In Norse mythology, Geri and Freki are two wolves which are said to accompany the god Odin. They are attested in the Poetic Edda , a collection of epic poetry compiled in the 13th century from earlier traditional sources, in the Prose Edda , written in the 13th century by Snorri Sturluson, and in the poetry of skalds. The pair has been compared to similar figures found in Greek, Roman and Vedic mythology, and may also be connected to beliefs surrounding the Germanic "wolf-warrior bands", the Úlfhéðnar.
The name Geri has been interpreted as meaning either "the greedy one" or "the ravenous one". [1] The name Geri can be traced back to the Proto-Germanic adjective * geraz , attested in Burgundian girs, Old Norse gerr, Old High German ger or giri and Old Dutch gir, all of which mean "greedy". [2]
The name Freki can be traced back to the Proto-Germanic adjective * frekaz , attested in Gothic 𐍆𐌰𐌹𐌷𐌿𐍆𐍂𐌹𐌺𐍃 (faihufriks) "covetous, avaricious", Old Norse frekr "greedy", Old English frec "desirous, greedy, gluttonous, audacious" and Old High German freh "greedy". [3] John Lindow interprets both Old Norse names as nominalized adjectives. [4] Bruce Lincoln further traces Geri back to a Proto-Indo-European stem *gher-, which is the same as that found in Garmr , a name referring to the hound closely associated with the events of Ragnarök . [5]
In the Poetic Edda poem Grímnismál , the god Odin (disguised as Grímnir ) provides the young Agnarr with information about Odin's companions. Agnarr is told that Odin feeds Geri and Freki while the god himself consumes only wine:
- Benjamin Thorpe translation:
- Geri and Freki the war-wont sates,
- the triumphant sire of hosts;
- but on wine only the famed in arms,
- Odin, ever lives. [6]
- Henry Adams Bellows translation:
- Freki and Geri does Heerfather feed,
- The far-famed fighter of old:
- But on wine alone does the weapon-decked god,
- Othin, forever live. [7]
The pair is also alluded to via the kenning "Viðrir's (Odin's) hounds" in Helgakviða Hundingsbana I , verse 13, where it is related that they roam the field "greedy for the corpses of those who have fallen in battle". [8]
- Benjamin Thorpe translation:
- The warriors went to the trysting place of swords,
- which they had appointed at Logafiöll.
- Broken was Frodi's peace between the foes:
- Vidrir’s hounds went about the isle slaughter-greedy. [9]
- Henry Adams Bellows translation:
- The warriors forth to the battle went,
- The field they chose at Logafjoll;
- Frothi's peace midst foes they broke,
- Through the isle went hungrily Vithrir's hounds. [10]
In the Prose Edda book Gylfaginning (chapter 38), the enthroned figure of High explains that Odin gives all of the food on his table to his wolves Geri and Freki and that Odin requires no food, for wine is to him both meat and drink. High then quotes the above-mentioned stanza from the poem Grímnismál in support. [11] In chapter 75 of the Prose Edda book Skáldskaparmál a list of names for wargs and wolves is provided that includes both Geri and Freki. [12]
In skaldic poetry Geri and Freki are used as common nouns for "wolf" in chapter 58 of Skáldskaparmál (quoted in works by the skalds Þjóðólfr of Hvinir and Egill Skallagrímsson) and Geri is again used as a common noun for "wolf" in chapter 64 of the Prose Edda book Háttatal . [13] Geri is referenced in kennings for "blood" in chapter 58 of Skáldskaparmál ("Geri's ales" in a work by the skald Þórðr Sjáreksson) and in for "carrion" in chapter 60 ("Geri's morsel" in a work by the skald Einarr Skúlason). [14] Freki is also used in a kenning for "carrion" ("Freki's meal") in a work by Þórðr Sjáreksson in chapter 58 of Skáldskaparmál. [15]
If the rider on horseback on the image on the Böksta Runestone has been correctly identified as Odin, then Geri and Freki are shown taking part in hunting an elk. [16]
Freki is also a name applied to the monstrous wolf Fenrir in the Poetic Edda poem Völuspá . Folklorist John Lindow sees irony in the fact that Odin feeds one Freki at his dinner table and another—Fenrir—with his flesh during the events of Ragnarök. [17]
Historian Michael Spiedel connects Geri and Freki with archaeological finds depicting figures wearing wolf-pelts and frequently found wolf-related names among the Germanic peoples, including Wulfhroc ("Wolf-Frock"), Wolfhetan ("Wolf-Hide"), Isangrim ("Grey-Mask"), Scrutolf ("Garb-Wolf"), Wolfram ("Wolf (and) Raven"), Wolfgang ("Wolf-Gait"), Wolfdregil ("Wolf-Runner"), and Vulfolaic ("Wolf-Dancer") and myths regarding wolf warriors from Norse mythology (such as the Úlfhéðnar). Michael Speidel believes this to point to the pan-Germanic wolf-warrior band cult centered on Odin that waned away after Christianization. [18]
Scholars have also noted Indo-European parallels to the wolves Geri and Freki as companions of a divinity. 19th century scholar Jacob Grimm observed a connection between this aspect of Odin's character and the Greek Apollo, to whom both the wolf and the raven are sacred. [19] Philologist Maurice Bloomfield further connected the pair with the two dogs of Yama in Vedic mythology, and saw them as a Germanic counterpart to a more general and widespread Indo-European "Cerberus"-theme. [20] Speidel finds similar parallels in the Vedic Rudra and the Roman Mars. Elaborating on the connection between wolves and figures of great power, he writes: "This is why Geri and Freki, the wolves at Woden's side, also glowered on the throne of the Anglo-Saxon kings. Wolf-warriors, like Geri and Freki, were not mere animals but mythical beings: as Woden's followers they bodied forth his might, and so did wolf-warriors." [18]
Bernd Heinrich theorizes that Geri and Freki, along with Odin and his ravens Huginn and Muninn, reflect a symbiosis observed in the natural world among ravens, wolves, and humans on the hunt:
- In a biological symbiosis one organism typically shores up some weakness or deficiency of the other(s). As in such a symbiosis, Odin the father of all humans and gods, though in human form was imperfect by himself. As a separate entity he lacked depth perception (being one-eyed) and he was apparently also uninformed and forgetful. But his weaknesses were compensated by his ravens, Hugin (mind) and Munin (memory) who were part of him. They perched on his shoulders and reconnoitered to the ends of the earth each day to return in the evening and tell him the news. He also had two wolves at his side, and the man/god-raven-wolf association was like one single organism in which the ravens were the eyes, mind, and memory, and the wolves the providers of meat and nourishment. As god, Odin was the ethereal part—he only drank wine and spoke only in poetry. I wondered if the Odin myth was a metaphor that playfully and poetically encapsulates ancient knowledge of our prehistoric past as hunters in association with two allies to produce a powerful hunting alliance. It would reflect a past that we have long forgotten and whose meaning has been obscured and badly frayed as we abandoned our hunting cultures to become herders and agriculturists, to whom ravens act as competitors. [21]
Ægir, Hlér, or Gymir, is a jötunn and a personification of the sea in Norse mythology. In the Old Norse record, Ægir hosts the gods in his halls and is associated with brewing ale. Ægir is attested as married to a goddess, Rán, who also personifies the sea, and together the two produced daughters who personify waves, the Nine Daughters of Ægir and Rán, and Ægir's son is Snær, personified snow. Ægir may also be the father of the beautiful jötunn Gerðr, wife of the god Freyr, or these may be two separate figures who share the same name.
In Norse mythology, Bifröst, also called Bilröst, is a burning rainbow bridge that reaches between Midgard (Earth) and Asgard, the realm of the gods. The bridge is attested as Bilröst in the Poetic Edda; compiled in the 13th century from earlier traditional sources, and as Bifröst in the Prose Edda; written in the 13th century by Snorri Sturluson, and in the poetry of skalds. Both the Poetic Edda and the Prose Edda alternately refer to the bridge as Ásbrú.
Fenrir or Fenrisúlfr, also referred to as Hróðvitnir and Vánagandr, is a monstrous wolf in Norse mythology. In Old Norse texts, Fenrir plays a key role during the events of Ragnarök, where he is foretold to assist in setting the world aflame, resulting in the collapse of humanity and society, and kill the god Odin.
In Norse mythology, Huginn and Muninn are a pair of ravens that fly all over the world, Midgard, and bring information to the god Odin. Huginn and Muninn are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources: the Prose Edda and Heimskringla; in the Third Grammatical Treatise, compiled in the 13th century by Óláfr Þórðarson; and in the poetry of skalds. The names of the ravens are sometimes anglicized as Hugin and Munin, the same spelling as used in modern Danish, Norwegian, and Swedish.
In Norse mythology, Heimdall is a god. He is the son of Odin and nine mothers. Heimdall keeps watch for invaders and the onset of Ragnarök from his dwelling Himinbjörg, where the burning rainbow bridge Bifröst meets the sky. He is attested as possessing foreknowledge and keen senses, particularly eyesight and hearing. The god and his possessions are described in enigmatic manners. For example, Heimdall is golden-toothed, "the head is called his sword," and he is "the whitest of the gods."
In Norse mythology, Rán is a goddess and a personification of the sea. Rán and her husband Ægir, a jötunn who also personifies the sea, have nine daughters, who personify waves. The goddess is frequently associated with a net, which she uses to capture sea-goers. According to the prose introduction to a poem in the Poetic Edda and in Völsunga saga, Rán once loaned her net to the god Loki.
In Norse mythology, Víðarr is a god among the Æsir associated with vengeance. Víðarr is described as the son of Odin and the jötunn Gríðr and is foretold to avenge his father's death by killing the wolf Fenrir at Ragnarök, a conflict he is described as surviving. Víðarr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and is interpreted as depicted with Fenrir on the Gosforth Cross. A number of theories surround the figure, including theories around potential ritual silence and a Proto-Indo-European basis.
Fulla or Volla is a goddess in Germanic mythology. In Norse mythology, Fulla is described as wearing a golden band and as tending to the ashen box and the footwear owned by the goddess Frigg, and, in addition, Frigg confides in Fulla her secrets. Fulla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and in skaldic poetry. Volla (Folla) is attested in the "Horse Cure" Merseburg Incantation, recorded anonymously in the 10th century in Old High German, in which she assists in healing the wounded foal of Phol and is referred to as Frigg's sister. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Skaði is a jötunn and goddess associated with bowhunting, skiing, winter, and mountains. Skaði is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda and in Heimskringla, written in the 13th century by Snorri Sturluson, and in the works of skalds.
In Norse mythology, Sæhrímnir is the creature killed and eaten every night by the Æsir and einherjar. The cook of the gods, Andhrímnir, is responsible for the slaughter of Sæhrímnir and its preparation in the cauldron Eldhrímnir. After Sæhrímnir is eaten, the beast is brought back to life again to provide sustenance for the following day. Sæhrímnir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, and the Prose Edda, written in the 13th century by Snorri Sturluson.
In Norse mythology, the Nine Mothers of Heimdallr are nine sisters who gave birth to the god Heimdallr. The Nine Mothers of Heimdallr are attested in the Prose Edda, written in the 13th century by Snorri Sturluson; in the poetry of skalds; and possibly also in a poem in the Poetic Edda, a book of poetry compiled in the 13th century from earlier traditional material. Scholars have debated what being "born of nine mothers" implies and have sought to connect the notion to other European folk motifs. Scholars have theorized that Heimdallr's Nine Mothers may be identical to the Nine Daughters of Ægir and Rán, who personify waves. In turn, Heimdallr would be born of the sea.
Bestla is a jötunn in Norse mythology, and the mother of the gods Odin, Vili and Vé. She is also the sister of an unnamed man who assisted Odin, and the daughter of the jötunn Bölþorn. Odin is frequently called "Bestla's son" in both skaldic verses and the Poetic Edda.
In Norse mythology, the einherjar are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly resurrecting beast Sæhrímnir, and valkyries bring them mead from the udder of the goat Heiðrún. The einherjar prepare daily for the events of Ragnarök, when they will advance for an immense battle at the field of Vígríðr.
Jörð is the personification of earth and a goddess in Norse mythology. She is the mother of the thunder god Thor and a sexual partner of Odin. Jörð is attested in Danish history Gesta Danorum, composed in the 12th century by Danish historian Saxo Grammaticus; the Poetic Edda, compiled in the 13th century by an unknown individual or individuals; and the Prose Edda, also composed in the 13th century. Her name is often employed in skaldic poetry and kennings as a poetic term for land or earth.
In Norse mythology, Óðr or Óð, sometimes anglicized as Odr or Od, is a figure associated with the major goddess Freyja. The Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson, both describe Óðr as Freyja's husband and father of her daughter Hnoss. Heimskringla adds that the couple produced another daughter, Gersemi. A number of theories have been proposed about Óðr, generally that he is a hypostasis of the deity Odin due to their similarities.
Urðarbrunnr is a well in Norse mythology. Urðarbrunnr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, the well lies beneath the world tree Yggdrasil, and is associated with a trio of norns. In the Prose Edda, Urðarbrunnr is cited as one of three wells existing beneath three roots of Yggdrasil that reach into three distant, different lands; the other two wells being Hvergelmir, located beneath a root in Niflheim, and Mímisbrunnr, located beneath a root near the home of the frost jötnar. Scholarly theory and speculation surrounds the well.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
In Norse mythology, Meili is a god, son of the god Odin and Jörð, and brother of the god Thor. Meili is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Other than Meili's relation to Odin and Thor, no additional information is provided about the deity in either source.
Sól or Sunna is the Sun personified in Germanic mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
In Norse mythology, Sumarr and Vetr are personified seasons. Sumarr and Vetr, personified, are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both, the two are given genealogies, while in the Prose Edda the two figure into a number of kennings used by various skalds.