The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
Pinky is a 1949 American drama film directed by Elia Kazan and produced by Darryl F. Zanuck. The screenplay was adapted by Philip Dunne and Dudley Nichols based on Cid Ricketts Sumner's 1946 novel Quality. It stars Jeanne Crain as the title character, a young light-skinned black woman who passes for white. It also stars Ethel Barrymore, Ethel Waters and William Lundigan.
Prior restraint is censorship imposed, usually by a government or institution, on expression, that prohibits particular instances of expression. It is in contrast to censorship that establishes general subject matter restrictions and reviews a particular instance of expression only after the expression has taken place.
Arthur Garfield Hays was an American lawyer and champion of civil liberties issues, best known as a co-founder and general counsel of the American Civil Liberties Union and for participating in notable cases including the Sacco and Vanzetti trial. He was a member of the Committee of 48 and a contributor to The New Republic. In 1937, he headed an independent investigation of an incident in which 19 people were killed and more than 200 wounded in Ponce, Puerto Rico, when police fired at them. His commission concluded the police had behaved as a mob and committed a massacre.
Mutual Film Corporation v. Industrial Commission of Ohio, 236 U.S. 230 (1915), was a landmark decision of the US Supreme Court ruling by a 9–0 vote that the free speech protection of the Ohio Constitution, which was substantially similar to the First Amendment of the United States Constitution, did not extend to motion pictures.
In the United States, censorship involves the suppression of speech or public communication and raises issues of freedom of speech, which is protected by the First Amendment to the United States Constitution. Interpretation of this fundamental freedom has varied since its enshrinement. Traditionally, the First Amendment was regarded as applying only to the Federal government, leaving the states and local communities free to censor or not. As the applicability of states rights in lawmaking vis-a-vis citizens' national rights began to wane in the wake of the Civil War, censorship by any level of government eventually came under scrutiny, but not without resistance. For example, in recent decades, censorial restraints increased during the 1950s period of widespread anti-communist sentiment, as exemplified by the hearings of the House Committee on Un-American Activities. In Miller v. California (1973), the U.S. Supreme Court found that the First Amendment's freedom of speech does not apply to obscenity, which can, therefore, be censored. While certain forms of hate speech are legal so long as they do not turn to action or incite others to commit illegal acts, more severe forms have led to people or groups being denied marching permits or the Westboro Baptist Church being sued, although the initial adverse ruling against the latter was later overturned on appeal to the U.S. Supreme Court case Snyder v. Phelps.
Joseph Burstyn was a Polish-American film distributor who specialized in the commercial release of foreign-language and American independent film productions.
L'Amore ('Love') is a 1948 Italian drama anthology film directed by Roberto Rossellini starring Anna Magnani and Federico Fellini. It consists of two parts, The Human Voice, based on Jean Cocteau's 1929 play of the same title, and The Miracle, based on Ramón del Valle-Inclán's 1904 novel Flor de santidad. The second part was banned in the United States until it was cleared in 1952 by the Supreme Court's decision upholding the right to freedom of speech.
Freedman v. Maryland, 380 U.S. 51 (1965), was a United States Supreme Court case that ended government-operated rating boards with a decision that a rating board could only approve a film and had no power to ban a film. The ruling also concluded that a rating board must either approve a film within a reasonable time, or go to court to stop a film from being shown in theatres. Other court cases determined that television stations are federally licensed, so local rating boards have no jurisdiction over films shown on television. When the movie industry set up its own rating system—the Motion Picture Association of America—most state and local boards ceased operating.
Burstyn, Burshtyn, Burshtin, Birshtyn, or Bursztyn are derived from Polish (bursztyn) or Ukrainian (Бурштин) for amber. It corresponds to German and Yiddish surname Bernstein. It may refer to:
Ashcroft v. Free Speech Coalition, 535 U.S. 234 (2002), is a U.S. Supreme Court case that struck down two overbroad provisions of the Child Pornography Prevention Act of 1996 because they abridged "the freedom to engage in a substantial amount of lawful speech". The case was brought against the U.S. government by the Free Speech Coalition, a "California trade association for the adult-entertainment industry", along with Bold Type, Inc., a "publisher of a book advocating the nudist lifestyle"; Jim Gingerich, who paints nudes; and Ron Raffaelli, a photographer who specialized in erotic images. By striking down these two provisions, the Court rejected an invitation to increase the amount of speech that would be categorically outside the protection of the First Amendment.
Smith v. California, 361 U.S. 147 (1959), was a U.S. Supreme Court case upholding the freedom of the press. The decision deemed unconstitutional a city ordinance that made one in possession of obscene books criminally liable because it did not require proof that one had knowledge of the book's content, and thus violated the freedom of the press guaranteed in the First Amendment. Smith v. California continued the Supreme Court precedent of ruling that questions of freedom of expression were protected by the Due Process Clause of the Fourteenth Amendment from invasion by state action. It also established that in order for one to be criminally liable for possession of obscene material, there must be proof of one's knowledge of the material. It described that by requiring booksellers to know the contents of all of the books that they sell, this would lead to the government compelling booksellers to self-censor thereby restricting the public's access to books which the State could not constitutionally suppress directly.
Film censorship in the United States was a frequent feature of the industry almost from the beginning of the U.S. motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.
The Virginia State Board of Censors was a government agency formed on August 1, 1922 for the purpose of reviewing and licensing films for approval to be screened in the state of Virginia. During the agency's existence its members examined over 52,000 films, over 2,000 of which required edits before approval was given; and another 157 films were rejected entirely, of which only 38 won subsequent approval. The board disbanded in 1968 following a series of U.S. Supreme Court rulings which overturned censorship statutes across the country.
Whirlpool of Desire is a 1935 French drama film directed by Edmond T. Gréville and starring Jeanne Boitel, Jean Galland, Maurice Maillot, and Françoise Rosay. The screenplay was written by American writer Peggy Thompson and André Doderet. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Pierre Schild.
Ephraim S. London was an American attorney and law professor specializing in constitutional law who established a reputation as a defender of free speech and civil liberties. He taught constitutional law at the New York University School of Law, his alma mater. He wrote The World of Law, a textbook that was widely used in law schools. He was also the author of The Law as Literature.
Hazelwood School District et al. v. Kuhlmeier et al., 484 U.S. 260 (1988), was a landmark decision by the Supreme Court of the United States which held, in a 5–3 decision, that student speech in a school-sponsored student newspaper at a public highschool could be censored by school officials without a violation of First Amendment rights if the school's actions were "reasonably related" to a legitimate pedagogical concern.
The Vinson Court refers to the Supreme Court of the United States from 1946 to 1953, when Fred M. Vinson served as Chief Justice of the United States. Vinson succeeded Harlan F. Stone as Chief Justice after the latter's death, and Vinson served as Chief Justice until his death, at which point Earl Warren was nominated and confirmed to succeed Vinson.
Times Film Corporation v. City of Chicago, or Times v. City of Chicago is the name of two cases decided by the U.S. Supreme Court in 1957 and 1961. Both involved the issue of limits on freedom of expression in connection with motion pictures. In both cases the court affirmed the right of local governments to engage in some form of censorship.
Holmby Productions, Inc. v. Vaughn, 177 Kan. 728 (1955), 282 P.2d 412, is a Kansas Supreme Court case in which the Kansas State Board of Review, the state censorship board, and the attorney defendants appealed the decision of the District Court of Wyandotte County. It was found that the law that allowed the board to deny a request for a permit allowing United Artists to show the motion picture The Moon is Blue in Kansas theaters was unconstitutional, and an injunction was issued prohibiting the defendants from stopping the exhibition of the film in Kansas.
