Money shot

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A money shot is a moving or stationary visual element of a film, video, television broadcast, or print publication that is disproportionately expensive to produce or is perceived as essential to the overall importance or revenue-generating potential of the work. [1]

Contents

Origin and cinematographic senses

William Safire identifies the use of the word "money as a modifier meaning 'powerful, decisive'" [2] as far back as 1949 ("money hits" in baseball), and possibly to 1890 (a "money player" in billiards). By 1977 [2] [3] the phrase had entered American usage as slang for the cum shot in a pornographic film: that is, a shot of the male actor ejaculating outside his partner. This is the filmed moment that the audience has paid money to see. [4]

According to Steven Ziplow, author of The Film Maker's Guide to Pornography (1977), "There are those who believe that the come shot, or, as some refer to it, 'the money shot', is the most important element in the movie and that everything else (if necessary) should be sacrificed at its expense." [4] [5] In her book Hard Core, Linda Williams argues that the money shot is not simply desired in and of itself, but proves to the audience that the sex is real. [6]

In contrast, film critic Jane Mills (2001) contends that money shot was "originally mainstream filmmakers' slang for the image that cost the most money to produce," [4] and only later transitioned to mean the image desired by the audience, the image that makes the money (and thus, finally, to its pornographic connotation).

In its broader cinematographic sense, a money shot (also called a money-making shot [7] ) is a provocative, sensational, or memorable sequence in a film, on which the film's commercial performance is perceived to depend. [2] [8] The scene may or may not be a special-effects sequence, but may be counted on to become a selling point for the film. For example, in an action thriller, an expensive special-effects sequence of a dam bursting might be considered the money shot of the film. Many filmmakers read a script and look for the most dramatic or climactic moment—the money shot—in the proposed film. [9] Even though the costs or technical challenges of filming such an impressive scene may be huge, producers and directors will do whatever it takes to get that shot completed.

Extended senses

More broadly, the term money shot can refer to any notably dramatic or emotional footage.

Conversely, Rich Evans of Red Letter Media coined the term "coupon shot" for a movie's planned "money shot" that turns out to be anticlimactic or otherwise poorly executed. [12]

References

  1. Patches, Matt (9 July 2013). "We're Living in the Age of the Movie Trailer Money Shot". Vulture. Retrieved 23 May 2016.
  2. 1 2 3 William Safire (2005-03-13). "On Language: Money Quote". The New York Times Magazine . Archived from the original on 2022-11-30.
  3. Tom Dalzell; Terry Victor (2008). "money shot". The Concise New Partridge Dictionary of Slang and Unconventional English. Routledge. p. 436. ISBN   9780203962114.
  4. 1 2 3 Jane Mills (2001). The Money Shot: Cinema, Sin and Censorship. Annandale: Pluto Press. p. xix. ISBN   1-86403-142-5. Archived from the original on 2010-12-25.
  5. Linda Williams (1989). Hard Core: Power, Pleasure, and the "Frenzy of the Visible" . University of California Press. pp. 93–95. ISBN   978-0-520-06652-6.
  6. Williams, Linda (1989). Hard Core: power, pleasure, and the "frenzy of the visible" (First ed.). Berkeley and Los Angeles: University of California Press. pp.  233–234. ISBN   0-520-06653-7.
  7. Ralph Stuart Singleton; James A. Conrad (2000). Janna Wong Healy (ed.). The Filmmaker's Dictionary (2nd ed.). Hollywood, California: Lone Eagle Publishing.
  8. "Money Shot". Oxford English Dictionary Online.
  9. "Approved for All Audiences: A Brief History of the Modern Movie Trailer". Yahoo! Movies. 16 July 2014. Retrieved 23 May 2016.
  10. Laura Grindstaff (2002). The money shot: trash, class, and the making of TV talk shows. University of Chicago Press. p. 19. ISBN   978-0-226-30911-8.
  11. John Edward McGrath (2004). Loving big brother: performance, privacy and surveillance space. Psychology Press. p. 80. ISBN   978-0-415-27537-8.
  12. "Best of the Worst: Carnosaur 2, The Skateboard Kid 2, and Future Zone". YouTube. RedLetterMedia. 2017-02-23. Retrieved 2023-03-31.