These are family trees of the Norse gods showing kin relations among gods and other beings in Nordic mythology. Each family tree gives an example of relations according to principally Eddic material however precise links vary between sources. In addition, some beings are identified by some sources and scholars.
Fárbauti [51] | Nál (Laufey) [51] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sigyn [51] | Loki [52] | Angrboða [51] | Býleistr [51] | Helblindi [51] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
Váli [51] | Narfi [51] | Fenrir [51] | Jörmungandr [51] | Hel [51] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
While the above family trees are based principally on Eddic material, it is widely accepted that the Eddas do not represent the worldview of all Nordic, or more widely Germanic heathens. Terry Gunnell has similarly challenged the concept of all Germanic pagans throughout the Viking Age believing in a single, universal pantheon of gods that all lived in Asgard and were ruled by Odin. [53] Cultural exchange of both ideas and practices occurred across the soft cultural boundaries with neighbouring peoples from broad cultural groups such as Celts, Sámi, Baltic peoples, and, particularly later on, Christians. Geographical variation in religious practices and beliefs was also seen, which together with external influence made the belief systems dynamic, changing over time from the Nordic Bronze Age into the Viking age. [54]
In the Early Medieval period, Odin was principally a god of the warrior elite, however, due to his close association with skalds, whose poetry was preserved in works such as the Prose Edda and Heimskringla, he is highly represented in extant sources on Nordic pre-Christian religion. Snorri Sturluson also seems to have a preference towards the aristocratic-centred cosmology as opposed to the views more likely held by the wider population. [53] [55] The rise to prominence of male, war-oriented gods such as Odin, relative to protective female gods with a closer association to fertility and watery sites, has been proposed to have taken place around 500 CE, coinciding with the development of an expansionist aristocratic military class in southern Scandinavia. [56]
Very rarely in the Eddic stories are the gods described as forming a large family, instead typically acting individually or in groups of three. Gunnell puts forward the idea that the stories did not originate in the same cultural environment, but instead were collected over a wide geographic area and later compiled. This variation may be the cause of the apparent conflicts between sources, such as the most closely associated female god to Odin, which Gunnell suggests never formed a single unified system. He further puts forward the idea that Odinic myths centred on hierarchical assemblies and feasts originated in, and reflected, the halls of the elite, while the rural population would be more familiar with tales regarding Freyr and Thor; these two gods have a significantly more prominent position than Odin in Icelandic and Norwegian place names, sagas and Landnámabók. Gunnell suggests that Freyr, whose cult was centred in Uppland in Sweden, as another figure who acts more as an allfather (Old Norse : alfǫðr) than Odin, based on his diverse roles in farming, ruling and warfare. [57]
Gunnell further argues that in stories regarding Thor, he is typically highly independent, requiring little aid from other figures. He notes that Thor would fit well into the role of a chief god, being associated with trees, high-seat pillars and rain, and is called upon for help at sea and against Christian missionaries. Some sources, such as the prologue to the Prose Edda suggest that Thor was viewed by some as the father of Odin, and it has been argued that Thor was known in Northern Europe prior to the arrival of the cult of Odin, and thus would not have been originally viewed there as his son. [58]
It has been argued that Odin began to increasingly incorporate elements from subordinated gods and took on a role as the centre of a family that became depicted as living together. This conception, more akin to the Olympian pantheon, may have been facilitated by large things in which a diversity of peoples assembled, each potentially favouring an individual god. [59]
In Nordic mythology, Asgard is a location associated with the gods. It appears in several Old Norse sagas and mythological texts, including the Eddas, however it has also been suggested to be referred to indirectly in some of these sources. It is described as the fortified home of the Æsir gods and is often associated with gold imagery and contains many other locations known in Nordic mythology such as Valhöll, Iðavöllr and Hlidskjálf.
In Norse mythology, Bifröst, also called Bilröst, is a burning rainbow bridge that reaches between Midgard (Earth) and Asgard, the realm of the gods. The bridge is attested as Bilröst in the Poetic Edda, compiled in the 13th century from earlier traditional sources; as Bifröst in the Prose Edda, written in the 13th century by Snorri Sturluson; and in the poetry of skalds. Both the Poetic Edda and the Prose Edda alternately refer to the bridge as Ásbrú.
The terms Jötunheimr or Jötunheimar refer to either a land or multiple lands respectively in Nordic mythology inhabited by the jötnar.
Skíðblaðnir, sometimes anglicized as Skidbladnir or Skithblathnir, is the best of ships in Norse mythology. It is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson. All sources note that the ship is the finest of ships, and the Poetic Edda and Prose Edda attest that it is owned by the god Freyr, while the euhemerized account in Heimskringla attributes it to the magic of Odin. Both Heimskringla and the Prose Edda attribute to it the ability to be folded up—as cloth may be—into one's pocket when not needed.
Sigyn is a deity from Norse mythology. She is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In the Poetic Edda, little information is provided about Sigyn other than her role in assisting her husband Loki during his captivity. In the Prose Edda, her role in helping Loki through his time spent in bondage is reiterated, she appears in various kennings, and her status as a goddess is mentioned twice. Sigyn may appear on the Gosforth Cross and has been the subject of an amount of theory and cultural references.
Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
In Norse mythology, the Vanir are a group of gods associated with fertility, wisdom, and the ability to see the future. The Vanir are one of two groups of gods and are the namesake of the location Vanaheimr. After the Æsir–Vanir War, the Vanir became a subgroup of the Æsir. Subsequently, members of the Vanir are sometimes also referred to as members of the Æsir.
In Norse mythology, Sif is a golden-haired goddess associated with earth. Sif is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds. In both the Poetic Edda and the Prose Edda, she is known for her golden hair and is married to the thunder god Thor.
Mímir or Mim is a figure in Norse mythology, renowned for his knowledge and wisdom, who is beheaded during the Æsir–Vanir War. Afterward, the god Odin carries around Mímir's head and it recites secret knowledge and counsel to him.
In Norse mythology, Sæhrímnir is the creature killed and eaten every night by the Æsir and einherjar. The cook of the gods, Andhrímnir, is responsible for the slaughter of Sæhrímnir and its preparation in the cauldron Eldhrímnir. After Sæhrímnir is eaten, the beast is brought back to life again to provide sustenance for the following day. Sæhrímnir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, and the Prose Edda, written in the 13th century by Snorri Sturluson.
Bestla is a jötunn in Norse mythology, and the mother of the gods Odin, Vili and Vé. She is also the sister of an unnamed man who assisted Odin, and the daughter of the jötunn Bölþorn. Odin is frequently called "Bestla's son" in both skaldic verses and the Poetic Edda.
In Norse mythology, Surtr, also sometimes written Surt in English, is a jötunn; he is the greatest of the fire giants, who serves as the guardian of Muspelheim which is along with Niflheim, the only two realms to exist before the beginning of time. Surtr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Surtr is foretold as being a major figure during the events of Ragnarök; carrying his bright sword, he will go to battle against the Æsir, he will battle the major god Freyr, and afterward the flames that he brings forth will engulf the Earth.
In Norse mythology, Sjöfn is a goddess associated with love. Sjöfn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and in three kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.
In Nordic mythology, Austri, Vestri, Norðri and Suðri ; are four dwarfs who hold up the sky after it was made by the gods from the skull of the jötunn Ymir. They are referred to both in Gylfaginning in the Prose Edda and in kennings. They have been further linked to dvergar ("dwarfs"), supports for the main beam of some halls, that are likely named due to the roof being seen as a reflection of the sky in Old Nordic religion.
In Norse mythology, Auðr is the son of the personified night, Nótt, fathered by Naglfari, and uncle of Thor. Auðr is attested in the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds.
In Norse mythology, Himinbjörg is the home of the god Heimdallr. Himinbjörg is attested in the Poetic Edda, compiled from earlier traditional sources, and the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson. Himinbjörg is associated with Heimdallr in all sources. According to the Poetic Edda, Heimdallr dwells there as watchman for the gods and there drinks fine mead, whereas in the Prose Edda Himinbjörg is detailed as located where the burning rainbow bridge Bifröst meets heaven. Scholars have commented on the differences between the two attestations and linked the name of the mythical location to various place names.
In Norse mythology, Sindri is the name of both a dwarf and a hall that will serve as a dwelling place for the souls of the virtuous after the events of Ragnarök. Sindri is also referred to as Eitri, the brother of Brokkr.
Litr is the name borne by a dwarf and a jötunn in Norse mythology.
In Norse mythology, the Kerlaugar i.e. "bath-tub", are two rivers through which the god Thor wades. The Kerlaugar are attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, and in a citation of the same verse in the Prose Edda, written in the 13th century by Snorri Sturluson.