This list needs additional citations for verification .(March 2008) |
This is a list of 3D films released prior to 2005.
The tables can be sorted by clicking the arrow icons in the column headers. The abbreviations Po and Ps indicate single-strip over/under print and single-strip side-by-side print respectively.
Title | Release Date | Prod. Country | System | Technology | Aspect Ratio | Runtime min | Notes |
---|---|---|---|---|---|---|---|
L'Arrivée d'un train en gare de La Ciotat | 1935 | ![]() | Stereoscopic Lumière | Dual 35 mm | 1 | Shown anaglyphic | |
Nozze vagabonde | 1936 | ![]() | Sistema Gaultiero Gaulterotti | Ps 70 mm | 1.37:1 | 81 | Filmed in 3D but no known documentation of any public showing in 3D, either polarized or anaglyph |
Zum Greifen nah | 1937 | ![]() | Raumfilm-System Zeiss-Ikon | Ps 35 mm | 1.37:1 | 10 | Advertisement short film for the German insurance company Volksfürsorge, filmed in 1936 |
Raumfilm | 1939 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | Short film | |
6 Mädels rollen ins Wochenend: Eine Raumfilm-Studie von Zeiss-Ikon | 1939 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | 20 | B&W test short film |
Queen Juliana | 1948 | ![]() | VeriVision | Ps vertical | 1.33:1 | ||
Sunshine Miners | 1951 | ![]() | Stereo Techniques | Dual 35 mm | |||
Around Is Around | 1951 | ![]() ![]() | Stereo Techniques | Dual 35 mm | 1.37:1 | 10 | |
Audioscopiks | 1935 | ![]() | Norling-Leventhal 3-Dimensions | Dual 35 mm | 1.37:1 | 8 | Shown anaglyphic |
Faust | 1922 | ![]() | Dual 35 mm | Shown anaglyphic | |||
Heartbound | 1925 | ![]() | Stereoscopic | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
In Tune with Tomorrow | 1939 | ![]() | Loucks & Norling 3-Dimension | Dual 35 mm | 1.37:1 | 15 | Remade as New Dimensions. |
Luna-cy! | 1925 | ![]() | Stereoscopiks | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
Movies of the Future | 1922 | ![]() | Plasticon 3-D | Dual 35 mm | 1.33:1 | Also known as Plasticons. Was shown anaglyphic. | |
The New Audioscopiks | 1938 | ![]() | Norling-Leventhal 3-Dimensions | Dual 35 mm | 1.37:1 | 8 | Shown anaglyphic |
New Dimensions | 1940 | ![]() | Loucks & Norling 3-Dimensions | Dual 35 mm | 15 | Re-issued in 1953 as Motor Rhythm | |
Niagara Falls | 1914 | ![]() | Porter-Waddell Stereoscopic Process | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
Now Is the Time | 1951 | ![]() | Stereo Techniques | Dual 35 mm | 1.37:1 | 3 | |
Ouch! | 1925 | ![]() | Stereoscopiks | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
Plastigrams | 1922 | ![]() | Plastigram 3-D | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
The Power of Love | 1922 | ![]() | Fairhall-Elder 3-D | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
M.A.R.S. | 1922 | ![]() | Teleview | Dual 35 mm | 1.33:1 | 95 | Also known as The Man from M.A.R.S. and Mars Calling. Shown in two-strip alternating frame 3D in 1922–23 at one theater only and later released in 2D under the title Radio Mania. |
Rêve d'opium | 1921 | ![]() | Stereo Parolini | Dual 35 mm | |||
Royal River | 1951 | ![]() | Stereo Techniques | Dual 35 mm | |||
A Runaway Taxi | 1925 | ![]() | Stereoscopiks | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
The Ship of Souls | 1925 | ![]() | Miller Stereoscopic Process | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
A Solid Explanation | 1951 | ![]() | Stereo Techniques | Dual 35 mm | |||
Third Dimensional Murder | 1941 | ![]() | Metroscopix | Dual 35 mm | 1.37:1 | 8 | Shown anaglyphic |
Thrills for you | 1940 | ![]() | Loucks & Norling 3-Dimensions | Dual 35 mm | 1.37:1 | 8 | Shown at the San Francisco Golden Gate Exposition. |
A Ziegfeld Midnight Frolic | 1929 | ![]() | Porter-Waddell Stereoscopic Process | Dual 35 mm | 1.20:1 | 15 | Only partly in 3-D. Was shown anaglyphic. |
Zowie | 1925 | ![]() | Stereoscopiks | Dual 35 mm | 1.33:1 | Shown anaglyphic | |
Day off in Moscow | 1940 | ![]() | anaglyph | Dual 35 mm | OT: Выходной день в Москве, Vikhodnoy den` v Moskve | ||
Leningrad Concert Hall | 1943 | ![]() | Lenticular | 1.37:1 | OT: Кино-концерт в Ленинграде; Lenfilm;[ citation needed ] | ||
Parade of Youth | 1946 | ![]() | Polarization | Ps 35 mm | 1.37:1 | OT: Парад молодости; Sovcolor, Odessa[ citation needed ] | |
Robinzon Kruzo | 1946 | ![]() | Ps 35 mm | 0.67:1 | 85 | OT: Робинзон Крузо; Sovcolor, Georgia[ citation needed ] | |
Crystals | 1948 | ![]() | Stereofilm lenticular sequential | 1.37:1 | OT: Кристаллы | ||
Karandash on Ice | 1948 | ![]() | Lenticular | 1.37:1 | OT: Карандаш на льду; Karandash (Pencil) – is the name of a clown. | ||
The days of wonderful impressions | 1949 | ![]() | Ps | 1.37:1 | OT: Дни чудесных впечатлений; Dni chudesnykh vpechatleniy | ||
The Car 22-12 | 1949 | ![]() | Lenticular | 1.37:1 | OT: Машина 22-12; Planar (2D) version – Happy trip (Счастливый рейс, Schastlivyy reys) | ||
Happy trip | 1949 | ![]() | OT: Счастливый рейс; Schastlivyy reys. Mosfilm [ citation needed ] | ||||
Land of Sun | 1950 | ![]() | Ps | 1.37:1 | OT: Солнечный край | ||
Masters of Sport | 1950 | ![]() | Stereokino (frame sequential) | 35 mm | OT: Мастер спорта | ||
Pal | 1950 | ![]() | Lenticular | OT: Пал | |||
On the Steppe | 1951 | ![]() | Lenticular | 35 mm | 1.37:1 | 44 | OT: В степи; Sovcolor Gorkiy[ citation needed ] |
Composition 4 (Stereoscopic Study No. 1) | 1945 | ![]() | Ps 16 mm | 1.33:1 | 4 | ||
Grand Canyon | 1923 | ![]() | Parker 3-D | Dual 35 mm | 15 | ||
Thru' the Trees: Washington D.C. | 1922 | ![]() | Plasticon 3-D | Dual 35 mm | 1.33:1 | ||
Stereo-Laffs | 1941 | ![]() | Dual 35 mm | 1.37:1 | 15 | Initially unscreened but finally issued in 1953 under the title A Day in the Country. | |
The Phantom of the Opera | 1925 | ![]() | None (accidental 3-D) | Dual 35 mm | 1.33:1 | 93 | Released flat; a restoration of the complete 3D version is ongoing after its existence was discovered in 2012. |
Title | Release Date | Prod. Country | System | Technology | Aspect Ratio | Runtime min | Notes |
---|---|---|---|---|---|---|---|
The 3-D Army | 1989 | ![]() | Unknown | Po 35 mm | 2.39:1 | 93 | Kung Fu children's film, original title 立體奇兵 Li ti qi bing |
Abra Cadabra | 1983 | ![]() | Triangle 3-D | Anaglyphic 35 mm | 2.35:1 | 84 | The first animated feature film in 3D. |
Aabra Ka Daabra | 2004 | ![]() | 3-D Plus | Anaglyphic 35 mm | 2.35:1 | 128 | The first 3-D Plus film. |
Adam and Six Eves | 1962 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.85:1 | 60 | Only partly 3-D, was released flat |
Adventures in Animation 3D | May 18, 2004 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 40 | |
America's Greatest Roller Coaster Thrills in 3D | 1994 | ![]() | Pulfrich 3-D | Video (NTSC) | 1.33:1 | 66 | |
America's Greatest Roller Coaster Thrills 2 in 3D | 1996 | ![]() | Pulfrich 3-D | Video (NTSC) | 1.33:1 | 67 | |
Amityville 3-D | 1983 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 105 | |
A*P*E | 1976 | ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | 87 | |
Arena | 1953 | ![]() | Metrovision Tri-Dee | Dual 35 mm | 1.37:1 | 83 | |
Asylum of the Insane | 1967 | ![]() | HorrorScope | Anaglyphic 35 mm | 1.85:1 | 83 | Only parts of the film are in 3-D |
The Bellboy and the Playgirls | 1962 | ![]() ![]() | Optovision | Dual 16 mm | 1.66:1 | 94 | Only partly in 3-D. 2-D scenes were shot on 35 mm. Shown in Ps 35 mm and anaglyphic. |
Black Lolita | 1975 | ![]() | DeepVision | Anaglyphic 35 mm | 1.37:1 | 85 | Also known as Wildcat Women |
Hot Skin | 1977 | ![]() | DeepVision | Anaglyphic 35 mm | 2.35:1 | 85 | Also known as Blonde Emmanuelle in 3-D and The Disco Dolls in Hot Skin |
The Bounty Hunter | 1954 | ![]() | WarnerVision | Dual 35 mm | 1.85:1 | 79 | Was released in 2-D |
The Bubble | 1966 | ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | 112 | Also known as Fantastic Invasion of Planet Earth and The Zoo |
Bwana Devil | 1952 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 79 | |
Camp Blood | 2000 | ![]() | Nu-View | Video field sequential | 1.33:1 | 73 | |
Camp Blood 2 | 2000 | ![]() | Nu-View | Video field sequential | 1.33:1 | 90 | |
The Capitol Hill Girls | 1977 | ![]() | LazerVision | Ps 35 mm | 1.37:1 | 80 | |
Captain Milkshake | 1970 | ![]() | Cinedepth | Dual 35 mm | 2.35:1 | 89 | Was only shot partly in 3-D. Was released in 2-D. |
Cat-Women of the Moon | 1953 | ![]() | Tru-Stereo | Dual 35 mm | 1.85:1 | 64 | |
Cease Fire! | 1953 | ![]() | Paravision | Dual 35 mm | 1.66:1 | 75 | |
Chain Gang | 1984 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 86 | |
The Chamber-Mades | 1971 | ![]() | Triarama | Ps anamorphic | 1.33:1 | 70 | |
The Charge at Feather River | 1953 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 95 | |
Comin' at Ya! | 1981 | ![]() ![]() ![]() | Optimax III | Po 35 mm | 2.35:1 | 91 | |
Creature from the Black Lagoon | 1954 | ![]() | Universal 3-D | Dual 35 mm | 2.00:1 | 79 | |
Dangerous Mission | 1954 | ![]() | Future Dimension | Dual 35 mm | 1.75:1 | 75 | |
Devil's Canyon | 1953 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 92 | |
Dial M for Murder | 1954 | ![]() | WarnerVision | Dual 35 mm | 1.85:1 | 105 | |
The Diamond | 1954 | ![]() | Spacemaster 3-D | Dual 35 mm | 1.66:1 | 83 | Also known as The Diamond Wizard. Released in 2-D. Shown only once in 3-D, on September 13, 2006 in Hollywood. [1] |
Dinosaurs & Other Amazing Creatures | 1995 | ![]() | Pulfrich 3-D | Video | 1.33:1 | 110 | |
Dogs of Hell | 1982 | ![]() | Future Dimensions | Po 35 mm | 2.35:1 | 89 | |
Domo Arigato | 1972 | ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | 91 | |
Dragonfly Squadron | 1954 | ![]() | Monogram 3-D | Dual 35 mm | 1.85:1 | 82 | Was released in 2-D |
Drums of Tahiti | 1954 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 73 | |
Ecstasy '72 | 1971 | ![]() | Optovision | Dual 16 mm | Only partly in 3-D. Was shown in 35 mm Ps anamorphic 1.33:1. | ||
Encounter in the Third Dimension | February 26, 1999 | ![]() | Iwerks 3-D | Dual 70 mm | 1.44:1 | 40 | |
The Flesh and Blood Show | 1972 | ![]() ![]() | Spacemaster 3-D | Dual 35 mm | 1.75:1 | 93 | Only partly in 3-D. Was released anaglyphic. |
Flesh for Frankenstein | 1973 | ![]() ![]() ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | 95 | Also known as Andy Warhol's Frankenstein |
Flight to Tangier | 1953 | ![]() | Dynoptic 3-D | Dual 35 mm | 1.66:1 | 90 | |
Fort Ti | 1953 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 73 | |
Foxy Boxing | 1983 | ![]() | Dual Video | 1.33:1 | Was released anaglyphic | ||
Freddy's Dead: The Final Nightmare | 1991 | ![]() | Freddy-Vision 3-D | Dual 35 mm | 1.85:1 | 89 | Only partly in 3-D. Was shown anaglyphic. |
The French Line | 1953 | ![]() | Future Dimension | Dual 35 mm | 1.66:1 | 102 | |
Friday the 13th Part III | 1982 | ![]() | 3-Depix | Po 35 mm | 2.35:1 | 95 | |
Funk | 1976 | ![]() | Super Touch 3-D | Po 35 mm | 2.35:1 | ||
Ghosts of the Abyss | April 11, 2003 | ![]() | Reality Camera System | Dual HD | 1.78:1 | 59 | Released in 35 mm anaglyphic, digital anaglyphic and dual 70 mm (IMAX). |
Girls: Wet & Wild in 3D | 1993 | ![]() | Pulfrich 3-D | Video | 1.33:1 | 79 | Only partly in 3-D. 2-D segments were shot on 16 mm. |
The Glass Web | 1953 | ![]() | Universal 3-D | Dual 35 mm | 1.85:1 | 81 | |
Gog | 1954 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.85:1 | 85 | Was shown in Pola-Lite 3-D Ps vertical 1.66:1 |
Gorilla at Large | 1954 | ![]() | Clear-Vision | Dual 35 mm | 1.66:1 | 83 | Was also available in Pola-Lite 3-D Ps vertical 1.66:1 |
Gun Fury | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 83 | |
Hannah Lee: An American Primitive | 1953 | ![]() | Stereo-Cine | Dual 35 mm | 1.37:1 | 75 | Also known as Outlaw Territory |
Heavy Equipment | 1977 | ![]() | 3-Dimensions | Ps 16 mm | 1.33:1 | Shown anaglyphic | |
Hit the Road Running | 1983 | ![]() | Future Dimensions | Po 35 mm | 2.35:1 | 89 | |
Hondo | 1953 | ![]() | WarnerVision | Dual 35 mm | 1.85:1 | 83 | |
Hot Heir | 1984 | ![]() | Future Dimensions | Po 35 mm | 2.35:1 | 90 | Also known as The Great Balloon Chase |
House of Wax | 1953 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 90 | |
Hyperspace | 1984 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 90 | |
I, the Jury | 1953 | ![]() | StereoVision | Dual 35 mm | 1.37:1 | 87 | |
I Was a Burlesque Queen | 1953 | ![]() | Dual 35 mm | 1.37:1 | Only partly in 3-D. Was released anaglyphic. | ||
Inferno | 1953 | ![]() | Clear-Vision | Dual 35 mm | 1.37:1 | 83 | |
Supersonic Supergirls | 1973 | ![]() | StereoVision | Ps | 0.67:1 | 92 | Was shown Po 1.75:1 |
It Came from Outer Space | 1953 | ![]() | Universal 3-D | Dual 35 mm | 1.37:1 | 81 | |
Jaws 3-D | 1983 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 99 | |
Jesse James vs. the Daltons | 1954 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 65 | |
Jivaro | 1954 | ![]() | Paravision | Dual 35 mm | 1.66:1 | 92 | Was released in 2-D |
Kiss Me Kate | 1953 | ![]() | Metrovision Tri-Dee | Dual 35 mm | 1.75:1 | 109 | |
Hard Candy | 1976 | ![]() | DeepVision | Anaglyphic 35 mm | 2.35:1 | 75 | Also known as M 3-D! The Movie and The Lollipop Girls |
Louisiana Territory | 1953 | ![]() | Future Dimension | Dual 35 mm | 1.37:1 | 63 | |
The Mad Magician | 1954 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 72 | |
Magic Magic 3D | 2003 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 103 | |
Maha Shaktimaan | 1985 | ![]() | Arrivision | So 35 mm | 2.40:1 | 110 | |
Man in the Dark | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.37:1 | 70 | Originally released in sepia tone. |
The Man Who Wasn't There | 1983 | ![]() | Optimax III | Po 35 mm | 2.35:1 | 111 | |
Manhole | 1978 | ![]() | 3-Depix | Po | 2.00:1 | ||
Mark Twain's America in 3D | 1998 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 52 | |
The Mask | 1961 | ![]() | Depth Dimension | Dual 35 mm | 1.85:1 | 83 | Only the dream sequences are in 3-D. The film was shown anaglyphic. |
The Maze | 1953 | ![]() | Monogram 3-D | Dual 35 mm | 1.37:1 | 81 | |
Metalstorm: The Destruction of Jared-Syn | 1983 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 84 | |
Misadventures in 3D | 2003 | ![]() | nWave 3-D | Dual 70 mm | 1.44:1 | 40 | |
Miss Sadie Thompson | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 91 | |
Money from Home | 1953 | ![]() | Dynoptic 3-D | Dual 35 mm | 1.37:1 | 100 | |
The Moonlighter | 1953 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 77 | |
Mud Madness | 1983 | ![]() | 48 | ||||
My Dear Kuttichathan | 1984 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 96 | Is a 3D Malayalam film and the first 3-D film made in India. The movie was produced by Maliampurackal Appachan of Navodaya studio in Kerala. |
The Nebraskan | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 68 | |
Paradisio | 1961 | ![]() | Tri-Optique | Dual 35 mm | 1.66:1 | 76 | The film is only partly in 3-D. It was released anaglyphic. |
Parasite | 1982 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 85 | |
Phantom of the Rue Morgue | 1954 | ![]() | WarnerVision | Dual 35 mm | 1.85:1 | 83 | |
The Playmates in Deep Vision 3-D | 1974 | ![]() | DeepVision | Anaglyphic 35 mm | 1.85:1 | ||
The Polar Express | November 10, 2004 | ![]() | Digital 3-D | Dual 70 mm | 2.00:1 | 100 | |
Pournami Raavil | 1985 | ![]() | unknown | single strip 35 mm | 2.40:1 | Was released in Po 35 mm | |
Prison Girls | 1972 | ![]() | Optovision | Dual 16 mm | 1.76:1 | Was released in Po 35 mm | |
Ramrod | 1973 | ![]() | Stereo Prism | Ps anamorphic 16 mm | 1.37:1 | ||
Revenge of the Creature | 1955 | ![]() | Universal 3-D | Dual 35 mm | 2.00:1 | 82 | |
Robot Monster | 1953 | ![]() | Tru-Stereo | Dual 35 mm | 1.37:1 | 66 | |
Sangaree | 1953 | ![]() | Paravision | Dual 35 mm | 1.37:1 | 94 | |
Second Chance | 1953 | ![]() | Future Dimension | Dual 35 mm | 1.37:1 | 82 | |
September Storm | 1960 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 2.35:1 | 99 | |
Sharks 3D | December 15, 2004 | ![]() ![]() ![]() | Dual HD | 1.78:1 | 42 | ||
Shiva Ka Insaaf | 1985 | ![]() | unknown | single strip 35 mm | 2.35:1 | 135 | |
Saamri | 1985 | ![]() | unknown | single strip 35 mm | 2.35:1 | 106 | |
Silent Madness | 1984 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 93 | |
S.O.S. Planet | 2002 | ![]() ![]() | nWave 3-D | Dual 70 mm | 1.44:1 | 40 | |
Son of Sinbad | 1955 | ![]() | Future Dimension | Dual 35 mm | 2.00:1 | 91 | The film was released in 2-D |
Southwest Passage | 1954 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 75 | A single-strip 3-D version was released in Ps vertical 1.66:1 |
Space Station 3D | April 17, 2002 | ![]() ![]() | IMAX 3D-30 | Ps 70 mm | 1.44:1 | 47 | Was shown in dual 70 mm |
Spacehunter: Adventures in the Forbidden Zone | 1983 | ![]() ![]() | McNabb 3-D | Dual 35 mm | 2.35:1 | 90 | Was released in Po 2.35:1 |
Spy Kids 3-D: Game Over | July 25, 2003 | ![]() | Reality Camera System | Dual HD | 1.78:1 | 84 | Was released anaglyphic |
Starchaser: The Legend of Orin | 1985 | ![]() ![]() | Po 35 mm | 2.35:1 | 107 | ||
The Starlets | 1977 | ![]() | Quadravision 4-D | Ps 35 mm | 1.37:1 | 80 | |
Thanga Maamaa | 1985 | ![]() | StereoVision | Po 35 mm | 2.40:1 | 101 | Action, fantasy and romance feature starring M. N. Nambiar and Sasikala |
The Stewardesses | 1969 | ![]() | StereoVision | Ps anamorphic 35 mm | 1.33:1 | 93 | |
The Stranger Wore a Gun | 1953 | ![]() | Columbia 3-D | 35 mm | 1.85:1 | 83 | |
Surfer Girls | 1978 | ![]() | StereoVision | Ps 35 mm | 1.37:1 | ||
Swingtail | 1969 | ![]() | Cosmovision | Anaglyphic 35 mm | 1.85:1 | 65 | |
Tales of the Third Dimension | 1984 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 85 | |
Taza, Son of Cochise | 1954 | ![]() | Universal 3-D | Dual 35 mm | 2.00:1 | 79 | Was also released in Ps vertical 2.00:1 |
Those Redheads from Seattle | 1953 | ![]() | Paravision | Dual 35 mm | 1.66:1 | 90 | |
Four Dimensions of Greta | 1972 | ![]() | Spacemaster 3-D | Dual 35 mm | 1.75:1 | 85 | Only partly in 3-D. Was released anaglyphic. |
Tiger Man | 1978 | ![]() | Impact 3-D | Po 35 mm | 2.35:1 | 85 | |
Top Banana | 1954 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | 100 | Was released in 2-D |
T-Rex: Back to the Cretaceous | October 23, 1998 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 45 | |
Willie Nelson's 4th of July Celebration | 1979 | ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | Was released in 2-D | |
Wings of Courage | 1995 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 40 | |
Wings of the Hawk | 1953 | ![]() | Universal 3-D | Dual 35 mm | 1.85:1 | 81 | |
Zombie Chronicles | 2001 | ![]() | Nu-View | Video field sequential | 1.33:1 | 71 | |
Bugs! | July 25, 2003 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 40 | |
Across the Sea of Time | October 20, 1995 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 52 | Also released in 8/70 prints with an aspect ratio of 1.35:1 |
The Hidden Dimension | May 9, 1997 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 45 | |
Siegfried & Roy: The Magic Box | 1999 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 50 | |
Galapagos: The Enchanted Voyage | October 27, 1999 | ![]() ![]() | Iwerks 3D | Dual 70 mm | 1.34:1 | 40 | Also released in IMAX 3-D with a 1.44:1 aspect ratio |
CyberWorld | October 6, 2000 | ![]() ![]() | Digital 3-D | Dual 70 mm | 1.44:1 | 44 | Contains sequences converted from 2-D. Released in IMAX 3-D. |
Ocean Wonderland | February 11, 2003 | ![]() ![]() | Dual HD | 1.44:1 | 41 | Also known as Blue Magic. Released in IMAX 3-D. | |
NASCAR 3D | March 12, 2004 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 40 | |
Emmanuelle 4 | 1984 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 90 | Dubbed into several languages including English. New scenes were shot for the US version in StereoVision 3-D. |
Liebe in drei Dimensionen | 1973 | ![]() | Triarama | Ps anamorphic 70 mm | 2.20:1 | 93 | 35 mm prints were Po 2.35:1. Dubbed into English and released as Love in 3-D. |
Femmina | 1953 | ![]() | Tridimensionale Christiani | Dual 35 mm | 90 | Also known as Tailor-Made Beauties, Bella su Misura, Beauty to Measure and Cavalieri Dell’Illusione. | |
Chhota Chetan | 1998 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 90 | Hindi-dubbed rerelease of My Dear Kuttichathan with additional footage. |
Supergirls for Love | 1983 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 85 | |
The Gold Hunt | 1953 | ![]() | Kwong-Tzan 3-D | Dual 35 mm | 1.37:1 | Cantonese comedy feature film. Also known as The Fortune Hunters. | |
The North and South Chivalry | 1977 | ![]() | Hi Stereo Vision | Dual 35 mm | 2.35:1 | Martial arts drama feature | |
Le pensionnat des petites salopes | 1982 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 66 | |
Perverted Criminal | 1967 | ![]() | 2.35:1 | Adult film | |||
Qian dao wan li zhu | 1977 | ![]() ![]() | Super Touch 3-D | Po 35 mm | 2.35:1 | 94 | The English title is Dynasty |
El Reportero T.D. | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | Demonstration film | |
Shi shan nu ni | 1977 | ![]() | Optimax III | Po 35 mm | 2.35:1 | 98 | The US version is called Revenge of the Shogun Women |
El tesoro de las cuatro coronas | 1983 | ![]() ![]() ![]() | 3-Depix | Po 35 mm | 2.35:1 | 97 | Action-adventure feature, starring Ana Obregón |
Un turco napoletano | 1953 | ![]() | Richardson 3-D | Dual 35 mm | 1.37:1 | 92 | The English title is Neapolitan Turk |
Ulisse | 1954 | ![]() | Tridimensionale Christiani | Dual 35 mm | 1.66:1 | 117 | Seems the 3D system was abandoned before shooting |
El valor de vivir | 1954 | Mexico | Tercera Dimensión Bríceno | Dual 35 mm | 1.37:1 | 105 | Shown anaglyphic |
Annai Bhoomi | 1985 | ![]() | 2.39:1 | 100 | Tamil-language feature film | ||
Magnificent Bodyguards | 1978 | ![]() | Ultra Vision | Dual 35 mm | 2.35:1 | 101 | Was released in Po 2.35:1 |
Cavalleria rusticana | 1953 | ![]() | Tridimensionale Christiani | Dual 35 mm | 1.37:1 | 80 | |
El corazón y la espada | 1953 | ![]() | Tercera Dimensión Bríceno | Dual 35 mm | 1.37:1 | 80 | Shown anaglyphic |
Con la muerte a la espalda | 1967 | ![]() ![]() ![]() | Hi-Fi Stereo 70 | Po 70 mm | 2.20:1 | 86 | The English title is With Death on Your Back |
La marca del hombre lobo | 1968 | ![]() | Hi-Fi Stereo 70 | Ps anamorphic 70 mm | 2.20:1 | 88 | Was shown in the US in Po 35 mm 2.00:1 as Frankenstein's Bloody Terror |
Champagnegalopp | 1975 | ![]() | Wondavision | Ps vertical 35 mm | 1.66:1 | 93 | Also known under the English titles A Man with a Maid, Teenage Tickle Girls, The Groove Room and What the Swedish Butler Saw. |
Aleko | 1953 | ![]() | Stereokino, Lenticular | Single-strip 3-D | 1.37:1 | 61 | OT: Алеко[ citation needed ] |
The White Poodle | 1956 | ![]() | Stereokino | Ps 35 mm | 1.37:1 | 70 | OT: Белый пудель; Sovcolor, Odessa[ citation needed ] |
The Creeps | 1997 | ![]() | StereoVision | Po 35 mm | 2.35:1 | 80 | Also known as Deformed Monsters |
Man with the Green Gloves | 1968 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 74 | OT: Человек в зелёной перчатке; Chelovek v zelenoy perchatke |
The Precious Gift | 1956 | ![]() | Lenticular | Ps | 1.37:1 | 80 | OT: Драгоценный подарок; Dragotsennyy podarok Gorky Film Studio |
Old thing | 1958 | ![]() | Lenticular | 35 mm | 1.37:1 | 67 | OT: Дружок; Druzhok; Gorky Film Studio, Druzhok — it's a dog name. |
Sitting on the Golden Porch | 1986 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 72 | OT: На златом крыльце сидели; folk tale, Gorky Film Studio [ citation needed ] |
No and Yes | 1967 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 73 | OT: Нет и да; Net i da |
About the Strangeness of Love | 1983 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 84 | OT: О странностях любви; O strannostyakh lyubvi.Mosfilm [ citation needed ] |
Kidnapping of the Century | 1981 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 70 | OT: Похищение века; Pokhishcheniye veka. Gorky Film Studio[ citation needed ] |
SOS from the Taiga | 1976 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 84 | OT: S.O.S. над тайгой; SOS Nad Taygoy. Mosfilm [ citation needed ] |
No More Jokes | 1984 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 67 | OT: Шутки в сторону; Shutki v storonu. Gorky Film Studio [ citation needed ] |
The Mysterious Monk | 1968 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 83 | OT: Таинственный монах; Mosfilm[ citation needed ] |
The Doctor's Pupil | 1983 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 70 | OT: Ученик лекаря; Uchenik lekarya. Gorky Film Studio[ citation needed ] |
Locked in Glass | 1978 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 98 | OT: Замурованные в стекле; Zamurovannye v stekle. Mosfilm |
She Has a Broom, He has a Black Hat | 1987 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 85 | OT: Она с метлой, он в чёрной шляпе; Ona s metloy, on v chyornoy shlyape; Gorky |
A Bandy-Legged Friend | 1959 | ![]() | Stereokino | Ps 35 mm | 1.37:1 | 85 | OT: Косолапый друг |
Rider on a Golden Horse | 1980 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 88 | Also known as The Man on the Golden Horse. OT: Всадник на золотом коне; Mosfilm |
The Lynx Stalks its Prey | 1994 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 80 | Also known as The Tiger Goes on Trace. OT: Рысь идет по следу; Tsentrnauchfilm |
Title | Release Date | Prod. Country | System | Technology | Aspect Ratio | Runtime min | Notes |
---|---|---|---|---|---|---|---|
For the Birds | 2000 | ![]() | 1.85:1 | 3 | Released with Monsters, Inc. 3D | ||
The Adventures of Sam Space | 1961 | ![]() | 1.75:1 | 9 | Released with September Storm 3D | ||
Harmony Lane | 1953 | ![]() | 1.33:1 | 28 | Released with September Storm 3D | ||
The Burbot | 1953 | ![]() | Stereokino | Ps 35 mm | 1.37:1 | 27 | OT: Налим. Based on three Chekhov short stories. |
Cyberheidi 3D | 2002 | ![]() | 15 | ||||
T2 3D: Battle Across Time | 1996 | ![]() | 3 x Dual 70 mm | Theme park attraction | |||
Plan 3-D from Outer Space | 1985 | ![]() | Digital 3-D | Po | 2.35:1 | 3 | |
Doom Town | 1953 | ![]() | Todd-Dunning 3-D | Dual 35 mm | 1.37:1 | Also known as Assignment A-Bomb | |
3D Jamboree | 1956 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | Compilation Animated film Incl. Melody & Working for Peanuts | |
3-D on Parade | 1981 | StereoVision | Po | 2.35:1 | |||
3-Dynavision | 1973 | Dual 70 mm | Shown Po | ||||
Adolph Zukor Introduces Paravision | 1953 | ![]() | Paravision | Dual 35 mm | 1.66:1 | ||
Aerosmith | 1983 | ![]() | Po | 2.35:1 | |||
Air Junction | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
Alien Adventure | August 17, 1999 | ![]() | Iwerks 3-D | Dual 70 mm | 1.44:1 | 35 | |
Bandit Island | 1953 | ![]() | StereoVision | Dual 35 mm | 1.37:1 | 25 | |
Barge Dwellers | 1978 | ![]() | Lipton Three-Dimensional Filmmaking System | Dual Super 8 | |||
Be Bop Bamboozled | 1989 | ![]() | Nuoptix | 12 | Was the half time show of Super Bowl XXIII | ||
Bermuda Isle of Dreams | 1953 | Bolex Stereo | Ps 16 mm | 0.67:1 | |||
Boo Moon | 1954 | ![]() | Stereotoon | Dual 35 mm | 1.85:1 | 6 | Animated Short, Famous Studio. Released on 3-D Rarities. |
Bullfighting in Spain | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
Capstan Cigarettes | 1953 | ![]() | Stereo Techniques | Dual 35 mm | Advertising film for cigarettes | ||
Captain EO | 1986 | ![]() | Kodak-Disney 3-D | Dual 70 mm | 2.20:1 | 17 | Theme park attraction |
Carnival in April | 1953 | ![]() | Universal 3-D | Dual 35 mm | 1.85:1 | 18 | |
Come Closer | 1952 | ![]() | Dual 16 mm | A non-narrative film featuring oscilloscopic light imagery | |||
The Coronation of Queen Elizabeth | 1953 | ![]() | Dudley 3-D | Ps vertical | 1.37:1 | ||
A Day at the Del Mar Fair | 1987 | ![]() | Western 3-D | Ps vertical Super 8 | 1.66:1 | ||
Dimensions in Time | 1993 | ![]() | Pulfrich 3-D | Video (PAL) | 1.33:1 | 13 | |
Diet Coke Commercial | 1989 | ![]() | Nuoptix | 1 | Diet Coke commercial aired on January 22, 1989 during half-time of the Super Bowl XXIII | ||
The Dimension of Oldsmobile Quality | 1981 | ![]() | StereoVision | Po | 2.35:1 | ||
Down the Hatch | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 17 | |
Escape from Beyond | 1984 | Wonder-Vision 3-D | Po | 2.35:1 | |||
Flying at Ya' Android Kikaider | 1973 | ![]() | Dual 35 mm | 2.35:1 | 33 | Shown anaglyphic | |
Flying Carpet | 1952 | ![]() | Stereo Techniques | Dual 35 mm | |||
Forest | 1978 | ![]() | Lipton Three-Dimensional Filmmaking System | Dual Super 8 | |||
Haunted Castle | February 23, 2001 | ![]() ![]() | Iwerks 3-D | Dual 70 mm | 1.44:1 | 38 | |
Haunted House | 2001 | ![]() ![]() | 13 | ||||
Holsum Bread | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | ||
Honey, I Shrunk the Audience! | 1994 | ![]() | Kodak-Disney 3-D | Dual 70 mm | 2.20:1 | 23 | |
How to walk | 1983 | Bolex Stereo | Ps 16 mm | 0.67:1 | |||
Hypnotic Hick | 1953 | ![]() | Walter Lantz 3-D | Dual 35 mm | 1.85:1 | 6 | Animated Short, Walter Lantz Studio – Woody Woodpecker. Released with Wings of the Hawk 3D |
The III-D Olympiad | 1986 | ![]() | Elgeet Stereo | Ps 16 mm | 0.67:1 | 6 | |
Imagine | 1993 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 22 | |
It's Tough to be a Bug! | 1998 | ![]() | Dual 70 mm | 9 | |||
Jim Henson's Muppet*Vision 3D | 1991 | ![]() | Dual 70 mm | 2.20:1 | 20 | Theme park attraction | |
London Tribute | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
Lumber Jack-Rabbit | 1954 | ![]() | Burton 3-D | Dual 35 mm | 1.37:1 | 7 | Animated short, Looney Tunes |
Magic Journeys | 1982 | ![]() | Kodak-Disney 3-D | Dual 70 mm | 2.20:1 | 16 | |
Melody | 1953 | ![]() | Disney 3-D | Dual 35 mm | 1.37:1 | 10 | Animated short, Disney |
Metroscopix | 1953 | ![]() | Metroscopix | Dual 35 mm | Shown anaglyphic – incl. Audioscopiks , The New Audioscopiks and Third Dimensional Murder | ||
The Milwaukee Braves versus the Chicago Cubs | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | Baseball game footage of the Chicago Cubs playing the Milwaukee Braves at Wrigley Field on August 14, 1953 | |
Nat 'King' Cole and Russ Morgan and His Orchestra | 1953 | ![]() | Universal 3-D | Dual 35 mm | 1.37:1 | 18 | Also known as Nat 'King' Cole Sings 'Pretend' |
Nature Trail | 1986 | ![]() | Powell 3-D | Ps vertical Super 8 | 1.33:1 | 4 | |
Northern Towers | 1952 | ![]() | Stereo Techniques | Dual 35 mm | |||
O Canada | 1952 | ![]() | Dual 35 mm | 1.37:1 | 1 | ||
On the Ball | 1952 | ![]() | Stereo Techniques | Dual 35 mm | |||
The Owl and the Pussycat | 1952 | ![]() | Stereo Techniques | Dual 35 mm | 1.37:1 | 7 | |
Packaging... The Third Dimension | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | A promotional short for the Stone Container Plant | |
Paint Misbehavin' | 1997 | ![]() | SANDDE | Dual 70 mm | 1.44:1 | 2 | |
Pardon My Backfire | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 16 | Released with The Mad Magician 3D |
Popeye, the Ace of Space | 1953 | ![]() | Stereotoon | Dual 35 mm | 1.66:1 | 7 | Animated short, Famous Studio |
Relieve Navarro | 1992 | ![]() | StereoVision | Single strip 35 mm | 1.40:1 | 20 | Shot for Universal Expo'92 in Seville |
Rocky Marcianao vs. Jersey Joe Walcott | 1953 | ![]() | Stereo-Cine | Dual 35 mm | 1.37:1 | 15 | |
Royal Review | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
Scoring! | 1984 | ![]() | DeepVision | Anaglyphic 35 mm | 1.85:1 | ||
Sea Dream | 1978 | ![]() | SpaceVision 3-D | Po 35 mm | 2.35:1 | 23 | |
Sears Sales | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | A training film for Sears | |
The Sensorium | 1985 | ![]() | ArriVision 3-D | Po 35 mm | 2.35:1 | 14 | |
Shrek 4-D | 2003 | ![]() | Digital 3-D | Dual 70 mm | 2.20:1 | 12 | |
Space Journey | 1985 | ![]() | StereoVision | Po | 2.35:1 | ||
Space Patrol | 1953 | ![]() | 30 | One episode of the TV series was broadcast in 3-D on April 29, 1953. | |||
SpongeBob SquarePants 4-D | 2002 | ![]() | Amusement park ride | ||||
Spooks! | 1953 | ![]() | Columbia 3-D | Dual 35 mm | 1.85:1 | 16 | Also known as Trails of Horror. Originally released in sepia tone. Released with The Mad Magician 3D |
Spring has come to Helsinki | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | Silent film | |
Tri-Opticon Stereo Techniques 3 Dimension (a.k.a. Royal Flush) | 1952 | ![]() | Stereo Techniques | Dual 35 mm | 1.37:1 | 45 | Collection of five shorts: Around Is Around, Black Swan, Royal River, Now Is the Time and A Solid Explanation |
Summer Island | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
This is Progress | 1954 | ![]() | Dual 16 mm | General Motors | |||
Thorndyke, the Cactus Kid | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | Silent slapstick comedy film with intertitles | |
Through my Window | 1978 | ![]() | Lipton Three-Dimensional Filmmaking System | Dual Super 8 | |||
Time for Beanie | 1952 | ![]() | Natural Vision 3-Dimension | Dual 35 mm | 1.37:1 | Prologue to Bwana Devil | |
Tournament of Roses Parade | 1989 | ![]() | Pulfrich 3-D | The 1989 parade was broadcast in 3-D on KTTV. | |||
Transitions | 1986 | ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 21 | The first IMAX film in 3-D |
Triorama (a.k.a. This is Triorama) | 1953 | Bolex Stereo | Ps 16 mm | 0.67:1 | 36 | A collection of four shorts: American Life, Indian Summer (Recorded in Great Smoky Mountains National Park), Sunday in Stereo and This is Bolex Stereo | |
The Turning | 1989 | StereoVision | Po | 2.35:1 | |||
Twirligig | 1952 | ![]() | Stereo Techniques | Dual 35 mm | 1.37:1 | 3 | |
Venus | 1984 | ![]() ![]() | StereoVision | Po 35 mm | 2.35:1 | ||
Vintage '28 | 1953 | ![]() | Stereo Techniques | Dual 35 mm | |||
Way Down West (1978 film) | 1978 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | 3 | |
A Way of Thinking | 1954 | Ramsdell 3-D | Dual 16 mm | ||||
We Are Born of Stars | 1985 | ![]() | OMNIMAX 3-D | Dual 70 mm | 1.44:1 | 11 | Shown anaglyphic |
Wedges | 1978 | ![]() | Lipton Three-Dimensional Filmmaking System | Dual Super 8 | |||
Weekend Panorama | 1984 | ![]() | Western 3-D | Ps vertical Super 8 | 1.66:1 | 5 | Travelogue film shot in Southern California by Owen Western |
Working for Peanuts | 1953 | ![]() | Disney 3-D | Dual 35 mm | 1.37:1 | 7 | Released with Walt Disney Treasures: Wave Eight The Chronological Donald, Volume Four |
Zoo Snapshots | 1953 | ![]() | Bolex Stereo | Ps 16 mm | 0.67:1 | ||
Stereo Film | 1952 | ![]() | Dual 16 mm | 1.37:1 | 1 | ||
Ring up the Curtain | 1954 | ![]() | Stereo Techniques | Dual 35 mm | |||
College Capers | 1953 | ![]() | StereoVision | Dual 35 mm | 1.37:1 | 16 | |
Santa vs. the Snowman 3D | November 1, 2002 | ![]() | Digital 3-D | 32 | |||
Echoes of the Sun | 1990 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 20 | |
The Last Buffalo | 1990 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 27 | |
Into the Deep | March 11, 1994 | ![]() ![]() ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 35 | |
L5: First City in Space | October 11, 1996 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 35 | |
The IMAX Nutcracker | November 27, 1997 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 37 | |
Ultimate G's | February 17, 2000 | ![]() ![]() | IMAX 3-D | Dual 70 mm | 1.44:1 | 37 | Also known as Ultimate G's: Zac's Flying Dream. |
Cirque Du Soleil: Journey Of Man | May 5, 2000 | ![]() ![]() | Iwerks 3D | Dual 70 mm | 1.34:1 | 39 | |
Falling in Love Again | May 15, 2003 | ![]() | SANDDE | Dual 70 mm | 1.44:1 | ||
Állatkerti séta | 1952 | ![]() | Po | 2.00:1 | |||
Artista vizsga | 1952 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Denmark Live | 1974 | ![]() | Ps 35 mm | 1.33:1 | |||
Four-D | 1953 | Nord 3-D | Ps 16 mm | 0.67:1 | |||
Ketto | 1953 | ![]() | Shochiku Natural Vision | Ps | 1.33:1 | ||
GEKIJÔ-BAN HONTÔ NI ATTA KOWAI HANASHI | 1982 | ![]() | StereoVision | Ps | 2.35:1 | The anthology of horror stories contains a 3-D episode entitled Shisen featuring the young girl Risa Niigaka | |
Renault | 1982 | ![]() | StereoVision 70 | Ps anamorphic 70 mm | 1.33:1 | Advertisement film | |
Ritmo a tre (Rhythm in Three) | 1953 | ![]() | Tridimensionale Christiani | Dual 35 mm | |||
Senneville | 1983 | ![]() | StereoVision | Po | 2.35:1 | ||
Sportoló fiatalok (Sporting Youth) | 1953 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Stereo hiradó három | 1954 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Stereo hiradó kettö | 1953 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Szines szöttes | 1954 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Tobidashita nichiyobi | 1953 | ![]() | Tovision | Dual 35 mm | 1.37:1 | ||
Téli rege | 1953 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
Plastischer Wies'n-Bummel | 1954 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | 10 | Short film about the Oktoberfest |
Der Wagen und sein Werk | 1953 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | 5 | Advertisement film about the production of Volkswagen Beetle |
Plastische Vorstellung | 1950 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | 5 | Advertisement film about different models of Volkswagen Beetle |
Weißer Traum | 1950 | ![]() | Raumfilm-System Zeiss-Ikon | Ps vertical | 1.66:1 | 5 | Advertisement film about a Volkswagen Beetle driving in the Alps. Also known as Der weiße Traum. |
Stereo hiradó egy | 1952 | ![]() | Plasztikus Film | Po | 2.00:1 | ||
About Siberia with Love | 1981 | ![]() | Stereo 70 | side by side 65mm | 20 | OT: О Сибири с любовью | |
Baikal, oh the Beauty | 1982 | ![]() | Stereo 70 | side by side 65mm | 30 | OT: Байкал: красота какая | |
Fall Magic of Crimea | 1973 | ![]() | Stereo 70 | side by side 65mm | 10 | OT: Осенние этюды Крыма | |
Handshake With a Bear | 1969 | ![]() | Lenticular | 70 mm | 1.37:1 | 30 | OT: Вашу лапу медведь |
Hello, Sochi | 1975 | ![]() | Stereo 70 | Side by side 65mm | 10 | OT: Здравствуй, Сочи! | |
May Nights | 1953 | ![]() | Stereofilm lenticular | OT: Майская ночь, или утопленница; Gorky Film Studio | |||
My Moldova | 1982 | ![]() | Stereo 70 | Side by side 65mm | 10 | OT: Моя Молдова | |
Unusual etudes | 1963 | ![]() | Ps | 1.37:1 | OT: Необыкновенные этюды; Neobiknovennie etyudi | ||
Parade of Attractions | 1970 | ![]() | Stereo 70 | Side by side 65mm | 20 | OT: Парад аттракционов | |
Pathways in the Park | 1952 | ![]() | Lenticular | 1.37:1 | OT: В аллеях парка | ||
Colored pebbles | 1960 | ![]() | Ps | 1.37:1 | OT: Разноцветные камешки; Raznotsvetnie kameshki | ||
Russian Sketches | 1969 | ![]() | Ps 70 mm | 1.37:1 | OT: Русские этюды | ||
The Souvenir | 1977 | ![]() | Stereo 70 | Ps 70 mm | 10 | OT: Сувенир; Suvenir | |
The Self-Assured Karandash | 1955 | ![]() | Ps 70 mm | 1.37:1 | 18 | OT: Самоуверенный карандаш | |
The Spotted Foal | 1981 | ![]() | Stereo 70 | Side by side 65mm | OT: Жеребёнок в яблоках; Tallinnfilm | ||
To Bulgaria in Winter | 1981 | ![]() | Stereo 70 | Side by side 65mm | 20 | OT: Зимой в Болгарию | |
The Evening in Moscow | 1962 | ![]() | Lenticular 70 mm | OT: Вечер в Москве; Vecher v Moskve | |||
When the Islands Come Alive | 1982 | ![]() | Stereo 70 | Side by side 65mm | 30 | OT: Когда оживают острова | |
Experiments in Love | 1976 | ![]() | Quadravision 4-D | Ps 35 mm | 1.37:1 | 28 | Available on 3-D Rarities II from Flicker Alley |
Power in Perspective | 1956 | ![]() | Spacemaster 3-D | Dual 35 mm | 1.66:1 | ||
′Real Life′ Trailer | 1979 | ![]() | Dimension 3 | Dual 35 mm | 1.85:1 | Shown anaglyphic. | |
Animal Play | 1980 | ![]() | Stereo 70 | Side by side 65mm | 1.37:1 | 30 | Also known as Baby Animals and Games of Animals. OT: Игры животныхIgry; zhivotnykh. |
Bells | 1980 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 10 | Also known as Ten Bells. OT: Колокола. |
The Magic Lake | 1979 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 17 | OT: Волшебное Озеро; stereoscopic puppet animation. |
When Men are Singing | 1980 | ![]() | Stereo 70 | Ps 70 mm | 1.37:1 | 20 | OT: Когда поют мужчины. |
Kamen Rider: Run All Over the World | 1989 | ![]() | 16 | OT: 仮面ライダー 世界に駆ける. Part of the Kamen Rider franchise. | |||
Kamen Rider World | 1994 | ![]() | 9 | OT: 仮面ライダーワールド. Part of the Kamen Rider franchise; released with Super Sentai World and Toei Hero Big Gathering | |||
Super Sentai World | 1994 | ![]() | 9 | OT: スーパー戦隊 ワールド. Part of the Super Sentai franchise; released with Kamen Rider World and Toei Hero Big Gathering | |||
Toei Hero Big Gathering | 1994 | ![]() | 5 | OT: 東映ヒーロー大集合. Crossover between Metal Hero and Super Sentai franchises; released with Kamen Rider World and Super Sentai World | |||
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.
70 mm film is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film. The additional 5 mm contains the four magnetic stripes, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding, the vast majority of existing and surviving 70 mm prints pre-date this technology.
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc. Subtending refers to the pathways of the projected images from the synchronized projectors onto the curved screen overlapping each other at one point. The trademarked process was marketed by the Cinerama corporation. It was the first of several novel processes introduced during the 1950s when the movie industry was reacting to competition from television. Cinerama was presented to the public as a theatrical event, with reserved seating and printed programs, and audience members often dressed in their best attire for the evening.
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of Avatar in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film Goodbye to Language.
The Odeon Luxe Leicester Square is a prominent cinema building in the West End of London. Built in the Art Deco style and completed in 1937, the building has been continually altered in response to developments in cinema technology, and was the first Dolby Cinema in the United Kingdom.
The Cinerama Dome is a movie theater located at 6360 Sunset Boulevard in Hollywood, California. Designed to exhibit widescreen Cinerama films, it opened November 7, 1963. The original developer was William R. Forman, founder of Pacific Theatres. The Cinerama Dome continued as a leading first-run theater, most recently as part of the ArcLight Hollywood complex, until it closed temporarily in March 2020 due to the COVID-19 pandemic in California. The ArcLight chain closed permanently in April 2021, with the theater never having reopened. In June 2022, it was announced that there were plans to reopen it and the former ArcLight Hollywood under a new name, Cinerama Hollywood.
Imposition is one of the fundamental steps in the prepress printing process. It consists of the arrangement of the printed product's pages on the printer's sheet, in order to obtain faster printing, simplify binding and reduce paper waste.
Lenticular printing is a technology in which lenticular lenses are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles.
A photo booth is a vending machine or modern kiosk that contains an automated, usually coin-operated, camera and film processor. Today, the vast majority of photo booths are digital.
A 3D display is a display device capable of conveying depth to the viewer. Many 3D displays are stereoscopic displays, which produce a basic 3D effect by means of stereopsis, but can cause eye strain and visual fatigue. Newer 3D displays such as holographic and light field displays produce a more realistic 3D effect by combining stereopsis and accurate focal length for the displayed content. Newer 3D displays in this manner cause less visual fatigue than classical stereoscopic displays.
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
A polarized 3D system uses polarization glasses to create the illusion of three-dimensional images by restricting the light that reaches each eye.
The Stewardesses is a 1969 American 3D softcore comedy film written and directed by Allan Silliphant and starring Christina Hart, Monica Gayle, Paula Erickson and Donna Stanley.
The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured and started the era of popular stereo photography of the mid 20th century.
Krazy Kat is an American newspaper comic strip, created by cartoonist George Herriman, which ran from 1913 to 1944. It first appeared in the New York Evening Journal, whose owner, William Randolph Hearst, was a major booster for the strip throughout its run. The characters had been introduced previously in a side strip with Herriman's earlier creation, The Dingbat Family, after earlier appearances in the Herriman comic strip Baron Bean. The phrase "Krazy Kat" originated there, said by the mouse by way of describing the cat. Set in a dreamlike portrayal of Herriman's vacation home of Coconino County, Arizona, KrazyKat's mixture of offbeat surrealism, innocent playfulness and poetic, idiosyncratic language has made it a favorite of comics aficionados and art critics for more than 80 years.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Scanography, more commonly referred to as scanner photography, is the process of capturing digitized images of objects for the purpose of creating printable art using a flatbed "photo" scanner with a CCD array capturing device. Fine art scanography differs from traditional document scanning by using atypical objects, often three-dimensional, as well as from photography, due to the nature of the scanner's operation.
The Prizma Color system was a color motion picture process, invented in 1913 by William Van Doren Kelley and Charles Raleigh. Initially, it was a two-color additive color system, similar to its predecessor, Kinemacolor. However, Kelley eventually transformed Prizma into a bi-pack color system that itself became the predecessor for future color processes such as Multicolor and Cinecolor.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in many parts of the world. Especially the magic lantern influenced much of the projection technology, exhibition practices and cultural implementation of film. Between 1825 and 1840, the relevant technologies of stroboscopic animation, photography and stereoscopy were introduced. For much of the rest of the century, many engineers and inventors tried to combine all these new technologies and the much older technique of projection to create a complete illusion or a complete documentation of reality. Colour photography was usually included in these ambitions and the introduction of the phonograph in 1877 seemed to promise the addition of synchronized sound recordings. Between 1887 and 1894, the first successful short cinematographic presentations were established. The biggest popular breakthrough of the technology came in 1895 with the first projected movies that lasted longer than 10 seconds. During the first years after this breakthrough, most motion pictures lasted about 50 seconds, lacked synchronized sound and natural colour, and were mainly exhibited as novelty attractions. In the first decades of the 20th century, movies grew much longer and the medium quickly developed into one of the most important tools of communication and entertainment. The breakthrough of synchronized sound occurred at the end of the 1920s and that of full color motion picture film in the 1930s. By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors.