Dune is an original soundtrack album for the 1984 film Dune. Most of the album was composed by the rock band Toto, with one track contributed by Brian Eno, Roger Eno and Daniel Lanois. The soundtrack album was first released in November 1984. An extended version with an altered track listing was released in 1997. Both versions are currently out of print on traditional media, such as CD. However, with the growing popularity of digital downloads and streaming services, they have gained renewed exposure through platforms like iTunes and Spotify.
Star Wars Episode III: Revenge of the Sith – Original Motion Picture Soundtrack is the film score to the 2005 film of the same name released by Sony Classical on May 3, 2005, more than two weeks before the film's release. The music was composed and conducted by John Williams, and performed by the London Symphony Orchestra and London Voices in February 2005, with orchestrations provided by Conrad Pope and Eddie Karam. The score was Williams' sixth score in the saga. Shawn Murphy recorded the score. Ramiro Belgardt and Kenneth Wannberg served as music editors; Wannberg served as music editor for the previous Star Wars scores. A remastered version of the soundtrack was released by Walt Disney Records on May 4, 2018.
Star Wars Episode I: The Phantom Menace – Original Motion Picture Soundtrack is the film score to the 1999 film of the same name, composed and conducted by John Williams, and performed by the London Symphony Orchestra, London Voices and the New London Children's Choir with orchestrations provided by Conrad Pope and John Neufeld. The soundtrack album was released by Sony Classical Records on May 4, 1999, two weeks before the film's theatrical release. In anticipation of the long-awaited film, the soundtrack was certified Platinum in the United States where it debuted and peaked on the Billboard 200 at number 3, and certified Gold in the United Kingdom, where it entered the UK album charts at number eight.
Star Wars (Original Motion Picture Soundtrack) is the soundtrack album to the 1977 film Star Wars, composed and conducted by John Williams and performed by the London Symphony Orchestra. Williams' score for Star Wars was recorded over eight sessions at Anvil Studios in Denham, England on March 5, 8–12, 15 and 16, 1977. The score was orchestrated by Williams, Herbert W. Spencer, Alexander Courage, Angela Morley, Arthur Morton and Albert Woodbury. Spencer orchestrated the scores for The Empire Strikes Back and Return of the Jedi. The score was recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg, and the scoring sessions were produced by Star Wars director George Lucas and supervised by Lionel Newman, head of 20th Century Fox's music department.
The score from The Empire Strikes Back composed by John Williams. Between Star Wars and The Empire Strikes Back, Williams had also worked with the London Symphony Orchestra for the scores to the films The Fury, Superman and Dracula. The score earned another Academy Award nomination for Williams. Again, the score was orchestrated by Herbert W. Spencer and Angela Morley, recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg with supervision by Lionel Newman. John Williams himself took over duties as record producer from Star Wars creator George Lucas.
Star Wars: Return of the Jedi is the film score to the 1983 film Return of the Jedi, composed and conducted by John Williams and performed by the London Symphony Orchestra. The score was recorded at Abbey Road Studios in London between January and February 1983. Again, John Williams served as producer. Herbert W. Spencer, Thomas Newman and Gordon Langford served as orchestrators. Engineer Eric Tomlinson, music editor Kenneth Wannberg, and record supervisor Lionel Newman again reprised their respective duties. The score earned another Academy Award nomination for Williams. Return of the Jedi, which is the original trilogy's shortest score, was only released on a single-LP instead of a double-set like the Star Wars and The Empire Strikes Back soundtracks before it.
Harry Potter and the Prisoner of Azkaban (Original Motion Picture Soundtrack) is the film score for the 2004 film of the same name, the third and final score in the series to be composed and conducted by John Williams. The soundtrack was performed at Abbey Road Studios in London with various freelance musicians, with the London Voices and the London Oratory School Schola providing vocal performances. The score was orchestrated by Conrad Pope and Eddie Karam. The soundtrack is a significant departure from the previous two, since the director, Alfonso Cuarón, wanted the music to take a different approach. It introduced three major themes: "Window to the Past", "Double Trouble", and "Buckbeak's Flight". Other repeating new motifs were composed for the Time-Turner, Peter Pettigrew, and Sirius Black's hunt for Harry. It was released on 25 May 2004 and charted at No. 68 on the Billboard 200 and also charted at No. 3 on the Top Soundtracks Chart.
Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross. The score was originally supposed to be entirely conducted by Williams, but due to scheduling conflicts with the scoring of Steven Spielberg's film Catch Me If You Can, Ross was brought in to adapt Williams' material from Philosopher's Stone and conduct the scoring sessions with the London Symphony Orchestra with orchestrations provided by Conrad Pope, Eddie Karam and Pete Anthony.
Raiders of the Lost Ark: Original Motion Picture Soundtrack is the film score to the 1981 Steven Spielberg film, Raiders of the Lost Ark. The music was composed and conducted by John Williams and performed by the London Symphony Orchestra. The orchestrations were provided by Herbert W. Spencer and Al Woodbury. The score was released by Columbia Records in June 1981. The soundtrack received an Academy Award nomination for Best Original Score but lost out to Vangelis' score for Chariots of Fire.
The Jaws soundtrack is the music composed and conducted by John Williams for Steven Spielberg's 1975 film Jaws. The soundtrack is particularly notable for the 2-note ostinato which represents the shark, a theme so simple that Spielberg initially thought it was a joke by the composer.
Jurassic Park: Original Motion Picture Soundtrack is the film score to the 1993 Steven Spielberg film of the same name, composed and conducted by John Williams. Alexander Courage, John Neufeld, Conrad Pope, Aimee Vereecke and Dennis Dreith served as orchestrators.
The Lost World: Jurassic Park is the film score to the 1997 film of the same name composed and conducted by John Williams and was orchestrated by Conrad Pope, John Neufeld, Dennis Dreith, Marian Mayer and Vince Bartold. Unlike most sequel scores written by Williams, the composer did not reprise much musical material from the original film in the series, Jurassic Park, but instead developed a wildly different style and a new set of motifs for the different location, cast, and darker tone of the second Jurassic Park film. The two primary themes written for Jurassic Park are quoted only a few times in The Lost World. Director of the film Steven Spielberg felt Williams' work on the sequel was superior to his work on the first Jurassic Park film.
Spider-Man: Original Motion Picture Score is the soundtrack for the 2002 film Spider-Man directed by Sam Raimi. It was released on June 4, 2002. The score combines traditional orchestration, ethnic percussion and electronic elements. Its distinct ethnic characteristics are credited to its composer, Danny Elfman, who spent a year in Africa studying its unique percussive variety. A CD release of the score came out from Sony's label.
Indiana Jones and the Last Crusade is the soundtrack to Steven Spielberg's 1989 film of the same name. It was released by Warner Records in 1989. The music was composed and conducted by John Williams and performed by the Hollywood Studio Symphony, with orchestrations provided by Herbert W. Spencer, Alexander Courage, John Neufeld and Patrick Hollenbeck.
Empire of the Sun is the soundtrack, on Warner Bros. Records, of the 1987 film Empire of the Sun, directed by Steven Spielberg. The original score was composed by John Williams and recorded in September–October 1987.
A.I. Artificial Intelligence - Music from the Motion Picture is the film score of the 2001 film of the same name, composed and conducted by John Williams. The original score was composed by Williams and featured singers Lara Fabian on two songs and Josh Groban on one. Soprano Barbara Bonney provided the vocal solos in several tracks.
E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien.
Indiana Jones and the Temple of Doom: Original Motion Picture Soundtrack is the film score to the 1984 Steven Spielberg film, Indiana Jones and the Temple of Doom. The music was composed and conducted by John Williams and performed by the Hollywood Studio Symphony, with orchestrations provided by Herbert W. Spencer and Alexander Courage and first released on CD, LP, and cassette in 1984 and reissued on CD in 2008.
Solo: A Star Wars Story is the soundtrack album to the 2018 film of the same name directed by Ron Howard, which is the second instalment in the Star Wars anthology series. The score is composed by John Powell, with the Han Solo's theme conducted and composed by John Williams, whom he had collaborated for several Star Wars films, was included in the album. Williams further composed several demos, that were not included in the soundtrack but was released in the deluxe edition. Besides composing the original themes, Powell also incorporated Williams' music from Star Wars films.
The music of the Back to the Future franchise is composed in conjunction with the development of several feature films and a stage musical, within the Back to the Future franchise created by Robert Zemeckis and Bob Gale. All music in the franchise was composed by American composer Alan Silvestri, with The Musical being co-written with Glen Ballard.
