"Let's Go All the Way" | ||||
---|---|---|---|---|
Single by Sly Fox | ||||
from the album Let's Go All the Way | ||||
B-side | "Como tu te llama? (What Is Your Name)" | |||
Released | 1985 | |||
Recorded | 1984 [1] | |||
Genre | New wave | |||
Length |
| |||
Label | Capitol | |||
Songwriter(s) | Gary "Mudbone" Cooper | |||
Producer(s) | Ted Currier | |||
Sly Fox singles chronology | ||||
| ||||
Audio sample | ||||
"Sly Fox - Let's Go All The Way" |
"Let's Go All the Way" is a song by American musical group Sly Fox. Released as a single in 1985 from their debut studio album of the same name, the record became a sleeper hit, [1] entering the top 10 of the singles charts in both the US and the UK the following year. Despite receiving considerable commercial and critical success, the group failed to match expectations with their later singles, and are sometimes referred to as a one-hit wonder. Original MTV veejay Martha Quinn has described "Let's Go All the Way" as "one of the funkiest songs ever." [2]
The track begins with synthesizer-processed chanting, with the lines "Simonini" repeating over a recurrent buzzing until drums and a synth-led riff begin. The duo of Gary "Mudbone" Cooper and Michael Camacho's harmonized vocals then come in, punctuated with deadpan "yeah, yeah, yeah"s. The title, repeated in the chorus, is often misconstrued as being about consummating a sexual relationship. In actuality, the lyrics contain no sexual content, but rather express disillusionment with aspects of late-20th century politics ("presidential party/No one wants to dance") and a yearning to perfect the human condition ("We need heaven on earth today/We can make a better way").
Cooper said the titular line is in fact a message of encouragement: "For me, the song simply meant that whatever your goal, dream or vision, you should go all the way to get it. In other words, don’t let anything stop you from achieving, especially yourself. Those that saw the video saw it had kids destroying weapons etc. I guess some wanted to relate it to sex, and it could be whatever you want it to be, kind of like funk in general...ha ha ha!" [3]
AllMusic noted that "the song's oddball mix of hip-hop, Latin pop, disco, and new wave, crossed radio formats, from R&B to Top-40 to 'Rock of the '80s' stations ruled by the Smiths and the Cure." [4]
Following its release, the song was a top-10 hit in the United States, peaking at number seven in April 1986 and at number three on the UK Singles Chart that July. [5] [6] It reached number one in Canada, topping both the RPM 100 Singles chart and The Record singles chart. [7] [8] The song also peaked at number five in the Netherlands as well as number 14 in Belgium and number 27 in New Zealand. [9]
A music video received heavy airplay on MTV and is credited with greatly adding to the "infectious" song's success. [4] The video juxtaposes three distinct modes. First straightforward and color negative studio performance of the duo dancing, emoting, and performing along with the song in a bright pop-art style. This is interspersed with shots of an interracial pair of young boys engaged in various activities, predominantly picking toy weapons of war out of a shopping cart and smashing them with hammers on an anvil as news footage is projected on a white backdrop. In other shots they march and stagger about dressed in combat fatigues and cavorting in sunglasses and surfer jams. The third thread consists of depression-era black & white clips from slapstick comedies and footage of factory workers. An atomic bomb blast is seen in reverse. The video ends with the two children in normal garb walking up to a large globe, picking the world up and carrying it. [10]
While the song isn't overtly anti-war, recurring themes from the video suggest it has such a theme. The destruction of weapons of war and the reverse-motion nuclear explosion can be viewed in the historical context of the time, the penultimate years of the Cold War; in 1986 the Reagan administration increased spending on the so-called Star Wars SDI missile defense system as it officially abandoned the mutually signed but never-ratified SALT II arms-reduction treaty with the Soviet Union.
Weekly charts
| Year-end charts
|
A remix by Les "Mix Doctor" Adams of DMC contains samples of "We Will Rock You" by Queen and "A Fly Girl" by Boogie Boys.
The duo released two follow-up singles from the album, both of which charted. The freestyle track "Como Tu Te Llama" was a Dance Music/Club Play hit, spending 9 weeks on that chart and reaching number 13. "Stay True" managed to dent the Hot 100, peaking at number 94, but "Let's Go All The Way" proved to be their only lasting international mainstream success, branding them as one-hit wonders. The song and its video retain their popularity in retro flashback programs and 1980s nights at dance clubs. [4]
"Let's Go All the Way" | ||||
---|---|---|---|---|
Single by Insane Clown Posse | ||||
from the album Bizzar | ||||
Released | 2000 | |||
Genre | Rap rock | |||
Length | 3:30 | |||
Label | Psychopathic | |||
Songwriter(s) | Gary "Mudbone" Cooper | |||
Producer(s) | Mike E. Clark | |||
Insane Clown Posse singles chronology | ||||
|
Insane Clown Posse member Joseph Bruce, who performs as 'Violent J', was driving home to Detroit from Cleveland in a car he'd just purchased that only had a cassette player. [27] At a gas station, he purchased an ’80s Hits tape that contained the Sly Fox song. Bruce liked it and decided to reinterpret it. [27]
Allmusic described Insane Clown Posse's version as "their most blatant attempt at radio play". [28] MTV aired the band's video for the song, but only once in the late evening. [29] The group decided to bombard MTV's Total Request Live (TRL) with requests for the video while on their Bizaar Bizzar Tour, posting on its website that December 8, 2000, was the day for fans to call. [29]
On that day, the band and assorted Psychopathic Records employees and friends drove down to New York City. They were met by nearly 400 Insane Clown Posse fans standing outside in front of the TRL studios with signs supporting the duo. [29] Thirty minutes before the show began, Viacom security guards and New York City police officers were dispatched to remove them from the sidewalk. [29] When some refused to move on the grounds that it was a public street and no other individuals were asked to move, they allege they were assaulted. [29] All phone requests for the video were ignored, and the band never was mentioned during the show. [29] MTV later informed Island Records that the network chose which bands and videos were eligible to be featured on TRL. [29]
The song was covered in 1999 by supergroup the Wondergirls in a more rock style, and in 2013, it was re-recorded with actor and singer-songerwriter Ashley Hamilton and British singer Robbie Williams for the soundtrack of Iron Man 3: Heroes Fall .
In 2003, Sugababes sampled the music from this song for "Whatever Makes You Happy" on their third album Three .
In 2004, English-Irish boy-band Phixx recorded a version of the song on their album Electrophonic Revolution. [30]
Liverpool singer-songwriter Ian McNabb (formerly of the Icicle Works) covered the song on his 2015 album Krugerrands.
The Great Milenko is the fourth studio album by American hip hop group Insane Clown Posse, released on June 24, 1997, by Hollywood Records in association with Psychopathic Records. As the fourth Joker's Card in the group's Dark Carnival mythology, the album's lyrics focus on the titular Great Milenko, who is a necromancer.
"Freak on a Leash" is a song by the American nu metal band Korn, featured on the group's 1998 studio album, Follow the Leader. After Follow the Leader's release, the song was released as a single on February 25, 1999, and since then, it has been re-released over ten times. The song uses dissonance, distortion, various guitar effects, and a heavy, aggressive style.
Bizzar is the seventh studio album by the American hip hop group Insane Clown Posse. Released on October 31, 2000, by Island Records, it is the second half of the Bizzar Bizaar double album, released the same day as its companion album, Bizaar. It is the group's 15th overall release.
"...Baby One More Time" is the debut single of American singer Britney Spears from her debut studio album of the same title (1999). It was written by Max Martin and produced by Martin and Rami. Released on September 28, 1998, by Jive Records, the song became a worldwide hit, topping the charts in at least 22 countries, including the United Kingdom, where it earned triple-platinum certification from the British Phonographic Industry (BPI) and was the country's best-selling single of 1999. The song is one of the best-selling singles of all time, with over 10 million copies sold.
"Confessions Part II" is a song by R&B singer Usher, produced by Jermaine Dupri and Bryan-Michael Cox for Usher's fourth album Confessions. Written by Usher, Dupri and Cox, the song is a confession of a man to his woman about his impregnated mistress. This is a continuation of "Confessions Part I" which relates to a man's infidelity. Its personal content evoked rumors and early responses from the public even before its release, believing that Usher was asserting the truth; however, Dupri divulged that the story behind the album is about himself.
"Underneath It All" is a song by American ska band No Doubt from their fourth studio album Rock Steady (2001). It was written by the band's lead singer Gwen Stefani and David Stewart. The song features a reggae production from Sly and Robbie and guest vocals from Lady Saw. The song received mixed reviews from contemporary music critics.
"Come Clean" is a song by American singer Hilary Duff for her second studio album, Metamorphosis (2003). It was written by Kara DioGuardi and John Shanks, while production was handled by Shanks. The song contains influences of electronica and techno, with the lyrics chronicling the protagonist wanting to "come clean" with her love interest, from a strained relationship. "Come Clean" was received by critics with mixed reviews. The song was released on January 12, 2004, as the album's second single.
"Fly" is a song by American actress and singer Hilary Duff for her 2004 self-titled third studio album. The song was written by Kara DioGuardi and John Shanks, who also produced the song. The song was first released in the United States on August 10, 2004, by Hollywood Records as the lead single from Hilary Duff. It was released again by Angel Records on March 13, 2006, in the United Kingdom as the fourth and final single from Duff's first compilation album, Most Wanted (2005).
"Fly" is a song by American rock band Sugar Ray. It appears on their 1997 album Floored twice: one version with reggae artist Super Cat and the other without. The song was serviced to US radio in May 1997.
"Everything She Wants" is a song by British pop duo Wham!, originally released as a single in 1984 on Epic Records on a double A-side with "Last Christmas". It was written and produced by George Michael, one half of the duo, becoming their third consecutive million-selling number-one hit in the United States.
"Sledgehammer" is a song by the English rock musician Peter Gabriel. It was released in April 1986 as the lead single from his fifth studio album, So (1986). It was produced by Gabriel and Daniel Lanois. It reached No. 1 in Canada on 21 July 1986, where it spent four weeks; No. 1 on the Billboard Hot 100 chart in the United States on 26 July 1986; and No. 4 on the UK Singles Chart, thanks in part to its music video. It was his biggest hit in North America and ties with "Games Without Frontiers" as his biggest hit in the United Kingdom.
"Stupid Girls" is a song recorded by American singer Pink from her fourth studio album I'm Not Dead (2006). It was released in February 2006 as the first single from her third studio album on LaFace Records. The song marked Pink's return to LaFace Records under Zomba Label Group via Sony BMG, after Arista Records consolidated LaFace's operations into its own in mid-2001. "Stupid Girls" was written by Pink, Billy Mann, Niklas Olovson, and Robin Mortensen Lynch. Mann and MachoPsycho both produced the track. The song introduces a more provocative, feminist, and explicit side of Pink. Lyrically, it condemns sexism and encourages intelligence in women.
"Changes" is a song by American rapper 2Pac featuring Talent. It was recorded in 1992 before being remixed and released as a single from Shakur's Greatest Hits compilation on October 13, 1998. The song makes references to the war on drugs, the treatment of black people by the police, racism, the reconciliation between the black and white people in America, the perpetuation of poverty and its accompanying vicious-cycle value system in urban African American culture, and the difficulties of life in the ghetto.
"How Am I Supposed to Live Without You" is a song written in 1982 by Doug James and Michael Bolton. The ballad has been recorded by many artists around the world, in several languages, most notably by Bolton himself, becoming something of a modern pop standard. Instrumental versions of the song have been recorded featuring variously the piano, guitar, saxophone, pan flute, steel drum, and music box.
"Shout" is a song by English pop/rock band Tears for Fears, released as the second single from their second studio album, Songs from the Big Chair (1985), on 23 November 1984. Roland Orzabal is the lead singer on the track, and he described it as "a simple song about protest". The single became the group's fourth Top 5 hit in the UK Singles Chart, peaking at No. 4 in January 1985. In the US, it reached No. 1 on the Billboard Hot 100 on 3 August 1985 and remained there for three weeks; also topping the Cash Box chart. "Shout" became one of the most successful songs of 1985, eventually reaching No. 1 in multiple countries.
"Famous Last Words" is a song by American rock band My Chemical Romance. It was released as the band's second single on January 22, 2007 from their third studio album, The Black Parade. It is also the band's ninth overall single, and the final track on The Black Parade. The music video premiered on December 12, 2006 on MTV2 and on December 13, 2006 on the Much Music program, and on MuchOnDemand in Canada.
The discography of American singer, songwriter, musician, record producer, actor and parodist "Weird Al" Yankovic consists of fourteen studio albums, one soundtrack album, nine compilation albums, eleven video albums, two extended plays, two box sets, forty-six singles and fifty-four music videos. Since the debut of his first comedy song in 1976, he has sold more than 12 million albums—more than any other comedy act in history—recorded more than 150 parody and original songs, and performed more than 1,000 live shows. His works have earned him five Grammy Awards among sixteen nominations, along with several gold and platinum record certifications in the United States. Yankovic's first single, "My Bologna", was released in 1979, and he made his chart debut two years later with his second single, "Another One Rides the Bus", which peaked at number four on the Billboard Bubbling Under Hot 100 Singles chart. His self-titled debut studio album was released on Scotti Brothers Records on May 3, 1983, peaking at number 16 on the US Billboard 200 and being certified gold by the Recording Industry Association of America (RIAA). "Ricky", the album's third single, became his first single to chart on the US Billboard Hot 100, peaking at number 64.
"All Summer Long" is a song by American recording artist Kid Rock. It was released in March 2008 as the third single from his seventh studio album, Rock n Roll Jesus (2007). It samples Bob Seger's song "Night Moves", "Sweet Home Alabama" by Lynyrd Skynyrd and "Werewolves of London" by Warren Zevon.
Bang! Pow! Boom! is the eleventh studio album by American hip hop group Insane Clown Posse. Released on September 1, 2009 by Psychopathic Records, it was the group's second album with producer Mike E. Clark since his return to Psychopathic Records, and the first album to focus on the Dark Carnival since the conclusion of the group's original "Joker's Cards" series. The character is the first of a set of six new Joker's Cards.
Insane Clown Posse, often abbreviated as ICP, is an American hip hop duo. Formed in Detroit in 1989, ICP's best-known lineup consists of rappers Violent J and Shaggy 2 Dope. Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. The duo has earned two platinum and five gold albums. According to Nielsen SoundScan, the entire catalog of the group had sold 6.5 million units in the United States and Canada as of April 2007. The group has established a dedicated following called Juggalos numbering in the "tens of thousands".
The song, 'Let's Go All the Way' (Capitol), was recorded in 1984. In its first release last year it didn't quite go all the way; in fact, it didn't chart at all. John Gorman, PD of WMMS in Cleveland, says it is 'one of the world's longest sleepers...'