The Detroit Triple Fan Fair (DTFF) was a multigenre convention generally held annually in Detroit from 1965 to 1977. It is credited for being one of the first comic book conventions in the United States.[2] The Triple Fan Fair also gave balanced coverage to historic film showings and science fiction literature, in a manner that provided a template for many future convention organizers — most of which have yet to attain the same level of equal service to this sort of linked fan base.
In addition to the typical convention features like a dealer room and panel-led discussions, the Detroit Triple Fan Fair featured a costume contest, and "films till dawn" (often running all night long for the convention's duration). From 1967 to at least 1969, the show presented the Nova Award to that year's guest of honor. In later years, the DTFF also sponsored an amateur film contest.
History
On May 24, 1964, at the Hotel Tuller,[3] teenagers Robert Brosch and Dave Szurek[4] organized a Detroit-based convention for about 80 fans[5] of the comic book medium. Jerry Bails, the "father of comics fandom," was on the organizing committee,[6] along with members of the Michigan Science Fiction Society (the so-called "Misfits.")[7]
The next year Bails and local comics enthusiast Shel Dorf took over the event, christening it the Detroit Triple Fan Fair (referring to fantasy literature, fantasy films, and comic art)[8][9] and organizing it as an annual event (although no show was held in 1966). The board of the initial official Detroit Triple Fan Fair consisted of Bails, Carl Lundgren, Tom Altschuler, Ed Aprill, Noel Cooper, Gary Crowdus, Howard Devore, Marvin Giles, Dennis Kowicki, Larry Larson, and Eugene Seeger. Robert Brosch, an authority on horror films, also stayed involved with the DTFF in various capacities at least through 1970.
The first official DTFF took place July 24–25, 1965, at the Embassy Hotel in Detroit.[10] Film showings included Lon Chaney's Phantom of the Opera and admission charge was $2.00 for both days.
In what soon became a trend, aspiring local comic book creators flocked to the early events, and often became involved with organizing the show each year. For instance, the then-18-year-old Carl Lundgren was co-chairman of the 1965 DTFF, and Rich Buckler also attended the initial shows as a teenager, eventually "running things."[7][11]Arvell Jones recalls many members of the so-called "Detroit Mob" making appearances at various shows, including Buckler, Greg Theakston, Tom Orzechowski, Keith Pollard, Jim Starlin, Mike Vosburg, Al Milgrom, Terry Austin, and Michael Netzer (Nasser).[12] The reputation of the convention was such that a number of other industry professionals would appear at the event unbilled.[citation needed]
One of Theakston's first acts as official DTFF owner was to hold two shows in 1973, one over Memorial Day weekend, and one in October. "Films all night" from the May show included seven Marx Brothers movies and the Pre-Code Hollywood films Mad Love and Mystery of the Wax Museum. Chuck Rozanski, later a major Denver-area comics retailer, hitchhiked to Detroit for the Memorial Day DTFF, slept in Jerry Bails' home, and set up as a dealer at the show. Rozanski converted 50 high-value comics he brought with him into an inventory of more than 2,000 comics. By the end of the show, he had made more than $400 and had over 1000 comics which he sent back to Denver for future sales.[24] (Rozanski opened his first store in Denver the following year.)
In 1974, DTFF was considered the largest fan convention, in terms of attendance, in the Midwest.[25] The 1974 edition featured an Academy of Comic Book Arts exhibit, an amateur film contest, and the annual "masque" with a $150 first prize. Thursday night's "films till dawn" and "fractured flickers" included six Amos 'n' Andy episodes. Artist Michael Netzer (then known as Michael Nasser) remembers that Greg Theakston introduced him to Neal Adams at the 1974 DTFF. Adams took interest in Netzer's art and invited him to join Continuity Studios.[26][27]
Comic book artist Gray Morrow claimed to have illustrated the 1978 DTFF program booklet,[29] but there is no record of a show being held that year.
Legacy
From 1984 to 1986, local-area grad student Gary Reed (later publisher of Caliber Press) ran a local convention known as King Kon.[30] Starting in 1989, comics retailer Michael Goldman launched a for-profit endeavor called the Motor City Comic Con; it continues as an annual show to the present day.[7]
The Detroit Fanfare, established in 2010, openly acknowledged its debt to the Detroit Triple Fan Fair:[11][31]
Detroit has a very strong connection with comic conventions and fandom. Some of the earliest fandom magazines came out of the Detroit area in the late 1960s and the Detroit Triple Fan Fair was the first convention of its kind. ... Detroit Fanfare is both proud and excited to bring back home some of the major participants that helped to grow the comic industry into the behemoth it is today. There will [be] panels and discussions where the people who started so much will have a chance to discuss the early days, and reflect on their memories of the great stars that attended the convention. They will provide rare pictures and original drawings of some of the masters of the medium.[32]
In another nod to the DTFF, the Detroit Fanfare also distributed the "Shel Dorf Awards".[33] The Detroit Fanfare ceased operations after the 2012 convention.[34]
Dates and locations
This section is missing information about dates, venues, films, and guests. Please expand the section to include this information. Further details may exist on the talk page.(May 2015)
1977 October DTFF #13 program cover by Chuck Jones, billed as "Detroit Triple Fan Fair 13"
Progress reports
The DTFF published "progress reports" in 1969, 1970, 1972, 1973, 1974, as many as three for some of their conventions. Contributors included Allen Park and Robert Brosch; cover illustrations were by Al Williamson, Frank Frazetta, and Neal Adams (Batman).
Comics Buyer's Guide, established in 1971, was the longest-running English-language periodical reporting on the American comic book industry. It awarded its annual Comics Buyer's Guide Fan Awards from 1983 to circa 2010. The publication ceased with the March 2013 issue. The magazine was headquartered in Iola, Wisconsin, after originally being published in the Quad Cities region.
Rich Buckler was an American comics artist and penciller, best known for his work on Marvel Comics' Fantastic Four in the mid-1970s and for creating the character Deathlok in Astonishing Tales #25. Buckler drew virtually every major character at Marvel and DC, often as a cover artist.
Arvell Jones is an American comics artist best known for his work for Marvel Comics and for DC Comics and its imprint Milestone Media.
The Comic Art Convention was an American comic book fan convention held annually New York City, New York, over Independence Day weekend from 1968 through 1983, except for 1977, when it was held in Philadelphia, Pennsylvania, and 1978 to 1979, when editions of the convention were held in both New York and Philadelphia. The first large-scale comics convention, and one of the largest gatherings of its kind until the Comic-Con International in San Diego, California, it grew into a major trade and fan convention. It was founded by Phil Seuling, a Brooklyn, New York City, teacher, who later developed the concept of comic-book direct marketing, which led to the rise to the modern comic book store.
Philip Nicholas Seuling was an American comic book fan convention organizer and comics distributor primarily active in the 1970s. Seuling was the organizer of the annual New York Comic Art Convention, originally held in New York City every July 4 weekend throughout the 1970s. Later, with his Sea Gate Distributors company, Seuling developed the concept of the direct market distribution system for getting comics directly into comic book specialty shops, bypassing the then established newspaper/magazine distributor method, where no choices of title, quantity, or delivery directions were permitted.
Michael Netzer is an American-Israeli artist best known for his comic book work for DC Comics and Marvel Comics in the 1970s, as well as for his online presence.
Gary Reed was an American comic book writer, and the publisher of Caliber Comics, an independent comic book company that released 1,300 titles in the 1990s and published early work by many popular creators. Reed wrote over 200 comics and graphic novels, sometimes under assumed names. He was also Vice President of McFarlane Toys when the company launched in 1993. His comics writing credits include Saint Germaine,Baker Street and Deadworld. In addition to comics, Reed wrote a role-playing game for Palladium and wrote some of the storyline scenarios for Final Fight: Streetwise for Capcom.
Jerry Gwin Bails was an American popular culturist. Known as the "Father of Comic Book Fandom," he was one of the first to approach the comic book field as a subject worthy of academic study, and was a primary force in establishing 1960s comics fandom.
Greg Allen Theakston was an American comics artist and illustrator who worked for numerous publishers. He is known for his independent publications as a comics historian under his Pure Imagination imprint, as well as for developing the Theakstonizing process used in comics restoration. He used the pseudonym Earl P. Wooten.
Alter Ego is an American magazine devoted to comic books and comic-book creators of the 1930s to late-1960s periods comprising what fans and historians call the Golden Age and Silver Age of Comic Books.
Notable events of 1972 in comics. See also List of years in comics.
Notable events of 1973 in comics. See also List of years in comics.
Crusty Bunker, or the Crusty Bunkers, was the collective pseudonym of a group of comic book inkers clustered around Neal Adams' and Dick Giordano's New York City-based art and design agency Continuity Studios from 1972 to 1977. The group was also occasionally credited as Ilya Hunch, Chuck Bunker, or The Goon Squad. Many Crusty Bunkers team members went on to successful individual careers in the comics industry.
Sheldon "Shel" Dorf was an American comic book enthusiast and the founder of San Diego Comic-Con International. Dorf was also a freelance artist and graphic designer, who lettered the Steve Canyon comic strip for the last 12 to 14 years of the strip's run.
The Comic Reader (TCR) was a comics news-fanzine published from 1961 to 1984. Debuting in the pre-direct market era, TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood.
The Motor City Comic Con is a fan convention held in Novi, Michigan, United States, at the Suburban Collection Showplace. It is traditionally a three-day event, usually held in May of each year. The Motor City Comic Con was founded in 1989 by comics retailer Michael Goldman.
The Academy of Comic-Book Fans and Collectors (ACBFC) was the first official organization of comic book enthusiasts and historians. Active during the 1960s, the ACBFC was established by Jerry Bails, the "father of comics fandom". A vital player in the development of comics fandom, the ACBFC brought fans of the medium together, administered the first industry awards, and assisted in the establishment of the first comic book fan conventions.
A comic book convention or comic con is a fan convention with a primary focus on comic books and comic book culture, in which comic book fans gather to meet creators, experts, and each other. Commonly, comic conventions are multi-day events hosted at convention centers, hotels, or college campuses. They feature a wide variety of activities and panels, with a larger number of attendees participating in cosplay than most other types of fan conventions. Comic book conventions are also used as a vehicle for industry, in which publishers, distributors, and retailers represent their comic-related releases. Comic book conventions may be considered derivatives of science-fiction conventions, which began in the late 1930s.
Southwesterncon was a series of regional multi-genre fan conventions held annually in Texas and Oklahoma between 1966 and 1971. On a rotating basis, conventions were held in Dallas ("D-Con"), Houston ("Houstoncon"), and Oklahoma City ("Multicon"). Southwesterncon is credited with being one of the earliest ongoing comic book conventions in the United States.
References
1 2 3 Detroit Triple Fan Fair, registered as a Domestic Nonprofit Corporation on October 16, 1973, by Greg Allan Theakston (Agent) of Detroit, MI; dissolved on October 1, 1978. Accessed Feb. 15, 2016Archived October 17, 2016, at the Wayback Machine .
↑ "Historian Collects Comics: They Are Works of Art," Detroit News (1965).
↑ Schelly, Bill. "Jerry Bails' Ten Building Blocks of Fandom," Alter Ego Vol. 3, Issue #25 (June 2003), pp. 5-8.
1 2 3 Cooke, Jon B. "Rich Buckler Breaks Out! The Artist on Deathlok, T'Challa, and Other Marvel Tales," Comic Book Artist Collection, Volume 3 (TwoMorrows Publishing, 2005).
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