The Los Angeles Civic Light Opera (LACLO) was an American theatre/opera company in Los Angeles, California. Founded under the motto "Light Opera in the Grand Opera manner" in 1938 by impresario Edwin Lester, the organization presented fifty seasons of theatre before closing due to financial reasons in 1987. Typically the LACLO presented four to six productions during an annual season. The company produced or co-produced several of their own shows in addition to bringing in shows from Broadway to California, often with their original casts. Productions that originated at the LACLO and then went on to wider success, included Song of Norway (1944), Magdalena (1948), Kismet (1953), Peter Pan (1954) and Gigi (1973). Initially the organization mainly presented American operettas, but by the 1960s the company was presenting mostly musical theatre; although the company never completely left its roots. [1]
The Los Angeles Civic Light Opera opened its first season in 1938 with the operetta Blossom Time , based on works by Franz Schubert, presented in English with stars John Charles Thomas and Francia White. The production was both a critical and financial success, and the company went on to have three more sold out productions that season with Sigmund Romberg's The Student Prince , Romberg's The New Moon , and Jerome Kern's Roberta . [1]
At the time the LACLO opened, Broadway touring productions out of New York City did not travel further west than the Rocky Mountains. However, the success of the LACLO's first season drew the attention of the theatre community in New York City; seeing for the first time the financial potential of theatre in Los Angeles. Lester further encouraged this interest by partnering with San Francisco theatre impresario Homer Curran who founded the San Francisco Light Opera Company (SFLOC) in 1939. The LACLO and SFLOC joined forces and were able to offer New York producers the ability to book their shows in both L.A. and San Francisco. The Broadway producers took advantage of this opportunity and began extending their touring productions into California. [1]
While including touring productions from NYC in their annual season, the LACLO still continued to mount their own locally produced productions under the artistic leadership of Lester. One major triumph for the company was the 1944 operetta Song of Norway which Lester commissioned Milton Lazarus, Robert Wright, and George Forrest to create using the music of Edvard Grieg. The production later went on to have a successful Broadway run. [1] Wright and Forrest created several more original works for the LACLO, most notably the 1953 musical Kismet , which had an even greater success in New York. Perhaps the most successful original work to be produced at the LACLO was the 1954 musical version of Peter Pan which Lester orchestrated as a star vehicle for Mary Martin. After opening in Los Angeles, the production moved to Broadway, winning Martin a Tony Award. The LACLO also exported a number of revivals to Broadway during its history, including a 1945 revival of Victor Herbert's The Red Mill which ran for more than a year in New York. [2]
During the 1950s and 1960s the LACLO was the most financially successful musical theatre subscription organization of its kind. However, in the 1970s the organization's audience size began to decrease and by the 1980s the company was experiencing serious financial difficulties. The company's last production was of John Kander's Cabaret in 1987. The production starred Joel Grey, Alyson Reed, Regina Resnik, Werner Klemperer, Gregg Edelman, and David Staller. [1] Composer, conductor, and pianist Harper MacKay was the LACLO's music director from 1962 through 1980. [3]
The New Moon is an operetta with music by Sigmund Romberg, lyrics by Oscar Hammerstein II and book by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set in 1792, shortly before the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
George Forrest was an American writer of music and lyrics for musical theatre best known for the show Kismet, adapted from the works of Alexander Borodin. He was also known professionally at times as Chet Forrest.
Robert Craig Wright was an American composer-lyricist for Hollywood and the musical theatre, best known for the Broadway musical and musical film Kismet, for which he and his professional and romantic partner George Forrest adapted themes by Alexander Borodin and added lyrics. Kismet was one of several Wright and Forrest creations that was commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera. Song of Norway, Gypsy Lady, Magdalena, and their adaptation of The Great Waltz were also commissioned by Lester for the LACLO. The LACLO passed most of these productions to Broadway.
Song of Norway is an operetta written in 1944 by Robert Wright and George Forrest, adapted from the music of Edvard Grieg and the book by Milton Lazarus and Homer Curran. A very loose film adaptation with major changes to both the book and music was released in 1970.
Kismet is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young caliph.
The Great Waltz is a musical conceived by Hassard Short with a book by Moss Hart and lyrics by Desmond Carter, using themes by Johann Strauss I and Johann Strauss II. It is based on a pasticcio by Erich Wolfgang Korngold and Julius Bittner called Walzer aus Wien, first performed in Vienna in 1930. The story of the musical is loosely based on the real-life feud between the older and younger Strauss, allegedly because of the father's jealousy of his son's greater talent.
The Curran Theatre, located at 445 Geary Street between Taylor and Mason Streets in the Theatre District of San Francisco, California opened in February 1922, and was named after its first owner, Homer Curran. As of 2014, the theater is owned by Carole Shorenstein Hays.
John Charles Thomas was an American opera, operetta and concert baritone.
Doretta Morrow was an American actress, singer and dancer who appeared in stage and television productions during the 1940s and 1950s. She is best remembered for having created roles in the original productions of three successful Broadway musicals: Kitty Verdun in Where's Charley? (1948), Tuptim in The King and I (1951) and Marsinah in Kismet (1953). She co-starred in the 1952 Hollywood film Because You're Mine, as Mario Lanza's love interest. She appeared in several live television musicals. She retired from performance in 1960 at the age of 33.
Luther Berryhill Davis was an American playwright and screenwriter.
Light Opera of Manhattan, known as LOOM, was an off-Broadway repertory theatre company that produced light operas, including the works of Gilbert and Sullivan and European and American operettas, 52 weeks per year, in New York City between 1968 and 1989.
Albert Marre was an American stage director and producer. He directed the stage musical Man of La Mancha in 1965, for which he won the Tony Award for Best Director of a Musical.
Magdalena: a Musical Adventure is a folk operetta in two acts with music by Heitor Villa-Lobos, original book by Frederick Hazlitt Brennan and Homer Curran, and lyrics and musical adaptations by Robert Wright and George Forrest.
Edwin Lester was an American theatre director, impresario, and producer. He was the longtime general director of the Los Angeles Civic Light Opera, which he founded in 1938. He also co-founded the LACLO's affiliate organization, the San Francisco Civic Light Opera, with Homer Curran in 1939. Under his leadership, the LACLO produced or co-produced several of their own shows, a number of which went on to wider success, including Song of Norway (1944), Magdalena (1948), Kismet (1953), Peter Pan (1954) and Gigi (1973). Lester also brought in shows from Broadway to California, often with their original casts.
Francia White was an American soprano who had an active career in concerts, operas, operettas, radio, television, and film during the late 1920s through the 1940s. She began her career as a vaudeville performer in her late teens and then began singing in more serious classical music repertoire during the mid-1930s. She drew the attention of Hollywood and began working as a ghost singer for films in 1934. She soon broke into radio in 1935 and was highly active in that medium until 1941. On television she starred on the musical variety show, The Bell Telephone Hour, from 1940-1942. In addition to her radio work, she is chiefly remembered for helping to launch Edwin Lester's Los Angeles Civic Light Opera in 1938 and was one of their main leading ladies up through 1942.
Helena Bliss was an American actress and singer. A talented soprano, she actively performed in musicals, operettas, and operas in the United States, both on stage and on television and radio, from the 1930s through the 1950s. She is best known for her portrayal of Nina Hagerup in the original Broadway production of Robert Wright and George Forrest's Song of Norway. She also appeared successfully in a few productions on London's West End.
David Anthony Stuart Atkinson was a Canadian baritone and New York Broadway actor/singer. Most of his career was spent performing in musicals and operettas in New York City from the late 1940s through the early 1970s, although he did appear in some operas and made a few television appearances. In 1952 he created the role of Sam in the world premiere of Leonard Bernstein's Trouble in Tahiti. From 1956-1962 he was a leading performer at the New York City Opera where he starred in several musicals and appeared in the world premieres of several English language operas. His greatest success on the stage came late in his career: the role of Cervantes in Man of La Mancha which he portrayed in the original Broadway production, the 1968 national tour, and in the 1972 Broadway revival.
Arthur Kay, né Kautzenbach was a German-American conductor, composer, arranger, and cellist. Educated in Silesia and Berlin, he emigrated to the United States in 1907, where, after a few seasons as cellist of the Boston Symphony Orchestra and conductor of the Boston Pops Orchestra, he embarked on a career as conductor, composer, and arranger in operetta, silent film, and talkies, first primarily on the East Coast and from 1918 on the West Coast.
Rosemarie Brancato was an American coloratura soprano who had an active performance career in operas, operettas, and concerts on the American stage and on American radio from the mid-1930s into the 1950s. She created the role of Madame Boticini in the original Broadway production of Fritz Kreisler's Rhapsody in 1944.
Kent Edwards was an American musical theatre actor and nightclub singer of the 1940s who is best remembered for portraying Einar in the original production of Song of Norway at the Los Angeles Civic Light Opera, on Broadway, and in the 1946-1947 national tour. He recorded the role for Decca Records on the 1945 cast album.