A money shot is a moving or stationary visual element of a film, video, television broadcast, or print publication that is disproportionately expensive to produce or is perceived as essential to the overall importance or revenue-generating potential of the work. [1]
William Safire identifies the use of the word "money as a modifier meaning 'powerful, decisive'" [2] as far back as 1949 ("money hits" in baseball), and possibly to 1890 (a "money player" in billiards). By 1977 [2] [3] the phrase had entered American usage as slang for the cum shot in a pornographic film: that is, a shot of the male actor ejaculating outside his partner. This is the filmed moment that the audience has paid money to see. [4]
According to Steven Ziplow, author of The Film Maker's Guide to Pornography (1977), "There are those who believe that the come shot, or, as some refer to it, 'the money shot', is the most important element in the movie and that everything else (if necessary) should be sacrificed at its expense." [4] [5] In her book Hard Core, Linda Williams argues that the money shot is not simply desired in and of itself, but proves to the audience that the sex is real. [6]
In contrast, film critic Jane Mills (2001) contends that money shot was "originally mainstream filmmakers' slang for the image that cost the most money to produce," [4] and only later transitioned to mean the image desired by the audience, the image that makes the money (and thus, finally, to its pornographic connotation).
In its broader cinematographic sense, a money shot (also called a money-making shot [7] ) is a provocative, sensational, or memorable sequence in a film, on which the film's commercial performance is perceived to depend. [2] [8] The scene may or may not be a special-effects sequence, but may be counted on to become a selling point for the film. For example, in an action thriller, an expensive special-effects sequence of a dam bursting might be considered the money shot of the film. Many filmmakers read a script and look for the most dramatic or climactic moment — the money shot — in the proposed film. [9] Even though the costs or technical challenges of filming such an impressive scene may be huge, producers and directors will do whatever it takes to get that shot completed.
More broadly, the term money shot can refer to any notably dramatic or emotional footage.
Conversely, Rich Evans of Red Letter Media coined the term "coupon shot" for a movie's planned "money shot" that turns out to be anticlimactic or otherwise poorly executed. [12]
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, you would need a collection of shots and footages that vary from one another. The act of adjusting the shots you have already taken, and turning them into something new is known as film editing.
A snuff film, snuff movie, or snuff video is a theoretical type of film, produced for profit or financial gain, that shows, or purports to show, scenes of actual homicide. The victims are supposedly typically lured to their murders by false pretenses and their murder is then filmed and the video depicting it is sold to buyers.
A Movie is a 1958 experimental collage film by American artist Bruce Conner. It combines pieces of found footage taken from various sources such as newsreels, soft-core pornography, and B movies, all set to a score featuring Ottorino Respighi's Pines of Rome.
In film and television production, B-roll, B roll, B-reel or B reel is supplemental or alternative footage intercut with the main shot. The term A-roll, referring to main footage, has fallen out of use.
Hardcore pornography or hardcore porn is pornography that features detailed depictions of sexual organs or sexual acts such as vaginal, anal, oral or manual intercourse, ejaculation, and fetish play. The term is in contrast with less-explicit softcore pornography. Hardcore pornography usually takes the form of photographs, films, and cartoons. Since the mid-1990s, hardcore pornography has become widely available on the internet, making it more accessible than ever before.
Behind the Green Door is a 1972 American pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in the Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the feature-length directorial debut of the Mitchell brothers.
A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.
A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.
The Opening of Misty Beethoven is an American pornographic comedy film released in 1976. It was produced with a relatively high budget and filmed on elaborate locations in Paris, New York City and Rome with a musical score, and owes much to its director Radley Metzger. According to author Toni Bentley, The Opening of Misty Beethoven is considered the "crown jewel" of the Golden Age of Porn (1969–1984).
Constance Money is an American former adult film actress. She played the lead role of Misty Beethoven in the 1976 adult classic The Opening of Misty Beethoven.
A stag film is a type of pornographic film produced secretly in the first two-thirds of the 20th century. Typically, stag films had certain traits. They were brief in duration, were silent, depicted softcore or hardcore pornography and were produced clandestinely due to censorship laws. Stag films were screened for all-male audiences in fraternities or similar locations; observers offered a raucous collective response to the film, exchanging sexual banter and achieving sexual arousal. Stag films were often screened in brothels.
In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch for viewing the next day by the director, selected actors, and film crew members. After the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot, even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director can review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indication of how the filming and the actors' performances are progressing. The term was also used to describe film dailies as "the first positive prints made by the laboratory from the negative photographed on the previous day".
Cartoon pornography is the portrayal of illustrated or animated fictional cartoon characters in erotic or sexual situations. Animated cartoon pornography, or erotic animation, is a subset of the larger field of adult animation, not all of which is sexually explicit.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released in 1972, three years after Blue Movie was shown in theaters.
Z movies are low-budget films with production qualities lower than B movies.
Linda Williams is an American professor of film studies in the departments of Film Studies and Rhetoric at University of California, Berkeley.
A film, also called a movie, motion picture, moving picture, picture, photoplay, or flick—is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally accompanied by sound and other sensory stimulations. The word "cinema" is a shortening of the word "cinematography" and is used to refer to either filmmaking, the film industry, the overall art form, or a movie theater.
Am Abend is an early 20th century German stag film which was made in 1910. Along with the Argentinian film El Satario and the American film A Free Ride or A Grass Sandwich, it is one of the earliest hardcore pornographic films, produced between the years 1907 and 1915, that have been collected at the Kinsey Institute for Research in Sex, Gender, and Reproduction.
The Tale of Tiffany Lust, also known as Body Lust, is a 1979 American pornographic film. It was directed by Radley Metzger but credited for convenience to French director and occasional Metzger collaborator Gérard Kikoïne, who may have served as an advisor. The film was shot in several locations in New York City. It opened in France on 27 June 1979 under the title Dolly l'initiatrice, but was not released in the U.S. until 1981.
This glossary of motion picture terms is a list of definitions of terms and concepts related to motion pictures, filmmaking, cinematography, and the film industry in general.