List of Hot Crossover 30 number ones

Last updated

Prince Brussels 1986.jpg
Michael Jackson in 1988.jpg
The crossover success of Black artists Prince (left) and Michael Jackson (right) to white audiences contributed to Billboard's creation of the Hot Crossover 30; [1] both reached number one in the chart's first year. [2] [3]

Hot Crossover 30 was a weekly record chart published by American magazine Billboard that ranked the 30 top-performing songs on "crossover" radio stations in the United States featuring a combination of Black, dance, and pop music. It was first published in the February 28, 1987, issue of Billboard. [4] The chart was renamed Top 40/Dance on September 9, 1989, [5] and last published on December 1, 1990. [6] Unlike the guitar-oriented rock music heard on contemporary hit radio stations at the time, songs that appeared on the Hot Crossover 30 were often typified by their up-tempo nature, featured drum machines and electronic keyboards, and had varied dance, pop, and R&B influences. [7] Club Nouveau's "Lean on Me" was the first of 65 different songs that topped the chart, and Mariah Carey's "Love Takes Time" was the last. [8] [9]

To formulate the chart, Billboard created a panel of crossover radio stations which reported their current playlists by rank every week. The magazine converted these ranks to points using a weighting system based on the station's Arbitron rating. The most-played song on a station received a base of 25 points while songs ranked below number 40 received 5 points. The points were multiplied 0.5 times if it was played by a station with a weekly cumulative audience of under 100,000 people, 1 time if the station had an audience between 100,000 and 249,999, 1.5 times if the station had an audience between 250,000 and 499,999, 2 times if the station had an audience between 500,000 and 999,999, and 2.5 times if the station had an audience over 1 million. Songs were eligible to chart regardless of a commercial release, as long as they received a combined 175 points from at least 10 stations. [10]

Hot Crossover 30 allowed programmers at burgeoning crossover stations to observe the national popularity of songs on similar stations, some of which had been previously unrecognized because such stations did not contribute to any other Billboard chart. [7] The Hot Crossover 30 panel of stations originally included those that reported exclusively to the chart and some that also reported to either the Hot 100 or Hot Black Singles charts. [10] Effective September 9, 1989, stations formerly exclusive to the Hot Crossover 30 panel also contributed to the Hot 100. [5] By the chart's last issue on December 1, 1990, Billboard considered its composition of songs too similar to the Hot 100's and announced its discontinuation. [6] The Black/dance/pop crossover genre became known as rhythmic contemporary, [7] and Billboard launched the Top 40/Rhythm-Crossover chart on October 3, 1992. [11]

Chart history

Anita Baker's "Giving You the Best That I Got" spent the most weeks at number one of any song (8) Anita Baker 1998.jpg
Anita Baker's "Giving You the Best That I Got" spent the most weeks at number one of any song (8)
Milli Vanilli spent the most weeks at number one of any artist (14) Milli Vanilli and C. Michael Greene.jpg
Milli Vanilli spent the most weeks at number one of any artist (14)
George Michael tied Milli Vanilli as the artist with the most number ones (4) George Michael.jpeg
George Michael tied Milli Vanilli as the artist with the most number ones (4)
Hot Crossover 30 number ones chart history
No.Issue dateSongArtist(s)Weeks at
number one
Ref.
1February 28, 1987"Lean on Me" Club Nouveau 5 [8]
2April 4, 1987"Looking for a New Love" Jody Watley 3 [12]
3April 25, 1987"Sign o' the Times" Prince 2 [2]
4May 9, 1987"Always" Atlantic Starr 2 [13]
5May 23, 1987"Head to Toe" Lisa Lisa and Cult Jam 3 [14]
6June 27, 1987"I Wanna Dance with Somebody (Who Loves Me)" Whitney Houston 4 [15]
7July 25, 1987"The Pleasure Principle" Janet Jackson 2 [16]
8August 8, 1987"I Want Your Sex" George Michael 1 [17]
9August 15, 1987"Who's That Girl" Madonna 4 [18]
10September 12, 1987"Lost in Emotion" Lisa Lisa and Cult Jam 5 [19]
11October 17, 1987"Bad" Michael Jackson 4 [3]
12November 14, 1987"I Think We're Alone Now" Tiffany 3 [20]
13December 5, 1987"Shake Your Love" Debbie Gibson 2 [21]
14December 19, 1987"So Emotional" Whitney Houston 4 [22]
15January 16, 1988"The Way You Make Me Feel" Michael Jackson 3 [23]
16February 6, 1988"Pump Up the Volume" MARRS 2 [24]
17February 20, 1988"Never Gonna Give You Up" Rick Astley 3 [25]
18March 12, 1988"Father Figure" George Michael 2 [26]
19March 26, 1988"Man in the Mirror" Michael Jackson 3 [27]
20April 16, 1988"Get Outta My Dreams, Get into My Car" Billy Ocean 2 [28]
21April 30, 1988"Where Do Broken Hearts Go" Whitney Houston 2 [29]
22May 14, 1988"Nite and Day" Al B. Sure! 1 [30]
23May 21, 1988"One More Try" George Michael 6 [31]
24July 2, 1988"Mercedes Boy" Pebbles 2 [32]
25July 16, 1988"Sign Your Name" Terence Trent D'Arby 5 [33]
26August 20, 1988"If It Isn't Love" New Edition 1 [34]
27August 27, 1988"Monkey" George Michael 3 [35]
28September 17, 1988"I'll Always Love You" Taylor Dayne 3 [36]
29October 8, 1988"Red Red Wine" UB40 4 [37]
30November 5, 1988"Giving You the Best That I Got" Anita Baker 5 [38]
31December 10, 1988"My Prerogative" Bobby Brown 1 [39]
reDecember 17, 1988"Giving You the Best That I Got" Anita Baker 3 [40]
32January 7, 1989"Dial My Heart" The Boys 3 [41]
33January 21, 1989"Wild Thing" Tone Loc 5 [42]
34February 25, 1989"Straight Up" Paula Abdul 1 [43]
35March 4, 1989"Girl You Know It's True" Milli Vanilli 6 [44]
36April 15, 1989"Funky Cold Medina" Tone Loc 2 [45]
37April 29, 1989"Like a Prayer" Madonna 3 [46]
38May 20, 1989"Every Little Step" Bobby Brown 1 [47]
39May 27, 1989"I'll Be Loving You (Forever)" New Kids on the Block 5 [48]
40July 1, 1989"Baby Don't Forget My Number" Milli Vanilli 1 [49]
41July 8, 1989"I Like It" Dino 1 [50]
42July 15, 1989"Secret Rendezvous" Karyn White 2 [51]
43July 29, 1989"On Our Own" Bobby Brown 5 [52]
44September 2, 1989"Cold Hearted" Paula Abdul 2 [53]
45September 16, 1989"Girl I'm Gonna Miss You" Milli Vanilli 3 [54]
46October 7, 1989"Miss You Much" Janet Jackson 5 [55]
47November 11, 1989"Blame It on the Rain" Milli Vanilli 4 [56]
48December 9, 1989"Back to Life (However Do You Want Me)" Soul II Soul featuring Caron Wheeler 1 [57]
49December 16, 1989"Pump Up the Jam" Technotronic 4 [58]
50January 13, 1990"Two to Make It Right" Seduction 4 [59]
51February 10, 1990"Opposites Attract" Paula Abdul 3 [60]
52March 3, 1990"Escapade" Janet Jackson 4 [61]
53March 31, 1990"I'll Be Your Everything" Tommy Page 2 [62]
54April 14, 1990"All Around the World" Lisa Stansfield 2 [63]
55May 5, 1990"Nothing Compares 2 U" Sinéad O'Connor 2 [64]
56May 19, 1990"Vogue" Madonna 4 [65]
57June 16, 1990"Poison" Bell Biv DeVoe 3 [66]
58July 7, 1990"Step by Step" New Kids on the Block 1 [67]
59July 14, 1990"Hold On" En Vogue 1 [68]
60July 21, 1990"Rub You the Right Way" Johnny Gill 2 [69]
61August 4, 1990"Vision of Love" Mariah Carey 3 [70]
62August 25, 1990"Do Me!" Bell Biv DeVoe 6 [71]
63October 6, 1990"My, My, My" Johnny Gill 1 [72]
64October 13, 1990"Ice Ice Baby" Vanilla Ice 7 [73]
65December 1, 1990"Love Takes Time" Mariah Carey 1 [9]

Related Research Articles

Alternative Airplay is a music chart published in the American magazine Billboard since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart, and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream, alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genres became more fully differentiated with only limited crossover. The Alternative Airplay chart features more alternative rock, indie pop, and pop punk artists while the Mainstream Rock chart leans towards more guitar-tinged blues rock, hard rock, and heavy metal.

<i>You Can Dance</i> 1987 remix album by Madonna

You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight". In the 1980s, remixing was still a new concept. The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing and vocal phrases were repeated and subjected to multiple echoes. The album cover denoted Madonna's continuous fascination with Hispanic culture.

The Billboard charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in Billboard magazine. Billboard biz, the online extension of the Billboard charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the Billboard Hot 100 for songs and Billboard 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the Billboard 200 album chart, streams and track sales are included in addition to album sales.

<span class="mw-page-title-main">Escapade (song)</span> 1990 single by Janet Jackson

"Escapade" is a song by American singer Janet Jackson from her fourth studio album, Janet Jackson's Rhythm Nation 1814 (1989). It was written and produced by Jackson and Jimmy Jam and Terry Lewis. The song was released on January 8, 1990, by A&M Records as the third single from Janet Jackson's Rhythm Nation 1814 (1989). "Escapade" became the third of the historic seven top-five singles released from the Rhythm Nation 1814 album, reaching number one on the US Billboard Hot 100.

<span class="mw-page-title-main">Crybaby (Mariah Carey song)</span> 2000 single by Mariah Carey

"Crybaby" is a song by American singer and songwriter Mariah Carey featuring American rapper Snoop Dogg. It was released on April 17, 2000 by Columbia Records as a double A-side with "Can't Take That Away ". It was written by Carey and Snoop Dogg, and produced by the former and Damizza for Carey's seventh studio album, Rainbow (1999). It serves as the album's third single. It features Snoop Dogg throughout the song's bridge and is built around a sample of the 1988 song "Piece of My Love," originally performed by Guy and written by Teddy Riley, Aaron Hall, Timmy Gatling and Gene Griffin. Throughout the song, the protagonist reveals the struggles of dealing with insomnia and thoughts of a past relationship during the night, as she spirals out of control and declares "I gotta get me some sleep."

<span class="mw-page-title-main">Forever (Mariah Carey song)</span> 1996 single by Mariah Carey

"Forever" is a rock and roll and pop song recorded by American singer Mariah Carey for her fifth studio album, Daydream (1995). Columbia Records released it to American radio stations for airplay on June 18, 1996, as the album's fifth single. The lyrics, written by Carey, are about one's continued affection despite the end of a romantic relationship. She composed the music and produced the song with Walter Afanasieff. Described by critics as referencing American music of the 1950s and 1960s, "Forever" is a doo-wop-influenced sentimental ballad in the form of a waltz. Its composition includes keyboards, guitars, and programming.

"Sweetheart" is a song originally recorded by American singer Rainy Davis. It was written by Davis and Pete Warner, and produced with Dorothy Kessler. The track was released in 1986 by independent record label SuperTronics as a single from Davis's 1987 studio album Sweetheart. A freestyle, hip hop pop, and synth-funk song, "Sweetheart" appeared on R&B and dance music-based record charts in the United States.

<span class="mw-page-title-main">Breakdown (Mariah Carey song)</span> 1998 single by Mariah Carey

"Breakdown" is a song recorded by American singer Mariah Carey for her sixth studio album, Butterfly (1997). In the lyrics, she describes the aftermath of a partner ending their love for the other and the trouble of hiding the pain it caused. The track features rapping by Krayzie Bone and Wish Bone, members of the group Bone Thugs-n-Harmony. Before they wrote and performed their raps, Carey composed the music with Stevie J and penned her lyrics. The latter pair produced "Breakdown" with Sean "Puffy" Combs. An R&B, hip hop, and hip hop soul song, "Breakdown" features keyboards, synthesized drums, and background vocals prominently. Columbia Records released it to American rhythmic contemporary radio stations in January 1998 as the third single from Butterfly.

<span class="mw-page-title-main">I Don't Wanna Cry</span> 1991 single by Mariah Carey

"I Don't Wanna Cry" is a song recorded by American singer Mariah Carey for her first album Mariah Carey (1990). Written by Carey and producer Narada Michael Walden, Columbia Records released it as the album's fourth single in March 1991. A Latin soul–influenced pop ballad, the torch song describes the end of romance. It features drums, guitars, digital synthesizers, and a classic song structure with highly delineated section roles. Modulations occur between these segments that emphasize the singer's emotions. Varying from whispering to belting, Carey's vocal range spans more than two octaves.

<span class="mw-page-title-main">Love Takes Time</span> 1990 single by Mariah Carey

"Love Takes Time" is a song recorded by American singer Mariah Carey for her eponymous debut studio album (1990). Written by Carey and Ben Margulies, while produced by Walter Afanasieff, the song was released as the second single from the album on August 22, 1990, by Columbia Records. An adult contemporary-influenced ballad, the song follows its protagonist lamenting the loss of a lover and confesses that "love takes time" to heal and that her feelings for her ex-lover remain.

<span class="mw-page-title-main">My All</span> 1998 single by Mariah Carey

"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.

The Radio Songs chart is released weekly by Billboard magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales and streaming activity, that determine the chart positions of songs on the Billboard Hot 100.

The European Hot 100 Singles was compiled by Billboard and Music & Media magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom.

<span class="mw-page-title-main">Spotlight (Madonna song)</span> 1988 single by Madonna

"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.

Linked here are Billboard magazine's number-one rhythm and blues hits. The Billboard R&B chart is today known as the Hot R&B/Hip-Hop Songs chart.

<span class="mw-page-title-main">I Still Believe (Brenda K. Starr song)</span> 1988 single by Brenda K. Starr

"I Still Believe" is a song written and composed by Antonina Armato and Giuseppe Cantarelli, and originally recorded by pop singer Brenda K. Starr for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day. It is Starr's biggest hit in the United States, reaching the top-twenty on the Billboard Hot 100 and being considered her signature song. "I Still Believe" was covered by American singer Mariah Carey, a former backup singer for Starr before she achieved success, for her #1's album in 1998 and released as a single in 1999. It was also recorded by Cantopop singer Sandy Lam in 1989.

The Rhythmic chart is an airplay chart published weekly by Billboard magazine.

Country Airplay is a chart published weekly by Billboard magazine in the United States since October 20, 2012, although the magazine also retrospectively recognizes the Hot Country Songs charts from January 20, 1990, through October 13, 2012, as part of the history of the Country Airplay listing. The chart lists the 60 most-listened-to records played on 150 mainstream country radio stations across the country as monitored by Nielsen BDS, weighted to each station's Nielsen ratings.

References

  1. Shuker, Roy (2005). Popular Music: The Key Concepts (2nd ed.). Routledge. p. 63. ISBN   0-415-34770-X.
  2. 1 2 Citations for each week at number one:
  3. 1 2 Citations for each week at number one:
  4. Freeman, Kim (February 28, 1987). "Hot Crossover 30 Chart Tracks New Breed of Radio". Billboard . pp. 1, 83.
  5. 1 2 "Billboard Creates Top 40/Rock, Top 40/Dance Crossover Charts". Billboard . September 9, 1989. p. 14.
  6. 1 2 "Billboard Drops Crossover Radio Airplay Charts". Billboard . December 8, 1990. p. 84. ProQuest   1505935972.
  7. 1 2 3 Coddington, Amy (February 2021). "A "Fresh New Music Mix" for the 1980s: Broadcasting Multiculturalism on Crossover Radio". Journal of the Society for American Music . 15 (1): 30-59 [42–43, 52]. doi:10.1017/S1752196320000462. S2CID   231991212.
  8. 1 2 Citations for each week at number one:
  9. 1 2 Citations for each week at number one:
  10. 1 2 "How We Track the Hits". Billboard . October 22, 1988. pp. 4, 7. ProQuest   1438680847, ProQuest   1438680775.
  11. "Billboard Bows 2 New Top 40 Airplay Charts". Billboard . October 3, 1992. pp. 1, 76. ProQuest   1505917480.
  12. Citations for each week at number one:
  13. Citations for each week at number one:
  14. Citations for each week at number one:
  15. Citations for each week at number one:
  16. Citations for each week at number one:
  17. Citations for each week at number one:
  18. Citations for each week at number one:
  19. Citations for each week at number one:
  20. Citations for each week at number one:
  21. Citations for each week at number one:
  22. Citations for each week at number one (week of January 2, 1988, cited in following issue):
  23. Citations for each week at number one:
  24. Citations for each week at number one:
  25. Citations for each week at number one:
  26. Citations for each week at number one:
  27. Citations for each week at number one:
  28. Citations for each week at number one:
  29. Citations for each week at number one:
  30. Citations for each week at number one:
  31. Citations for each week at number one:
  32. Citations for each week at number one:
  33. Citations for each week at number one:
  34. Citations for each week at number one:
  35. Citations for each week at number one:
  36. Citations for each week at number one:
  37. Citations for each week at number one:
  38. Citations for each week at number one:
  39. Citations for each week at number one:
  40. Citations for each week at number one (week of December 31, 1988, cited in following issue):
  41. Citations for each week at number one:
  42. Citations for each week at number one:
  43. Citations for each week at number one:
  44. Citations for each week at number one:
  45. Citations for each week at number one:
  46. Citations for each week at number one:
  47. Citations for each week at number one:
  48. Citations for each week at number one:
  49. Citations for each week at number one:
  50. Citations for each week at number one:
  51. Citations for each week at number one:
  52. Citations for each week at number one:
  53. Citations for each week at number one:
  54. Citations for each week at number one:
  55. Citations for each week at number one:
  56. Citations for each week at number one:
  57. Citations for each week at number one:
  58. Citations for each week at number one (week of December 30, 1989, cited in following issue):
  59. Citations for each week at number one:
  60. Citations for each week at number one:
  61. Citations for each week at number one:
  62. Citations for each week at number one:
  63. Citations for each week at number one:
  64. Citations for each week at number one:
  65. Citations for each week at number one:
  66. Citations for each week at number one:
  67. Citations for each week at number one:
  68. Citations for each week at number one:
  69. Citations for each week at number one:
  70. Citations for each week at number one:
  71. Citations for each week at number one:
  72. Citations for each week at number one:
  73. Citations for each week at number one: