One decade (symbol dec [1] ) is a unit for measuring ratios on a logarithmic scale, with one decade corresponding to a ratio of 10 between two numbers. [2]
One decade (symbol dec [1] ) is a unit for measuring ratios on a logarithmic scale, with one decade corresponding to a ratio of 10 between two numbers. [2]
When a real number like .007 is denoted alternatively by 7.0 × 10—3 then it is said that the number is represented in scientific notation. More generally, to write a number in the form a × 10b, where 1 < a < 10 and b is an integer, is to express it in scientific notation, and a is called the significand or the mantissa, and b is its exponent. [3] The numbers so expressible with an exponent equal to b span a single decade, from
Decades are especially useful when describing frequency response of electronic systems, such as audio amplifiers and filters. [4] [5]
The factor-of-ten in a decade can be in either direction: so one decade up from 100 Hz is 1000 Hz, and one decade down is 10 Hz. The factor-of-ten is what is important, not the unit used, so 3.14 rad/s is one decade down from 31.4 rad/s.
To determine the number of decades between two frequencies ( & ), use the logarithm of the ratio of the two values:
or, using natural logarithms:
Play (help·info)) = 5/4)To find out what frequency is a certain number of decades from the original frequency, multiply by appropriate powers of 10:
To find out the size of a step for a certain number of frequencies per decade, raise 10 to the power of the inverse of the number of steps:
Decades on a logarithmic scale, rather than unit steps (steps of 1) or other linear scale, are commonly used on the horizontal axis when representing the frequency response of electronic circuits in graphical form, such as in Bode plots, since depicting large frequency ranges on a linear scale is often not practical. For example, an audio amplifier will usually have a frequency band ranging from 20 Hz to 20 kHz and representing the entire band using a decade log scale is very convenient. Typically the graph for such a representation would begin at 1 Hz (100) and go up to perhaps 100 kHz (105), to comfortably include the full audio band in a standard-sized graph paper, as shown below. Whereas in the same distance on a linear scale, with 10 as the major step-size, you might only get from 0 to 50.
Electronic frequency responses are often described in terms of "per decade". The example Bode plot shows a slope of −20 dB/decade in the stopband, which means that for every factor-of-ten increase in frequency (going from 10 rad/s to 100 rad/s in the figure), the gain decreases by 20 dB.
The decibel is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a power or root-power quantity on a logarithmic scale. Two signals whose levels differ by one decibel have a power ratio of 101/10 or root-power ratio of 101⁄20.
An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, which gives an equal perceived step size, as pitch is perceived roughly as the logarithm of frequency.
In mathematics, the logarithm is the inverse function to exponentiation. That means that the logarithm of a number x to the base b is the exponent to which b must be raised to produce x. For example, since 1000 = 103, the logarithm base 10 of 1000 is 3, or log10 (1000) = 3. The logarithm of x to base b is denoted as logb (x), or without parentheses, logb x, or even without the explicit base, log x, when no confusion is possible, or when the base does not matter such as in big O notation.
An order of magnitude is an approximation of the logarithm of a value relative to some contextually understood reference value, usually 10, interpreted as the base of the logarithm and the representative of values of magnitude one. Logarithmic distributions are common in nature and considering the order of magnitude of values sampled from such a distribution can be more intuitive. When the reference value is 10, the order of magnitude can be understood as the number of digits in the base-10 representation of the value. Similarly, if the reference value is one of some powers of 2, since computers store data in a binary format, the magnitude can be understood in terms of the amount of computer memory needed to store that value.
In music, an octave or perfect octave is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave.
The neper is a logarithmic unit for ratios of measurements of physical field and power quantities, such as gain and loss of electronic signals. The unit's name is derived from the name of John Napier, the inventor of logarithms. As is the case for the decibel and bel, the neper is a unit defined in the international standard ISO 80000. It is not part of the International System of Units (SI), but is accepted for use alongside the SI.
The mel scale is a perceptual scale of pitches judged by listeners to be equal in distance from one another. The reference point between this scale and normal frequency measurement is defined by assigning a perceptual pitch of 1000 mels to a 1000 Hz tone, 40 dB above the listener's threshold. Above about 500 Hz, increasingly large intervals are judged by listeners to produce equal pitch increments.
In information theory, the Shannon–Hartley theorem tells the maximum rate at which information can be transmitted over a communications channel of a specified bandwidth in the presence of noise. It is an application of the noisy-channel coding theorem to the archetypal case of a continuous-time analog communications channel subject to Gaussian noise. The theorem establishes Shannon's channel capacity for such a communication link, a bound on the maximum amount of error-free information per time unit that can be transmitted with a specified bandwidth in the presence of the noise interference, assuming that the signal power is bounded, and that the Gaussian noise process is characterized by a known power or power spectral density. The law is named after Claude Shannon and Ralph Hartley.
In electrical engineering and control theory, a Bode plot is a graph of the frequency response of a system. It is usually a combination of a Bode magnitude plot, expressing the magnitude of the frequency response, and a Bode phase plot, expressing the phase shift.
A logarithmic scale is a way of displaying numerical data over a very wide range of values in a compact way. As opposed to a linear number line in which every unit of distance corresponds to adding by the same amount, on a logarithmic scale, every unit of length corresponds to multiplying the previous value by the same amount. Hence, such a scale is nonlinear: the numbers 1, 2, 3, 4, 5, and so on, are not equally spaced. Rather, the numbers 10, 100, 1000, 10000, and 100000 would be equally spaced. Likewise, the numbers 2, 4, 8, 16, 32, and so on, would be equally spaced. Often exponential growth curves are displayed on a log scale, otherwise they would increase too quickly to fit within a small graph.
In mathematics, the common logarithm is the logarithm with base 10. It is also known as the decadic logarithm and as the decimal logarithm, named after its base, or Briggsian logarithm, after Henry Briggs, an English mathematician who pioneered its use, as well as standard logarithm. Historically, it was known as logarithmus decimalis or logarithmus decadis. It is indicated by log(x), log10 (x), or sometimes Log(x) with a capital L (however, this notation is ambiguous, since it can also mean the complex natural logarithmic multi-valued function). On calculators, it is printed as "log", but mathematicians usually mean natural logarithm (logarithm with base e ≈ 2.71828) rather than common logarithm when they write "log". To mitigate this ambiguity, the ISO 80000 specification recommends that log10 (x) should be written lg(x), and loge (x) should be ln(x).
In mathematics, the binary logarithm is the power to which the number 2 must be raised to obtain the value n. That is, for any real number x,
The cent is a logarithmic unit of measure used for musical intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals, or to compare the sizes of comparable intervals in different tuning systems, and in fact the interval of one cent is too small to be perceived between successive notes.
The Weber–Fechner laws are two related hypotheses in the field of psychophysics, known as Weber's law and Fechner's law. Both laws relate to human perception, more specifically the relation between the actual change in a physical stimulus and the perceived change. This includes stimuli to all senses: vision, hearing, taste, touch, and smell.
This is a list of logarithm topics, by Wikipedia page. See also the list of exponential topics.
The savart is a unit of measurement for musical pitch intervals. One savart is equal to one thousandth of a decade : 3.9863 cents. Musically, in just intonation, the interval of a decade is precisely a just major twenty-fourth, or, in other words, three octaves and a just major third. Today, musical use of the savart has largely been replaced by the cent and the millioctave. The savart is practically the same as the earlier heptameride (eptameride), one seventh of a meride. One tenth of an heptameride is a decameride and a hundredth of an heptameride is approximately one jot.
The millioctave (moct) is a unit of measurement for musical intervals. As is expected from the prefix milli-, a millioctave is defined as 1/1000 of an octave. From this it follows that one millioctave is equal to the ratio 21/1000, the 1000th root of 2, or approximately 1.0006934.
In electronics, an octave is a logarithmic unit for ratios between frequencies, with one octave corresponding to a doubling of frequency. For example, the frequency one octave above 40 Hz is 80 Hz. The term is derived from the Western musical scale where an octave is a doubling in frequency. Specification in terms of octaves is therefore common in audio electronics.
Log-linear analysis is a technique used in statistics to examine the relationship between more than two categorical variables. The technique is used for both hypothesis testing and model building. In both these uses, models are tested to find the most parsimonious model that best accounts for the variance in the observed frequencies.
In science and engineering, a power level and a field level are logarithmic magnitudes of certain quantities referenced to a standard reference value of the same type.
