"Pange lingua gloriosi corporis mysterium" is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225–1274) for the Feast of Corpus Christi. It is also sung on Maundy Thursday during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas are sung at Benediction of the Blessed Sacrament. The hymn expresses the doctrine that the bread and wine are changed into the body and blood of Christ during the celebration of the Eucharist.
The epiclesis refers to the invocation of one or several gods. In ancient Greek religion, the epiclesis was the epithet used as the surname given to a deity in religious contexts. The term was borrowed into the Christian tradition, where it designates the part of the Anaphora by which the priest invokes the Holy Spirit upon the Eucharistic bread and wine in some Christian churches. In most Eastern Christian traditions, the Epiclesis comes after the Anamnesis ; in the Western Rite it usually precedes. In the historic practice of the Western Christian Churches, the consecration is effected at the Words of Institution though during the rise of the Liturgical Movement, many denominations introduced an explicit epiclesis in their liturgies.
"Gloria in excelsis Deo" is a Christian hymn known also as the Greater Doxology and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria.
"Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. The hymn's Latin incipit literally translates to "Therefore so great".
"Alma Redemptoris Mater" is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline.
Psalm 89 is the 89th psalm of the Book of Psalms, beginning in English in the King James Version: "I will sing of the mercies of the LORD for ever". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 88. In Latin, it is known as "Misericordias Domini in aeternum cantabo". It is described as a maschil or "contemplation".
In Eastern Orthodox and Byzantine Catholic churches, an entrance is a procession during which the clergy enter into the sanctuary through the Holy Doors. The origin of these entrances goes back to the early church, when the liturgical books and sacred vessels were kept in special storage rooms for safe keeping and the procession was necessary to bring these objects into the church when needed. Over the centuries, these processions have grown more elaborate, and nowadays are accompanied by incense, candles and liturgical fans. In the liturgical theology of the Eastern Orthodox Church, the angels are believed to enter with the clergy into the sanctuary, as evidenced by the prayers which accompany the various entrances.
"O Salutaris Hostia" is section of one of the Eucharistic hymns written by Thomas Aquinas for the Feast of Corpus Christi and the Hour of Lauds in the Divine Office. It is actually the last two stanzas of the hymn Verbum supernum prodiens and is used for the Adoration of the Blessed Sacrament. The other two hymns written by Aquinas for the Feast contain the famous sections Panis angelicus and Tantum ergo.
Agni Parthene, rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion in 1905.
"Lauda Sion" is a sequence prescribed for the Roman Catholic Mass for the feast of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this feast, along with Pange lingua, Sacris solemniis, and Verbum supernum prodiens, which are used in the Divine Office.
"Adoro te devote" is a prayer written by Thomas Aquinas. Unlike hymns which were composed and set to music for the Solemnity of Corpus Christi, instituted in 1264 by Pope Urban IV for the entire Latin Church of the Catholic Church, it was not written for a liturgical function and appears in no liturgical texts of the period; some scholars believe that it was written by the friar for private use at Mass. The text has since been incorporated into public worship as a hymn.
Psalm 41 is the 41st psalm of the Book of Psalms, beginning in English in the King James Version: "Blessed is he that considereth the poor". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and generally in its Latin translations, this psalm is Psalm 40. In the Vulgate, it begins "Beatus qui intellegit super egenum et pauperem". The final psalm in Book One of the collection, it is attributed to King David.
Psalm 123 is the 123rd psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee lift I up mine eyes, O thou that dwellest in the heavens". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. This short psalm is one of fifteen psalms that begin with the words "A song of ascents". In Latin, it is known as "Ad te levavi oculos meos", and Baptist writer Charles Spurgeon calls it "the Psalm of the eyes".
Psalm 63 is the 63rd psalm of the Book of Psalms, beginning in English in the King James Version: "O God, thou art my God; early will I seek thee". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 62. In Latin, it is known as "Deus Deus meus". It is attributed to King David, set when he was in the wilderness of Judah, and its theme concerns being stranded in the wilderness away from one's family.
Psalm 65 is the 65th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise waiteth for thee, O God, in Sion: and unto thee shall the vow be performed". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 64. In Latin, it is known as "Te decet hymnus Deus in Sion et tibi reddetur votum in Hierusalem".
"Sacris solemniis" is a hymn written by St. Thomas Aquinas (1225–1274) for the feast of Corpus Christi. The strophe of Sacris solemniis that begins with the words "Panis angelicus" has often been set to music separately from the rest of the hymn. It appears about 1768 in the iberian musical form Vilancete/Villancico at Francesc Morera's "Si el grano divino". Most famously, in 1872 César Franck set this strophe for voice (tenor), harp, cello, and organ, and incorporated it into his Messe à trois voix Opus 12. The hymn expresses the doctrine that the bread and wine are changed into the Body and Blood of Christ. In the Roman Catholic tradition the concept of transubstantiation is presented as an explanation of how this change happens.
Alessandro Giacomo Brustenghi, OFM, better known as Friar Alessandro, is an Italian Franciscan friar and a tenor singer of religious music. He is also the first religious brother to land an exclusive record contract with a major record label, in this case Universal Music.
Psalm 150 is a psalm setting by César Franck. He wrote the composition, setting Psalm 150 for four-part choir, orchestra and organ, in 1883. It was published in 1896 by Breitkopf & Härtel. Carus-Verlag published an arrangement for choir, strings and organ. The incipit in French is Halleluiah! Louez le Dieu, caché dans ses saints tabernacles.
Lucis Creator Optime is a 5th-century Latin Christian hymn variously attributed to St Gregory the Great or Saint Ambrose. It takes its title from its incipit.
