Easter | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 3, 1978 | |||
Recorded | August–September 1977 | |||
Studio |
| |||
Genre | Rock | |||
Length | 39:44 | |||
Label | Arista | |||
Producer | Jimmy Iovine | |||
Patti Smith Group chronology | ||||
| ||||
Singles from Easter | ||||
|
Easter is the third studio album by American musician Patti Smith, and the second release where her backing band Patti Smith Group is billed. It was released in March 1978 by Arista Records. Produced by Jimmy Iovine, the album is regarded as the group's commercial breakthrough, owing to the success of the rock single "Because the Night" (co-written by Bruce Springsteen and Smith), which reached number 13 on the Billboard Hot 100 [1] and number five on the UK Singles Chart. [2]
The first album released since Smith had suffered a neck injury while touring for Radio Ethiopia , Easter has been called the most commercially accessible of the Patti Smith Group's catalogue. Unlike its two predecessors, Easter incorporated a diversity of musical styles, including straightforward rock ("Because the Night"), [3] classic rock and roll ("25th Floor/High on Rebellion", "Rock N Roll Nigger"), folk ("Ghost Dance" [4] [5] [6] ) and spoken word ("Babelogue"). Easter is the only 1970s album of Smith's that does not feature Richard Sohl as part of the Patti Smith Group; in one interview at the time, Smith stated that Sohl was sick and this prevented him from participating in recording the album. Bruce Brody is credited as the keyboard player, though Sohl makes a guest appearance contributing keyboards to "Space Monkey", along with Blue Öyster Cult keyboardist Allen Lanier. The cover photograph is by Lynn Goldsmith and the liner notes photography by Cindy Black and Robert Mapplethorpe.
In addition to the religious allusion of its title, the album is replete with biblical and specifically Christian imagery. "Privilege (Set Me Free)" is taken from the British fame- and authoritarianism-satirizing film Privilege ; its lyrics are adapted from Psalm 23. The LP insert reproduces a First Communion portrait of Frederic and Arthur Rimbaud, and Smith's notes for the song "Easter" invoke Catholic imagery of baptism, communion and the blood of Christ. A solitary hand-drawn cross is placed below the group member credits on the sleeve insert, and the last sentence of the liner notes is a quote from Second Epistle to Timothy 4:7 -- "I have fought a good fight, I have finished my course ..."
Beyond Christian themes, the song "Ghost Dance" references the Ghost Dance Native American religious revival of the late 19th century.
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Chicago Tribune | [8] |
Christgau's Record Guide | A− [9] |
Los Angeles Times | [10] |
Mojo | [11] |
Pitchfork | 8.8/10 [12] |
Q | [13] |
The Rolling Stone Album Guide | [14] |
Spin | [15] |
Spin Alternative Record Guide | 6/10 [16] |
Easter was highly acclaimed upon its release. Rolling Stone critic Dave Marsh called it "transcendent and fulfilled", [17] while Sandy Robertson proclaimed that "the rock 'n' roll resurrection is upon us" in his review of the album for Sounds . [18] In Creem , Nick Tosches deemed Easter to be Smith's best work, "truer and surer and less uneven than her previous albums". [19] Robert Christgau of The Village Voice felt that the music "is as basic as ever in its instrumentation and rhythmic thrust, but grander, more martial", and that "most of these songs are rousing in the way they're meant to be." [20] Lester Bangs, however, began his review of the album in Phonograph Record , "Dear Patti, start the revolution without me", and contended that while Horses had changed his life, Easter "is just a very good album". [21] The Globe and Mail called the album "as terse and sculpted a rock 'n' roll statement as the band had made to that point." [22] Easter placed at number 14 in The Village Voice's Pazz & Jop critics' poll of the best albums of 1978, [23] while NME ranked it the 46th best album of the year.[ citation needed ]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Till Victory" | 2:45 | |
2. | "Space Monkey" |
| 4:04 |
3. | "Because the Night" |
| 3:32 |
4. | "Ghost Dance" |
| 4:40 |
5. | "Babelogue" | Smith | 1:25 |
6. | "Rock N Roll Nigger" |
| 3:13 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Privilege (Set Me Free)" | 3:27 | |
8. | "We Three" | Smith | 4:19 |
9. | "25th Floor" |
| 4:01 |
10. | "High on Rebellion" | Smith | 2:37 |
11. | "Easter" |
| 6:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "Godspeed" |
| 6:09 |
Patti Smith Group
Additional personnel
Technical
Design
In the insert with the original LP release (reproduced in the 1996 reissue), Smith's self-penned liner notes refer, among other things, to:
Chart (1978) | Peak position |
---|---|
Australian Albums (Kent Music Report) [24] | 80 |
German Albums (Offizielle Top 100) [25] | 43 |
New Zealand Albums (RMNZ) [26] | 20 |
Norwegian Albums (VG-lista) [27] | 10 |
Swedish Albums (Sverigetopplistan) [28] | 34 |
UK Albums (OCC) [29] | 16 |
US Billboard 200 [30] | 20 |
Chart (2019) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [31] | 194 |
Region | Certification | Certified units/sales |
---|---|---|
France (SNEP) [32] | Gold | 100,000* |
United Kingdom (BPI) [33] | Silver | 60,000^ |
* Sales figures based on certification alone. |
Date | Label | Format | Catalog no. |
---|---|---|---|
March 1978 | Arista Records | LP | 4171 |
1996 | CD | ||
2007 | Sony BMG | 37929 | |
2008 | "Original Album Classics" CD box set | 88697313832 |
Patricia Lee Smith is an American singer, songwriter, poet, painter, and author whose 1975 debut album Horses made her an influential member of the New York City-based punk rock movement. Smith has fused rock and poetry in her work. In 1978, her most widely known song, "Because the Night", co-written with Bruce Springsteen, reached 13th on the Billboard Hot 100 chart and fifth on the UK Singles Chart.
Horses is the debut studio album by American musician Patti Smith. It was released by Arista Records on November 10, 1975. A fixture of the mid-1970s underground rock music scene in New York City, Smith signed to Arista in 1975 and recorded Horses with her band at Electric Lady Studios in August and September of that year. She enlisted former Velvet Underground member John Cale to produce the album.
Agents of Fortune is the fourth studio album by American rock band Blue Öyster Cult, released on May 21, 1976 by Columbia Records.
Private Dancer is the fifth solo studio album by Tina Turner. It was released on May 29, 1984, through Capitol Records and was her first album released through the label. After several challenging years of going solo after divorcing Ike Turner, Private Dancer propelled Turner into becoming a viable solo star, as well as one of the most marketable crossover singers in the recording industry. It became a worldwide commercial success, earning multi-platinum certifications, and remains her best-selling album in North America to date.
Making Movies is the third studio album by British rock band Dire Straits, released on 17 October 1980 by Vertigo Records internationally, Warner Bros. Records in the United States and Mercury Records in Canada. The album includes the single "Romeo and Juliet", which reached number 8 on the UK Singles Chart, as well as “Tunnel of Love,” featured in the 1982 Richard Gere film An Officer and a Gentleman.
The Ghost of Tom Joad is the eleventh studio album, and the second acoustic album, by the American singer-songwriter Bruce Springsteen, released on November 21, 1995, by Columbia Records. It reached the top ten in two countries, and the top twenty in five more, including No. 11 in the United States, his first studio album to fail to reach the top ten in the US in over two decades. It won the Grammy Award for Best Contemporary Folk Album.
An American Prayer is the ninth and final studio album by the American rock band the Doors. Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. It was the only album by the Doors to be nominated for a Grammy Award in the "Spoken Word" category.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on 28 April 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Fly Like an Eagle is the ninth studio album by American rock band Steve Miller Band, released in May 1976 by Capitol Records in the United States, Canada and Japan and Mercury Records in Europe.
Radio Ethiopia, the second studio album by Patti Smith, and her first album to credited as Patti Smith Group. The album was released in October 1976 through Arista Records.
Wave is the fourth studio album by Patti Smith, and the third and final album where the Patti Smith Group is billed. It was released on May 17, 1979, by Arista Records. Produced by Todd Rundgren, the album continued the band's move towards more radio-friendly mainstream pop rock sound. Wave garnered a mixed reception from music critics and was less successful than its predecessor, Easter (1978). However, the songs "Frederick" and "Dancing Barefoot" both received commercial airplay. Following the album's release, the band disbanded, and frontwoman Patti Smith pursued a solo career nine years later with Dream of Life (1988).
Gone Again is the sixth studio album by Patti Smith, released June 18, 1996, on Arista Records. The production of the record was preceded by the deaths of many of Smith's close friends and peers, including her husband Fred "Sonic" Smith, her brother Todd, Robert Mapplethorpe, Richard Sohl and Kurt Cobain, with whom Smith had sympathized. In addition to this, Gone Again also features the last studio performance of Jeff Buckley, released before his death less than a year later.
Gung Ho is the eighth studio album by Patti Smith, released March 21, 2000 on Arista Records.
Land (1975–2002) is a two disc compilation album by Patti Smith, released on March 19, 2002, on Arista Records. Land (1975–2002) contains a collection of recordings from her eight previous albums on the first disc, along with B-sides and unreleased songs on the second disc. The album ranked number eight in Mojo's "Best Box Sets & Compilations of 2002". It is dedicated to the memory of Richard Sohl.
Trampin' is the ninth studio album by Patti Smith, released April 27, 2004. It was the first album Smith released on the Columbia Records label. Rolling Stone magazine placed the record on its list of "The Top 50 Albums of 2004".
Winner in You is the eighth studio album by American R&B singer Patti LaBelle. It was released by MCA Records on April 28, 1986, in the United States. Recording sessions took place during 1985–1986. Production was handled by several record producers, including Burt Bacharach, Carole Bayer Sager, and Nickolas Ashford, among others.
Mirror Moves is the fourth studio album by English rock band the Psychedelic Furs, released 21 August 1984 by Columbia Records, two years after their previous studio album, Forever Now.
I Came to Dance is the third solo studio album by the American musician Nils Lofgren, released in 1977. It was produced by Lofgren and Andy Newmark.
"Privilege (Set Me Free)" is a song by the Patti Smith Group and released as the second single from their 1978 album Easter. The original version of the song was titled "Free Me" and was written by Mel London and Mike Leander for the 1967 film Privilege. Patti spoke sections of Psalm 23 over the instrumental bridge among other lyrical additions. During the beginning recoding process, Wayne Kramer of MC5 played guitar on "Privilege (Set Me Free)". Although reportedly there was friction during the recording sessions with Smith expressing dissatisfaction with Kramer's guitar playing. This led to Kramer leaving the studio, along with his involvement in the record disappearing.