Let's Call the Whole Thing Off

Last updated
"Let's Call the Whole Thing Off"
Song by Fred Astaire
B-side "Shall We Dance"
PublishedFebruary 27, 1937 (1937-02-27) by Gershwin Publishing Corp., New York [1]
ReleasedApril 3, 1937 [2]
RecordedMarch 3, 1937 [3]
Studio Los Angeles, California
Genre Jazz, pop vocal
Label Brunswick 7857 [4]
Composer(s) George Gershwin
Lyricist(s) Ira Gershwin
Fred Astaire singles chronology
"They All Laughed"
(1937)
"Let's Call the Whole Thing Off"
(1937)
"A Foggy Day"
(1938)
The first four bars of "Let's Call the Whole Thing Off" Let's Call The Whole Thing Off.jpg
The first four bars of "Let's Call the Whole Thing Off"

"Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance , where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. [5] The sheet music has the tempo marking of "Brightly". [6] The song was ranked No. 34 on AFI's 100 Years...100 Songs. [7]

Contents

Background

The song is most famous for its "You like to-may-to /təˈmtə/ / And I like to-mah-to /təˈmɑːtə/ " and other verses comparing British and American English pronunciations of tomato and other words.

The differences in pronunciation are not simply regional, however, but serve more specifically to identify class differences. At the time, typical American pronunciations were considered less "refined" by the upper-class, and there was a specific emphasis on the "broader" a sound. [8] This class distinction with respect to pronunciation has been retained in caricatures, especially in the theater, where the longer a pronunciation is most strongly associated with the word darling. [9]

Recordings

Full list of differences

Comparisons made in the song
Phrase/word"You""I"
this and...the otherthat
either /ˈðər/ /ˈðər/
neither /ˈnðər/ /ˈnðər/
potato /pəˈttə/ /pəˈtɑːtə/
tomato /təˈmtə/ /təˈmɑːtə/
pajamas /pəˈæməz/ /pəˈɑːməz/
laughter /ˈlæftər/ /ˈlɑːftər/
after /ˈæftər/ /ˈɑːftər/
Havana /həˈvænə/ /həˈvɑːnə/
banana /bəˈnænə/ /bəˈnɑːnə/
oysters /ˈɔɪstərz/ /ˈɜːrstərz/

Related Research Articles

<span class="mw-page-title-main">1937 in music</span> Overview of the events of 1937 in music

This is a list of notable events in music that took place in the year 1937.

"Something's Gotta Give" is a popular song with words and music by Johnny Mercer in 1954. It was published in 1955. It was written for and first performed by Fred Astaire in the 1955 musical film Daddy Long Legs, and was nominated the same year for an Academy Award for Best Original Song, losing to "Love is a Many Splendored Thing" from the film of the same name.

<span class="mw-page-title-main">One for My Baby (and One More for the Road)</span> 1943 song written by Harold Arlen and Johnny Mercer

"One for My Baby (and One More for the Road)" is a song written by Harold Arlen and Johnny Mercer for the movie musical The Sky's the Limit (1943) and first performed in the film by Fred Astaire.

"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film Shall We Dance and gained huge success.

"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting. It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film Ready, Willing, and Able, as well as used for a production number in a musical revue on Broadway. The song has become a pop and jazz standard and has been recorded by many artists.

<span class="mw-page-title-main">A Fine Romance (song)</span> 1936 song composed by Jerome Kern, lyrics by Dorothy Fields; from the 1936 film "Swing Time"

"A Fine Romance" is a popular song composed by Jerome Kern with lyrics by Dorothy Fields, published in 1936.

"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930).

"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin.

"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.

<span class="mw-page-title-main">Fascinating Rhythm</span> Song composed by George Gershwin with lyrics by Ira Gershwin performed by Cliff Edwards

"Fascinating Rhythm" is a popular song written by George Gershwin in 1924 with lyrics by Ira Gershwin.

<span class="mw-page-title-main">'S Wonderful</span> Song by Adele Astaire and Allen Kearns

"'S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical Funny Face (1927) by Adele Astaire and Allen Kearns.

"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance.

"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.

"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. It is a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck. Astaire's commercial recording for Brunswick was very popular in 1937.

<span class="mw-page-title-main">'The Half of It, Dearie' Blues</span> 1924 song by Fred Astaire and Kathlene Martyn

"'The Half of it, Dearie' Blues" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by Fred Astaire and Kathlene Martyn in the 1924 musical Lady be Good.

"Stiff Upper Lip" is a 1937 song composed by George Gershwin, with lyrics by Ira Gershwin. It references the British expression 'Stiff upper lip'.

"I Can't Be Bothered Now" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film A Damsel In Distress, where it was introduced by Fred Astaire.

"Let's Take a Walk Around the Block" is a popular song composed by Harold Arlen, with lyrics written by Ira Gershwin and E.Y. Harburg.

"Strike Up the Band" is a 1927 song composed by George Gershwin, with lyrics by Ira Gershwin with the collaboration of Millie Raush. It was written for the 1927 musical Strike Up the Band, where it formed part of a satire on war and militaristic music. Although the musical was not successful, the instrumental version of the song, titled the "March from Strike Up the Band", has become quite well known. The song was also used in the Judy Garland-Mickey Rooney 1940 film Strike Up the Band.

"Isn't This a Lovely Day?" is a popular song written by Irving Berlin for the 1935 film Top Hat, where it was introduced by Fred Astaire in the scene where his and Ginger Rogers' characters are caught in a gazebo during a rainstorm. The lyric is an example of a song which turns a bad situation into a love song, a common style for Irving Berlin, as in "I've Got My Love to Keep Me Warm" and "Let's Have Another Cup of Coffee".

References

  1. Library of Congress. Copyright Office. (1937). Catalog of Copyright Entries 1937 Musical Compositions New Series Vol 32 Pt 3 For the Year 1937. United States Copyright Office. U.S. Govt. Print. Off.
  2. "Cover versions of Let's Call the Whole Thing Off by Fred Astaire with Johnny Green and His Orchestra | SecondHandSongs". secondhandsongs.com. Retrieved 2021-08-04.
  3. "BRUNSWICK 78rpm numerical listing discography: 7500 - 8000". 78discography.com. Retrieved 2021-08-04.
  4. "Fred Astaire – Let's Call The Whole Thing Off / Shall We Dance (Shellac)". Discogs.com. Retrieved 2021-08-04.
  5. Philip Furia (1997). Ira Gershwin: The Art of the Lyricist. Oxford University Press. p. 147. ISBN   978-0-19-535394-5.
  6. The Joy of... George Gershwin. Yorktown Music Press. 1 January 2011. p. 1. ISBN   978-1-78323-824-8.
  7. "America's Greatest Music in the Movies" (PDF). Archived from the original (PDF) on 2011-07-16. Retrieved 2011-10-04.
  8. Flexner, Stuart Berg (1982). Listening to America: An Illustrated History of Words and Phrases from our Lively and Splendid Past . Simon and Schuster. p.  511. ISBN   9780671248956.
  9. Dunkling, Leslie (1990). A Dictionary of Epithets and Terms of Address . Routledge. p.  86. ISBN   9780415007610.
  10. "Astaire on 78". America.net. Archived from the original on 2011-09-27. Retrieved 2011-10-04.
  11. Shep Fields performs "Let's Call the Whole Thing Off, Archive.org
  12. Yanow, Scott. "The Quintessential Billie Holiday, Vol. 4 (1937) – Review". AllMusic .
  13. "Ella Fitzgerald Discography – Part 2 – The Verve Years part 1". Ellafitzgerald.altervista.org. Archived from the original on 2011-09-29. Retrieved 2011-10-04.
  14. "A Bing Crosby Discography". BING magazine. International Club Crosby. Retrieved December 8, 2017.
  15. "Bing & Rosie: The Crosby-Clooney Radio Sessions". AllMusic. Retrieved December 8, 2017.
  16. "Obscure Videos: '70s Specials". Broadway.com. Retrieved November 13, 2018.
  17. Gershwin, Ira (1959). Lyrics on Several Occasions (First ed.). New York: Knopf. OCLC   538209.

Further reading