Nada Es Igual... | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 20 August 1996 | |||
Recorded | February 1996 | |||
Studio | Record Plant Studios (Hollywood, California) | |||
Genre | ||||
Length | 41:22 | |||
Language | Spanish | |||
Label | WEA Latina | |||
Producer |
| |||
Luis Miguel chronology | ||||
| ||||
Singles from Nada Es Igual... | ||||
|
Nada Es Igual (English: Nothing Is the Same) [1] is the eleventh studio album by Mexican recording artist Luis Miguel. It was released by WEA Latina on 20 August 1996. The album has a musical style similar to his previous pop album Aries (1993) on which Miguel performs power ballads and R&B tunes. Recording took place at the Record Plant Studios in February 1996, with production handled by Miguel and his longtime associate Kiko Cibrian. Its songwriting was assisted by Cibrian, Rudy Pérez, and Alejandro Lerner. The album was promoted by three singles: "Dame", "Cómo Es Posible Que a Mi Lado", and "Que Tú Te Vas"; the former became the most successful single reaching number two and number one on the Billboard Hot Latin Songs and Latin Pop Songs charts, respectively. To further promote the recording, Miguel launched the Tour America 1996 where he performed in several South American countries.
Upon its release, Nada Es Igual was met with unfavorable reviews from music critics. While Miguel's vocals and the production of the album were praised, it was heavily scrutinized by music critics for being too similar to his previous pop recordings. Miguel received several accolades for the record including a Grammy nomination for Best Latin Pop Performance. It peaked at number one in Argentina and on the Billboard Top Latin Albums chart in the United States, while receiving multi-platinum and gold certifications by the Argentine Chamber of Phonograms and Videograms Producers (CAPIF) and Recording Industry Association of America (RIAA), respectively. It also reached number two in Spain and was certified double platinum there by the Productores de Música de España (PROMUSICAE). The album has sold over 3 million copies worldwide.
In 1994 Miguel released his tenth studio album, Segundo Romance . It is the follow-up to his 1991 album Romance which contains a collection of classic boleros and Latin American standards. [2] Both Romance and Segundo Romance received a platinum certification by the Recording Industry Association of America (RIAA) in the United States. [3] They were also successful in countries outside of Latin America and the United States, such as Finland and Saudi Arabia, [4] selling over twelve million copies combined. [4] [5] [6] A year after Segundo Romance's release, Warner Music released the El Concierto live album and video, a compilation of Miguel's performances at the National Auditorium in Mexico City, and his concert at the José Amalfitani Stadium in Buenos Aires during his Segundo Romance Tour. [7]
Nada Es Igual is a departure from romance-themed albums. [4] It is his first pop album to be recorded since Aries in 1993, [8] which Achy Obejas of the Chicago Tribune described as "an eclectic pop mix that tried too hard to be edgy, nonetheless continued the reshaping of the Luis Miguel image." [4] The album was announced by Miguel's record label Warner Music Mexico on the same day its lead single "Dame" was revealed on 12 July 1996. The album was produced by Miguel and his longtime associate Kiko Cibrian (who also co-produced his previous three albums) and recorded at the Record Plant in Los Angeles, California. [9] [10] Warner Music also confirmed that Cibrian, Alejandro Lerner, Manuel Alejandro, and Rudy Pérez would assist with the compositions for the record. [11] Miguel and Cibrian spent a total of over 100 hours in February 1996, recording in the studio. [9]
Nada Es Igual is an album which consists of uptempo "jazzy, brassy, Al Jarreau-like" pop songs and power ballads. [12] [13] Its uptempo tracks include "Si Te Vas" and "Todo Por Su Amor" which utilize horn instruments and "Cómo Es Posible Que a Mi Lado" which incorporates house music. [8] "Dame" is a R&B-lite" with tune hip-hop influences. [8] [1] Los Angeles Times music critic Enrique Lopetegui wrote that the album is "basically a continuation of the singer's favorite turf - ... woman-melting ballads." [12] The first track on the album, "Si Te Vas", is a song about the narrator who yearns to remain with his lover: ("Every morning when I wake up, I feel anxiety in my soul, I want to listen to your voice, I want to feel your kisses"). [12] The power ballads in the album are "Que Tú Te Vas", "Abrázame", "Un Día Más", and the title track. [13] The latter song was accused of plagiarizing "Y mañana volverás", a 1976 composition by Argentine musician Francis Smith. A court ruling in 1999 found that "Nada Es Igual" did not plagiarize "Y mañana volverás". [14] For arrangements on the ballads, Miguel received assistance from the Los Angeles Philharmonic. [9] The album also features the song "Sueña", the Spanish-language version of "Someday" by All-4-One from the movie The Hunchback of Notre Dame . [15] It was released as a single for the Latin American edition of The Hunchback of Notre Dame soundtrack and peaked at number three on the Billboard Hot Latin Songs, and number one on the Latin Pop Songs charts. [16]
"Dame" was released as the album's lead single on 15 July 1996. [17] It peaked at number two on the Hot Latin Songs chart and reached number one on the Latin Pop Songs chart, becoming his fifth number one song on the latter. [16] The music video for "Dame" was filmed in the Mojave Desert on 29 and 30 June and directed by Marcus Nispel. [11] "Cómo Es Posible Que a Mi Lado" was released as the second single in 1996 from the album with an accompanying music video. [18] It peaked at number ten and number six on the Hot Latin Songs and Latin Pop Songs charts, respectively. [16] The album's third single, "Que Tú Te Vas" was released in the same year, [19] peaking at number six on the Hot Latin Songs chart in 1997, while "Todo Por Su Amor" was released as a promotional single. [16] [20]
To promote the album, Miguel launched his Tour America 1996 where he toured in South American countries including: Chile, Argentina, Uruguay, Paraguay, Peru, Ecuador, and Brazil. [21] According to his promoter Irma Laura Lopez, Miguel would not tour in the United States as he was taking a break from his previous tour in the country. [22] His set list consisted of pop tunes and ballads from Nada Es Igual.. and his previous recordings as well as boleros from the Romance albums. [23]
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
Contra Costa Times | [24] |
Los Angeles Times | [12] |
Orange County Register | [13] |
The San Diego Union-Tribune | [25] |
Upon its release Nada Es Igual met with unfavorable reviews from music critics. AllMusic editor Jose F. Promis, who gave the album 2.5 out of five stars, felt the recording was "basically middle-of-the-road, romance-themed music, which is what his legions of fans have come to expect" with the "requisite ballads", similar to his last studio albums. [8] John Lannert of Billboard magazine called Nada Es Igual his "weakest set ever" and said Miguel is "looking more like a conservative underachiever" and criticized the record for its repetitive uptempo pop and R&B tunes although the reviewer commended his vocals. [26] Fernando Gonzalez of the Contra Costa Times rated the album two out of four stars lamenting that Miguel stays "close to his formula" because of the "trademark mix of power ballads and R&B-lite." He complimented the record's production, but stated that the artist "offers more cotton candy" highlighting "Abrázame" and the title tracks as examples, calling "Dame" a "Janet Jackson-lite funk". [24]
The Dallas Morning News music reviewer Mario Tarradell noted that even though the name of the record means "nothing is the same", he remarked that Miguel "hasn't strayed" from his musical style on his pop albums since 20 Años (1990). Although Tarradell praised Miguel's production as "superbly crafted", he chided the record's music for being "totally unadventurous" and called the ballads "complete throwaways." [1] Similarly, Ernesto Portillo Jr., who rated the record two out of four stars, wrote for The San Diego Union-Tribune that the album should have been called "Todo Es Igual" (Everything Is the Same) because of its "same funk-lite horns, thumping bass line and paint-by-numbers pop tunes." He lambasted Miguel for coming off as "redundant and even flat." [25]
Enrique Lopetegui of the Los Angeles Times gave the record 2.5 out of four stars and panned the album's lyrics in songs such as "Si Te Vas" as "corny, one-dimensional visions of loooooove." Lopetegui noted that despite the record's flaws, he considered it "far better than most Latin offerings in this often unlistenable genre" and "less predictable than those of, say, Cristian or Enrique Iglesias." [12] The Orange County Register music editor Anne Valdespino, who gave the record four of five stars, wrote a more positive review of the record. She complimented the songs as "well-crafted, each one produced to the limit" and felt the uptempo songs such as "Dame" and "Si Te Vas" "polished arrangements worthy of Quincy Jones". In contrast to the other reviewers, Valdespino believed that the ballads did not "wear out [their] welcome" with "no overemotive tempo stretching." [13]
At the 39th Annual Grammy Awards in 1997, Nada Es Igual received a Grammy nomination for Best Latin Pop Performance, [27] which went to Enrique Iglesias's self-titled album. [28] At the 9th Annual Lo Nuestro Awards in the same year, the record was nominated in the category of Pop Album of the Year, [29] but lost to Vivir by Iglesias. [30] At the 1997 Eres awards, the record was awarded Best Disc of the Year, which was shared with Tierna La Noche by Fey. [31] In the same year, it was nominated Best Latin Album at the 1997 Premios Amigo. [32]
Nada Es Igual was released on 20 August 1996. [33] On its launch date, Warner Music Group shipped over 400,000 copies of the record in Mexico and the United States (US). [34] In the US, it debuted at number 28 on the Billboard Top Latin Albums chart on week of 31 August 1996, and peaked on top of the chart the following week replacing Macarena Mix . [35] [36] It spent two weeks on top of the charts before being succeeded by Macarena Non Stop by Los del Río. [37] It was certified gold in the US by the Recording Industry Association of America (RIAA) for shipments of 500,000 copies and ended 1996 as the eighth bestselling Latin album of the year. [38] [39] In Argentina, the record reached number one on its national chart and was certified 7× platinum by Argentine Chamber of Phonograms and Videograms Producers (CAPIF) for sales of 420,000 copies. [40] [41] In Spain, the album peaked at number two on the country's national chart with the number one position being held by Lunas Rotas by Rosana and was certified double platinum by PROMUSICAE for shipments of 200,000 copies. [42] [43] According to Billboard, the record reached sales of over 125,000 units in Chile by February 1997. [44] Nada Es Igual has sold over 3 million copies worldwide. [45] [46]
All tracks produced by Luis Miguel and Kiko Cibrian.
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Si Te Vas" |
| Cibrian | 3:32 |
2. | "Abrázame" |
| 3:37 | |
3. | "Dame" | Alejandro Lerner |
| 4:54 |
4. | "Nada es Igual" |
| Cibrian | 4:25 |
5. | "Todo Por Su Amor" |
|
| 3:57 |
6. | "Que Tú Te Vas" | Francisco Fabián Céspedes | Céspedes | 4:10 |
7. | "Sintiéndote Lejos" |
| Cibrian | 4:12 |
8. | "Cómo Es Posible Que a Mi Lado" |
|
| 4:14 |
9. | "Un Día Mas" |
|
| 4:05 |
10. | "Sueña" |
| Alan Menken | 4:16 |
The following credits are from AllMusic and the Nada Es Igual liner notes: [47] [48]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [41] | 7× Platinum | 500,000 [57] [58] |
Chile [59] | 5× Platinum | 150,000 [60] |
Mexico | — | 600,000 [61] |
Peru | — | 7,550 [62] |
Spain (PROMUSICAE) [43] | 2× Platinum | 200,000^ |
United States (RIAA) [38] | Gold | 500,000^ |
Uruguay (CUD) [63] | Platinum | 6,000^ |
Summaries | ||
Worldwide | — | 3,000,000 [64] [45] [46] |
^ Shipments figures based on certification alone. |
Luis Miguel Gallego Basteri is a Mexican singer and record producer. Born in Puerto Rico to an Italian mother and a Spanish father, he is often referred to as El Sol de Mexico, derived from the nickname his mother gave him as a child: "Mi sol". Luis Miguel has sung in multiple genres and styles, including pop songs, ballads, boleros, tangos, jazz, big band, and mariachi. Luis Miguel is also recognized as the only Latin singer of his generation not to cross over to the Anglo market during the "Latin Explosion" in the 1990s.
Franco Atilio De Vita De Vito is a Venezuelan Latin Grammy award-winning singer-songwriter. His first album as a solo artist garnered three Spanish-language hits in Venezuela. He signed with the CBS Records label in 1989, and in 1990, his album Extranjero had a song that reached No. 1 on the United States Latin charts and won an MTV Video Music Award. His 2004 album Stop reached the Top 10 throughout Latin America and on the United States Latin charts. In the United States alone, he has scored more than two dozen hits on the Billboard charts.
Mexican recording artist Luis Miguel has released 21 studio albums, 30 compilation albums, three extended plays (EP) two live albums, two soundtrack albums and five box set. Luis Miguel has sold over 60 million records, making him one of the best-selling Latin music artists of all time. Luis Miguel is also the artist with the second-most number ones on the Billboard Top Latin Albums chart with nine albums. At the age of 11, he released his debut studio album, Un Sol (1982), which was certified platinum and gold in Mexico. The artist would release four more studio albums under the record label EMI: Directo al Corazón (1982), Decídete (1983), También es Rock (1984), and Palabra de Honor (1984). A Portuguese-language version of Decídete and Palabra de Honor were released in Brazil as Decide Amor and Meu Sonho Perdido, respectively. Luis Miguel made his acting debut in the film as the lead role on Ya nunca más (1984) and recorded its soundtrack. In 1985, he participated in the Sanremo Music Festival 1985 with the song "Noi ragazzi di oggi"; it placed second in the Big Artist category and was later included on the Italian-language edition of Palabra de Honor. In the same year, Luis Miguel recorded the soundtrack for the film Fiebre de amor, which he co-starred with fellow Mexican singer Lucero.
Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger.
Segundo Romance is the tenth studio album by Mexican singer Luis Miguel, released on 30 August 1994 through WEA Latina. Like Luis Miguel's 1991 album Romance, Segundo Romance comprises cover versions of boleros written between 1934 and 1993. It was produced by Luis Miguel with Juan Carlos Calderón, Kiko Cibrian and Armando Manzanero and recorded in early 1994 at the Record Plant in Los Angeles.
Ni Es lo Mismo Ni Es Igual is the eighth studio album recorded by Dominican singer-songwriter Juan Luis Guerra and his backup vocals 4–40. It was released by Karen Records on 15 December 1998 and distributed by PolyGram Latino. It was Guerra's comeback album after four years of silence, out of the public eye and since his conversion to Christianity. It was his first studio album since Fogarate (1994). The album production and songwriting were done by Guerra. The album was supported by the release of four official singles: "Mi PC", "Palomita Blanca", "El Niagara en Bicicleta" and "La Hormiguita". Two singles were released as promotional singles: "Vale La Pena" and "Quisiera".
Aries is the ninth studio album by Mexican recording artist Luis Miguel. It was released by WEA Latina on 22 June 1993. After attaining commercial success in 1991 with his previous album, Romance, Luis Miguel decided to return to a style similar to his earlier work, featuring pop ballads and dance numbers with R&B influences. The record was produced by Miguel, who was assisted by Kiko Cibrian, Rudy Pérez, David Foster, and Juan Luis Guerra.
Amarte Es un Placer is the thirteenth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums and was assisted by composers including Arturo Pérez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries Ricky Martin and Enrique Iglesias who crossed over to the English-language market, Miguel preferred to sing and record in Spanish at the time.
33 is the fifteenth studio album by Mexican singer Luis Miguel. It was released through Warner Music Latina on 30 September 2003. It is a pop record which contains pop ballads and uptempo disco numbers. The album was produced by Miguel and recorded in Hollywood, California. 33 was promoted by two singles: "Te Necesito" and "Un Te Amo". It was also promoted by a tour which lasted from 2003 to 2004. Several songwriters including Armando Manzanero, Juan Luis Guerra, and Kike Santander contributed to the compositions in the record.
América & en Vivo is a live extended play (EP) by Mexican singer Luis Miguel. It was released on 25 September 1992 by WEA Latina. The EP consists of three live versions of "Inolvidable", No Sé Tú", and "Contigo en la Distancia" from his performance at the National Auditorium in Mexico during his Romance Tour on June 26, 1992, as well as a new track "America, America", originally performed by Nino Bravo. "America, America" was released as a single and peaked at number 20 on the Billboard Hot Latin Songs chart. The EP was rated three out of five stars by an editor on AllMusic and received a positive review from Mario Taradell of the Miami Herald, who praised his vocals and the production of the EP. América & En Vivo peaked at number 12 on the Billboard Latin Pop Albums chart and was certified platinum in Argentina by the Argentine Chamber of Phonograms and Videograms Producers (CAPIF).
El Concierto is the second live album by Mexican recording artist Luis Miguel, released on 17 October 1995 by WEA Latina. It was recorded from his performances at the National Auditorium in Mexico and at the José Amalfitani Stadium in 1994 during his Segundo Romance Tour. The album features live covers of José Alfredo Jiménez's songs, which were previously unreleased. The first two songs were released as singles, the former reaching number one on the Billboard Hot Latin Songs chart and the latter peaking at number three on the same chart.
America Tour 1996 was a short concert tour performed by Luis Miguel during the last part of 1996 to promote his album Nada Es Igual... It only lasted for one month and it only took place at some places in South America, like Buenos Aires, Argentina in the River Plate Stadium, Santiago de Chile, Uruguay, Peru, Paraguay, Ecuador and Brazil.
"Mi PC" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy.
"Por Debajo de la Mesa" is a song written by Armando Manzanero and performed by Mexican recording artist Luis Miguel. Arranged by Bebu Silvetti, it was one of the two original compositions written for Miguel's fifteenth studio album Romances. It was released as the lead single from the album on 15 July 1997 and it became his thirteenth number-one single on the Billboard Hot Latin Songs chart in the United States. The music video features Miguel performing at a fine-dining restaurant in New York City.
"Someday" is a song from Disney's 1996 animated feature film, The Hunchback of Notre Dame. It was written by composer Alan Menken and lyricist Stephen Schwartz and originally recorded by American singer and actress Heidi Mollenhauer in her film role as the singing voice of Esmeralda. It was one of three recordings, along with "In a Place of Miracles" and "As Long as There's a Moon", that were discarded during the storyboarding process to be replaced by "God Help the Outcasts." The codirectors Gary Trousdale and Kirk Wise both desired a quieter song for Esmeralda's scene inside the Notre-Dame de Paris cathedral.
"Suave" (transl. "Smooth") is a song by Mexican singer Luis Miguel from his ninth studio album, Aries (1993). The song was composed by Kiko Cibrian and Orlando Castro with the former handling its production along with the artist. It is a dance number in which the singer describes a woman who bewitches him and becomes the woman of his dreams. The song received positive reactions from two music critics. It was acknowledged as an award-winning song at the 1995 Broadcast Music Inc. (BMI) Latin Awards. Commercially, the song reached number nine on the Billboard Hot Latin Songs chart in the United States. Its music video was directed by Kiko Guerrero and filmed in Acapulco, Mexico, and features Miguel dancing in a beach with several women.
"Dame" is a song written by Alejandro Lerner and Kiko Cibrian and performed by Mexican recording artist Luis Miguel. It was released as the lead single from his eleventh studio album Nada Es Igual... on 15 July 1996 to radio stations. "Dame" was recorded at the Record Plant studio in Los Angeles, California. The song incorporates R&B and hip-hop influences. The music video for "Dame" was directed by Marcus Nispel and filmed at the Mojave Desert in California and was nominated Video of the Year. It received mixed reactions from music critics who felt that the track sounded too similar to his previous pop recordings. "Dame" peaked at number two and one on the Billboard Hot Latin Songs and Latin Pop Songs charts in the United States and received a BMI Latin Award in 1998.
"Cómo Es Posible Que a Mi Lado" is a song by Mexican singer Luis Miguel. It was released as the second single from the album Nada Es Igual... in 1996. "Cómo Es Posible Que a Mi Lado" was recognized at the 1998 BMI Latin Awards as one of the best performing songs of the year. A live version of the song was included on the album Vivo (2000). The music video the song was directed by Pedro Torres. Dancers on video: Daisy Fuentes, Carolina Losada y Rocío Vilardell
"Todo y Nada" is a song written and performed by Mexican singer Vicente Garrido Calderón released in 1957 and originally recorded by Los Tres Ases and Lucho Gatica. It was covered by Mexican singer Luis Miguel on his album Segundo Romance (1994) where it was released as the third single from the album in 1995 and reached number three on the Billboard Hot Latin Songs and number one on the Latin Pop Airplay charts, becoming his third number-one song on the latter chart. "Todo y Nada" became Miguel's third consecutive number-one song from Segundo Romance in Mexico; and became a top-five hit in Chile, Panama and Puerto Rico.
{{cite journal}}
: Cite journal requires |journal=
(help){{cite AV media notes}}
: Unknown parameter |people=
ignored (help){{cite AV media notes}}
: Unknown parameter |people=
ignored (help)Miguel incluiu o Brasil na turne de lançamento de seu 12º álbum, "Nada es igual", que já vendeu tres milhoes de cópias em todo o mundo.
(...) Luis Miguel chega ao Brasil para lançar "Nada es igual", seu novo sucesso, também recorde de vendas - três milhões de cópias em todo o mundo.
Since this summer's release of Luis Miguel's new album, almost three million units have been sold on the international market.