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Kala (Sanskrit : काल, romanized: Kālá/Kālam, [2] IPA: [kɑːˈlə] ) is a Sanskrit term that means 'time' [3] or 'death'. [4] As time personified, destroying all things, Kala is a god of death, and often used as one of the epithets of Yama. In Shaivism, Kala is known as the fiery avatar of Shiva, Kala Bhairava or Kalagni Rudra; and in Vaishnavism Kala is also associated with Narasimha and Pralaya. [5] As applied to gods and goddesses, Kālá is not always distinguishable from kāla, meaning 'black'. [4]
Monier-Williams's widely used Sanskrit-English dictionary [4] lists two distinct words with the form kāla:
According to Monier-Williams, kāla 2 is from the verbal root kal "to calculate", while the root of kāla 1 is uncertain, though possibly the same. [4]
As applied to gods and goddesses in works such as the DevīMāhātmya and the SkandaPurāṇa, kāla 1 and kāla 2 are not readily distinguishable. Thus Wendy Doniger, translating a conversation between Śiva and Pārvatī from the SkandaPurāṇa, says Mahākāla may mean " 'the Great Death' ... or 'the Great Black One' ". [6] And SwāmīJagadīśvarānanda, a Hindu translator of the DevīMāhātmya, renders the feminine compound kāla-rātri (where rātri means "night") as "dark night of periodic dissolution". [7]
Kala appears as an impersonal deity within the Mahabharata, the Ramayana, and the Bhagavata Purana. In the Mahabharata, Krishna, one of the main characters, reveals his identity as Time personified. He states to Arjuna that both sides on the battlefield of the Kurukshetra War have already been annihilated. At the end of the epic, the entire Yadu dynasty (Krishna's dynasty) is similarly annihilated.
Kala appears in the Uttara Kanda of the Ramayana, as the messenger of Death (Yama). At the end of the story, Time, in the form of inevitability or necessity, informs Rama that his reign on Earth is now over. By a trick or dilemma, he forces the death of Lakshmana, and informs Rama that he must return to the realm of the gods. Lakshmana willingly passes away with Rama's blessing and Rama returns to Vaikuntha.
Time appears in the Bhagavata Purana as the force that is responsible for the imperceptible and inevitable change in the entire creation. According to the Purana, all created things are illusory, and thereby subject to creation and annihilation, this imperceptible and inconceivable impermanence is said to be due to the march of Time. Similarly, Time is considered to be the unmanifest aspect of God that remains after the destruction of the entire world at the end of a lifespan of Brahma. According to Soifer, Narasimha is explicitly linked with Pralaya or Yuganta itself in Bhagavata Purana, Linga Purana, and Kurma Purana versions; he is said to appear like Kala or the fire of destruction, both agents of Pralaya. [5]
In the Chaitanya Bhagavata, a Gaudiya Vaishnava text and biography of Chaitanya Mahaprabhu, it is said that the fire that emerges from the mouth of Sankarshana at the End of Time is the Kālānala, or "fire of Time". [8] One of the names of Sankarshana is kālāgni, also "fire of time". [9]
The Vishnu Purana also states that Time (kala) is one of the four primary forms of Vishnu, the others being matter (Pradhana), visible substance (vyakta), and Spirit (Purusha). [10] [11] According to Pinchman, "It is said that at the time of primordial creation, three forms arise from Vishnu: time (kala), purusha, and prakrti". [12]
At Bhagavad Gita 11.32, Krishna takes on the form of kāla, the destroyer, announcing to Arjuna that all the warriors on both sides will be killed, apart from the Pandavas:
कालो ऽस्मि लोकक्षयकृत् प्रवृद्धो लोकान् समाहर्तुम् इह प्रवृत्तः ।
Time (kāla) I am, the great destroyer of the worlds, and I have come here to destroy all people. [13]
— Bhagavad Gita, Verse 11.32
This phrase is famous for being quoted by J. Robert Oppenheimer as he reflected on the Manhattan Project's explosion of the first nuclear bomb in 1945.
In Javanese mythology, Batara Kala is the god of destruction. It is a very huge mighty and powerful god depicted as giant, born of the sperm of Shiva, the kings of gods.
In Borobudur, the gate to the stairs is adorned with a giant head, making the gate look like the open mouth of the giant. Many other gates in Javanese traditional buildings have this kind of ornament. Perhaps the most detailed Kala Face in Java is on the south side of Candi Kalasan.
In Thailand, he is popular worshipped together with Lak Mueang within Tai folk religion and Chitragupta in Hinduism. [14]
In Jainism, Kāla (Time) is infinite and is explained in two different ways:
However Jainism recognizes a very small measurement of time known as samaya which is an infinitely small part of a second. There are cycles (kalachakras) in it. Each cycle having two eras of equal duration described as the avasarpini and the utsarpini .
Shesha, also known by his epithets Sheshanaga and Adishesha, is a serpentine demigod (naga) and king of the serpents (Nagaraja), as well as a primordial being of creation in Hinduism. In the Puranas, Shesha is said to hold all the planets of the universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. He is sometimes referred to as Ananta Shesha.
Matsya is the fish avatar of the Hindu god Vishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish.
Varaha is the avatara of the Hindu god Vishnu, in the form of a boar. Varaha is generally listed as third in the Dashavatara, the ten principal avataras of Vishnu.
Narasimha, is the fourth avatara of the Hindu god Vishnu. He incarnated as a part-lion, part-man and killed Hiranyakashipu, ended religious persecution and calamity on earth, and restored dharma. Narasimha has three eyes, and is in the God of Destruction in Vaishnavism; he who destroys the entire universe at destruction (Pralaya). Hence, he is known as Kala (time) or Mahakala (great-time), or Parakala in his names. There exists a matha (monastery) dedicated to him by the name of Parakala Matha at Mysuru in the Sri Vaishnava tradition. Narasimha is the God of Yoga, as Yoga-Narasimha.
Avatar is a concept within Hinduism that in Sanskrit literally means 'descent'. It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being.
Puranas are a vast genre of Hindu literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Mahadevi. The Puranic genre of literature is found in both Hinduism and Jainism.
Deva means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi. The word is a cognate with Latin deus ("god") and Greek Zeus.
The Devi Mahatmya or Devi Mahatmyam is a Hindu philosophical text describing the Goddess, known as Mahadevi or Adishakti, as the supreme power and creator of the universe. It is part of the Markandeya Purana.
Sati, also known as Dakshayani, is the Hindu goddess of marital felicity and longevity, and is worshipped as an aspect of the mother goddess Shakti. Sati was the first wife of Shiva, the other being Parvati, who was Sati's reincarnation after her death.
The Sanskrit text Garuda Purana is one of 18 Mahapuranas in Hinduism. The Garuda Purana was likely composed in the first millennium CE, with significant expansions and revisions occurring over several centuries. Scholars estimate that the earliest core might date back to between the 4th and 11th centuries CE, with substantial additions and modifications continuing into the 2nd millennium CE.
Pralaya is a concept in Hindu eschatology. Generally referring to four different phenomena, it is most commonly used to indicate the event of the dissolution of the entire universe that follows a kalpa called the Brahmapralaya.
Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkā, lit. "mothers") also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the Brihat Samhita, Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their spouses or their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha.
Mahakali is the Hindu goddess of time and death in the goddess-centric tradition of Shaktism. She is also known as the supreme being in various Tantras and Puranas.
The Devi Bhagavata Purana, also known as the Devi Purana or simply Devi Bhagavatam, is one of the eighteen Mahapuranas as per Shiva Purana of Hinduism. Composed in Sanskrit by Veda Vyasa, the text is considered a major purana for Devi worshippers (Shaktas). It promotes bhakti (devotion) towards Mahadevi, integrating themes from the Shaktadvaitavada tradition. While this is generally regarded as a Shakta Purana, some scholars such as Dowson have also interpreted this Purana as a Shaiva Purana.
The Dashavatara are the ten primary avatars of Vishnu, a principal Hindu god. Vishnu is said to descend in the form of an avatar to restore cosmic order. The word Dashavatara derives from daśa, meaning "ten", and avatāra, roughly equivalent to "incarnation".
Devī is the Sanskrit word for 'goddess'; the masculine form is deva. Devi and deva mean 'heavenly, divine, anything of excellence', and are also gender-specific terms for a deity in Hinduism.
Shakti in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a male deity and, more specifically, is identified as the consort of the god Shiva.
Mahadevi, also referred to as the Devi, Adi Parashakti and Mahamaya, is the supreme goddess in Hinduism. According to the goddess-centric sect Shaktism, all Hindu gods and goddesses are considered to be manifestations of this great goddess, who is considered as the Para Brahman or the ultimate reality.
Yogamaya is a Hindu goddess who serves as the personification of Vishnu's powers of illusion. In Vaishnava tradition, she is accorded the epithet Narayani—"the sister of Narayana (Vishnu)"—and is regarded as the benevolent aspect of the goddess Durga.
The Devi Gita is an ancient Hindu philosophical text from the Devi-Bhagavata Purana, a major text of the Shakta devotees, in the form of dialogue between Mahadevi and king Himavan. It is also one of the sixty-four Gitas commonly referred to in Hindu scriptures.