Diamonds & Rust | ||||
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Studio album by | ||||
Released | April 1975 | |||
Recorded | January 1975 | |||
Studio |
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Genre | Folk rock, folk jazz | |||
Length | 39:45 | |||
Label | A&M | |||
Producer | David Kershenbaum, Joan Baez, Larry Carlton | |||
Joan Baez chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Village Voice | C [2] |
Diamonds & Rust is the sixteenth studio album (and eighteenth overall) by American singer-songwriter Joan Baez, released in 1975. The album covered songs written or played by Bob Dylan, Stevie Wonder, The Allman Brothers, Jackson Browne, and John Prine. Diamonds & Rust, however, also contains a number of her own compositions, including the title track, a distinctive song written about Bob Dylan, which has been covered by various other artists. [3]
An alternate recording of "Dida" had appeared on the previous year's Gracias a la Vida .
All songs composed by Joan Baez; except where noted.
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [8] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
The Hissing of Summer Lawns is the seventh studio album by the Canadian-American singer-songwriter Joni Mitchell, released in November 1975 on Asylum Records. It continues the jazz-influenced sound of Mitchell's previous album, Court and Spark, with more unconventional and experimental material. It features sampling, synthesizers such as the Moog and ARP, and contributions from acts including the jazz-rock groups the L.A. Express and the Jazz Crusaders and James Taylor, David Crosby, and Graham Nash.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
The Rolling Thunder Revue was a 1975–76 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who was a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences.
Farewell, Angelina is the sixth studio album by American folk singer Joan Baez, released in late 1965. It peaked at #10 on the Billboard Pop Albums chart.
From Every Stage is a double live album recorded by Joan Baez on tour in the summer of 1975. The first half of the album was acoustic, with Baez accompanying herself on her guitar, while the second half features electric backup. Baez' recording of "Blowin' in the Wind" from this album was later included in the Forrest Gump soundtrack album. The song "Natalya" was dedicated to Russian poet and human rights activist Natalya Gorbanevskaya.
Gulf Winds is the seventeenth studio album by Joan Baez, released in 1976. It was her final album of new material for A&M. Baez stated in her autobiography, And a Voice to Sing With, that most of the songs were written while on tour with the Rolling Thunder Revue with Bob Dylan. "O Brother!" was a clever reply to Dylan's song "Oh Sister". On the title song, a ten-minute long autobiographical recollection of her childhood, Baez accompanies herself only with her own acoustic guitar, creating a sound reminiscent of her earliest pure folk recordings.
Play Me Backwards is an album by the American musician Joan Baez, released in 1992. The album was nominated for a Grammy for Best Contemporary Folk Recording. Baez supported it with an international tour.
Ring Them Bells is a live album taken from Joan Baez' April 1995 shows at New York's The Bottom Line. In addition to her own solo set, the album featured collaborations with other female artists including Mary Chapin Carpenter, Mimi Fariña, Dar Williams, the Indigo Girls and Mary Black. Though Baez and many of the collaborating artists were admirers of one another, this album marked the first time many of them had worked together. Baez' manager, Mark Spector, served as producer.
Joan Baez: Classics is a 1986 compilation, focusing on her A&M period (1972–76). Released in the mid-1980s, the album was significant for being the first Joan Baez compilation to appear on CD, and remains one of the more comprehensive collections of her 1970's work. The CD was part of A&M's series of compilations from artists associated with their label to commemorate their 25th anniversary.
Mortal City is Dar Williams' second album, released in January 1996 by Razor & Tie.
Fulfillingness' First Finale is the seventeenth studio album by American singer, songwriter, musician, and producer Stevie Wonder, released on July 22, 1974, by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
I'm in You is the fifth studio album by English musician and songwriter Peter Frampton. It was released on 3 June 1977, almost a year and a half after his 1976 signature breakthrough live album, Frampton Comes Alive! It was recorded at Electric Lady Studios in New York, where Frampton's Camel was recorded four years earlier. Stevie Wonder, Richie Hayward, Mike Finnigan and Mick Jagger are featured on the album.
"Diamonds & Rust" is a song written, composed, and performed by Joan Baez. It was written in November 1974 and released in 1975.
Living is a 1971 live album by American singer and songwriter Judy Collins, released by Elektra Records in 1971. The album is taken from performances on the singer's 1970 concert tour. It peaked at No. 64 on the Billboard 200 charts.
Gracias a la Vida, or Here's to Life: Joan Baez sings in Spanish is the fifteenth studio album by American singer-songwriter Joan Baez, released in 1974. It was performed mainly in Spanish, with one song in Catalan.
Cardiff Rose is a solo studio album by American singer/songwriter and ex-The Byrds frontman Roger McGuinn, released in 1976. The album, produced by Mick Ronson, was recorded on the heels of Bob Dylan's Rolling Thunder Revue 1975 tour, in which both McGuinn and Ronson had participated. Other key members of the Rolling Thunder Revue were primary contributors: David Mansfield, Rob Stoner, Howie Wyeth, and lyricist Jacques Levy. Levy had previously co-written "Chestnut Mare" with McGuinn, and collaborated with Dylan on the album Desire.
"Fountain of Sorrow" is a song written and performed by American singer-songwriter Jackson Browne. Released as the second single from his 1974 album Late for the Sky, at 6:42, it was the longest song on the album, and the longest song Browne had yet released. Two minutes were removed from the single release of "Fountain of Sorrow", but the song still failed to chart on Billboard's Hot 100.
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings is a box set of 1975 live recordings by Bob Dylan, released on June 7, 2019. For this tour, Dylan assembled a loose collective of a backing band called Guam and played across North America for several dozen shows. The tie-in Netflix documentary film Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese was released the following week. A similar compilation was released in 2002 entitled Bob Dylan Live 1975, The Rolling Thunder Revue, as part of Dylan's ongoing Bootleg Series. That compilation was re-released on vinyl as a companion to the later release.