Here Is Mariah Carey | ||||
---|---|---|---|---|
Video by | ||||
Released | November 30, 1993 | |||
Recorded | July 14–16, 1993 (performances) | |||
Venue | Proctor's Theatre, Schenectady, New York, U.S. | |||
Length | ~60:00 | |||
Label | Columbia Music Video | |||
Director | Lawrence Jordan | |||
Mariah Carey chronology | ||||
|
Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, [a] is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.
Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard . Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom.
In March 1992, following the release of her first and second studio albums Mariah Carey (1990) and Emotions (1991), Mariah Carey performed a concert on the American television program MTV Unplugged . [9] As she had not toured, Carey sought to establish herself as a capable live performer and disprove notions by critics that her voice was manufactured in a studio. [10] After the concert was well received by her fans and critics alike, Carey's record label—Columbia—released it as an extended play, MTV Unplugged . Its first single, "I'll Be There", became her sixth number-one song on the United States Billboard Hot 100 chart. [11]
By the second quarter of 1993, Carey completed recording material for her third album, Music Box . [12] [13] Before its release later that year, her management team negotiated a deal with NBC for a one-hour television special, Here Is Mariah Carey, [a] to promote the album. The show would allow Carey to warm up for her forthcoming Music Box Tour, reach an audience unable to see her on a tour date, and give Columbia the ability to release it as a video album in time for the 1993 Christmas shopping season. [14] [15] To select a venue for the taping, a Sony Music production crew evaluated almost two dozen theaters in four U.S. states. [16] They chose the 2,700-seat Proctor's Theatre in Schenectady, New York, for its grand architecture, strong acoustics, and proximity to Carey's house with newlywed husband Tommy Mottola. [17] In a chapter from her 2020 memoir The Meaning of Mariah Carey , Carey states that she disagreed with the choice: "Even though it was a beautiful, classic theater, it was not the setting I would have chosen, to be sure; nor would most twenty-year-olds in the early 1990s." [18]
Rather than being sold, 4,500 tickets for the event were distributed by Carey's fan club, local radio stations, and those with connections to the production. Several rows closest to the stage were reserved for fan club members, and two rows in the middle section were removed for a camera dolly. [19] Most of the filming at Proctor's occurred over two nights on July 15 and 16, 1993, with nine cameras using 35mm film. [16] [17] Carey performed the same set list on each night, and performances from both were used for the video. [19] Her performance of "I'll Be There" with 40 children from the Albany Police Athletic League on stage took place beforehand on July 14. [20] Non-concert footage was primarily filmed at Carey's New York estate. [21] Lawrence Jordan—who directed Carey's MTV Unplugged performance and music videos for "Someday" and "I Don't Wanna Cry" [22] [23] —also directed Here Is Mariah Carey. [24] Due to her fans' presence, Carey considers the video's production the first time she realized her level of fame. [25]
Two set designs which are meant to create an operatic yet funky atmosphere adorn the stage for the concert. The first act features monolithic abstract shapes inspired by Boris Aronson's sculptures in the 1958 Broadway production of The Firstborn that are colored blue-gray to complement Carey's skin tone, and the second features several fabrics and drapery. Both include openings that allow light to protrude while a painted cyclorama acts as a background. Platforms of varying heights and wrought iron railings inspired by those of Josep Maria Jujol are also present. An earlier set design plan which called for a revolving stage that would mechanically rotate between the two acts was changed due to camera and budget limitations. [17] The band—which has a near-identical composition to the one in Carey's MTV Unplugged performance—is situated on the left side of the stage while the background singers are on the right, standing in front of the string players. [26]
Here Is Mariah Carey switches between scenes of Carey singing in Proctor's Theater and those outside of it. The video begins with Carey telling children from the Albany Police Athletic League to believe in themselves to achieve their dreams. After entering the theater's stage, Carey opens with performances of "Emotions" and "Hero". Her background singers discuss working with her while sitting on a park bench, then Carey sings "Someday" and "Without You". After reminiscing about singing as a child with her mother on the front porch of a building, Carey performs "Make It Happen". In the countryside, she rides a horse and explains her love of nature. Back at the theater, Carey sings "Dreamlover" accompanied by three background dancers, and then "Love Takes Time". While in her house, she cooks pizza with two friends, and they get in a food fight. Afterward, Carey sings "Anytime You Need a Friend" backed by the Refreshing Springs Church Choir. With her friends outside, she discusses her experiences trying to enter the music industry. Carey performs "Vision of Love" and then "I'll Be There" with Trey Lorenz and members of the Albany Police Athletic League on stage. Near the production's wrap party in a grassy field, the band talks about working with her, and Carey and her songwriting partners Walter Afanasieff, David Cole, and Robert Clivillés explain how they collaborate. After Carey discusses the making of the "Dreamlover" music video, it is shown in full. [27]
Here Is Mariah Carey was first shown on November 25, 1993, on NBC. [7] As it aired in the November sweeps period, during which Nielsen ratings are used to determine advertisement prices for subsequent months, Richard Huff of the New York Daily News thought this suggested NBC believed it would draw a large audience. [28] Here Is Mariah Carey received 19 million viewers and a rating and share of 11.0/21, meaning 11 percent of American households with a television watched the program, and 21 percent with one in use were tuned in to the special. [29] Out of the primetime network programs, it ranked third for the night, [29] 34th for the week, [29] and fifth among entertainment specials aired during November sweeps. [30] Sales of Music Box resulting from the broadcast caused the album to reach number one on the Billboard 200 chart for the first time. [31] Outside the United States, the special was broadcast in Australia, [32] Canada, [33] and the United Kingdom. [34]
Columbia Music Video issued Here Is Mariah Carey on VHS in the United States on November 30, 1993. [2] [35] It marked Carey's third video release, following The First Vision (1991) and MTV Unplugged +3 (1992). [36] A week later, the video was released in Canada. [37] Releases in the United Kingdom and France followed in February 1994, [3] [4] Hong Kong in December 1996, [38] and a DVD in 2006. [39] Sony Pictures Entertainment released it for digital download and rental worldwide on December 7, 2021. [40] The video is approximately one hour long [1] and includes more non-concert footage plus the "Dreamlover" music video, which were not shown on the NBC broadcast. [24] [41]
Performances from the concert received releases independent of the Here Is Mariah Carey video. In 1993, Columbia released a CD maxi single of "Hero" which includes audio of Carey's Proctor's Theater performance of the song as the second track. [42] The following year, the label released it as a standalone promotional CD single. [43] In 1994, that of "Dreamlover" was included on certain CD singles and twelve-inch singles alongside "Without You" and "Never Forget You". [44] [45] It was later included on a digital maxi single with other versions of the song. [46] Carey's performances of "Hero" and "Without You" are the songs' music videos. [47] [48]
In 2023, for the 30th anniversary of Music Box , Carey released the audio of the performance as the third disc of the deluxe edition for the album. [49]
Review scores | |
---|---|
Source | Rating |
Detroit Free Press | [50] |
The Indianapolis Star | [51] |
New Straits Times | [52] |
Vox | 6/10 [53] |
Here Is Mariah Carey received positive reviews from critics. [54] Steve Holsey of the Michigan Chronicle considered her vocals impressive, [55] the Lansing State Journal 's Mike Hughes felt her voice had "moments of luminous beauty", [56] and Steve Morse of The Boston Globe thought she "sings like a songbird". [57] Toronto Star television critic Greg Quill wrote that the performance "affirms her extraordinary vocal abilities". [58] Elaine Lim in the New Straits Times and Roger Catlin in the Hartford Courant agreed that Carey proved she could sing just as well live as in a studio. [52] [59] Morse and Mike Duffy of the Detroit Free Press viewed Carey's rendition of "Without You" as the musical highlight. [50] [57] The latter derided Carey's original songs as dull and derivative, as did Vox 's Fred Dellar. [50] [53] Holsey felt Carey lacked the charisma of Whitney Houston or Tina Turner on stage, [55] and author Chris Nickson said she failed to match the versatility Barbra Streisand had in her 1960s television specials. [60]
As well as Carey's performance, critics reviewed the video's production. Hughes thought the concert was perfectly filmed; [56] Quill and Duffy described it as glossy. [50] [58] According to Catlin, the number of cameras and high quality of the audio "make the delivery sound a little artificial". [59] Quill wrote that it lacked a sense of humanity because it was "dominated by technology". [58] Nickson complimented the sound for being "as clear as a studio recording". [48] He and Variety 's Adam Sandler viewed the dancers in the "Dreamlover" performance as out of place. [61] [62] Morse found the life of Carey presented in the home movie footage to be an unlikely reality, [57] and Duffy felt the background singers' comments about her were hard to believe. [50] Several viewed the non-concert segments as unrevealing and unimportant. [51] [53] [59] Though she considered them insignificant, Lim felt they added a sense of warmth to Carey. [52] Steve Hall of The Indianapolis Star thought they projected a girl next door image, [51] and Hughes said the scenes made her seem youthful. [63] According to American Songwriter contributor Jacob Uitti, "her sweet voice and sweetness during this show showcase both her power and potential." [64]
Here Is Mariah Carey debuted at number 10 on the Billboard Top Music Videos chart for the week ending December 18, 1993. [65] It peaked at number four three weeks later and spent two years on the chart, becoming her longest-charting video. [6] Here Is Mariah Carey was the 10th best-selling video album of 1994 in the United States [66] and ranked at number 27 in 1995. [67] In the United Kingdom, the video debuted at number two on the Official Charts Company's Music Videos chart for the week ending February 26, 1994. [68] It rose to number one the following week, and spent six consecutive weeks atop the chart. [69] [70] [71] Here Is Mariah Carey is certified Platinum by the Recording Industry Association of America in the United States, [2] and Gold in the United Kingdom and France by the British Phonographic Industry and the Syndicat National de l'Édition Phonographique, respectively. [3] [4]
Credits adapted from VHS inner cover. [72]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Emotions" |
| 3:50 |
2. | "Hero" |
| 3:53 |
3. | "Someday" |
| 3:38 |
4. | "Without You" | 3:43 | |
5. | "Make It Happen" |
| 4:20 |
6. | "Dreamlover" |
| 3:51 |
7. | "Love Takes Time" |
| 3:45 |
8. | "Anytime You Need a Friend" |
| 3:41 |
9. | "Vision of Love" |
| 3:42 |
10. | "I'll Be There" |
| 4:19 |
11. | "Dreamlover" (music video) |
| 3:57 |
Personnel adapted from DVD closing credits except where noted. [73]
|
|
Region | Certification | Certified units |
---|---|---|
France (SNEP) [4] | Gold | 10,000* |
United Kingdom (BPI) [3] | Gold | 25,000^ |
United States (RIAA) [2] | Platinum | 100,000^ |
* Certified units based on sales. ^ Certified units based on shipments. |
"Forever" is a rock and roll and pop song recorded by American singer Mariah Carey for her fifth studio album, Daydream (1995). Columbia Records released it to American radio stations for airplay on June 18, 1996, as the album's fifth single. The lyrics, written by Carey, are about one's continued affection despite the end of a romantic relationship. She composed the music and produced the song with Walter Afanasieff. Described by critics as referencing American music of the 1950s and 1960s, "Forever" is a doo-wop-influenced sentimental ballad in the form of a waltz. Its composition includes keyboards, guitars, and programming.
"The Roof (Back in Time)" is a song by American singer-songwriter Mariah Carey, taken from her sixth studio album, Butterfly (1997). Columbia Records released it in Europe as the album's fourth single on March 16, 1998. The song was written and produced by Carey and Trackmasters, and is built around a sample from "Shook Ones (Part II)" (1995) by American hip hop duo Mobb Deep. The song's lyrics recount an intimate roof-top encounter between lovers, and how the memory affects the protagonist. The extended remix features a rap verse by Mobb Deep; both versions were praised by contemporary music critics.
"Breakdown" is a song recorded by American singer Mariah Carey for her sixth studio album, Butterfly (1997). In the lyrics, she describes the aftermath of a partner ending their love for the other and the trouble of hiding the pain it caused. The track features rapping by Krayzie Bone and Wish Bone, members of the group Bone Thugs-n-Harmony. Before they wrote and performed their raps, Carey composed the music with Stevie J and penned her lyrics. The latter pair produced "Breakdown" with Sean "Puffy" Combs. An R&B, hip hop, and hip hop soul song, "Breakdown" features keyboards, synthesized drums, and background vocals prominently. Columbia Records released it to American rhythmic contemporary radio stations in January 1998 as the third single from Butterfly.
"Butterfly" is a song recorded by American singer Mariah Carey for her sixth studio album Butterfly (1997). Columbia Records released it as the second single from the album in September 1997. Written by Carey from the perspective of her husband, Columbia executive Tommy Mottola, the lyrics are about what she wished he would have told her amid their separation. Carey worked with Walter Afanasieff to produce the song and compose its music, which features keyboards, synthesizers, and programmed drums. She adopts a restrained vocal style that gradually evolves from whispers at the beginning to chest voice near its conclusion. A pop, gospel, and R&B ballad, "Butterfly" was originally conceived as the house record "Fly Away". Carey co-produced the latter with David Morales; it appears on both the album and as the single's B-side.
"Anytime You Need a Friend" is a song by American singer-songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her third studio album, Music Box (1993). It was released on May 24, 1994, through Columbia Records, as the fifth and final single from the album. The song is influenced by pop, R&B and gospel genres. While the album focused heavily on pop oriented and radio friendly material, "Anytime You Need a Friend" deviated from the formula, finishing as the only gospel-infused song on Music Box. Lyrically, the song's protagonist tells her love interest that anytime he may need a friend, she will be there unconditionally for him. Throughout the song's bridge and climax, critics noted the lyrics altering from those of a friend, to those of a lover.
"Can't Let Go" is a song recorded by American singer-songwriter Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about post-breakup sadness. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes in the song's introduction and ending.
"Make It Happen" is a song by American singer-songwriter Mariah Carey. Written and produced by Carey and C+C Music Factory's David Cole and Robert Clivillés. It was released on April 4, 1992, by Columbia Records as the third and final single from her second studio album, Emotions (1991). The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Described by author Chris Nickson as Carey's most personal and inspirational song, it tells of her personal struggles prior to her rise to fame, and how her faith in God helped sustain her.
"I Don't Wanna Cry" is a song recorded by American singer Mariah Carey for her first album Mariah Carey (1990). Written by Carey and producer Narada Michael Walden, Columbia Records released it as the album's fourth single in March 1991. A Latin soul–influenced pop ballad, the torch song describes the end of romance. It features drums, guitars, digital synthesizers, and a classic song structure with highly delineated section roles. Modulations occur between these segments that emphasize the singer's emotions. Varying from whispering to belting, Carey's vocal range spans more than two octaves.
"Someday" is a song by American singer-songwriter Mariah Carey from her self-titled debut studio album (1990). It is a dance-pop, new jack swing and R&B song. Prior to Carey signing a record contract, she and producer Ben Margulies had written and produced a four-track demo which included "Someday". After signing a contract with Columbia Records, Carey began work on her debut album and she reached out to Ric Wake to ask if he would produce the song, to which he agreed. The composition of the demo recording was changed during the recording process, most notably replacing the horns with a guitar, which Carey disapproved of.
"Love Takes Time" is a song recorded by American singer Mariah Carey for her eponymous debut studio album (1990). Written by Carey and Ben Margulies, while produced by Walter Afanasieff, the song was released as the second single from the album on August 22, 1990, by Columbia Records. An adult contemporary-influenced ballad, the song follows its protagonist lamenting the loss of a lover and confesses that "love takes time" to heal and that her feelings for her ex-lover remain.
"Vision of Love" is the debut single by American singer-songwriter Mariah Carey, recorded for her eponymous debut studio album (1990). It was written by Carey and Ben Margulies. After being featured on Carey's demo tape for Columbia Records, the song was re-recorded and produced by Rhett Lawrence and Narada Michael Walden. The song features a slow-dance theme tempo and backing vocals sung by Carey, and introduces her usage of the whistle register. The lyrics of the song represent her past life filled with "alienation" and how she had dreamed of achieving her triumph over adversity up to the moment when it finally came to fruition as the "vision of love" that she had always believed in, despite everything that she has had to deal with in life. The song was released as the lead single from Mariah Carey on May 15, 1990, by Columbia Records.
"Dreamlover" is a song recorded by American singer-songwriter and record producer Mariah Carey, released on July 27, 1993 by Columbia Records, as the lead single from the singer's third studio album, Music Box (1993). Its lyrics were written by Carey, with music composed by Carey and Dave Hall, and was produced by Carey, Walter Afanasieff and Hall. The song incorporates a sample of the hook from "Blind Alley" by the Emotions—previously used in "Ain't No Half-Steppin'" (1988) by Big Daddy Kane—into its melody and instrumentation. "Dreamlover" marked a more pronounced attempt on Carey's part to incorporate hip hop into her music, as was seen in her decision to work with Hall, who had previously produced What's the 411? (1992) by Mary J. Blige. This was partly in light of the mixed reception to her previous studio effort Emotions (1991), which featured gospel and 1960s soul influences. Lyrically, the song pictures a protagonist calling for a perfect lover, her "dreamlover," to whisk her away into the night and not "disillusion" her like others in the past.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Hero" is a song by American singer-songwriter and record producer Mariah Carey released on October 18, 1993, via Columbia Records as the second single from her third studio album, Music Box (1993). The song was written and produced by Carey and Walter Afanasieff. While writing the song, Carey did not connect to its style or sound, therefore forfeiting it to Gloria Estefan, who was intended to sing it for the soundtrack of the film of the same name (1992). However, after being convinced by Sony executive Tommy Mottola to keep it for herself, she changed some of the lyrics to more precisely fit her personality. Lyrically, the song is regarded as one of Carey's most inspirational and personal ballads, with its protagonist declaring that even though people may feel discouraged or down at times, in reality, they are "heroes" if they look inside themselves and see their own inner strength; in time, it will help them "find the way".
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
"Honey" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the lead single from Butterfly on July 29, 1997, by Columbia Records. The song was written and produced by Carey, Sean Combs, Kamaal "Q-Tip" Fareed and Steven "Stevie J" Jordan. The song samples "Hey DJ" by World-Famous Supreme Team and "The Body Rock" by the Treacherous Three. "Honey" was a redefining song in Carey's career, pushing her further into the hip hop scene.
The First Vision is the debut video album by American singer and songwriter Mariah Carey, released by Sony Music Video on January 22, 1991. It is a collection of music videos, live performances, and film footage detailing the development and promotion of Carey's first studio album Mariah Carey (1990). Music videos of three Mariah Carey singles – "Vision of Love", "Love Takes Time", and "Someday" – are featured, as are snippets of the future singles "I Don't Wanna Cry" and "There's Got to Be a Way". The collection presents Carey performing at New York City's Club Tatou and behind-the-scenes footage of her rehearsing for appearances on Saturday Night Live and It's Showtime at the Apollo. During an interview segment, Carey answers questions about her life and music.
Music Box is the third studio album by American singer-songwriter Mariah Carey. It was released by Columbia Records on August 31, 1993. The album comprises ballads primarily written by Carey and Walter Afanasieff, with whom she had previously worked on Emotions (1991), and a few urban dance tracks. During the course of the album's development, Carey wanted to broaden her audience, choosing a more pop/R&B oriented sound. During this time frame, she experimented with different musical instruments, leading the album's sound away from her more contemporary previous two efforts.
"Never Forget You" is a song recorded by American singer-songwriter Mariah Carey for her third studio album, Music Box (1993). Carey co-wrote the slow jam with Babyface and the pair produced it with Daryl Simmons. Columbia Records released the song on January 21, 1994, as the B-side to "Without You" and promoted it to American urban contemporary radio stations as the album's fourth single. The lyrics lament the end of a romance. Strings, synthesizers, and percussion characterize the composition; Jermaine Dupri altered them for remixes.