"Ever Fallen in Love (With Someone You Shouldn't've)" | ||||
---|---|---|---|---|
Single by Buzzcocks | ||||
from the album Love Bites | ||||
B-side | "Just Lust" | |||
Released | 1978 | |||
Genre | ||||
Length | 2:40 | |||
Label | United Artists | |||
Songwriter(s) | Pete Shelley | |||
Producer(s) | Martin Rushent | |||
Buzzcocks singles chronology | ||||
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Official audio | ||||
"Ever Fallen in Love (With Someone You Shouldn't've)" on YouTube |
"Ever Fallen in Love (With Someone You Shouldn't've)" is a 1978 song written by Pete Shelley and performed by his group Buzzcocks. It was a number 12 hit on the UK Singles Chart and was included on the album Love Bites .
In November 1977, the Buzzcocks were on a headline tour of the UK. Before a gig at Clouds (also known as the Cavendish Ballroom) in Edinburgh, they stayed the night. Pete Shelley later recalled:
"We were in the Blenheim Guest House with pints of beer, sitting in the TV room half-watching Guys and Dolls . One of the characters, Adelaide, is saying to Marlon Brando's character, 'Wait till you fall in love with someone you shouldn't have.' "I thought, 'fallen in love with someone you shouldn't have?' Hmm, that's good." [7]
The following day, Shelley wrote the lyrics of the song in a van outside the main post office on nearby Waterloo Place. [7] The music followed soon after. [8] In an interview, Shelley said that the song was about a man named Francis Cookson [7] that he lived with for about seven years. [9] [10]
The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel." [11] The minor chords and the B-major-to-D-major move in the chorus are unusual for a 1970s punk song, yet they contribute to its ear-catching nature, along with the vocal melody. The verses feature a guitar riff and a double stroke tom-tom drum pattern over the E chord. The vocal melody ranges from G#3 to baritone F#4 in the verses and chorus; in the ending, Shelley hits a tenor G4 and then a G#4.
The lyrics consist of two verses (of which one is repeated) and a chorus. According to music critic Mark Deming, "the lyrics owe less to adolescent self-pity than the more adult realization of how much being in love can hurt – and how little one can really do about it." [11]
Pitchfork's Jason Heller described the music by writing, "Guitars seethe and beats clench. Shelley sings like a man whose entire existence hangs by a single frayed nerve." [12]
The song was ranked at No. 1 among "Tracks of the Year" for 1978 by NME . [13] Critic Ned Raggett describes the song as a "deservedly well-known masterpiece." [14] Mark Deming notes, "Pete Shelley's basic formula in the Buzzcocks was to marry the speed and emotional urgency of punk with the hooky melodies and boy/girl thematics of classic pop/rock. When he applied this thinking to that most classic of pop themes, unrequited teenage love, he crafted one of his most indelible songs, 'Ever Fallen in Love?'" [11] In 2021, it was ranked at No. 276 on Rolling Stone's "Top 500 Best Songs of All Time". [15]
Writing for Pitchfork, Jason Heller called the song "the peak...of the Buzzcocks' legacy", and said that "It’s a tribute not only to the notion that punk can be a thoughtful expression of naked feeling, but to Buzzcocks’ idiosyncratic embrace of the finer points of classic pop songcraft." [12]
Chart (1978) | Peak position |
---|---|
Ireland (IRMA) [16] | 14 |
UK Singles (OCC) [17] | 12 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [18] Buzzcocks version | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
In 1986, Fine Young Cannibals had a No. 9 UK hit with their version, recorded for the soundtrack of the 1986 film Something Wild . [19] It was later included on the band's album The Raw & the Cooked , released in January 1989. [20] The song was also a top 20 hit in Australia and Germany and a No. 10 hit in Ireland, with its biggest success in South Africa, where it reached number one.
Chart (1986–1987) | Peak position |
---|---|
Australia (Kent Music Report) [21] | 20 |
Belgium (Ultratop 50 Flanders) [22] | 28 |
Germany (GfK) [23] | 19 |
Ireland (IRMA) [16] | 10 |
Netherlands (Dutch Top 40) [24] | 35 |
Netherlands (Single Top 100) [25] | 34 |
New Zealand (Recorded Music NZ) [26] | 23 |
South Africa (Springbok Radio) [27] | 1 |
UK Singles (OCC) [28] | 9 |
US Billboard Hot Dance Club Play 1 [29] | 11 |
US Billboard Hot Dance Music/Maxi-Singles Sales 1 [29] | 32 |
1Remix
In 2011, a cover was made by the New Zealand soap opera Shortland Street for their winter season, with a jazzy feel, sung by Amanda Billing, who played Sarah Potts. It fitted with the storyline of her character being pregnant with her ex-husband TK Samuels's child and him having moved on with his fiancée. Her version reached No. 24 in New Zealand. [30]
Chart (2011) | Peak position |
---|---|
New Zealand (Recorded Music NZ) [30] | 24 |
Buzzcocks are an English punk rock band that singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto formed in Bolton in 1976. During their career, the band combined elements of punk rock, power pop, and pop punk. They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".
Pop-punk is a rock music fusion genre that combines elements of punk rock with power pop or pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk. It is sometimes considered interchangeable with power pop and skate punk.
Howard Devoto is an English singer and songwriter, who began his career as the frontman for punk rock band Buzzcocks, but then left to form Magazine, an early post-punk band. After Magazine, he went solo and later formed indie band Luxuria.
Fine Young Cannibals (FYC) were an English pop rock band formed in Birmingham, England, in 1984 by former The Beat band bassist David Steele and guitarist Andy Cox with singer Roland Gift. Their self-titled 1985 debut album contained "Johnny Come Home" and a cover of "Suspicious Minds", two songs that were top 40 hits in the UK, Canada, Australia and Europe. Their 1989 album, The Raw & the Cooked, topped the UK, US, Australian and Canadian album charts, and contained their two Billboard Hot 100 number ones: "She Drives Me Crazy" and "Good Thing".
Pete Shelley was an English singer, songwriter and guitarist. He formed early punk band Buzzcocks with Howard Devoto in 1976, and became the lead singer and guitarist in 1977 when Devoto left. The group released their biggest hit "Ever Fallen in Love " in 1978. The band broke up in 1981 and reformed at the end of the decade. Shelley also had a solo career; his song "Homosapien" charted in Australasia and Canada in 1981 and 1982.
The Raw & the Cooked is the second and final studio album by British rock band Fine Young Cannibals, released in 1989. The title of the album was lifted from the book of the same name by French anthropologist Claude Lévi-Strauss. Four songs from the album first appeared in film soundtracks in the mid-1980s, three of which were soul tracks from the Tin Men film. The band had already recorded over half of the album by the time David Z came to produce the remainder. His work with the band, which resulted in dance-rock material, included studio experimentation.
Another Music in a Different Kitchen is the first studio album by the English punk rock band Buzzcocks. It was released in March 1978 by the United Artists record label. This was the third line-up of Buzzcocks, with the guitarist Pete Shelley singing following the departure of the original vocalist Howard Devoto and then the firing of the bass guitarist Garth Smith. The album includes the single "I Don't Mind", which reached number 55 in the UK Singles Chart in May 1978.
Singles Going Steady is a compilation album by English punk rock band Buzzcocks, first released on I.R.S. Records in the United States on 25 September 1979.
Noisettes are an English indie rock band from London, currently composed of singer and bassist Shingai Shoniwa and guitarist Dan Smith. The band first achieved commercial success and nationwide recognition with the second single of their second album, "Don't Upset the Rhythm " which reached number two on the UK Singles Chart in 2009.
All Set is the fifth studio album by English pop punk band Buzzcocks. After standardising their line-up of vocalists and guitarists Pete Shelley and Steve Diggle, bassist Tony Barber, and drummer Phil Barker for the band's previous album Trade Test Transmissions (1993), the band's first record since their reunion in 1989, the band toured relentlessly which inspired the band–especially Shelley–to create a new album. Hiring longtime punk rock producer Neill King to produce and engineer All Set, the band recorded in Fantasy Studios, Berkeley, California, a studio where then-huge pop punk bands like Green Day, to whom Buzzcocks had been a big influence, had recently recorded music engineered by King.
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Love Bites is the second studio album by English punk rock band Buzzcocks. It was released on 22 September 1978, through United Artists Records.
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1978: Buzzcocks: "Ever Fallen in Love."
Opting to leave the state-smashing to the Sex Pistols and the Clash, the Buzzcocks instead discovered how effective punk rock was for gnashing out your personal problems.
one of the most thrilling and anarchic singles in all of punk rock.
Best known for their 1978 pop punk classic, 'Ever Fallen in Love (With Someone You Shouldn't've)', frontman Pete Shelley maintains that Buzzcocks were always more than a mere chart band.
from the raw sexual frustration of 'Orgasm Addict' on up to the power pop perfection of 'Ever Fallen in Love'...