| Farmer's Pole | |
|---|---|
 Top of the totem pole in 2017 | |
 | |
| Artist |
|
| Year | 1984 |
| Medium | Cedar Wood |
| Location | Seattle, Washington, U.S. |
| 47°36′36″N122°20′38″W / 47.609959°N 122.343831°W | |
Farmer's Pole is a 1984 cedar totem pole designed by Quinault artist Marvin Oliver, carved by artist James Bender and commissioned by architect Victor Steinbrueck, installed in Seattle's Victor Steinbrueck Park, in the U.S. state of Washington. [1] [2]
The 50ft tall wooden sculpture has a diameter measuring approximately 35 inches, and is installed on a square concrete base with a heigh of approximately 1 foot (30 cm) and diameter of 3 feet, 5 inches. The totem is mostly smooth, with the exception of one male and one female figure who stand back-to-back at the top. [1]
After standing for about 40 years, Oliver's totem pole was removed for park reconstruction in April of 2023. [3]
Seattle Gov. Digital Archives: Market Park (Victor Steinbruek Park) Collection
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
Pioneer Square is a neighborhood in the southwest corner of Downtown Seattle, Washington, US. It was once the heart of the city: Seattle's founders settled there in 1852, following a brief six-month settlement at Alki Point on the far side of Elliott Bay. The early structures in the neighborhood were mostly wooden, and nearly all burned in the Great Seattle Fire of 1889. By the end of 1890, dozens of brick and stone buildings had been erected in their stead; to this day, the architectural character of the neighborhood derives from these late 19th century buildings, mostly examples of Richardsonian Romanesque.
Victor Steinbrueck Park is a 0.8 acre park in Downtown Seattle, Washington, United States, located just northwest of Pike Place Market overlooking Elliott Bay. Named for the Seattle-based architect Victor Steinbrueck, it is positioned between Western Avenue and the Alaskan Way Viaduct at the foot of Virginia Street.
Ed Galloway's Totem Pole Park consists of eleven objects and one building on 14 acres in Rogers County, in northeastern Oklahoma. The park is ten miles (16 km) north-east of Claremore and is located 3.5 miles (6 km) east of historic U.S. Route 66 and Foyil. It was added to the National Register of Historic Places on March 30, 1999. The park is now owned and operated by the Rogers County Historical Society. The park's main totem pole is billed as the "World’s Largest Concrete Totem Pole."
Hammering Man is a series of monumental kinetic sculptures by Jonathan Borofsky. The two-dimensional painted steel sculptures were designed at different scales, were painted black, and depict a man with a motorized arm and hammer movement to symbolize workers throughout the world. They were structurally engineered by Leslie E. Robertson Associates (LERA).
Victor Eugene Steinbrueck was an American architect, best known for his efforts to preserve Seattle's Pioneer Square and Pike Place Market. He authored several books and was also a University of Washington faculty member.
The Statue of Lenin is a 16 ft (5 m) bronze statue of Russian Communist revolutionary Vladimir Lenin in the Fremont neighborhood of Seattle, Washington, United States. It was created by Bulgarian-born Slovak sculptor Emil Venkov and initially put on display in the Czechoslovak Socialist Republic in 1988, the year before the Velvet Revolution. After the dissolution of the USSR, a wave of de-Leninization brought about the fall of many monuments in the former Soviet sphere. In 1993, the statue was bought by an American who had found it lying in a scrapyard. He brought it home with him to Washington state but died before he could carry out his plans for formally displaying it.
Ron Joseph Telek was a Canadian First Nations sculptor. He is a member of the Laxsgiik of the Nisga'a nation of northwestern British Columbia, and carries the hereditary name of Jagam Txalp meaning Four Canoes Coming into the Village. Telek's primary medium for his sculptures is wood, although he also includes other materials such as bone, moose hair and abalone into his work.
James Hart is a Canadian and Haida artist and a chief of the Haida Nation.
Trans Am Totem was a public art installation in Vancouver, British Columbia, Canada, created by sculptor Marcus Bowcott. Part of the Vancouver Biennale, the piece was unveiled in April 2015. Located at the intersection of Quebec Street and Milross Avenue, near False Creek, east of Vancouver's Downtown area, the sculpture incorporated stacked cars on top of a base made from a tree trunk. It stood 10 metres (33 ft) high and weighed 11,340 kilograms (25,000 lb). It was dismantled on August 15, 2021, to be restored and reinstalled in a new location by the summer of 2022.
The conservation and restoration of totem poles is a relatively new topic in the field of art conservation. Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals. Conservation activities include the historical research and context of totem poles, studying materials and manufacture, performing assessments, documentation and treatments. This field can pertain to conservator-restorers, Native Americans, curators, collection managers, registrars, park rangers and city planners.
Dr. Mark A. Matthews is an outdoor 1941 bust depicting the minister and city reformer of the same name by Alonzo Victor Lewis, installed in Seattle's Denny Park, in the U.S. state of Washington.
Three-Way Piece No.1: Points is a bronze abstract sculpture by Henry Moore. Three full-size sculptures were cast in 1967, one installed on the Columbia University campus in Upper Manhattan, New York City, and the others at Des Moines Art Center, and Fairmount Park in Philadelphia.
Stinger is an outdoor 1967–1968/1999 painted steel sculpture by Tony Smith, installed at Olympic Sculpture Park in the neighborhood of Belltown in Seattle, Washington. It was installed there after being donated by his family.
Boo-Qwilla is a totem pole created by Art Thompson, installed on the Stanford University campus in Stanford, California, United States. The sculpture was installed in Dohrmann Grove, near Hoover Tower, in 1995. It was cleaned and repainted in 2013.
The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington.
Untitled Totem Pole is a 1984 cedar totem pole created by James Bender and Marvin Oliver, installed in Seattle's Victor Steinbrueck Park, in the U.S. state of Washington.
Marvin Oliver (1946–2019) was an Indigenous American artist and professor. He mainly focused on contemporary sculpture and printmaking. Oliver used his Quinault and Isleta-Pueblo heritage as an influence for his art, but he also took inspiration from Coast Salish traditions.
Tim Paul is a member of the Hesquiaht tribe from the Nuu-Chah-Nulth first nation. He is a master carver from Esperanza Inlet British Columbia. He was the senior carver at the Royal British Columbia Museum until 1992 when he left to oversee an indigenous education program for the Port Alberni school board on Vancouver Island.
  | This article about a sculpture in Washington is a stub. You can help Wikipedia by expanding it. |
