Holinshed's Chronicles

Last updated

The title page of the 1577 first edition of Holinshed's Chronicles 1577 printing of Holinshed's Chronicles.jpg
The title page of the 1577 first edition of Holinshed's Chronicles

Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first edition in 1577, and the second in 1587. It was a large, comprehensive description of British history published in three volumes (England, Scotland and Ireland).

Contents

The Chronicles have been a source of interest because of their extensive links to Shakespearean history, as well as King Lear , Macbeth and Cymbeline . Recent studies of the Chronicles have focused on an inter-disciplinary approach; numerous literary scholars have studied the traditional historiographical materials through a literary lens, with a focus on how contemporary men and women would have read historical texts. [1]

The Chronicles would have been a primary source for many other literary writers of the Renaissance such as Christopher Marlowe, Edmund Spenser and George Daniel. [2]

Description

Title page of the second edition 1587 printing of Holinshed's Chronicles.jpg
Title page of the second edition

In 1548, Reginald Wolfe, a London printer, conceived the idea of creating a "Universal Cosmography of the whole world, and therewith also certain particular histories of every known nation". He wanted the work to be printed in English, and he wanted maps and illustrations in the book as well. He acquired many of John Leland's works, and with these he constructed chronologies and drew maps that were up to date. When Wolfe realised he could not complete this project on his own, he hired Raphael Holinshed and William Harrison to assist him.

Wolfe died with the work still uncompleted in 1573, and the project—changed to a work specifically about the British Isles—was run by a consortium of three members of the Stationers' Company. They retained Holinshed, who employed Harrison, Richard Stanyhurst, Edmund Campion and John Hooker. In 1577, the work was published in two volumes after some censorship by the Privy Council of some of Stanyhurst's contribution on Ireland. [3]

The Chronicles narrative is characterised by a set of rhetorical figures and thematic paradigms that establish the national, royal, chivalrous and heroic ideals that define a state, its monarch, its leaders, and the political role of the common people. [4]

Influence on Shakespeare

William Shakespeare is widely believed [5] to have used the revised second edition of the Chronicles (published in 1587) as the source for most of his history plays, the plot of Macbeth , and portions of King Lear and Cymbeline .

Several other playwrights, such as Christopher Marlowe, used the Chronicles as a source.

The Chronicles and Macbeth

A generic picture of Lords meeting Ladies, used amongst other things for illustrating "Macbeth and Banquo encountering the witches" in the first edition of Holinshed's Chronicles Macbeth and Banquo encountering the witches - Holinshed Chronicles.gif
A generic picture of Lords meeting Ladies, used amongst other things for illustrating "Macbeth and Banquo encountering the witches" in the first edition of Holinshed's Chronicles

Shakespeare used Holinshed's work extensively in Macbeth, but in modified form. An instance is the Three Witches, whom Holinshed describes as "creatures of the elderwood ... nymphs or fairies". Nymphs and fairies are generally viewed as beautiful and youthful, but Shakespeare's three witches in Macbeth are ugly, dark, and bizarre. It is believed that he made the change to heighten the suspense and darkness of the play. [6] However, the Chronicles lacked any descriptions of Macbeth's character, so Shakespeare improvised on several points. [6] The characters Banquo and Fleance were also taken from Holinshed's works, but they are now considered to be inventions of the 16th century. [7]

The primary difference in the Chronicles is through characterisation. The character of Macbeth is primarily depicted as a good ruler, a king who was fair and just for 17 years. The plot displays King Duncan as a minor character and a weak king. It is possible that the reading of Shakespeare's King Duncan was inspired by the tale of King Duffe contained within the Chronicle. This story follows a similar narrative, as King Duffe and his murderer Donwald closely mirror the narrative of King Duncan and Macbeth. The bad omens following the murder of Duffe are similarly mirrored in Shakespeare's narrative.

Synopsis

The Chronicles tale of Macbeth differs from Shakespeare's version in numerous ways. The play features a scene in which Banquo and Macbeth encounter three women, each of whom speaks of a prophecy that would contribute to the characterisation of these women as 'otherworldly'. [8] The first woman says "All hayle Makbeth Thane of Glammis" (the title which he had just inherited following the death of his father). Two of the women say "All hayle Macbeth, Thane of Cawder". The third also says "All hayle Makbeth that hereafter shall be king of Scotland". As soon as they had appeared, the three women "vanished immediately out of theyr sight". [9]

In the Chronicles version, Macbeth is a much more sympathetic character. King Duncan is depicted as a weak ruler who violates the Scottish laws of succession by failing to consult with the Thanes before naming his son, a mere child named Malcolm, to rule after him. Macbeth and many other Thanes are enraged by this action.

Spurred on by the words of the three women he encounters, Macbeth is encouraged to attempt to usurp the kingdom by force. He is also spurred on by his wife, who is ambitious and desires the title of queen for herself.

In Holinshed's Chronicles, Banquo is shown as a scheming character: he is an accomplice in Macbeth's murder of Duncan. In comparison to Shakespeare's version, in which Duncan is murdered in his sleep, Duncan is slain in battle and his death is not highly detailed; "[Macbeth] slue the king at Enuerns ... in the sixt yeare of his reigne." [10]

In the Chronicles, Macbeth rules Scotland not briefly, but for 10 years, and is a capable and wise monarch who implements commendable laws. Fearing that Banquo will seize the kingdom, Macbeth invites him to a supper where he intends to kill him and his son. He succeeds in killing Banquo, but his son, Fleance, flees to Wales. Macbeth, convinced by the witches of his invincibility, commits outrageous acts against his subjects, gradually becoming a cruel and paranoid ruler.

The tale ends with Macbeth slain by Macduff, who then brings his head to the son of the original king, Malcolm.

The Chronicles and King Lear

It is believed that Shakespeare would have used the revised second edition of the Chronicles, which was published in 1587. Shakespeare's King Lear loosely follows the story detailed in the Chronicles. In the Chronicles, Leir's eldest daughters, Gonerilla and Regan, are married to the Dukes of Cornwall and Albania. After the love test Leir decrees only half of his kingdom is to be assigned to the dukes immediately, with the rest to be divided at his death. This leads to the dukes seizing power and Leir being left with only a small retinue to maintain him. Leir then flees to Gallia where his youngest daughter, Cordelia, is living. Owing to his youngest daughter's faithful support, he names Cordelia his sole heir. She and her husband Aganippus, the King of the Franks, raise an army and restore Leir to the throne, killing the Dukes. Leir then rules for two years before his death and is succeeded by Cordelia, who rules for a subsequent five years. [11]

A primary difference in the Chronicles is the continuation of the feuding through the children of the sisters. The sons of Gonerilla and Regan rise up against and imprison Cordelia, leading to a period of civil war, and Cordelia commits suicide.

The 1577 Chronicle features woodcuts of King Lear and Cordelia, depicted as the rightful rulers and highlighting their prevailing goodness within the story.

Writers who may have influenced King Lear include Geoffrey of Monmouth and Edmund Spenser, with the anonymous King Leir also contributing inspiration.

Related Research Articles

<span class="mw-page-title-main">Banquo</span> Character in Macbeth

LordBanquo, the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally of Macbeth and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered by three hired assassins; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm in public during a feast.

<i>Macbeth</i> Play by William Shakespeare

Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.

Macbethad mac Findláech, nicknamed the Red King, was King of Scotland (Alba) from 1040 until his death. Little is known about Macbeth's early life, although he was the son of Findláech of Moray and may have been a grandson of Malcolm II, presumably through his daughter Donada. He became Mormaer (Earl) of Moray – a semi-autonomous province – in 1032, and was probably responsible for the death of the previous mormaer, Gille Coemgáin. He subsequently married Gille Coemgáin's widow, Gruoch, but they had no children together.

<span class="mw-page-title-main">Raphael Holinshed</span> 16th-century English chronicler

Raphael Holinshed was an English chronicler, who was most famous for his work on The Chronicles of England, Scotlande, and Irelande, commonly known as Holinshed's Chronicles. It was the "first complete printed history of England composed as a continuous narrative". The Holinshed Chronicles was a major influence on many Renaissance writers, such as Shakespeare, Spenser, Daniel and Marlowe.

<span class="mw-page-title-main">Malcolm II of Scotland</span> King of Scots 1005–1034 AD

Máel Coluim mac Cináeda was King of Alba (Scotland) from 1005 until his death in the year 1034. He was one of the longest-reigning Scottish kings of that period.

Macduff (<i>Macbeth</i>) Character in Macbeth

Lord Macduff, the Thane of Fife, is a character and the heroic main antagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act. He can be seen as the avenging hero who helps save Scotland from Macbeth's tyranny in the play.

<i>Macbeth</i> (1971 film) 1971 film by Roman Polanski

Macbeth is a 1971 historical drama film directed by Roman Polanski, and co-written by Polanski and Kenneth Tynan. A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Highland lord who becomes King of Scotland through treachery and murder. Jon Finch and Francesca Annis star as the title character and his wife, noted for their relative youth as actors. Themes of historic recurrence, greater pessimism and internal ugliness in physically beautiful characters are added to Shakespeare's story of moral decline, which is presented in a more realistic style.

<span class="mw-page-title-main">Leir of Britain</span> Pseudo-historical king

Leir was a legendary king of the Britons whose story was recounted by Geoffrey of Monmouth in his pseudohistorical 12th-century History of the Kings of Britain. According to Geoffrey's genealogy of the British dynasty, Leir's reign would have occurred around the 8th century BC, around the time of the founding of Rome. The story was modified and retold by William Shakespeare in his Jacobean tragedy King Lear.

<span class="mw-page-title-main">Cordelia of Britain</span> Lgendary Queen of the Britons

Cordelia was a legendary Queen of the Britons, as recounted by Geoffrey of Monmouth. She came to power in 855BC.

<span class="mw-page-title-main">Gruoch</span> Queen of Scotland from 1040 to 1057

Gruoch ingen Boite was a Scottish queen, the daughter of Boite mac Cináeda, son of Cináed II. The dates of her life are uncertain. She is most famous for being the wife and queen of MacBethad mac Findlaích (Macbeth), as well as through the character of Lady Macbeth in Shakespeare's Macbeth. However, Shakespeare's Macbeth is based on Holinshed's Chronicles and is not historically accurate.

Fleance is a figure in legendary Scottish history. He was depicted by 16th-century historians as the son of Lord Banquo, Thane of Lochaber, and the ancestor of the kings of the House of Stuart. Fleance is best known as a character in William Shakespeare's play Macbeth, in which the Three Witches prophesy that Banquo's descendants shall be kings. Some screen adaptations of the story expand on Fleance's role by showing his return to the kingdom after Macbeth's death.

<i>Macbeth</i> (1948 film) 1948 film by Orson Welles

Macbeth is a 1948 American historical drama directed by Orson Welles. A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Scottish general who becomes the King of Scotland through treachery and murder. The film stars Welles in the lead role and Jeanette Nolan as Lady Macbeth.

<span class="mw-page-title-main">Lady Macduff</span> Character in Macbeth

Lady Macduff is a character in William Shakespeare's Macbeth. She is married to Lord Macduff, the Thane of Fife. Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders. Though Lady Macduff's appearance is limited to this scene, her role in the play is quite significant. Later playwrights, William Davenant especially, expanded her role in adaptation and in performance.

<span class="mw-page-title-main">Macbeth (character)</span> Character in Macbeth

Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth. The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.

<span class="mw-page-title-main">Three Witches</span> Characters in Macbeth

The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth. The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources, apart from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's Daemonologie, the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae.

<span class="mw-page-title-main">King Duncan</span> Fictional character in Shakespeares Macbeth

King Duncan is a fictional character in Shakespeare's Macbeth. He is the father of two youthful sons, and the victim of a well-plotted regicide in a power grab by his trusted captain Macbeth. The origin of the character lies in a narrative of the historical Donnchad mac Crinain, King of Scots, in Raphael Holinshed's 1587 The Chronicles of England, Scotland, and Ireland, a history of Britain familiar to Shakespeare and his contemporaries. Unlike Holinshed's incompetent King Duncan, Shakespeare's King Duncan is crafted as a sensitive, insightful, and generous father-figure whose murder grieves Scotland and is accounted the cause of turmoil in the natural world.

Donalbain (<i>Macbeth</i>) Theatrical character in the play "Macbeth"

Donalbain is a character in William Shakespeare's Macbeth. He is the younger son of King Duncan and brother to Malcolm, the heir to the throne. Donalbain flees to Ireland after the murder of his father for refuge. He is ultimately based on the historical King Donald III of Scotland.

Malcolm (<i>Macbeth</i>) Character in Macbeth

Malcolm is a character in William Shakespeare's Macbeth. The character is based on the historical king Malcolm III of Scotland, and is derived largely from the account in Holinshed's Chronicles (1587), a history of Britain. He is the elder son of King Duncan, the heir to the throne, and brother to Donalbain. In the end, he regains the throne after mustering support to overthrow Macbeth.

<i>The Tragedy of Macbeth</i> (2021 film) Film by Joel Coen

The Tragedy of Macbeth is a 2021 American historical thriller film written, directed and produced by Joel Coen, based on the play Macbeth by William Shakespeare. It is the first film directed by one of the Coen brothers without the other's involvement. The film stars Denzel Washington, Frances McDormand, Bertie Carvel, Alex Hassell, Corey Hawkins, Harry Melling, Kathryn Hunter, and Brendan Gleeson.

References

  1. Richard, Helgerson (2000). Forms of nationhood : the Elizabethan writing of England. Univ. of Chicago Press. ISBN   978-0226326337. OCLC   248951289.
  2. "Holinshed's Chronicles, 1577". The British Library. Archived from the original on 4 April 2023. Retrieved 30 January 2019.
  3. (King's College London) Holinshed's Chronicles February 2005. Accessed 1 June 2008. Archived July 6, 2009, at the Wayback Machine
  4. Igor, Djordjevic (2016). Holinshed's nation : ideals, memory, and practical policy in the Chronicles. Abingdon, England: Routledge. ISBN   9781315586960. OCLC   952729199.
  5. "Holinshed's Chronicles, 1577 - The British Library". Bl.uk. 23 November 2015. Archived from the original on 4 April 2023. Retrieved 5 November 2016.
  6. 1 2 "Shakespeare's Sources for Macbeth: Holinshed and Witches". Shakespeare-online.com. 20 August 2000. Retrieved 5 November 2016.
  7. "shakespeare.com FAQ". Shakespeare.nowheres.com. Retrieved 5 November 2016.
  8. Hemming, Richard (29 May 1897). "Shakspeare's 'Macbeth' and Holinshed". Notes and Queries. s8-XI (283): 434–435. doi:10.1093/nq/s8-xi.283.434e. ISSN   1471-6941.
  9. Kersey, Harriet (1 October 2018). "Holinshed's Chronicles: Macbeth, Banquo and Three Weird Sisters (CCL, W/G-5-15)". Canterbury Cathedral. Retrieved 30 January 2019.
  10. Hawkes, Terence; Hosley, Richard (1969). "Shakespeare's Holinshed: An Edition of Holinshed's Chronicles (1587)". Shakespeare Quarterly . 20 (4). Baltimore, Maryland: Johns Hopkins University Press: 473. doi:10.2307/2868553. ISSN   0037-3222. JSTOR   2868553.
  11. "Holinshed's Chronicles, 1577". The British Library. Archived from the original on 4 April 2023. Retrieved 30 January 2019.

Bibliography

Modern edition