"It's Nobody's Fault but Mine" | |
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Single by Blind Willie Johnson | |
Released | 1927–1928 |
Recorded | Dallas, Texas, December 3, 1927 |
Genre | Gospel blues |
Length | 3:09 |
Label | Columbia |
Songwriter(s) | Blind Willie Johnson [1] |
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. [2] The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence .
"It's Nobody's Fault but Mine" tells of a spiritual struggle, with reading the Bible as the path to salvation, or, rather, the failure to read it leading to damnation. Johnson was blinded at age seven when his stepmother threw a caustic solution [3] and his verses attribute his father, mother, and sister with teaching him how to read. The context of this song is strictly religious. [2] Johnson's song is a melancholy expression of his spirit, as the blues style echoes the depths of his guilt and his struggle. An early review called the song "violent, tortured and abysmal shouts and groans and his inspired guitar playing in a primitive and frightening Negro religious song".
In performing the song, Johnson alternated between vocal and solo slide-guitar melody lines on the first and second or sometimes third and fourth strings. [2] Eric Clapton commented: "That's probably the finest slide guitar playing you'll ever hear. And to think that he did it with a penknife, as well." [4] Johnson's guitar is tuned to an open D chord with a capo on the first fret and he provides an alternating bass figure with his thumb.
"It's Nobody's Fault but Mine" was one of the first songs recorded by Johnson for Columbia Records. The session took place in Dallas, Texas, on December 3, 1927. [3] Columbia released it as his second single on the then-standard 78 rpm record format, with "Dark Was the Night, Cold Was the Ground" as the second side. [5] In the 1930s, the single was also issued by Vocalion Records and other labels. In 1957, the song was included on the Folkways Records' compilation album Blind Willie Johnson – His Story, with narration by Samuel Charters. [4] [lower-alpha 1] Over the years, it has been included on numerous Johnson and blues compilations, including The Complete Blind Willie Johnson (1993), the comprehensive CD set of his recordings for Columbia. [5]
"It's Nobody's Fault but Mine" is one of Johnson's most interpreted songs. Many artists have recorded it as "Nobody's Fault but Mine" as well as the original title, with the songwriting credits including Blind Willie Johnson, public domain, and traditional. [6] AllMusic notes renditions by:
Clapton considered recording it: "One of his [Blind Willie Johnson's] songs that I would like to have done is 'Nobody's Fault but Mine', but it is almost impossible to play. I dare you to find a slide player who can do that!" [14]
"Nobody's Fault but Mine" | |
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Song by Led Zeppelin | |
from the album Presence | |
Released | March 31, 1976 |
Recorded | November 1975 |
Studio | Musicland, Munich, Germany |
Genre | |
Length | 6:15 [lower-alpha 2] |
Label | Swan Song |
Songwriter(s) | (credited, see text) |
Producer(s) | Jimmy Page |
English rock band Led Zeppelin recorded a rendition titled "Nobody's Fault but Mine" for their seventh studio album Presence (1976). Adapted from Blind Willie Johnson's song, the lyrics represent a more secular theme, with an electric rock music backing. [22]
Led Zeppelin releases list the songwriters as guitarist Jimmy Page and singer Robert Plant, however, group chronicler Dave Lewis commented: "The Page/Plant credit here is a little misleading as Blind Willie Johnson may well have been under the impression that he wrote the lyrics back in 1928, a fact that Robert acknowledged when introducing the track on stage in Copenhagen in 1979." [23]
In an interview, Page explained that Plant wanted to record Johnson's song, so he developed a new musical arrangement, while Plant retained some of the original lyrics. [24] However, Led Zeppelin biographer George Case maintains that Page was probably influenced by John Renbourn's 1966 acoustic version of the song. [16] [lower-alpha 3]
Led Zeppelin further developed and recorded the song during the difficult period they faced after Plant's 1975 automobile accident in Rhodes. The incident left him with serious injuries to his ankle and leg and there was fear that he might not recover completely. The group recorded Presence in November 1975 at the Musicland Studios in Munich, Germany, while Plant was largely confined to a wheel chair. [25]
Lyrically, "Nobody's Fault but Mine" has been compared to Robert Johnson's "Hell Hound on My Trail". [26] Johnson's 1937 Delta blues song tells of a man trying to stay ahead of the evil which is pursuing him, but it does not address the cause or lasting solution for his predicament. [27] In Blind Willie Johnson's "It's Nobody's Fault but Mine", the problem is clearly stated: he will be doomed, unless he uses his abilities to learn (and presumably live according to) biblical teachings. Led Zeppelin retain Blind Willie's admission that he ultimately is to blame, but add Robert Johnson's sense of despair. [26] However, they shift the focus from religion to a more contemporary one. [16] Their lyrics include "that monkey on my back", a commonly used reference to addiction, and "the devil he told me to roll, how to roll the line tonight"; [28] to overcome, Plant concludes "gonna change my ways tonight".
"Nobody's Fault but Mine" follows a call-and-response structure, with Page's updated slide guitar adaptation. [22] Page triple-tracked his guitar intro; playing one guitar an octave higher than the others and using a phaser. Plant adds a blues-style harmonica solo mid-song. [23] Drummer John Bonham and bassist John Paul Jones maintain the rhythm of the song, adding some syncopated accents during repetitions of the introductory phrase. Record producer Rick Rubin described the song's structure as "A traditional blues, twisted through a trippy, psychedelic filter. They [Led Zeppelin] played with such precision, doing these odd arrangements that sound like loose jams but are really choreographed." [29]
Beginning with the Led Zeppelin North American Tour 1977, "Nobody's Fault but Mine" became a regular component of Led Zeppelin concerts, with performances at nearly every show up to the group's final tour of Europe in 1980. [23] A live version was filmed and recorded at Knebworth in 1979 and is included on the 2003 Led Zeppelin DVD . Their performance of the song with Jason Bonham at the Ahmet Ertegun Tribute Concert at the O2 Arena, London on December 10, 2007, was released in 2012 on the concert film Celebration Day . At the 2007 O2 performance, Plant joked that they first heard the song in a Mississippi church in 1932. [30]
In a contemporary review for Presence, Stephen Davis of Rolling Stone described "Nobody's Fault but Mine" as a "strong" song, showcasing an example of "fine rock" on Presence. [31] In a retrospective review of Presence (Deluxe Edition), Andrew Doscas of PopMatters gave "Nobody's Fault but Mine" a positive review, describing the track as "a behemoth made from bone-crunching basslines, a maniacal harmonica solo, and its memorable 'call-and-response' structure." [18] Reviewing the track in detail, Doscas stated it "serves as a paradigm for the state of the band’s reputation, as well as the album Presence. It’s a heavy, blues-rock track that like an avalanche grinds down everything in its path." [18] In another retrospective review for the reissue of Presence, Mark Richardson of Pitchfork gave "Nobody's Fault but Mine" a positive review, praising John Paul Jones' bass syncs with John Bonham's kick drum patterns. [32] Richardson further described the song as a "stop/start masterpiece". [32]
In 1994, Jimmy Page and Robert Plant recorded an acoustic arrangement of "Nobody's Fault but Mine". It was released on their No Quarter album, that featured their interpretations of Led Zeppelin songs using different instrumentation and backing musicians. [33] Their new arrangement also includes the "got a Bible in my home" line from Blind Willie Johnson's 1927 original.
Presence is the seventh studio album by the English rock band Led Zeppelin, released by their own label Swan Song Records on 31 March 1976. While the record was commercially successful, reaching the top of both the British and American album charts, and achieving a triple-platinum certification in the United States by the RIAA, it received mixed reviews from critics and is the lowest-selling album by the band.
Blind Willie Johnson was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.
"You Shook Me" is a 1962 blues song recorded by Chicago blues artist Muddy Waters. Willie Dixon wrote the lyrics and Earl Hooker provided the instrumental backing; the song features Waters' vocal in unison with Hooker's slide-guitar melody. "You Shook Me" became one of Muddy Waters' most successful early-1960s singles and has been interpreted by several blues and rock artists.
"Achilles Last Stand" is a song by the English rock group Led Zeppelin released as the opening track on their seventh studio album, Presence (1976). Guitarist Jimmy Page and singer Robert Plant began writing the song during the summer of 1975 and were influenced by Eastern music, mythology, and exposure to diverse cultures during their travels. At roughly ten-and-a-half minutes, it is one of the group's longest studio recordings and one of their most complex, with interwoven sections and multiple, overdubbed guitar parts.
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"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.
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"Dark Was the Night, Cold Was the Ground" is a gospel blues song written and performed by American musician Blind Willie Johnson and recorded in 1927. The song is primarily an instrumental featuring Johnson's self-taught bottleneck slide guitar and picking style accompanied by his vocalizations of humming and moaning. It has the distinction of being one of 27 samples of music included on the Voyager Golden Record, launched into space in 1977 to represent the diversity of life on Earth. The song has been highly praised and covered by numerous musicians and is featured on the soundtracks of several films.
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Nobody's Fault or Nobody's Fault But Mine may refer to:
Other highlights range from the swaggering blues-rock abandon of "Nobody's Fault But Mine" to the funks moves of "Hots On For Nowhere".
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