Fever is the eighth studio album by Australian singer Kylie Minogue. It was released on 1 October 2001 internationally by Parlophone and later launched in the United States on 26 February 2002 by Capitol Records. Minogue worked with writers and producers such as Cathy Dennis, Rob Davis, Richard Stannard, Julian Gallagher, TommyD, Tom Nichols, Pascal Gabriel and others to create a disco and Europop-influenced dance-pop and nu-disco album. Other musical influences of the album range from synth-pop to club music.
Read My Lips is the debut studio album by English singer Sophie Ellis-Bextor, released on 3 September 2001 by Polydor Records. After the disbandment of the Britpop group Theaudience, in which Ellis-Bextor served as vocalist, she was signed to Polydor. Prior to the LP's completion, the singer collaborated with several musicians, including band Blur's bassist Alex James, Moby and New Radicals frontman Gregg Alexander. The record was described as a collection of 1980s electronica and 1970s disco music.
Rogue Traders is an Australian electronic rock band formed in Melbourne, Victoria in 2002 by mainstay James Ash on keyboards. In 1989, Ash met fellow original member Steve Davis in London while both were working as DJs. Before forming Rogue Traders, the pair had worked together on many projects, including the dance music act Union State, which relocated to Melbourne in 1992. The group's name comes from the 1999 drama film, Rogue Trader. They were joined in 2004 by soap opera actress, Natalie Bassingthwaighte, on lead vocals, Cameron McGlinchey on drums and Tim Henwood on guitar. Davis continued as a behind-the-scenes member, contributing to the songwriting process but not making any public appearances with the group.
Pseudo Echo are an Australian New wave band formed in 1982 by Brian Canham, Pierre Gigliotti, and Tony Lugton (keyboards). Later members included Anthony Argiro (drums), Vince Leigh (drums), and James Leigh (keyboards). In the 1980s, Pseudo Echo had multiple Australian top 20 hits with "Listening", "A Beat for You", "Don't Go", "Love an Adventure", and "Living in a Dream". Their 1986 cover of "Funky Town" was an international success, peaking at No. 1 in Australia and New Zealand and becoming a top ten hit in Sweden, Canada, the United States, and in the United Kingdom.
Love. Angel. Music. Baby. is the debut solo studio album by American singer Gwen Stefani, released on November 12, 2004, by Interscope Records. Stefani, who had previously released five studio albums as lead singer of the rock band No Doubt, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, Jimmy Jam and Terry Lewis, the Neptunes and Linda Perry. The album also features guest appearances by Eve and André 3000.
I'm Not Dead is the fourth studio album by American singer and songwriter Pink. It was released on April 4, 2006, through LaFace Records and Jive Records. Following the commercial underperformance of her third studio album Try This (2003), Pink parted ways with Arista Records and began experimenting with new sounds and collaborating with new producers, and stated she named the album after having an epiphany about adult responsibilities and the realities of everyday life. Pink served as the executive producer of the project and contributions to the album's production came from several producers including Billy Mann, Butch Walker, Dr. Luke and Max Martin.
Foreign Affair is the seventh solo studio album by Tina Turner, released on September 13, 1989, through Capitol Records. It was Turner's third album release after her massively successful comeback five years earlier with Private Dancer and her third and last album with the label. Although the album was not a major success in Turner's native United States, it was a huge international hit, especially in Europe. The album reached number one on the UK Albums Chart, her first number one album there. Dan Hartman produced most of the tracks on the album, including the hit single "The Best", which has gone on to become one of Turner's signature songs.
Kelis Was Here is the fourth studio album by American singer Kelis, released on August 22, 2006, by Jive Records. Originally titled The Puppeteer, the album features production by Bangladesh, Raphael Saadiq, Max Martin, Sean Garrett, and Scott Storch, among others, and also features collaborations with will.i.am, Nas, Cee-Lo, Too Short, and Spragga Benz. It is Kelis's first album not to feature longtime collaborators the Neptunes. Kelis Was Here received a nomination for Best Contemporary R&B Album at the 2007 Grammy Awards.
Alright, Still is the debut studio album by English singer Lily Allen, released on 13 July 2006 by Regal Recordings. After being rejected by several record labels, Allen signed to London Records, who eventually lost interest in her, leading her to meet production duo Future Cut and sign to Regal Recordings. Recording for the album began in 2004 with sessions between Allen and Future Cut, and Allen's work garnered publicity on the internet as she posted demos to her MySpace account before they were officially released. Allen later travelled to the United States to work with Greg Kurstin and Mark Ronson, to complete the final half of the album in 2006.
Hook Me Up is the second studio album by Australian duo the Veronicas, which was released on 3 November 2007 by Sire Records. It debuted on the Australian ARIA Albums Chart at number two and has since been certified double platinum. The singles issued from the album were "Hook Me Up", "Untouched", "This Love", "Take Me on the Floor", and "Popular". For the album, the Veronicas were nominated for three awards at ARIA Music Awards of 2008: "Highest Selling Album", "Highest Selling Single", and "Best Pop Release".
Oracular Spectacular is the debut studio album by the American band MGMT, released on October 2, 2007, by RED Ink and physically on January 22, 2008, by Columbia. It was produced by Dave Fridmann and is the band's first release of new content, being recorded from March to April 2007. Promotion for the album started as early as June 2007, when the song "Weekend Wars" was given away in summer issues of free monthly magazine Nöjesguiden in Stockholm, Sweden. Matching CDs could be picked up for free in all stores in three different shopping malls around Stockholm from June 26 to July 31. The album was also promoted with three singles: "Time to Pretend", "Electric Feel" and "Kids". Both "Time to Pretend" and "Kids" were re-recorded for the album; they were originally included on the band's previous release Time to Pretend (2005), with the opening track serving as a "mission statement" and the theme continuing through the album's subsequent tracks.
Phillipa Margaret "Pip" Brown, better known by her stage name Ladyhawke, is a New Zealand singer-songwriter and multi-instrumentalist. She took her stage name from Richard Donner's 1985 film Ladyhawke.
"Paris Is Burning" is a song by New Zealand singer Ladyhawke, released on 30 June 2008 as the second single from her self-titled debut studio album. It was written by Ladyhawke, Roy Kerr and Anu Pillai and produced by the latter two under the name Kid Gloves. The single is Ladyhawke's first to receive a physical release. On 6 July 2008, it was released in the United States. The song has been featured in season three of Ugly Betty, as a theme song for the French television series Paris 16e and Le Grand Journal's "coming next" sequence, and remixed for the beginning of a CSI: Miami episode in the seventh season.
"Dusk Till Dawn" is a song by New Zealand singer Ladyhawke from her self-titled debut studio album (2008). It was released on 15 September 2008 in the United Kingdom as the album's third single. The song was co-written by Ladyhawke, Pascal Gabriel, Alex Gray and Hannah Robinson, and produced by Gabriel. The track was featured on the third episode of Gossip Girl, "Poison Ivy", originally aired 3 October 2007.
"My Delirium" is a song performed by New Zealand musician Ladyhawke. The third track on Ladyhawke's eponymous debut album, the song was released as a single on 8 December 2008. The most commercially successful single of Ladyhawke's to date, "My Delirium" sold over 70,000 copies in Australia, peaked at number nine on the New Zealand Singles Chart, number eight on the Australian ARIA Singles Chart and has reached the top 50 in the UK and Denmark.
The discography of Ladyhawke, a New Zealand electropop singer-songwriter, consists of four studio albums, two extended plays and eighteen singles. Ladyhawke began her career in 2001 as the guitarist for the hard rock band Two Lane Blacktop. The group disbanded in 2003 and she then joined the pop-rock band Teenager.
Anxiety is the second studio album by New Zealand singer Ladyhawke. It was released on 25 May 2012 by Modular Recordings. It was recorded in early 2011 with longtime collaborator Pascal Gabriel, who co-wrote all tracks on the album. "Black White & Blue" was released as the album's lead single on 24 January 2012, followed by "Sunday Drive" on 9 April 2012 and "Blue Eyes" on 16 July 2012.
Broods are a musical duo from Nelson, New Zealand, composed of Georgia Josiena Nott on lead vocals, with older brother and multi-instrumentalist Caleb Allan Joseph Nott on production and backing vocals.
Delirium is the third studio album by English singer and songwriter Ellie Goulding, released on 6 November 2015 by Polydor Records. Music critics were generally impressed by the overall production of the record, although they were ambivalent in regards to its originality. It debuted at number three on the UK Albums Chart and the US Billboard 200, earning Goulding her highest-charting record in the latter country and her highest first-week sales figures in both territories. The album spawned three singles: "On My Mind", "Army" and "Something in the Way You Move".
Nothing's Real is the debut studio album by English singer Shura, released on 8 July 2016 by Polydor Records. The album was met with positive reviews from music critics.
