Funeral for Yesterday

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Musically, Funeral for Yesterday sees Kittie mix their heavy musical side with more melodic elements, [50] [51] introducing guitar solos and vocal harmonies to the band's sound. [1] [9] [52] The album has also been noted for its softer, more accessible production and sound. [49] [53] Morgan stated that Kittie wanted to "make an album where you could bang your head and sing along at the same time", [1] whilst Doan believed that the band had "worked more in a way that ... was to get songs on the radio." [54] Morgan and McLeod cited classic rock acts, including Van Halen, Thin Lizzy, Led Zeppelin and AC/DC, as influences on the album's song structures and guitar solos. [1] [22] The album's songs are played in the tuning of drop C. [55]

Funeral for Yesterday has also been noted for focusing more on Morgan's clean singing in contrast on Kittie's previous releases, [25] [49] alongside screamed and growled vocals. [9] [50] [56] Mercedes said that the album's tracks were deliberately sequenced with this in mind, stating:

All of the music on [Funeral for Yesterday] is really heavy, obviously, but there are more clean vocals on some songs compared to others so it made sense to divide things up with that kind of mindset. So, the songs that are primarily clean vocals are on the first half of the album and most of the more aggressive vocal stuff is on the last half. [21]

Lyrically, Morgan said that Funeral for Yesterday is loosely themed around "the demise of the former [incarnation of Kittie], [and] the resurrection of something new." [9] [22] [57] In a 2007 interview with Metal Edge , she stated that Kittie "wanted to make an impression and show people what we could do now ... [and] change people's opinions of us", and that the album was supposed to represent "the death of the past and cleaning the slate." [52] Funeral for Yesterday's opening title track, which deals with themes of morality and rebirth, [58] was described by IGN as "a tale of renewal for Morgan ... and for [Kittie] as a whole". [50] Morgan felt that the song was the most emblematic of Kittie's direction on the album. [58] According to Morgan, "Everything That Could Have Been" covers "reflection of the past, and wishing to change it solely to see how differently the outcome would have been", whilst "Slow Motion" is about "seeing something or someone that you love die slowly, and [knowing that] there is nothing that can be done". [47] In a 2007 interview with Revolver , Morgan said that "Never Again" is about Kittie "taking a stand never to be treated a certain way, never to be walked on again or allow ourselves to be vulnerable. We've dealt with these things before and made our mistakes, and now we're fucking warriors." [59] "Flower of Flesh and Blood" is "about the concept of having a human guinea pig and seeing beauty in death and things that are ugly", deviating from the album's general concept. [60]

Release

Promotion

On August 28, 2006, Kittie announced that they would be releasing their next album through their own record label and management company, Kiss of Infamy Records. [32] Ponti helped the band secure the label's distribution through EMI. [59] "We talked to a bunch of indie labels, but when it came down to it, starting our own business seemed like the right thing to do because we've always been a self-sufficient do-it-yourself band", Mercedes said. "We never had help paying for tours, and we do all of our own merch, and we have our own clothing line [Poisoned Black]. So it was the next logical step." [59] In December 2006, Kittie were forced to change their label's name to "X of Infamy" after the band received a cease-and-desist order from Gene Simmons, owner of the "Kiss" trademark. [59] [61] "[The] X is clever, because 'XOXO' means kiss anyway", Morgan said. [59]

On October 25, 2006, Kittie unveiled Funeral for Yesterday's title and cover artwork. [39] In the coming months, various tracks from the album would be uploaded to the band's MySpace page. [62] [63] On November 14, 2006, a radio-ready version of "Funeral for Yesterday", was posted online; an "unofficial" music video for the song was released three days later. [64] [65] An official music video, directed by Vincent Giordano, was filmed in Long Island, New York, on February 5, 2007. [66] [67] The video was made available to stream online on March 6, 2007, and debuted on MTV's Headbangers Ball on March 17. [66] [68]

Funeral for Yesterday was released in the United States by X of Infamy and Merovingian Music (MRV) on February 20, 2007. [69] [70] It was not released in Europe. [71] The album sold just under 9,000 copies during its first week of release, debuting at number 101 on the US Billboard 200 chart. [72] The album also reached number seven on Billboard 's Top Independent Albums chart. [73] By April 4, 2007, it had sold 20,000 copies in the United States. [74] On January 16, 2007, "Funeral For Yesterday" was released as the album's lead single; [75] it became Kittie's biggest radio hit, peaking at number 40 on Billboard 's Mainstream Rock Tracks chart on April 14, 2007. [73] [76] To date, it is Kittie's only single to make an appearance on the chart. [73] "Breathe" was also released as a single from the album, but failed to chart. [73] [77]

Touring

Morgan Lander performing with Kittie in August 2007 Morgan Lander of Kittie.jpg
Morgan Lander performing with Kittie in August 2007

From February 9 to May 25, 2007, Kittie embarked on their headlining Funeral for Yesterday Tour of the United States, supported by Walls of Jericho, 36 Crazyfists, Dead to Fall and In This Moment. [57] [78] [79] The band also performed several acoustic shows at various FYE stores across the United States between April 17 and May 5, 2007. [74] Kittie intended on touring the United Kingdom supporting Cradle of Filth in April 2007, but pulled out as their record label would not give them any touring support. [80] At the end of the tour, Trish Doan left Kittie due to her worsening anorexia athletica-nervosa, which she developed during the production of Funeral for Yesterday. [81] [82] [83] Prior to her departure, the other members of Kittie had expressed concern with Doan's behavior and encouraged her to leave for her health; Doan said she was "still in such denial and so caught up in myself that I just didn't care or I didn't really think about it". [84] She ultimately left the band sometime after fainting and falling off the stage at one of the band's shows. [85] Her departure was officially announced on March 4, 2008. [81]

From July 6 to September 16, 2007, Kittie embarked on another headlining tour of the United States, the Sweet Revenge Tour, with It Dies Today, Silent Civilian, Bring Me the Horizon and Blessed by a Broken Heart. [86] [87] Former touring guitarist Jeff Phillips filled in on bass for the duration of tour. [86] At one of the Sweet Revenge tour dates in Baltimore, Maryland on August 19, 2007, Kittie ended their set early after Morgan Lander was groped by a member of the audience, who was then attacked by the crowd. [88] Kittie recruited Ivana "Ivy" Jenkins as their new permanent bassist after the tour. [89] The band knew of Jenkins as she was supposed to have auditioned for the band back in 2005, [90] but was unable to due to her car totaling. [91] In November 2007, Kittie played their first ever shows in South America, performing in Santiago, Chile and São Paulo, Brazil. [92] [93] Kittie continued to tour until November 2008, with dates in North America and Europe; [94] [95] the latter tour was the band's first of the region in over six years. [71] [96]

Critical reception

Funeral for Yesterday
Kittie Funeral For Yesterday.jpg
Studio album by
ReleasedFebruary 20, 2007
RecordedJuly–August 2006
StudioRetroMedia Sound
( Red Bank , New Jersey)
Genre
Length47:40
Label
Producer Jack Ponti
Kittie chronology
Never Again
(2006)
Funeral for Yesterday
(2007)
In the Black
(2009)
Kittie studio album chronology
Until the End
(2004)
Funeral for Yesterday
(2007)
In the Black
(2009)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [49]
Blabbermouth.net 4/10 [56]
Brave Words & Bloody Knuckles 8.5/10 [97]
Collector's Guide to Heavy Metal 6/10 [98]
IGN 7.7/10 [50]
Now Star full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [99]

Funeral for Yesterday received generally favourable reviews from critics. AllMusic reviewer James Christopher Monger said that Kittie's new direction on the album "suits them in a way that indicates actual growth". [49] Aaron Burgess of the Phoenix New-Times felt that Kittie had succeeded in transitioning towards a pop-oriented sound, despite calling such a move "risky". [53] IGN 's Ed Thompson called the album Kittie's "most comprehensive album" up to that point, highlighting the band's newfound musical chemistry. [50] Mark Fisher of the Times West Virginian praised Kittie for expanding upon the melodic aspects of their sound whilst avoiding musical trends. [51]

Funeral for Yesterday's focus on Morgan's vocals proved polarizing with critics, and was expected to draw similar responses from Kittie's fanbase. [25] [49] [51] [100] Evan Davies of Now panned the album for showcasing Morgan's "ultra-annoying ability to sing almost exclusively through her nose as she spouts trite, clichéd lyrics about pain and suffering." [99] Blabbermouth.net attributed the album's "forgettable" nature to Ponti augmenting all its choruses with "what can only be described as a choir of robots, a hundred voices digitally smoothed out into a mushy, indistinct midrange over which [Morgan] screechily overemotes like a forgotten, prepubescent Jackson brother." [56] Conversely, Paul Gargano of LiveDaily saw its melodic vocals as indicative of Kittie's developing songwriting, and said that they made its songs "immensely more listenable". [101] Carl Begai of Brave Words & Bloody Knuckles felt that although Morgan's vocals largely dominated the album's production, they did not overshadow its "brilliant riffs, crushing Machine Head-ish rhythms and solos". [97] Monger and Fisher both expressed similar sentiments, stating that Morgan's vocals did not take away from the album's heaviness and aggression. [49] [51]

Morgan and Mercedes Lander have reflected unfavourably on Funeral for Yesterday in the years following its release, praising its songwriting but criticizing its production. [33] [102] In a 2009 interview, Mercedes singled out its "over-produced" vocals for criticism, claiming that they made Morgan "sound like a fucking Chipmunk  ... which was ridiculous". [33] However, when asked by The Rockpit in 2010 if she regretted releasing the album, Mercedes stated: "I wouldn't say regret, we would have done it differently." [103] Morgan similarly commented that although she considered Funeral For Yesterday's songwriting some of Kittie's best work, its recording and production "didn't end up sounding the way I had hoped"; [40] she would call their next album, In the Black (2009), their attempt to "undo all the things [the album] did". [104]

Track listing

All songs written by Morgan Lander and Mercedes Lander. [70]

No.TitleLength
1."Funeral for Yesterday"3:24
2."Breathe"3:11
3."Everything That Could Have Been"4:43
4."Slow Motion"3:54
5."Will to Live"3:14
6."Never Again"3:49
7."Sweet Destruction Interlude"2:25
8."Summer Dies"3:53
9."Flower of Flesh and Blood"2:12
10."Around Your Heart"2:56
11."This Too Shall Pass"3:07
12."Last Goodbye"2:37
13."Witch Hunt"3:58
14."The Change"3:57
Total length:47:40

Personnel

Personnel per liner notes. [70]

Funeral for Yesterday -Bonus DVD [105]

Charts

Chart (2007)Peak
position
US Billboard 200 [73] 101
US Top Independent Albums ( Billboard ) [73] 7

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References

Notes

  1. In Kittie: Origins/Evolutions (2017), Mercedes Lander states that Kittie had quietly disbanded in early 2005. [10] However, Morgan Lander denied the band had broken up at the time. [11]
  2. Kittie opted to release the Never Again EP digitally to forgo the potential months they would have had to wait for a CD version to be packaged and distributed. In an interview with The Record , Morgan said: "It was really just about the ability to release something to the fans a little more quickly, to reintroduce the band. We just wanted to let our fans know that we're still writing, still kicking ass and not on Artemis." [3]
  3. Funeral for Yesterday uses two guitar tracks for each song, one for Morgan and the other for McLeod's leads. [38] Discussing how they were recorded, Mercedes said: "We miked the guitar cabinets in the front and back because when all of the low-end comes out of the amplifier, it comes out of the back. This way the high-end mixed with the low-end." [22] Morgan compared the album's guitar sound to that of Van Halen's self-titled debut album (1978): "That album had just one guitar track mixed hard to one side, and it sounds huge. We adopted that style--adding just a little textural pepper here and there to make [it] sound well rounded." [38]

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Bibliography

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