Music
Evening Star, which opens with the National Geographic-esque titled "Wind on Water," maintains its ebullient tone throughout its first half. But the second side, the almost 30-minute track, "An Index of Metals," shows the sinister side of the duo, with less synthesizer bounce and more iciness. It’s less playful than the first half, and more shocking. It stands in stark contrast to the rest of the 1970s, when others made ambient music that felt allegorically about life and death, the two locked in some eternal competition. Rather than co-mingle the two, Fripp and Eno split them like some kind of fork in the road.
— Matthew Schnipper, "The 50 Best Ambient Albums of All Time", Pitchfork . [1]
AllMusic described Evening Star as "a less harsh, more varied affair [than (No Pussyfooting) ], closer to Eno's then-developing idea of ambient music than what had come before". [2] The first three tracks consist of Frippertronics accented with effects, synthesizer and piano by Eno. Track four, "Wind on Wind", is a remix of a short excerpt from Eno's Discreet Music , released a week after Evening Star. Eno had originally intended for Fripp to use the material which became Discreet Music as a backing tape to play over in improvised live performances.
The second side of the album consists entirely of a twenty-eight-minute piece of Frippertronics-based drone music titled "An Index of Metals", in which distortion increases as the track progresses. This side of the album is described as "less playful" and "more shocking" than the first half. [1]
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