the course of their nearly twenty-year career, the group toured heavily and released six studio albums, the majority on independent label Epitaph Records. The band's sound, at times described as pop punk or emo, made notable use of the Moog synthesizer.

<i>My Dinosaur Life</i> 2010 studio album by Motion City Soundtrack

My Dinosaur Life is the fourth studio album by the American rock band Motion City Soundtrack. Produced by Mark Hoppus, the album was released on January 19, 2010 by Columbia Records. After many years on independent label Epitaph Records, Motion City Soundtrack signed to major label Columbia in 2006, prior to the release of their third album, Even If It Kills Me (2007). Blink-182 bassist Mark Hoppus returned to produce the album; he had previously worked with the band on their 2005 breakthrough Commit This to Memory.

<i>Neighborhoods</i> (Blink-182 album) 2011 studio album by Blink-182

Neighborhoods is the sixth studio album by American rock band Blink-182, released September 27, 2011, through DGC Records and Interscope. Their first album of new material in eight years, its recording followed the band's breakup and later reconciliation. Due to conflicts within the trio, the band entered an "indefinite hiatus" in 2005 and the members explored various side-projects. After two separate tragedies regarding the band and their entourage, the members of Blink-182 decided to reunite in late 2008, with plans for a new album and tour. It was the last studio album to feature founding member Tom DeLonge until his return on 2023's One More Time....

<i>Go</i> (Motion City Soundtrack album) 2012 studio album by Motion City Soundtrack

Go is the fifth studio album by American rock band Motion City Soundtrack. Produced by Ed Ackerson and the band themselves, the album was released on June 12, 2012, in the United States by Epitaph Records and the band's own label, The Boombox Generation. Previously, the group had released their major-label debut, My Dinosaur Life (2010) on Columbia; the band parted ways with the label due to the record's lackluster commercial response. Following this, the band returned to their home of Minneapolis, Minnesota, with producer and longtime friend Ackerson. The band entered a local studio and recorded their next effort on their own time and finances. The band recorded Go without a label, and put it upon themselves to pay for mixing and mastering and have conversations with distributors later.

<span class="mw-page-title-main">Everything Is Alright</span> 2005 single by Motion City Soundtrack

"Everything Is Alright" is a song by American rock band Motion City Soundtrack, released in 2005 as the lead single from the group's second studio album, Commit This to Memory (2005). The song concerns neurotic, obsessive problems and social anxiety, and was written by frontman Justin Pierre. The song also contains backing vocals from Fall Out Boy frontman Patrick Stump. It was featured on both the soundtrack to MLB 06: The Show and the 2005 Bad News Bears remake.

<span class="mw-page-title-main">Mark Hoppus production discography</span>

This is the production discography by Mark Hoppus, an American musician and record producer. It includes a list of various guest appearances, songs produced, co-produced, written and remixed by year, artist, album and title. This does not include his work with his main projects, including Blink-182, +44, and Simple Creatures.

<i>Panic Stations</i> (album) 2015 studio album by Motion City Soundtrack

Panic Stations is the sixth studio album by American rock band Motion City Soundtrack. Produced by John Agnello, the album was released on September 18, 2015, by Epitaph Records. Following an extended touring cycle in which the group performed several past albums in full, Motion City Soundtrack lost one of its longest-serving members: drummer Tony Thaxton, who resigned from the group in 2013. The band continued to tour with new drummer Claudio Rivera over the ensuing year while writing new material for a sixth album.

"L.G. Fuad" is a song by American rock band Motion City Soundtrack, released in 2006 as the third and final single from the group's second studio album, Commit This to Memory (2005).

References

  1. ↑ Bacle, Ariana (March 11, 2016). "Motion City Soundtrack Announce Break Up". Entertainment Weekly. Archived from the original on March 11, 2016. Retrieved March 11, 2016.
  2. 1 2 3 4 Kyle Ryan; Jason Heller; David Anthony (March 6, 2014). "A beginner's guide to the bouncy buzz of pop-punk". The A.V. Club . Retrieved May 27, 2020.
  3. 1 2 3 4 5 6 "Forward Motion". The Age . August 26, 2005. Retrieved April 15, 2014.
  4. 1 2 3 4 Chris Rager (December 20, 2004). "Cain is Able : Motion City Soundtrack's Joshua Cain is all business". Cleveland Free Times .
  5. 1 2 3 Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Independent Music Press. p. 147. ISBN   978-1-90619-110-8.
  6. 1 2 3 4 5 6 7 "Mark Hoppus Interview". pickRset. September 3, 2008. Archived from the original on February 11, 2009. Retrieved November 4, 2012.
  7. ↑ James Montgomery (July 31, 2009). "Motion City Soundtrack Tell Blink-182's Mark Hoppus How Great He Is". MTV News. Archived from the original on February 22, 2014. Retrieved November 4, 2012.
  8. 1 2 Robertson, Jessica (June 9, 2005). "Motion City Get Committed". Rolling Stone (976). ISSN   0035-791X.
  9. 1 2 3 4 5 6 7 8 Lucy, Evan (Interviewer); Pierre, Justin (Interviewee) (January 15, 2015). Episode 025: Justin Pierre (10-Year Motion City Soundtrack Retrospective) (Podcast). Voice & Verse. Archived from the original (mp3) on January 15, 2015. Retrieved January 15, 2015.
  10. 1 2 Reyan Ali (January 14, 2015). "Reeling in the Years". Cincinnati CityBeat. Cincinnati, Ohio. Retrieved May 29, 2015.
  11. 1 2 3 Michael Petitti (October 27, 2005). "Motion City Soundtrack keeps busy". Arizona Daily Wildcat . Retrieved April 15, 2014.
  12. 1 2 3 James Montgomery (June 16, 2005). "Mark Hoppus Throws House Party For Motion City Soundtrack". MTV News. Archived from the original on February 22, 2014. Retrieved November 4, 2012.
  13. ↑ Keith Carman (April 27, 2005). "Motion City Soundtrack Give Mad Props To Blink's Hoppus". ChartAttack .
  14. 1 2 Commit This to Memory (liner notes). Motion City Soundtrack. US: Epitaph. 2005. 86750-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  15. 1 2 3 Jonah Bayer (October 1, 2015). "Rank Your Records: Motion City Soundtrack's Justin Pierre Rates the Band's Five Albums". Noisey (Vice Media, Inc.). Retrieved October 1, 2015.
  16. 1 2 3 4 "Motion City Soundtrack Article". Alternative Press (204): 129–130. July 2005. ISSN   1065-1667.
  17. ↑ Justin Franco (January 12, 2015). "Interview with Motion City Soundtrack; Vocalist and Guitarist Justin Pierre Discusses 'Commit This To Memory', Songwriting and the Shortest Lifetime Ever". Pure Grain Audio. Archived from the original on February 6, 2015. Retrieved January 15, 2015.
  18. 1 2 Jason Pettigrew (July 29, 2013). "BackTracking: The story of "Everything Is Alright" by Motion City Soundtrack". Alternative Press . Archived from the original on August 1, 2013. Retrieved April 15, 2014.
  19. ↑ Duguay, Rob (June 20, 2022). "The Dig Interview: Justin Courtney Pierre Of Motion City Soundtrack". Dig Bos. Retrieved April 17, 2024.
  20. ↑ Eric Schelkopf (January 28, 2005). "Epitaph bands join for tour stops at NIU, Metro". Kane County Chronicle . Archived from the original on March 12, 2005.
  21. ↑ Kohli, Rohan. "Motion City Soundtrack – Commit This To Memory". AbsolutePunk . Retrieved November 28, 2009.
  22. ↑ Loftus, Johnny. "Commit This to Memory > Overview". AllMusic . Retrieved November 28, 2009.
  23. 1 2 Maerz, Jennifer (June 13, 2005). "Commit This to Memory – Review". Entertainment Weekly . No. 825. ISSN   1049-0434. Archived from the original on April 16, 2014. Retrieved September 27, 2012.
  24. ↑ Jagernauth, Kevin. "Motion City Soundtrack: Commit This to Memory". PopMatters . Retrieved November 28, 2009.
  25. ↑ Scott Heisel. "Review: Commit This to Memory". Alternative Press . Retrieved April 14, 2014.
  26. ↑ Johnny Loftus. "Review: Commit This to Memory". AllMusic . Retrieved April 14, 2014.
  27. ↑ Mark Griffiths (July 2005). "Album Reviews". Kerrang! . Archived from the original on September 26, 2006. Retrieved May 29, 2015.
  28. ↑ Marianne Meyer (April 27, 2005). "Live!". The Washington Post . Retrieved May 29, 2015.
  29. ↑ Jessica Grose (June 9, 2005). "Band of the Day: Motion City Soundtrack". Spin . Archived from the original on August 9, 2006. Retrieved May 29, 2015.
  30. ↑ Tony McMenamin (July 2005). "Editors' Picks: July 2005". Blender . Archived from the original on November 23, 2005. Retrieved May 29, 2015.
  31. ↑ Megan Cunningham, Mike Raffensperger (Producers). Rehearsal Space: Motion City Soundtrack (Interview). Zoom-In. Archived from the original (Streaming video) on July 5, 2008. Retrieved May 29, 2015.
  32. ↑ "The Billboard 200". Billboard . Vol. 117, no. 26. June 25, 2005. p. 53. ISSN   0006-2510.
  33. ↑ Cortney Harding (October 6, 2007). "Chart Motion". Billboard . Vol. 119, no. 40. p. 46. ISSN   0006-2510.
  34. 1 2 "Motion City Soundtrack Chart History (Independent Albums)". Billboard. Retrieved May 29, 2015.
  35. 1 2 "Motion City Soundtrack Announces Tour". SPIN. December 13, 2005. Retrieved April 17, 2024.
  36. 1 2 Taylor Morgan (February 13, 2015). "Motion City Soundtrack Delivers Pop Punk Nostalgia in Anaheim". OC Weekly . Archived from the original on May 18, 2015. Retrieved May 29, 2015.
  37. 1 2 Michael Roberts (February 16, 2006). "Constant Motion". Westword . Retrieved April 15, 2014.
  38. ↑ Lauren Gilton (December 1, 2005). "Bands to Watch: Motion City Soundtrack". No. 988. p. 28. Archived from the original on December 18, 2006. Retrieved May 29, 2015.
  39. 1 2 Tyler Sharp (November 10, 2014). "Motion City Soundtrack announce 'Commit This To Memory' 10th Anniversary Tour". Alternative Press . Retrieved May 29, 2015.
  40. ↑ Rettig, James (July 28, 2016). "Sorority Noise – "Everything Is Alright" (Motion City Soundtrack Cover)". Stereogum. Retrieved April 17, 2024.
  41. ↑ Sherman, Maria; Broderick, Ryan (July 2, 2013). "36 Pop Punk Albums You Need To Hear Before You F----ing Die". BuzzFeed. Retrieved July 29, 2015.
  42. ↑ "20 Pop Punk Albums Which Will Make You Nostalgic". NME. June 9, 2014. Retrieved July 29, 2015.
  43. 1 2 Barry A. Jeckell (November 19, 2004). "Billboard Bits: KROQ, Epitaph, American Hi-Fi". Billboard . Retrieved April 20, 2014.
  44. ↑ Ryan, Kyle (December 21, 2009). "Motion City Soundtrack Perform All Three Albums!". SPIN. Retrieved April 17, 2024.
  45. ↑ Maggie Hollander (September 9, 2011). "Motion City Soundtrack look back with special tour". Boston Music Spotlight. Archived from the original on April 21, 2014. Retrieved March 29, 2016.
  46. ↑ Sarah Marie Pittman (April 30, 2015). "Motion City Soundtrack's 10-Year Anniversary Party". Pollstar . Archived from the original on April 22, 2016. Retrieved May 29, 2015.
  47. ↑ Niesel, Jeff (December 14, 2021). "Motion City Soundtrack Singer Talks About Anniversary Tour Coming to Bogart's in January". Cincinnati CityBeat. Retrieved April 17, 2024.
  48. ↑ "Motion City Soundtrack Chart History (Billboard 200)". Billboard. Retrieved May 29, 2015.
  49. ↑ "Motion City Soundtrack Chart History (Independent Albums)". Billboard. Retrieved May 29, 2015.
  50. ↑ "American album certifications – Motion City Soundtrack – Commit This to Memory". Recording Industry Association of America . Retrieved March 12, 2024.

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.