Diana & Marvin | ||||
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Studio album by | ||||
Released | October 26, 1973 | |||
Recorded | 1971–1973 | |||
Studio | Motown Recording Studios, Hollywood, California | |||
Genre | ||||
Length | 30:01 | |||
Label | Motown M5-124V1 Universal Music | |||
Producer | Hal Davis Berry Gordy Margaret Gordy Bob Gaudio Ashford & Simpson | |||
Diana Ross chronology | ||||
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Marvin Gaye chronology | ||||
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Singles from Diana &Marvin | ||||
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Diana &Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye,released October 26,1973 on Motown. [1] Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood,California. [2] Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Diana &Marvin became a critical and commercial success that sold over a million copies worldwide. The album was remastered and re-released on compact disc with four bonus tracks on February 6,2001. [3] [4]
Initial plans to make the Ross/Gaye duet album began as early as 1970,but due to Gaye being in a personal lull following the death of Tammi Terrell,Motown failed to bring the two together and instead focused on Ross' emerging solo career,which didn't take off until the release of her cover of Gaye and Terrell's "Ain't No Mountain High Enough",which became an international hit;however,during that time,Gaye had made a promise that he would never again record a duet with a female performer because he felt they were cursed by him recording with them (Mary Wells abruptly left Motown following the end of the Together album and her career failed to recover,Kim Weston also abruptly left the label following the end of their Take Two sessions and Terrell's complications with a brain tumor,which later resulted in her death,made duets between her and Gaye difficult).
In mid-1971,Gaye returned to the charts with the What's Going On album,released on May 21,1971,which redefined his career and direction. Due to this,Gordy again approached him on doing a duet album with Ross. Though Gaye had insisted he wouldn't record any more duet albums,he later wrote that he felt the move to do a duet album with Ross would increase his popularity with Ross' wider audience. [5]
Engineer Russ Terrana later recalled that the start of sessions met difficulty as Gaye,who had the habit of coming to recording studios late,came unusually early but was inside the studio smoking reefer. Terrana said when Ross,still pregnant with her first child,daughter Rhonda,walked in,she immediately walked out,upset that Gaye was smoking reefer and told Gordy to stop him from smoking because of her pregnancy,fearing her baby might die from the smoke. When Gordy asked Gaye to put the reefer out,Gaye told him,"if I can't smoke,I can't sing." Eventually,however,Gaye did put the reefer out and Ross re-entered the studio with Gaye recording a cover of Wilson Pickett's "Don't Knock My Love". According to the album's later liner notes,Ross hated "Don't Knock My Love" and reportedly asked Gaye "why are we recording this song?"
Later recording sessions proved to be difficult as Ross had her baby and lay low following Rhonda's birth. She had also finished work on the movie, Lady Sings the Blues . Gaye,in the meantime,was busy on other projects putting future recording sessions in limbo. Due to this,Motown decided to do what they had done with Gaye and Terrell - record them separately. Ross and Gaye ended up recording in different sessions with Terrana mixing the duo's vocals together.
The album would feature the last Ashford &Simpson production for Motown,"Just Say,Just Say",though the duo would later reunite with Ross on her The Boss album. Gaye later said of the experience:"I'm not sure I handled the situation very well. Musically I may have overplayed my hand. I was too cavalier. I should have done everything in the world to make Diana comfortable. After all,she was making movies,recording two or three albums a year,starring in her own TV specials,and about to have a baby. I could have been a little more understanding. But I went the other way. It's hard for me to deal with prima donnas. We were like two spoiled kids going after the same cookie..." [6]
Album sessions dragged on throughout 1971 and into early 1973. Ross reported in an early 1973 interview in Blues &Soul magazine that the album,produced by Ashford &Simpson,was to be titled Art &Honey and was due in September that year. Since the album was not under Gaye's Tamla contract where Gaye had become the first Motown-established artist to have full autonomous creative control,the album was instead issued under the Motown imprint,which Ross recorded with. Motown held the album from being released,as Ross and Gaye had solo albums ready for release. Ross released the solo album, Touch Me in the Morning ,which coincidentally included a cover of another Marvin single,"Save the Children",which was included in a socially conscious medley along with the song,"Brown Baby". Gaye released his solo album, Let's Get It On ,that August. Both albums brought huge success as both peaked in the top ten with Gaye's album eventually selling more than three million copies,becoming his best-selling Motown album ever surpassing What's Going On .
Motown decided to issue the long-awaited Diana &Marvin album in 1973. Assured that the album would be a success,Motown billed it with Diana Ross' name in front of Gaye's. Gaye recalled he smirked and chuckled at the decision. Gaye tried in vain to get Gordy to allow him to name the album Marvin &Diana and give him production credit;since the album was not issued on Tamla,the producer refused Gaye's demands. Despite a huge promotional push,the album was only a modest success in the U.S. reaching number 26 on the Billboard 200 and number 7 on the R&B albums chart,selling over 500,000 copies in America.
It was far more successful in the United Kingdom,where Gaye and Ross had substantial fan bases,reaching number 6 on the UK albums chart and was certified gold for sales in excess of 100,000 copies. In the States,Motown issued three singles:"You're a Special Part of Me" (number 12 pop,number 4 R&B),"My Mistake (Was to Love You)" (number 19 pop,number 15 R&B) and "Don't Knock My Love" (number 46 pop,number 25 R&B),the latter song went to number one in Brazil. In the UK,two singles were released and they were both covers of Stylistics songs. [7] The first,"Stop,Look,Listen (To Your Heart)",reached number 25 there (the original Stylistics single failed to chart there),while the second,"You Are Everything",became a smash reaching number 5. Despite their initial problems,both Gaye and Ross would tell the press that they enjoyed working on the album,with Gaye telling Soul Train host Don Cornelius on a February 16,1974 episode that he'd love to work with Ross in the future.
The artists would eventually reunite to sing together for two duets to be featured on the Berry Gordy Sr. tribute album,Pops We Love You in 1978,including the title song,"Pops,We Love You (A Tribute to Father)" along with Smokey Robinson and Stevie Wonder,and a pop-gospel tune,"I'll Keep My Light in My Window". Unlike most of the sessions for Diana &Marvin,the two stars recorded the songs in the studio together.
Review scores | |
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Source | Rating |
Allmusic | [8] |
Christgau's Record Guide | B+ [9] |
Q | [10] |
The New Rolling Stone Album Guide | [11] |
Tom Hull | B+ ( ) [12] |
The album received generally positive reviews upon release. Robert Christgau gave it a B+,saying,"Motown's record division could really put out some terrific albums if the publishing division wasn't always butting in. Of the six Motown-composed tracks,only Ashford &Simpson's 'Just Say,Just Say' and the hit,'My Mistake,' have any charm of their own. But this girl-boy duo sound just great on two Bell-Creed songs and the follow-up single,Wilson Pickett's,Don't Knock My Love.' And while I suspect it was Marvin who edged Diana into the warmest and loosest--and streetest--performance of her career,maybe it was just the proximity of 'Pledging My Love.'"
The duo's cover of "Stop,Look,Listen (To Your Heart)" has been sampled and interpolated by several hip-hop artists over the years including 50 Cent,Smilez and Southstar (who had their one and only hit with "Tell Me",which sampled the song),while Ja Rule and Ashanti's "Mesmerize" interpolated the song's melody. Michael McDonald and Toni Braxton re-recorded the duet cover for McDonald's album,Motown II.
"You Are Everything" has also been covered many times including duet versions by Billy Ocean &Elaine Paige and a 1994 version by UK soul singer Melanie Williams and Joe Roberts that became a UK Top 30 hit.
The album's classic cover featuring Ross and Gaye's Afros facing different sides would also be imitated by several artists following its release. In 2001,the album was re-released with four additional songs including three outtakes from the 1972 sessions including "Alone","The Things I Will Not Miss" and the Ashford &Simpson written and produced "I've Come To Love You So Much",with the duo's 1978 duet,"I'll Keep My Light In My Window" also included on the reissue.
Bonus cuts featured on the 2001 reissue.
Chart (1974) | Peak position |
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Australia (Kent Music Report) [13] | 26 |
Canada Top Albums/CDs ( RPM ) [14] | 86 |
UK Albums (OCC) [15] | 6 |
US Billboard 200 [16] | 26 |
US Top R&B/Hip-Hop Albums (Billboard) [17] | 7 |
Easy is an album recorded by Marvin Gaye and Tammi Terrell,and released by Motown Records on September 16,1969 under the Tamla Records label. One song on the album,"Good Lovin' Ain't Easy To Come By",was a hit single and remains popular to this day.
Thomasina Winifred Montgomery,professionally known as Tammi Terrell,was an American singer-songwriter,widely known as a star singer for Motown Records during the 1960s,notably for a series of duets with singer Marvin Gaye.
Syreeta Wright,who recorded professionally under the mononym Syreeta,was an American singer-songwriter,best known for her music during the early 1970s through the early 1980s. Wright's career heights were songs in collaboration with her ex-husband Stevie Wonder and musical artist Billy Preston.
Ashford &Simpson were an American husband-and-wife songwriting,production,recording duo composed of Nickolas Ashford and Valerie Simpson.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford &Valerie Simpson in 1966 for the Tamla label,a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell,and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"Your Precious Love" is a popular song that was a 1967 hit for Motown singers Marvin Gaye and Tammi Terrell. The song was written by Nickolas Ashford and Valerie Simpson,and produced by Harvey Fuqua and Johnny Bristol. The doo-wop styled recording features background vocals by Fuqua,Gaye,Terrell and Bristol,and instrumentals by The Funk Brothers with the Detroit Symphony Orchestra. The song peaked at #5 on Billboard Pop Singles chart,#2 on Billboard's R&B Singles chart,and the top 40 on Billboard's Easy Listening survey. The song was later sampled by Gerald Levert on the song,"Your Smile",on his 2002 album,The G Spot.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
Diana Ross Presents The Jackson 5 was the debut studio album from Gary,Indiana-based soul family band the Jackson 5,released on the Motown label on December 12,1969. The Jackson 5's lead singer,a preadolescent Michael Jackson and his four older brothers Jackie,Tito,Jermaine,and Marlon,became pop successes within months of this album's release. Diana Ross Presents The Jackson 5's only single,"I Want You Back",became a number-one hit on the US Billboard Hot 100 within weeks of the album's release. The album reached number 5 on the US Pop Albums chart,and spent nine weeks at No. 1 on the US R&B/Black Albums charts. To date,the Jackson 5's debut album has sold estimated 5 million copies worldwide.
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson,"Stubborn Kind of Fellow" became Gaye's first hit single,reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
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You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell,released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson,You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits,"Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort,as Terrell would become ill following recording,before succumbing to a brain tumor in 1970.
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In the Groove is the eighth studio album by soul musician Marvin Gaye,released on August 26,1968 on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years,in which during that interim,the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name,which had been released as a single from the original album.
The Magnificent 7 is a collaborative album combining Motown's premier vocal groups,The Supremes and The Four Tops. Issued by Motown in 1970,it followed two collaborative albums The Supremes did with The Temptations in the late 1960s. The album featured their hit cover of Ike &Tina Turner's "River Deep –Mountain High",which reached number 14 on the US Billboard Hot 100 singles chart. In the UK,the album peaked at number 6. In December 1971,Billboard reported UK album sales of 30,000 copies.
The Complete Duets is a two-disc compilation album of duet recordings by Motown Records artists Marvin Gaye and Tammi Terrell,recorded between 1965 and 1969. The set compiles all of the tracks from the duo's three albums - United,You're All I Need and Easy - as well as several of Tammi Terrell's solo recordings and other previously unissued material.
"Good Lovin' Ain't Easy to Come By" is a duet released in 1969 on the Tamla label by singers Marvin Gaye and Tammi Terrell.
"California Soul" is a funk-soul tune written by Ashford &Simpson,issued originally as the B-side of the Messengers' single "Window Shopping" in 1967 under the Motown group of labels.
"What You Gave Me" is a hit duet written and produced by Ashford &Simpson and issued as a single originally by the vocal duo of Marvin Gaye and Tammi Terrell in 1969 on the Tamla label.
Forever Diana:Musical Memoirs is a four-CD box set of recordings by American singer Diana Ross released on October 5,1993 by Motown Records.
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