Funeral for Yesterday | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 20, 2007 | |||
Recorded | July–August 2006 | |||
Studio | RetroMedia Sound ( Red Bank , New Jersey) | |||
Genre | ||||
Length | 47:40 | |||
Label |
| |||
Producer | Jack Ponti | |||
Kittie chronology | ||||
| ||||
Singles from Funeral for Yesterday | ||||
|
Funeral for Yesterday is the fourth studio album by Canadian heavy metal band Kittie, released on February 20, 2007. It was the only album released through the band's own record label, X of Infamy Records, and Merovingian Music (MRV). The album was produced by Jack Ponti, and was recorded at RetroMedia Sound Studios in Red Bank, New Jersey, between July and August 2006. Loosely themed around the band's demise and rebirth following a period of turmoil, the album saw Kittie transition towards a more melodic and accessible sound while retaining some of their heavier sensibilities, and was also noted for its greater focus on clean singing than on the band's previous releases. It was the first Kittie album with guitarist Tara McLeod, and only with bassist Trish Doan.
Funeral for Yesterday received generally favourable reviews from critics, who highlighted the band's newfound chemistry and growth, though its focus on clean singing drew mixed reactions. The album debuted at number 101 on the US Billboard 200 chart, selling just under 9,000 copies in its first week. Its lead single and title track, "Funeral For Yesterday", became Kittie's biggest radio hit up to that point, reaching number 40 on the Billboard Mainstream Rock Tracks chart. Kittie toured extensively in support of the album, touring North America, South America and Europe between February 2007 and November 2008.
In July 2004, Kittie released its third studio album, Until the End , through Artemis Records. Artemis offered limited financial support for the band's promotional tours in support of the album, leaving vocalist/guitarist Morgan Lander and drummer Mercedes Lander unable to pay bassist Jennifer Arroyo and guitarist Lisa Marx a retainer. [3] [4] Both members subsequently left Kittie in February 2005, [5] [6] and the band parted ways with Artemis the following month. [7] [8] Morgan and Mercedes subsequently put Kittie on hiatus whilst they contemplated changing careers, but they ultimately decided to keep pursuing music. [9] [10] Morgan said: "There was a lot of sadness and tears, but there was also a lot of creativity. And we ultimately decided that this is where our hearts lie and we couldn't do anything else." [9]
The writing process for Funeral for Yesterday lasted a total of eighteen months. [9] Work on the album began whilst Kittie was still on hiatus, [11] when Morgan and Mercedes began writing songs together once or twice a week as a form of emotional release. [9] [11] Morgan felt that their songs benefitted from the fact they had no label or deadlines to contend with, which gave them more time to hone in their arrangements. [9] [12] At the end of April 2005, Morgan and Mercedes entered Mole Studios in their hometown of London, Ontario, to record five demo tracks. [13] [14] After unsuccessfully attempting to shop their demos to various record labels under the name Sweet Revenge, they decided to seek out a new guitarist and bassist for Kittie. [15] Guitarist Tara McLeod was recruited in August 2005 by Kittie's manager, David Lander, after seeing her perform with her band, Sherry, in Strathroy-Caradoc, Ontario. [16] [17] Soon after, the band recruited Trish Doan, formerly the lead guitarist of an all-female band called Her, as their new bassist. [16] [18] Although all of the lyrics and around half of the music for Funeral for Yesterday was written before they joined the band, Morgan and Mercedes gave McLeod and Doan the freedom to write whatever they wanted for the album afterwards. [11] [19] McLeod wrote all of the album's guitar solos. [20] [21]
Kittie played their debut gig with their new line-up at Call the Office in London, Ontario, on September 29, 2005. [22] [23] In February 2006, the band released a digital-only EP, Never Again , through Rock Ridge Music as a teaser release for their next album; it featured demos of the songs "Never Again", "This Too Shall Pass", "Breathe" and "Everything That Could Have Been". [24] [25] [26] [N 1] Kittie embarked on a three-month tour of North America in support of the EP, [27] [28] which allowed the band to play their new songs to audiences and "work out [their] kinks". [11] [12] [25] Speaking with Brave Words & Bloody Knuckles in 2007, Morgan said: "The more you play a song the more it becomes its own sort of beast. It breathes and changes with every passing show, and you do things a little differently every time." By the end of the tour, she noted that the EP's songs had "a different energy" compared to when they were first recorded. [25]
Funeral for Yesterday was recorded over the span of six weeks with producer Jack Ponti at RetroMedia Sound Studios in Red Bank, New Jersey, the longest time Kittie has spent recording any of their albums. [29] Recording commenced on July 15, 2006, and wrapped up in late August 2006; [30] the band would record from 12pm to 6pm or 8pm per day. [29] Ponti, who had not produced an album since Doro's Machine II Machine (1995), [31] became interested in working with Kittie after a radio promoter and mutual friend of the band gave him a copy of the Never Again EP. [25] Morgan said that Kittie found working with Ponti "a bit rusty in the beginning"—it would take him and the band a week to record the album's first song—though "In the end, [everyone's] visions were the same—we wanted to make a great album." [29] Mercedes said that Kittie "didn't have a lot of say" in the way the album was recorded, [32] which she would later attribute to a "power struggle" between the band and Ponti that they ultimately lost "because he had the stronger personality". [33] Doan had a poor working relationship with Ponti, and he stopped speaking to her directly following an argument at the studio. [34]
During production, Ponti experimented with Kittie's sound using different recording techniques, vintage instruments and microphone placements. [12] [35] [N 2] Kittie said that the album was recorded with a "less is more" mentality; Morgan explained that this was "not 'less is more' in terms of the end product and the richness of the music, [but] 'less is more' like you do less guitar tracks to make it sound fuller". [21] [N 3] Whilst its guitars, bass and drums were tracked onto two-inch analogue tape, the album's vocals were recorded using Pro Tools, which was also used to incorporate and arrange vocal harmonies into the album. [12] Morgan called Ponti a "master at arranging vocal harmonies." [37] Ponti further affected its overall composition by scrapping most of McLeod's "planned" guitar parts in favour of her jamming "off the cuff" to its tracks; [38] Morgan said that he would "point at [McLeod] to play a lick. Just making it up as she went along." [21] Similarly, 90% of Doan's basslines were changed as recording progressed. [39]
After recording was completed, Funeral for Yesterday was mixed at The Document Room in Malibu, California by Kevin Shirley between September 5 and September 14, 2006. [40] [41] [42] Kittie supplied Shirley with "as much work as possible", giving him unused counterpoints, overdubs and "little nuances" from recording for him to work with, according to Morgan. She said that the final album was "99% of what we wanted to have on there, [with] a couple of things he fiddled around with." [25] The album was then sent to Sterling Sound to be mastered by Leon Zervos. [42] On October 11, 2006, Mercedes announced that the album had been completed. [43] [44] The album's recording sessions were partially documented in a companion DVD released with physical editions of the album. [45] [46]
Musically, Funeral for Yesterday sees Kittie mix their heavy musical side with more melodic elements, [47] [48] incorporating guitar solos and vocal harmonies. [1] [9] [49] The album has also been noted for its softer, more accessible production and sound. [50] [51] [52] Morgan stated that Kittie wanted to "make an album where you could bang your head and sing along at the same time", [1] whilst Doan believed that the band had "worked more in a way that ... was to get songs on the radio." [53] Morgan and McLeod cited classic rock acts, including Van Halen, Thin Lizzy, Led Zeppelin and AC/DC, as influences on the album's song structures and guitar solos. [1] [21] The album's songs are played in the tuning of drop C. [54] The album has also been noted for focusing more on Morgan's clean singing in contrast on Kittie's previous releases, [25] [50] alongside screamed and growled vocals. [9] [47] [55] Mercedes said that it was deliberately sequenced with songs that mainly featured clean vocals placed in its first half, and "more aggressive vocal stuff" in its second. [20]
Lyrically, Morgan said that Funeral for Yesterday is loosely themed around "the demise of the former [incarnation of Kittie], [and] the resurrection of something new." [9] [21] [56] In a 2007 interview with Metal Edge , she stated that Kittie "wanted to make an impression and show people what we could do now ... [and] change people's opinions of us", and that the album was supposed to represent "the death of the past and cleaning the slate." [49] Funeral for Yesterday's opening title track, which deals with themes of morality and rebirth, [57] was described by IGN as "a tale of renewal for Morgan ... and for [Kittie] as a whole". [47] Morgan felt that the song was the most emblematic of Kittie's direction on the album. [57] According to Morgan, "Everything That Could Have Been" covers "reflection of the past, and wishing to change it solely to see how differently the outcome would have been", whilst "Slow Motion" is about "seeing something or someone that you love die slowly, and [knowing that] there is nothing that can be done". [45] In a 2007 interview with Revolver , Morgan said that "Never Again" is about Kittie "taking a stand never to be treated a certain way, never to be walked on again or allow ourselves to be vulnerable. We've dealt with these things before and made our mistakes, and now we're fucking warriors." [58] "Flower of Flesh and Blood" is "about the concept of having a human guinea pig and seeing beauty in death and things that are ugly"; Morgan said the song deviated from the album's general concept. [59]
On August 28, 2006, Kittie announced that they would be releasing their next album through their own record label and management company, Kiss of Infamy Records. [31] Ponti helped the band secure the label's distribution through EMI. [58] "We talked to a bunch of indie labels, but when it came down to it, starting our own business seemed like the right thing to do because we've always been a self-sufficient do-it-yourself band", Mercedes said. "We never had help paying for tours, and we do all of our own merch, and we have our own clothing line [Poisoned Black]. So it was the next logical step." [58] In December 2006, Kittie were forced to change their label's name to "X of Infamy" after the band received a cease-and-desist order from Gene Simmons, owner of the "Kiss" trademark. [58] [60] [61] "[The] X is clever, because 'XOXO' means kiss anyway", Morgan said. [58]
On October 25, 2006, Kittie unveiled Funeral for Yesterday's title and cover artwork. [37] In the coming months, various tracks from the album would be uploaded to the band's MySpace page. [62] [63] On November 14, 2006, a radio-ready version of "Funeral for Yesterday", was posted online; a music video for the song was released three days later. [64] [65] A second music video, directed by Vincent Giordano, was filmed in Long Island, New York, on February 5, 2007. [66] [67] The video was made available to stream online on March 6, 2007, and debuted on MTV's Headbangers Ball on March 17. [66] [68]
Funeral for Yesterday was released in the United States by X of Infamy and Merovingian Music (MRV) on February 20, 2007. [69] [70] It was not released in Europe. [71] The album sold just under 9,000 copies during its first week of release, debuting at number 101 on the US Billboard 200 chart. [72] The album also reached number seven on Billboard 's Top Independent Albums chart. [73] By April 4, 2007, it had sold 20,000 copies in the United States. [74] On January 16, 2007, "Funeral For Yesterday" was released as the album's lead single; [75] it became Kittie's biggest radio hit up to that point, peaking at number 40 on Billboard 's Mainstream Rock Tracks chart on April 14, 2007. [73] [76] "Breathe" was also released as a single from the album, but failed to chart. [73] [77]
From February 9 to May 25, 2007, Kittie embarked on their headlining Funeral for Yesterday Tour of the United States, supported by Walls of Jericho, 36 Crazyfists, Dead to Fall and In This Moment. [56] [78] [79] The band also performed several acoustic shows at various FYE stores across the United States between April 17 and May 5, 2007. [74] Kittie intended on touring the United Kingdom supporting Cradle of Filth in April 2007, but pulled out as their record label would not give them any touring support. [80] At the end of the tour, Trish Doan left Kittie due to her worsening anorexia athletica-nervosa, which she developed during the production of Funeral for Yesterday. [81] [82] [83] Prior to her departure, the other members of Kittie had expressed concern with Doan's behavior and encouraged her to leave for her health; Doan said she was "still in such denial and so caught up in myself that I just didn't care or I didn't really think about it". [84] She ultimately left the band sometime after fainting and falling off the stage at one of the band's shows. [85] Her departure was officially announced on March 4, 2008. [81]
From July 6 to September 16, 2007, Kittie embarked on another headlining tour of the United States, the Sweet Revenge Tour, with It Dies Today, Silent Civilian, Bring Me the Horizon and Blessed by a Broken Heart. [86] [87] Former touring guitarist Jeff Phillips filled in on bass for the duration of the tour. [86] At one of the Sweet Revenge tour dates in Baltimore, Maryland on August 19, 2007, Kittie ended their set early after Morgan Lander was groped by a member of the audience, who was then attacked by the crowd. [88] Kittie recruited Ivana "Ivy" Jenkins as their new permanent bassist after the tour. [89] [90] The band knew of Jenkins as she was supposed to have auditioned for the band back in 2005, [91] but was unable to due to her car totaling. [92] In November 2007, Kittie played their first ever shows in South America, performing in Santiago, Chile and São Paulo, Brazil. [93] [94] Kittie continued to tour until November 2008, with dates in North America and Europe; [95] [96] the latter tour was the band's first of the region in over six years. [71] [97]
Review scores | |
---|---|
Source | Rating |
AllMusic | [50] |
Blabbermouth.net | 4/10 [55] |
Brave Words & Bloody Knuckles | 8.5/10 [98] |
Collector's Guide to Heavy Metal | 6/10 [99] |
IGN | 7.7/10 [47] |
Now | [100] |
Funeral for Yesterday received generally favourable reviews from critics. AllMusic reviewer James Christopher Monger said that Kittie's new direction on the album "suits them in a way that indicates actual growth". [50] Aaron Burgess of the Phoenix New-Times felt that the band had succeeded in transitioning towards a pop-oriented sound, despite calling such a move "risky". [51] IGN 's Ed Thompson called the album Kittie's "most comprehensive album" up to that point, highlighting the band's newfound musical chemistry. [47] Mark Fisher of the Times West Virginian called the album "top notch", stating that its expansion on melody "[adds] yet another dimension to [Kittie's] already solid sound". [48] Less favourably, Keith Bergman of Blabbermouth.net said that the album was mostly "plodding, rudimentary and dishwater-dull", but acknowledged that the band were "slowly getting competent", citing "The Change" and the beginning of "Around Your Heart" as displays of their "frightening potential". [55] Chart Attack 's Shehzaad Jiwani described the album as "more or less" a rehash of the band's early sound found on Spit (1999) that "does nothing to convince listeners that Kittie are a band to be taken seriously." [101]
Funeral for Yesterday's focus on Morgan's vocals proved polarizing with critics, and was expected to draw similar responses from Kittie's fanbase. [25] [48] [50] Evan Davies of Now panned the album for showcasing Morgan's "ultra-annoying ability to sing almost exclusively through her nose as she spouts trite, clichéd lyrics about pain and suffering." [100] Jiwani and Bergman both criticized Morgan's limited range, with the latter blaming Jack Ponti's overuse of "robot choir" vocals on all of the album's choruses for making it both formularic and forgettable. [55] [101] Conversely, Paul Gargano of LiveDaily saw its melodic vocals as indicative of Kittie's developing songwriting and said that they made its songs "immensely more listenable". [102] Carl Begai of Brave Words & Bloody Knuckles felt that although Morgan's vocals largely dominated the album's production, they did not overshadow its "brilliant riffs, crushing Machine Head-ish rhythms and solos". [98] Monger expressed similar sentiments, stating that Morgan's vocals did not take away from the album's heaviness and aggression. [50]
Morgan and Mercedes Lander have reflected unfavourably on Funeral for Yesterday in the years following its release, praising its songwriting but criticizing its production. [32] [103] In a 2009 interview, Mercedes singled out its "over-produced" vocals for criticism, claiming that they made Morgan "sound like a fucking Chipmunk ... which was ridiculous". [32] However, when asked by The Rockpit in 2010 if she regretted releasing the album, Mercedes stated: "I wouldn't say regret, we would have done it differently." [104] Morgan similarly commented that although she considered Funeral For Yesterday's songwriting some of Kittie's best work, its recording and production "didn't end up sounding the way I had hoped". [38] She described the band's next album, In the Black (2009), as an "antithesis" to the album and their attempt to "undo all the things [it] did". [105] [106] In a 2024 Reddit AMA, Morgan said that a vinyl reissue of Funeral For Yesterday is unlikely as Kittie does not own the rights to the album, though expressed interest in having it remixed and remastered. [107]
All songs written by Morgan Lander and Mercedes Lander. [70]
No. | Title | Length |
---|---|---|
1. | "Funeral for Yesterday" | 3:24 |
2. | "Breathe" | 3:11 |
3. | "Everything That Could Have Been" | 4:43 |
4. | "Slow Motion" | 3:54 |
5. | "Will to Live" | 3:14 |
6. | "Never Again" | 3:49 |
7. | "Sweet Destruction Interlude" | 2:25 |
8. | "Summer Dies" | 3:53 |
9. | "Flower of Flesh and Blood" | 2:12 |
10. | "Around Your Heart" | 2:56 |
11. | "This Too Shall Pass" | 3:07 |
12. | "Last Goodbye" | 2:37 |
13. | "Witch Hunt" | 3:58 |
14. | "The Change" | 3:57 |
Total length: | 47:40 |
Personnel per liner notes. [70]
Kittie
Production
| Artwork
|
Funeral for Yesterday -Bonus DVD [108]
|
|
Chart (2007) | Peak position |
---|---|
US Billboard 200 [73] | 101 |
US Top Independent Albums ( Billboard ) [73] | 7 |
Kittie is a Canadian heavy metal band from London, Ontario, formed in 1996 by lead guitarist Fallon Bowman and the Lander sisters, drummer Mercedes and lead vocalist/rhythm guitarist Morgan. Tanya Candler completed the band's early line-up on bass. The Lander sisters have remained the band's sole constant members. Collectively, their material released via independent record labels has sold over two million copies worldwide.
Until the End is the third studio album by Canadian heavy metal band Kittie, released on July 26, 2004, through Artemis Records. It was their only album with bassist Jennifer Arroyo, who joined the band in March 2002. The album was recorded in March 2004 with producer Steve Thompson at Long View Farm Studios in North Brookfield, Massachusetts. Musically, it continued Kittie's transition away from their early nu metal sound, whilst placing a heavier emphasis on melody than on their previous two albums. Kittie wrote the album while they were engaged in a lawsuit with Artemis, and its lyrics and artwork reflect the band's feelings of frustration and uncertainty during that period. After recording concluded, Kittie recruited guitarist Lisa Marx for a tour in support of the album.
Lisa Marx is an American guitarist and classically trained pianist from California.
Spit is the debut studio album by Canadian heavy metal band Kittie, originally released on November 13, 1999, through Ng Records. Kittie were formed in 1996, and signed a four-album deal with Ng following their performances at the Canadian Music Week festival in March 1999. Recorded over nine days in May 1999 with producer Garth Richardson at EMAC Studios in London, Ontario, Spit is a nu metal album that incorporates various elements from several heavy metal subgenres, and its lyrical themes include sexism, hatred, ignorance, betrayal, bullying and life experiences. The album is Kittie's only release with their original line-up, featuring bassist Tanya Candler and guitarist Fallon Bowman; Candler was replaced by Talena Atfield, who appears on the cover of all subsequent reissues of the album.
Grave Digger is a German heavy metal band that was first formed in 1980 by Chris Boltendahl and Peter Masson. Emerging from the early-to-mid 1980s heavy metal scene of their native country, Grave Digger has been referred to as one of the so-called "big four" of German power metal, along with Helloween, Rage and Running Wild.
Oracle is the second studio album by Canadian heavy metal band Kittie, released on November 12, 2001, through Artemis Records. Produced by Garth Richardson and co-produced by vocalist and guitarist Morgan Lander, the album saw Kittie transition towards an extreme metal and death metal-based sound, moving on from the nu metal sound of Spit (1999). The album was recorded as a trio, following the departure of co-founding member and guitarist Fallon Bowman weeks before recording was due to commence; Jeff Phillips was subsequently brought in as an additional guitarist for the band's live performances in support of the album. Oracle was Kittie's only album with bassist Talena Atfield, who left the band four months after its release.
Glen Drover is a Canadian heavy metal guitarist from Ottawa, Ontario. He is best known as the former lead guitarist of Megadeth and King Diamond, along with his brother Shawn Drover who also performed with Megadeth.
Deathstars is a Swedish industrial metal band from Strömstad. Formed in 2000, the group are noted for their dark horror-themed lyrics, pessimistic and misanthropic social commentary, distinctive trademark face paint, dark stage uniforms and physical appearances that correspond to gothic fashion. They have released five full-length studio albums; Synthetic Generation (2002), Termination Bliss (2006), Night Electric Night (2009), The Perfect Cult (2014), and Everything Destroys You (2023).
Threat Signal is a Canadian heavy metal band from Hamilton, Ontario. The band has had numerous lineup changes, with only Jon Howard remaining from the original incarnation. Their music is often classified as metalcore, melodic death metal, or groove metal.
Nick Raskulinecz is an American record producer. He resides in Nashville, Tennessee.
"Funeral for Yesterday" is the first single and title track from Kittie's album of the same name.
Kittie is a Canadian heavy metal band formed in 1996 by guitarist and vocalist Morgan Lander, guitarist Fallon Bowman and drummer Mercedes Lander. The band has released seven studio albums, four extended plays, one compilation album, one demo album, four video albums, seventeen singles and eighteen music videos. Morgan and Mercedes are the only members to appear on all of Kittie's albums; their current lineup features guitarist Tara McLeod, who joined in 2005, and bassist Ivy Vujic, who played with the band from 2007 to 2012 before rejoining in 2022. As of 2018, they have sold over two million albums worldwide. The band has achieved most of its commercial successes in the United States compared to its home country; as of 2009, they have sold 60,000 albums in Canada.
In the Black is the fifth studio album by Canadian heavy metal band Kittie, released on September 15, 2009, through E1 Music. It was the band's first album with bassist Ivy Jenkins, who joined the band in 2007. Recording sessions for the album were held with producer Siegfried Meier at Beach Road Studios in Goderich, Ontario, in November and December 2008. Featuring a raw, stripped-down sound and elements of black metal, metalcore and melodic death metal, Kittie intended the album to be an "antithesis" to their previous album Funeral for Yesterday (2007), having been disappointed with its production and style.
Ivana "Ivy" Jenkins, is a Serbian-born Canadian bassist. She is best known as the bassist for the heavy metal band Kittie over two stints, from October 2007 until March 2012, and again since January 2022.
I've Failed You is the sixth studio album by Canadian heavy metal band Kittie, released on August 30, 2011, through eOne Music. The album builds on the style and production of their previous album In the Black (2009) and features more personal and introspective lyrics, drawing from various events of turmoil that vocalist and guitarist Morgan Lander experienced in the two years following the aforementioned album's release. It was produced by Siegfried Meier and was primarily recorded at Beach Road Studios in Goderich, Ontario; Ivy Jenkins' bass tracks were recorded separately in the United States, as immigration issues prevented her from travelling to Canada.
Trisha Jaimee Doan was a Korean-Canadian musician, photographer and television producer, best known for her tenure as the bass guitarist for the Canadian heavy metal band Kittie.
Kittie: Origins/Evolutions is a 2017 documentary film produced and directed by Rob McCallum. It follows the history of the Canadian heavy metal band Kittie, from their formation in 1996 and through their first six studio albums, from Spit (1999) to I've Failed You (2011). The film also includes interviews with the current, and most of the past, members of the band, interspersed with archival footage. Its production was funded by a successful Indiegogo campaign, which reached its goal within 8 hours, and ultimately raised more than $40,000. The film was dedicated to the memory of bassist Trish Doan, who died prior to the film's completion in February 2017.
Fire is the seventh studio album by Canadian heavy metal band Kittie, released on June 21, 2024, by Sumerian Records. It is the band's first album in almost 13 years following the release of I've Failed You (2011), in between which time they were largely on an indefinite hiatus due to rising costs associated with touring and making music, a lack of public interest, and the death of bassist Trish Doan in 2017. After receiving several offers to play shows in late 2021, Kittie ended their hiatus in January 2022, with bassist Ivy Vujic returning to their lineup after a decade-long absence. Following their performances at the When We Were Young festival in October 2022, the band were signed to Sumerian and began working on new material.
With Devils Amongst Us All is the third studio album by American metalcore band Walls of Jericho, released on August 21, 2006, by Trustkill Records. It was the band's first album with drummer Dustin Schoenhofer. Seeking to establish their own sound, the band decided to use an outside producer for the first time, subsequently working with Ben Schiegel during the album's recording at Spider Studios in Cleveland. The album's music blends together elements of metalcore, thrash metal and hardcore punk. Its lyrics are mainly focused on overcoming challenges, and also cover personal experiences and social issues.
Never Again is the third extended play by Canadian heavy metal band Kittie, released exclusively on digital storefronts on February 7, 2006, through Rock Ridge Music. Recorded at Mole Studios in London, Ontario, The EP contains four demos of "Never Again", "This Too Shall Pass", "Breathe", and "Everything That Could Have Been", which were later re-recorded for Kittie's fourth album Funeral For Yesterday (2007). The band supported its release with the Never Again Tour across America for two months, which allowed the band to develop their songs before recording them in the summer of 2006.
Citations
I quit the band in February.
Ivy ist eigentlich schon 2007 beigetreten, als wir unsere erste Südamerikatour gemacht haben.[Ivy actually joined in 2007 when we did our first South American tour.]
FFY is an album we don't have any control over so we can't say if or when it may ever be rereleased on vinyl, or appear on streaming services.
While we don't have any control over FFY, I would also love to have it remixed and remastered to give it the love it deserves.
Print sources
Audiovisual (AV) sources