Dylan | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | November 16, 1973 | |||
Recorded |
| |||
Genre | ||||
Length | 33:22 | |||
Label | Columbia | |||
Producer | Bob Johnston | |||
Bob Dylan chronology | ||||
|
Dylan is a 1973 album by singer-songwriter Bob Dylan, compiled from outtakes recorded for the two earlier albums, Self Portrait (June 1970) and New Morning (Oct 1970). Columbia Records compiled it with no input from Dylan, who had changed record companies to Asylum Records. It was released on November 16, 1973, the same month as the first news broke of the Bob Dylan and The Band 1974 Tour, Dylan's first major tour since 1966. The album consists of six cover songs and three traditional songs, with no original Dylan songs. It was poorly received, and is largely considered one of Dylan's weakest albums.
In Europe the album was re-released in January 1991 with the title Dylan (A Fool Such as I). [1]
The album is made up from studio outtakes from the previous Dylan releases Self Portrait and New Morning . The nine songs featured on the album consist of six cover songs and three traditional songs, adapted and arranged by Dylan. The first seven tracks were recorded in June 1970 during the New Morning sessions, the last two were recorded in April 1969 during the Self Portrait sessions. [2] The album features a different recording of "Spanish Is the Loving Tongue" from the version previously issued as the B-side of Dylan's 1971 single "Watching the River Flow".
The album cover was designed by art director John Berg. The original photograph featured on the album's front was shot by photographer Al Clayton. The serigraph was carried out by artist Richard Kenerson. [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | E [5] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | F [7] |
MusicHound | woof! [8] |
Rolling Stone | (unfavorable) [9] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Although Dylan received very poor reviews upon its release, [11] [12] it managed to reach No. 17 in the U.S. [13] and was certified gold by the RIAA. It became the first Bob Dylan album not to chart in the UK, where his albums generally charted higher than in the U.S. [14] [15]
Dylan was the only Columbia Dylan album not to be reissued on compact disc in the North American market, until 2013 when it was included in the Complete Album Collection box set. [16]
Due to its lack of original material and 'bizarre' choice of tracks, Dylan is often considered one of Dylan's weakest albums. [17]
"Lily of the West" is a traditional British and Irish folk song which, in Dylan's adaptation, details the story of a man who travels to Louisville and stumbles upon a woman named 'Flora'. The man then falls in love with her, naming her the 'Lily of the West', though this love is found not to be mutual when she is courted by another man. As a result, the protagonist confronts his 'rival' and stabs him in the chest in a fit of rage. Consequently, he is put on trial and found guilty of murder, though he maintains his love for Flora.
Dylan is likely to have known the song from at least as far back as the start of his relationship with Joan Baez, as she released a version of her own with similar lyrics in 1961 on her second album, Joan Baez, Vol. 2.
"Can't Help Falling in Love" is a 1961 song recorded by Elvis Presley, inspired by Plaisir d'amour, an 18th-century French love song, and included on the soundtrack album Blue Hawaii .
"Sarah Jane" is inspired by "Rock about my Saro Jane", [18] written sometime around the turn of the 20th century and most notably performed by Uncle Dave Macon in 1927.
"Sarah Jane" is often mentioned among Dylan's worst recordings. [19] [20]
"The Ballad of Ira Hayes" is a song originally written by Peter La Farge and popularised by Johnny Cash, which describes the life of Marine Ira Hayes of the Pima Indians. Hayes enlisted in the US Marine Corps in 1942 and fought in the Pacific Theatre of World War II, deployed in the Bougainville campaign before fighting in the Battle of Iwo Jima. Whilst serving in Iwo Jima, he was photographed by Joe Rosenthal alongside five of his comrades raising the American flag atop Mount Suribachi. After the end of the war in 1945 and his subsequent discharge from the army, Hayes suffered from post-traumatic stress disorder and took to heavy alcohol use to combat it (referenced by the recurring lyric "call him drunken Ira Hayes"). Attempting to reintegrate into civilian life, he struggled to maintain employment and was arrested a total of 52 times for offences relating to alcohol. Two months after attending the Marine Corps War Memorial, Hayes was found dead near his residence in Sacaton, Arizona after spending the evening drinking with his closest friends. The cause of his death was given as exposure and alcohol poisoning. [21]
"Mr. Bojangles" was written by American country musician Jerry Jeff Walker in 1968 and recorded in 1970 by Dylan during the sessions for New Morning. It tells the story of a homeless street performer that Walker had met in a New Orleans jail whilst imprisoned for public intoxication who used the moniker "Mr. Bojangles", likely taken from Bill 'Bojangles' Robinson. "Mr. Bojangles" and his cellmates conversed on many topics, at some point landing on the death of his dog who had become his only companion whilst travelling around the country. As the mood in the cell dampened, someone in the cell asked for something to lighten the mood, at which point "Mr. Bojangles" performed a tap dance.
"Mary Ann" is a folk song originating from at least as far back as the ethnomusicology of Marius Barbeau, [22] a Canadian folklorist, and perhaps as far back as the mid 19th century. It describes the parting of a man from his love, "Mary Ann", to faraway at sea.
"Big Yellow Taxi" is a song written by Joni Mitchell in 1970, released originally on the album Ladies of the Canyon, reaching the top 20 in Canada, Australia and the UK and peaking at No. 67 in the United States. It is known famously as an early environmentalist song, [23] with lyrics against consumerism and urban sprawl. In contrast, Dylan's version was criticised at release as a simple outtake from the Self Portrait sessions, though retrospectively it has been given praise due to Dylan's vocal performance. [24]
"A Fool Such As I" is a popular song written by Bill Trader, copyrighted in 1952 and released by Hank Snow in early 1953 as "(Now and Then There's) A Fool Such as I". Elvis Presley's 1958 version, which reached No. 2 in the US and went platinum, could have served as Dylan's inspiration.
"Spanish Is the Loving Tongue" is a song based on the 1907 poem "A Border Affair" written by Charles Badger Clark, a cowboy poet. Prolific Dylan scholar Eyolf Østrem nominated the 1973 release "a contender (for) Dylan's most tasteless arrangement." [25]
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Lily of the West" | traditional | June 3, 1970 | 3:44 |
2. | "Can't Help Falling in Love" | George Weiss, Hugo Peretti, Luigi Creatore | June 3, 1970 | 4:17 |
3. | "Sarah Jane" | traditional | June 1, 1970 | 2:43 |
4. | "The Ballad of Ira Hayes" | Peter LaFarge | June 1, 1970 | 5:08 |
Total length: | 15:52 |
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Mr. Bojangles" | Jerry Jeff Walker | June 2, 1970 | 5:31 |
2. | "Mary Ann" | traditional | June 2, 1970 | 2:40 |
3. | "Big Yellow Taxi" | Joni Mitchell | June 4, 1970 | 2:12 |
4. | "A Fool Such as I" | Bill Trader | April 26, 1969 | 2:41 |
5. | "Spanish Is the Loving Tongue" | Billy Simon, Charles Badger Clark | April 24, 1969 | 4:13 |
Total length: | 17:17 |
Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia after a two-album stint with Asylum Records. Dylan began recording the album at an A & R studio in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in Sound 80 studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, described the songs as "my parents talking". Dylan denied that the songs were autobiographical.
Time Out of Mind is the thirtieth studio album by American singer-songwriter Bob Dylan, released on September 30, 1997, through Columbia Records. It was released as a single CD as well as a double studio album on vinyl, his first since The Basement Tapes in 1975.
Infidels is the twenty-second studio album by American singer-songwriter Bob Dylan, released on October 27, 1983, by Columbia Records.
Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973, by Columbia Records for the Sam Peckinpah film Pat Garrett and Billy the Kid. Dylan himself appeared in the film as the character "Alias". The soundtrack consists mainly of instrumental music and was inspired by the movie itself. The album includes "Knockin' on Heaven's Door", which became a trans-Atlantic Top 20 hit.
New Morning is the eleventh studio album by the American singer-songwriter Bob Dylan, released on October 21, 1970 by Columbia Records.
Knocked Out Loaded is the twenty-fourth studio album by American singer-songwriter Bob Dylan, released on July 14, 1986 by Columbia Records.
The Bootleg Series Volumes 1–3 is a box set by Bob Dylan issued on Columbia Records. It is the first installment in Dylan's Bootleg Series, comprising material spanning the first three decades of his career, from 1961 to 1989. It has been certified with a gold record by the RIAA as of August 1997, and peaked at No. 49 on the Billboard 200 and No. 32 in the UK.
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits, is the second compilation album by American singer-songwriter Bob Dylan, released on November 17, 1971 by Columbia Records. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup.
Bob Dylan's Greatest Hits Volume 3 is a compilation LP album by Bob Dylan, released on Columbia Records on compact disc and cassette tape in 1994, Columbia catalogue number 66783. It peaked at No. 126 on Billboard 200.
"Positively 4th Street" is a song written and performed by Bob Dylan, first recorded in New York City on July 29, 1965. It was released as a single by Columbia Records on September 7, 1965, reaching No. 1 on Canada's RPM chart, No. 7 on the U.S. Billboard Hot 100, and No. 8 on the UK Singles Chart. Rolling Stone magazine ranked the song as No. 203 in their 500 Greatest Songs of All Time list.
"Not Dark Yet" is a song by Bob Dylan, recorded in January 1997 and released in September that year as the seventh track on his album Time Out of Mind. It was also released as a single on August 25, 1997 and later anthologized on the compilation albums The Essential Bob Dylan in 2000, The Best of Bob Dylan in 2005 and Dylan in 2007. The song was produced by Daniel Lanois.
"Mississippi" is a medium-tempo country-rock song by the American singer-songwriter Bob Dylan that appears as the second track on his 2001 album Love and Theft. The song was originally recorded during the Time Out of Mind sessions, but was ultimately left off the album. Dylan rerecorded the song for Love and Theft in May 2001.
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks, in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track.
"Tryin' to Get to Heaven" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the fifth track on his album Time Out of Mind. The recording was produced by Daniel Lanois.
"The Ballad of Ira Hayes" is a song written by folk singer Peter La Farge. Its words tell the story of Ira Hayes, one of the six marines who became famous for having raised the U.S. flag on Mount Suribachi during the Battle of Iwo Jima in World War II. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Watching the River Flow" is a song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.
"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.
"Born in Time" is a rock song written by American singer-songwriter Bob Dylan, who first released the track on September 10, 1990, on his twenty-seventh studio album Under the Red Sky. It is a reworking of a song originally recorded at the previous year's Oh Mercy sessions. The British recording artist Eric Clapton covered the song for his 1998 studio effort Pilgrim and released his take on the tune as a single. The song has been praised by critics for its catchy melody and romantic, dreamlike lyrics.
"You're Gonna Make Me Lonesome When You Go" is a song by Bob Dylan. Recorded in September 1974, it appeared as the fifth track on Dylan's album Blood on the Tracks, released in January 1975.