Rani of Jhansi

Last updated

Lakshmibai Newalkar
Maharani of Jhansi
Rani of jhansi.jpg
Lakshmibai dressed as a sowar
Queen consort of Jhansi
Tenure1843 – 21 November 1853
Regent of Jhansi
(pretendence)
Regency 21 November 1853 – 4 April 1858
Monarch Damodar Rao (disputed)
SuccessorPosition abolished
BornManikarnika Tambe
(1828-11-19)19 November 1828
Benares, Kingdom of Kashi-Benares
Died18 June 1858(1858-06-18) (aged 29)
Gwalior, Gwalior State, Company India
Spouse
(m. 1842;died 1853)
Issue Damodar Rao
Anand Rao (adopted)
Dynasty Newalkar (by marriage)
FatherMoropant Tambe
MotherBhagirathi Sapre

Lakshmibai Newalkar, the Rani of Jhansi ( pronunciation ; born Manikarnika Tambe; 19 November 1828 — 18 June 1858), [1] [2] was the Maharani consort of the princely state of Jhansi in the Maratha Empire from 1843 to 1853 by marriage to Maharaja Gangadhar Rao Newalkar. She was one of the leading figures in the Indian Rebellion of 1857, who became a national hero and symbol of resistance to the British rule in India for Indian nationalists.

Contents

Born into a Marathi Karhade Brahmin family in Banares, Lakshmibai married the Maharaja of Jhansi, Gangadhar Rao, in 1842. When the Maharaja died in 1853, the British East India Company under Governor-General Lord Dalhousie refused to recognize the claim of his adopted heir and annexed Jhansi under the Doctrine of Lapse. The Rani was unwilling to cede control and joined the rebellion against the British in 1857. She led the successful defense of Jhansi against Company allies, but in early 1858 Jhansi fell to British forces under the command of Hugh Rose. The Rani managed to escape on horseback and joined the rebels in capturing Gwalior, where they proclaimed Nana Saheb as Peshwa of the revived Maratha Empire. She died in June 1858 after being mortally wounded during the British counterattack at Gwalior.

Early life

A miniature portrait of Rani Lakshmibai Rani of Jhansi, watercolour on ivory, c. 1857.png
A miniature portrait of Rani Lakshmibai

Rani Lakshmibai (or Rani Lakshmi Bai) was born on 19 November 1828 [3] [4] (some sources say 1835) [2] [5] [6] in the town of Banares (now Varanasi) into a Marathi Karhade Brahmin family. [7] She was named Manikarnika Tambe and was nicknamed Manu. [8] Her father was Moropant Tambe [9] and her mother Bhagirathi Sapre (Bhagirathi Bai). Her parents came from the Tambe village of the Guhagar taluka located in the Ratnagiri district of modern-day Maharashtra. [10] Her mother died when she was five years old. Her father was a Commander during the war of Kalyanpranth. Her father worked for Peshwa Baji Rao II of Bithoor district. [11] The Peshwa fondly called her "Chhabili", which means "beautiful " and "lively and cheerful". She was educated at home and was taught to read and write, and was more independent in her childhood than others of her age; her studies included shooting, horsemanship, fencing [12] [13] and mallakhamba with her childhood friend Nana Sahib and teacher Tantia Tope. [14] [15] Rani Lakshmibai contrasted many of the patriarchal cultural expectations for women in India's society at this time. [16] And she was known for her unique perspectives and her courage to fight against social norms even in front of the whole society.

Rani Lakshmibai was accustomed to riding on horseback accompanied by escorts between the palace and the temple, although sometimes she was carried in a palanquin. [17] Her horses included Sarangi, Pavan, and Baadal; according to historians, she rode Baadal when escaping from the fort in 1858. Her palace, the Rani Mahal, has now been converted into a museum. It houses a collection of archaeological remains of the period between the 9th and 12th centuries AD.

History of Jhansi, 1842 – May 1857

1859 drawing titled The Ranee of Jhansi depicting Lakshmibai smoking hookah (an imaginary portrait) The Ranee of Jhansi-Chambers-1859.jpg
1859 drawing titled The Ranee of Jhansi depicting Lakshmibai smoking hookah (an imaginary portrait)

Manikarnika was married to the Maharaja of Jhansi, Gangadhar Rao Newalkar, in May 1842 [3] [18] and was afterward called Lakshmibai (or Laxmibai) in honor of the Hindu goddess Devi Lakshmi and according to the Maharashtrian tradition of women being given a new name after marriage. In September 1851, she gave birth to a boy, later named Damodar Rao, who died four months after birth due to a chronic illness. The Maharaja adopted a child called Anand Rao, the son of Gangadhar Rao's cousin, who was renamed Damodar Rao, on the day before the Maharaja died. [19] The adoption was in the presence of the British political officer who was given a letter from the Maharaja instructing that the child be treated with respect and that the government of Jhansi should be given to his widow for her lifetime.

After the death of the Maharaja in November 1853, because Damodar Rao (born Anand Rao) was an adopted son, the British East India Company, under Governor-General Lord Dalhousie, applied the Doctrine of Lapse, rejecting Damodar Rao's claim to the throne and annexing the state to its territories. When she was informed of this she cried out "Main apni Jhansi nahi doongi" (I shall not surrender my Jhansi). In March 1854, Rani Lakshmibai was given an annual pension of Rs. 60,000 and ordered to leave the palace and the fort. [20] [21]

According to Vishnu Bhatt Godse, the Rani would exercise at weightlifting, wrestling, and steeplechasing before breakfast. An intelligent and simply-dressed woman, she ruled in a businesslike manner. [22]

The Revolt of 1857

Beginning of the Rebellion

Lachmi Bai, the Joan of Arc of India, by Michael White Lachmi Bai, the Joan of Arc of India by Michael White LCCN2015646136.tif
Lachmi Bai, the Joan of Arc of India, by Michael White

On 10 May 1857, the Indian Rebellion started in Meerut. When news of the rebellion reached Jhansi, the Rani asked the British political officer, Captain Alexander Skene, for permission to raise a body of armed men for her protection; Skene agreed to this. [23] The city was relatively calm amid the regional unrest in the summer of 1857, but the Rani conducted a Haldi Kumkum ceremony with pomp in front of all the women of Jhansi to provide assurance to her subjects, and to convince them that the British were cowards and not to be afraid of them. [24] [25]

Until this point, Lakshmi Bai was reluctant to rebel against the British. In June 1857, rebels of the 12th Bengal Native Infantry seized the Star Fort of Jhansi, containing the treasure and magazine, [26] and after persuading the British to lay down their arms by promising them no harm, broke their word and massacred 40 to 60 European officers of the garrison along with their wives and children. The Rani's involvement in this massacre is still a subject of debate. [27] [28] An army doctor, Thomas Lowe, wrote after the rebellion characterizing her as the "Jezebel of India ... the young rani upon whose head rested the blood of the slain". [29]

The Rani of Jhansi's seal The Seal of Rani Lakshmibai of Jhansi.jpg
The Rani of Jhansi's seal

Four days after the massacre the sepoys left Jhansi, having obtained a large sum of money from the Rani, and having threatened to blow up the palace where she lived. Following this, as the only source of authority in the city the Rani felt obliged to assume the administration and wrote to Major Erskine, commissioner of the Saugor division explaining the events which had led her to do so. [30] On 2 July, Erskine wrote in reply, requesting her to "manage the District for the British Government" until the arrival of a British Superintendent. [31] The Rani's forces defeated an attempt by the mutineers to assert the claim to the throne of a rival prince Sadashiv Rao (nephew of Maharaja Gangadhar Rao) who was captured and imprisoned.

There was then an invasion of Jhansi by the forces of Company allies Orchha and Datia; their intention however was to divide Jhansi between themselves. The Rani appealed to the British for aid but it was now believed by the governor-general that she was responsible for the massacre and no reply was received. She set up a foundry to cast cannon to be used on the walls of the fort and assembled forces including some from former feudatories of Jhansi and elements of the mutineers which were able to defeat the invaders in August 1857. Her intention at this time was still to hold Jhansi on behalf of the British. [32]

Siege of Jhansi

The storming of Jhansi - Lieutenant Bonus The storming of Jhansi - Lieutenant Bonus.jpg
The storming of Jhansi – Lieutenant Bonus

From August 1857 to January 1858, Jhansi under the Rani's rule was at peace. The British had announced that troops would be sent there to maintain control but the fact that none arrived strengthened the position of a party of her advisers who wanted independence from British rule. When the British forces finally arrived in March they found it well-defended and the fort had heavy guns which could fire over the town and nearby countryside. According to one source [33] Hugh Rose, commanding the British forces, demanded the surrender of the city; if this was refused it would be destroyed. The same source [34] claims that after due deliberation the Rani issued a proclamation: "We fight for independence. In the words of Lord Krishna, we will if we are victorious, enjoy the fruits of victory, if defeated and killed on the field of battle, we shall surely earn eternal glory and salvation." Other sources, for example, [35] have no mention of a demand for surrender. She defended Jhansi against British troops when Sir Hugh Rose besieged Jhansi on 23 March 1858.

The bombardment of Jhansi began on 24 March but was met by heavy return fire and the damaged defences were repaired. The defenders sent appeals for help to Tatya Tope, an important leader of the 1857 Indian Rebellion; [31] an army of more than 20,000, headed by Tatya Tope, was sent to relieve Jhansi but they failed to do so when they fought the British on 31 March. During the battle with Tatya Tope's forces, part of the British forces continued the siege and by 2 April it was decided to launch an assault by a breach in the walls. Four columns assaulted the defences at different points and those attempting to scale the walls came under heavy fire. Two other columns had already entered the city and were approaching the palace together. Determined resistance was encountered in every street and every room of the palace. Street fighting continued into the following day and no quarter was given, even to women and children. "No maudlin clemency was to mark the fall of the city," wrote Thomas Lowe. [36] The Rani withdrew from the palace to the fort and after taking counsel decided that since resistance in the city was useless she must leave and join either Tatya Tope or Rao Sahib (Nana Sahib's nephew). [37]

The place from where Rani Lakshmibai jumped on her horse The place from where Rani Lakshmibai jumped.jpg
The place from where Rani Lakshmibai jumped on her horse

According to tradition, with Damodar Rao on her back she jumped on her horse Baadal from the fort; they survived but the horse died. [39] The Rani escaped in the night with her son, surrounded by guards. [40] The escort included the warriors Khuda Bakhsh Basharat Ali (commandant), Ghulam Gaus Khan, Dost Khan, Lala Bhau Bakshi, Moti Bai, Sunder-Mundar, Kashi Bai, Deewan Raghunath Singh and Deewan Jawahar Singh.[ citation needed ] She decamped to Kalpi with a few guards, where she joined additional rebel forces, including Tatya Tope. [37] They occupied the town of Kalpi and prepared to defend it. On 22 May British forces attacked Kalpi; the forces were commanded by the Rani herself and were again defeated.

Flight to Gwalior

The leaders (the Rani of Jhansi, Tatiya Tope, the Nawab of Banda, and Rao Sahib) fled once more. They came to Gwalior and joined the Indian forces who now held the city (Maharaja Scindia having fled to Agra from the battlefield at Morar). They moved on to Gwalior intending to occupy the strategic Gwalior Fort and the rebel forces occupied the city without opposition. The rebels proclaimed Nana Sahib as Peshwa of a revived Maratha dominion with Rao Sahib as his governor (ਸੂਬੇਦਾਰ) in Gwalior. The Rani was unsuccessful in trying to persuade the other rebel leaders to prepare to defend Gwalior against a British attack which she expected would come soon. General Rose's forces took Morar on 16 June and then made a successful attack on the city. [41]

Death and aftermath

On 17 June in Kotah-ki-Serai near the Phool Bagh of Gwalior, a squadron of the 8th (King's Royal Irish) Hussars, under Captain Heneage, fought the large Indian force commanded by Rani Lakshmibai, who was trying to leave the area. The 8th Hussars charged into the Indian force, slaughtering 5,000 Indian soldiers, including any Indian "over the age of 16". [42] They took two guns and continued the charge right through the Phool Bagh encampment. In this engagement, according to an eyewitness account, Rani Lakshmibai put on a sowar's uniform and attacked one of the hussars; she was unhorsed and also wounded, probably by his sabre. Shortly afterwards, as she sat bleeding by the roadside, she recognized the soldier and fired at him with a pistol, whereupon he "dispatched the young lady with his carbine". [43] [44] According to another tradition Rani Lakshmibai, the Queen of Jhansi, dressed as a cavalry leader, was badly wounded; not wishing the British to capture her body, she told a hermit to burn it. After her death, a few local people cremated her body.

The British captured the city of Gwalior after three days. In the British report of this battle, Hugh Rose commented that Rani Lakshmibai is "personable, clever and beautiful" and she is "the most dangerous of all Indian leaders". [45] [46]

London, 1878:

Whatever her faults in British eyes may have been, her countrymen will ever remember that she was driven by ill-treatment into rebellion and that she lived and died for her country, we cannot forget her contribution to India.' [47]

Colonel Malleson

Descendant

According to a memoir purporting to be by 'Damodar Rao', the young prince was among his mother's troops and household at the battle of Gwalior. Together with others who had survived the battle (about 60 retainers with 60 camels and 22 horses), he fled from the camp of Rao Sahib of Bithur and as the village people of Bundelkhand dared not aid them for fear of reprisals from the British, they were forced to live in the forest and suffer many privations. After two years there were about 12 survivors and these, together with another group of 24 they encountered, sought the city of Jhalrapatan where there were yet more refugees from Jhansi. Damodar Rao of Jhansi surrendered himself to a British official and his memoir ends in May 1860. He was then allowed a pension of Rs. 10,000, seven retainers, and was in the guardianship of Munshi Dharmanarayan. The whole memoir was published in Marathi in Kelkar, Y. N. (1959) Itihasachyaaa Sahali ("Voyages in History"). This text is likely a written version based on tales of the prince's life in oral circulation and what happened to him remains unknown. [ citation needed ]

Cultural depictions and statues

Statues of Lakshmibai are seen in many places in India, which show her and her son tied to her back. Lakshmibai National University of Physical Education in Gwalior, Laksmibai National College of Physical Education in Thiruvananthapuram, Maharani Laxmi Bai Medical College in Jhansi are named after her. Rani Lakshmi Bai Central Agricultural University in Jhansi was founded in 2013. The Rani Jhansi Marine National Park is located in the Andaman and Nicobar Islands in the Bay of Bengal.

Rani of Jhansi Regiment

A women's unit of the Indian National Army was named the Rani of Jhansi Regiment. In 1957 two postage stamps were issued to commemorate the centenary of the rebellion. Indian representations in novels, poetry, and film tend towards an uncomplicated valorization of Rani Lakshmibai as an individual solely devoted to the cause of Indian independence. [48]

The Rani of Jhansi Regiment was a unit of the Indian National Army (INA), which was formed in 1942 by Indian nationalists in Southeast Asia during World War II. The regiment was named in honor of Rani Lakshmibai, the warrior queen of Jhansi who fought against British colonial rule in India in 1857.

The Rani of Jhansi Regiment was the first all-women regiment in the history of the Indian Army. It was composed of Indian women who were recruited from Southeast Asia, mostly from the Indian diaspora in Singapore and Malaya. The women were trained in military tactics, physical fitness, and marksmanship, and were deployed in Burma and other parts of Southeast Asia to fight against the British.

The regiment was led by Captain Lakshmi Swaminathan, who was a doctor and a member of the Indian National Army. Under her leadership, the regiment fought bravely against the British forces and played a significant role in the Indian independence movement. [49]

The Rani of Jhansi Regiment remains an important symbol of women's participation in the struggle for Indian independence, and its legacy has inspired generations of women in India and beyond.

The Indian Coast Guard ship ICGS Lakshmi Bai has been named after her.

Songs and poems

Several patriotic songs have been written about the Rani. The most famous composition about Rani Lakshmi Bai is the Hindi poem Jhansi ki Rani written by Subhadra Kumari Chauhan. An emotionally charged description of the life of Rani Lakshmibai, it is often taught in schools in India. [50] A popular stanza from it reads:

बुंदेले हरबोलों के मुँह हमने सुनी कहानी थी, खूब लड़ी मर्दानी वह तो झाँसी वाली रानी थी।। [51]

Translation: "From the Bundele Harbolas' mouths we heard stories / She fought like a man, she was the Rani of Jhansi." [52]

For Marathi people, there is an equally well-known ballad about the brave queen penned at the spot near Gwalior where she died in battle, by B. R. Tambe, who was a poet laureate of Maharashtra and of her clan. A couple of stanzas run like this:

हिंदबांधवा, थांब या स्थळीं अश्रु दोन ढाळीं /

ती पराक्रमाची ज्योत मावळे इथे झाशिवाली / ... / घोड्यावर खंद्या स्वार, हातात नंगि तर्वार / खणखणा करित ती वार / गोर्‍यांची कोंडी फोडित पाडित वीर इथे आली /

मर्दानी झाशीवाली!

Translation: "You, a denizen of this land, pause here and shed a tear or two / For this is where the flame of the valorous lady of Jhansi was extinguished / … / Astride a stalwart stallion / With a naked sword in hand / She burst open the British siege / And came to rest here, the brave lady of Jhansi!"

Novels

Film and television

Video game

Other works

See also

Related Research Articles

<span class="mw-page-title-main">Jhansi</span> Metropolis in Uttar Pradesh, India

Jhansi is a historic city in the Indian state of Uttar Pradesh. Balwant Nagar was the old name of Jhansi. It lies in the region of Bundelkhand, on the banks of the Pahuj River, in the extreme south of Uttar Pradesh. Jhansi is the administrative headquarters of Jhansi district and Jhansi division. Also called the Gateway to Bundelkhand, Jhansi is situated near and around the rivers Pahuj and Betwa at an average elevation of 285 m (935 ft). It is about 420 kilometres (261 mi) from national capital New Delhi, 101 kilometres from Gwalior and 315 kilometres (196 mi) from state capital Lucknow.

<span class="mw-page-title-main">Jayajirao Scindia</span> Maharaja of Gwalior (1834–1886)

Jayajirao Scindia GCB, GCSI, CIE of the Scindia dynasty of Maratha Confederacy was the last independent ruling Maharaja of Gwalior State during the British rule from 1843 to 1886.

The Central India Campaign was one of the last series of actions in the Indian rebellion of 1857. The British Army and Bombay Army overcame a disunited collection of states in a single rapid campaign, although determined rebels continued a guerrilla campaign until the spring of 1859.

<span class="mw-page-title-main">Jhalkaribai</span> Indian historic figure

Jhalkaribai was a woman soldier who played an important role in the Indian Rebellion of 1857. She served in the women's army of Rani Lakshmibai of Jhansi. She eventually rose to a position of a prominent advisor to the queen, Rani of Jhansi. At the height of the Siege of Jhansi, she disguised herself as the queen and fought on her behalf, on the front, allowing the queen to escape safely out of the fort.

Events in the year 1858 in India. Act of Parliament 1858

<span class="mw-page-title-main">Jhansi Fort</span> Fortress in Uttar Pradesh, India

Jhansi Fort or Jhansi ka Qila is a fortress situated on a large hilltop called Bangira, in Uttar Pradesh. It served as a stronghold of the Karhade Brahmin Kings in Balwant Nagar from the 11th through the 17th century.

<i>Ek Veer Stree Ki Kahaani – Jhansi Ki Rani</i> Indian historical television series

Ek Veer Stree Ki Kahaani – Jhansi Ki Rani is an Indian historical drama based on the life of Lakshmi Bai, the Rani of Jhansi. The series was directed by Jitendra Srivastava and written by Rajesh Saksham, Ila Dutta Bedi, Malavika Asthana, Mairaj Zaidi and Virendra Singh Patyal. It premiered on 18 August 2009 on Zee TV with Ulka Gupta playing young Queen Lakshmi Bai. On 8 June 2010, the story moved on several years and Kratika Sengar portrayed the Queen from there on. The last episode aired on 19 June 2011, completing 480 episodes. This show replaced Maayka serial time slot.

Vishnubhat Godse (1827–1904) was an Indian traveller and a Marathi writer. Godse is best known for his travelogue Majha Pravas, which is notable for the description of his "true and unique" experiences of the First War of Independence of 1857 during his travels in North India. It is one of the earliest travelogues written in the Marathi language. He was a brahmin priest

<span class="mw-page-title-main">Jhansi State</span> Princely state in India (1728–1858)

Jhansi was an independent princely state ruled by the Maratha Newalkar dynasty under suzerainty of British India from 1804 till 1853, when the British authorities took over the state under the terms of the Doctrine of Lapse, and renamed it the Jhansi State. Before the takeover, it was under the Peshwas from 1728 to 1804. The fortified town of Jhansi served as its capital.

<i>Jhansi Ki Rani</i> (1953 film) 1953 film by Sohrab Modi

Jhansi Ki Rani is a 1953 Indian Hindi-language historical drama film produced and directed by Sohrab Modi for his Minerva Movietone production banner. It is credited as the first Technicolor film made in India and starred Modi's wife, Mehtab in the title role, with Modi in the important role of her mentor, Rajguru. The film was dubbed in English as The Tiger and the Flame, which released in 1956 with the same star cast. The cast besides Mehtab and Sohrab Modi included Mubarak, Ulhas, Sapru, Ram Singh, Baby Shikha, Marconi and Shakila.

<span class="mw-page-title-main">Gangadhar Rao</span> 5th raja of Jhansi

Gangadhar Rao Newalkar was the 5th Raja of Jhansi situated in northern India, a vassal of Maratha Empire. He was a Marathi Karhade Brahmin. He was the son of Shiv Rao Bhau and a descendant of Raghunath Hari Newalkar.

<span class="mw-page-title-main">Baiza Bai</span> Maharani of Gwalior

Baiza Bai was one of the wives of Daulat Rao Scindia, the ruler of Gwalior princely state in India, and served as regent after his death.

<span class="mw-page-title-main">Damodar Rao of Jhansi</span> Maharaja of Jhansi (disputed)

Damodar Rao was the adopted son of Maharaja Gangadhar Rao and Rani Laxmibai of Jhansi State.

Lakshman Rao Jhansiwale (1904–1959) was son of Damodar Rao of Jhansi, the adopted son of Raja Gangadhar Rao and legendary Rani Laxmibai of Jhansi State.

<i>Manikarnika: The Queen of Jhansi</i> 2019 Indian Hindi film

Manikarnika: The Queen of Jhansi is a 2019 Indian Hindi-language epic historical biographical action drama film based on the life of Rani Lakshmi Bai of Jhansi. It is directed by Krish Jagarlamudi and Kangana Ranaut from a screenplay written by V. Vijayendra Prasad. Produced by Zee Studios, the film stars Ranaut in the title role.

<i>The Warrior Queen of Jhansi</i> 2019 British period drama film

The Warrior Queen of Jhansi is a 2019 British period drama film on the 1857 Indian Rebellion against the British East India Company. The film was co-written, produced and directed by Swati Bhise, with Charles Salmon as co-producer. The film was originally titled Swords and Sceptres: The Rani of Jhansi. Devika Bhise, who also co-wrote the script, plays the lead role of Rani Lakshmibai. In November 2017, Rupert Everett and Derek Jacobi joined the cast. Principal photography was completed in December 2017.

<i>Khoob Ladi Mardaani – Jhansi Ki Rani</i> Indian historical television series

Khoob Ladi Mardaani – Jhansi Ki Rani is an Indian historical drama television series based on the life of warrior queen Lakshmi Bai, the Rani of Jhansi. The show, starring Anushka Sen went to air on Colors TV on 11 February 2019. Due to low TRPs, the show ended on 12 July 2019 completing 110 episodes. It was replaced by Bahu Begum.

<span class="mw-page-title-main">Newalkar</span> Maharajas of Jhansi from 1769 to 1858

Newalkar dynasty were Marathi Karhade Brahmins, who were the Maharajas of Jhansi from 1769 to 1858. Their family deity was goddess Mahalakshmi. The Newalkars were sardars under Peshwa Madhavrao I, and later became Maharajas of Jhansi in Central India as an independent member of the Maratha Confederacy until 1818. Later, their kingdom became a princely state under the protectorate of British India.

<span class="mw-page-title-main">Tatya Tope</span> Leader of the Indian War of Independence in 1857

Tantia Tope was a notable commander in the Indian Rebellion of 1857.

The Indian independence movement was a series of events aimed at ending the British rule in India, which lasted till 1947. Women played a significant and prominent role in the Indian independence movement. The participation of women in the movement started as early as the eighteenth century.

References

  1. Meyer, Karl E. & Brysac, Shareen Blair (1999) Tournament of Shadows. Washington, DC: Counterpoint; p. 138 – "Known to history as Lakshmi Bai, she was possibly only twelve in 1842 when she married the aging and infirm Rajah of Jhansi ..."
  2. 1 2 Though the day of the month is regarded as certain historians disagree about the year: among those suggested are 1827 and 1835.
  3. 1 2 Meyer, Karl E. & Brysac, Shareen Blair (1999) Tournament of Shadows . Washington, DC: Counterpoint; p. 138 – "Known to history as Lakshmi Bai, she was possibly only twelve in 1840 when she married the aging and infirm Rajah of Jhansi ..."
  4. Copsey, Allen. "When was she born?". Lakshmibai, Rani of Jhansi. Retrieved 28 June 2014.
  5. "Lakshmi Bai". Encyclopædia Britannica. Retrieved 18 June 2022.
  6. The 177th anniversary of Rani's birth according to the Hindu calendar was celebrated at Varanasi in November 2012: "Lakshmi Bai birth anniversary celebrated". The Times of India . World News. 13 November 2012. Retrieved 6 December 2012.
  7. Lebra, Joyce (2008). Women Against the Raj: The Rani of Jhansi Regiment. Institute of South Asian Studies, Singapore. p. 2. ISBN   978-9812308092. Myth and history intertwine closely in the life of the Rani of Jhansi, known in childhood as Manu...She was born in the holy city of Varanasi to a Karhada Brahmin, Moropant Tambe
  8. Copsey, Allen (23 September 2005). "Lakshmibai, Rani of Jhansi – Early Life". Copsey-family.org. Retrieved 7 June 2012. (gives the date of birth as 19 November 1835)
  9. Edwardes (1975), p. 115
  10. "The Washington times. (Washington [D.C.]) 1902–1939, April 16, 1922, Sunday Morning, Image 24". 16 April 1922. p. 5 via chroniclingamerica.loc.gov.
  11. Later in his life Moropant Tambe was a councilor in the court of Jhansi under his daughter's rule; he was executed as a rebel after the capture of the city. "Lakshmibai, Rani of Jhansi; Victims". Allen Copsey. Retrieved 17 May 2013.
  12. David (2002), p. 350
  13. N. B. Tambe and Sapre are clan names; "Bai" or "-bai" is honorific as is "-Ji" the masculine equivalent. A Peshwa in a Maratha state is the chief minister.
  14. Agarwal, Deepa (2009). Rani Lakshmibai. Penguin UK. ISBN   978-8184758061 via Google Books.
  15. David, Saul (2002) The Indian Mutiny 1857, London: Penguin, p. 350
  16. Lakshmibai, Rani of Jhansi; accessed 15 August 2019
  17. Godse, Vishnu Bhatt. "Godse's account". Lakshmibai, Rani of Jhansi. Allen Copsey. Retrieved 6 December 2012.
  18. "Lakshmibai, Rani of Jhansi; Timeline" . Retrieved 3 June 2015.
  19. "Who is Manikarnika?". The Indian Express. 21 July 2017. Retrieved 22 November 2022.
  20. Edwardes, Michael (1975) Red Year. London: Sphere Books, pp. 113–114
  21. N.B. Rao only means "prince; the Maharaja was Gangadhar Newalkar of the Newalkar clan"
  22. Khilnani, Sunil (2016). Incarnations: India in 50 Lives. London: Allen Lane. p. 246. ISBN   978-0241208229.
  23. Edwardes, Michael (1975) Red Year. London: Sphere Books, p. 115
  24. Jones, David E. (2000). Women Warriors: A History. Potomac Books Incorporated. p. 46. ISBN   978-1-57488-206-3.
  25. Vishnu Bhat Godse Maja Pravas
  26. Edwardes (1975), pp. 115–116
  27. David, Saul (2002) The Indian Mutiny 1857, London: Penguin, p. 368
  28. "One Indian source [Vishnubhat Godse] alleges that the day before the sepoys mutinied, Skene went to the Rani and asked her to 'take charge of the state'. But there is no supporting evidence. Nor is there any real basis for the assertion that she was involved in a conspiracy with the sepoys before they mutinied." – Edwardes Red Year, p. 115
  29. Lowe, Thomas (1860) Central India during the Rebellion, cited in Edwardes, Michael (1975) Red Year. London: Sphere Books, p. 117
  30. Edwardes, Michael (1975) Red Year. London: Sphere Books, p. 118
  31. 1 2 Edwardes, Michael (1975) Red Year. London: Sphere Books, p. 119
  32. Edwardes, Michael (1975) Red Year. London: Sphere Books. p. 117
  33. Edwardes, Michael (1975) Red Year. London: Sphere Books, pp. 117–19
  34. Edwardes, Michael (1975) Red Year. London: Sphere Books, p. 119, citing Vishnubhat Godse Majha Pravas, Poona, 1948, in Marathi; p. 67
  35. Lebra-Chapman, Joyce (1986) The Rani of Jhansi. Honolulu: University of Hawaii Press.
  36. Edwardes, Michael (1975) Red Year. London: Sphere Books, pp. 120–21
  37. 1 2 Edwardes, Michael (1975) Red Year. London: Sphere Books, pp. 119 & 121
  38. The English version of the notice reads: "Rani Jhansi jumped from this place on horseback with her adopted son"
  39. "Jhansi". Remarkable India. Archived from the original on 10 October 2012. Retrieved 27 October 2012.
  40. Rani of Jhansi, Rebel against will by Rainer Jerosch, published by Aakar Books 2007; chapters 5 and 6
  41. Edwardes, Michael (1975) Red Year. London: Sphere Books, pp. 124–25
  42. Gold, Claudia, (2015) Women Who Ruled: History's 50 Most Remarkable Women ISBN   978-1784290863 p. 253
  43. David (2006), pp. 351–362
  44. Copsey, Allen. "Brigadier M W Smith Jun 25th, 1858 to Gen. Hugh Rose". Copsey-family.org. Retrieved 7 July 2012.
  45. David, Saul (2003), The Indian Mutiny: 1857, London: Penguin; p. 367
  46. Ashcroft, Nigel (2009), Queen of Jhansi, Mumbai: Hollywood Publishing;
  47. Edwardes Red Year: one of two quotations to begin pt. 5, ch. 1 (p. 111); History of the Indian Mutiny was begun by John Kaye but Malleson both rewrote parts of it and completed the work.
  48. The Rani of Jhansi: Gender, History, and Fable in India (Harleen Singh, Cambridge University Press, 2014)
  49. Gupta, Ateendriya (7 March 2020). "Women in command: Remembering the Rani of Jhansi Regiment". The Hindu. ISSN   0971-751X . Retrieved 9 March 2023.
  50. "Poems of Bundelkhand". www.bundelkhand.in. Bundelkhand.In. Retrieved 27 June 2017.
  51. Chauhan, Subhadra Kumari. "Jhansi ki rani". www.poemhunter.com. Poem hunter. Retrieved 27 June 2017.
  52. चौहान, सुभद्रा कुमारी; Chauhan, Subhadra Kumari (2014). मुकुल तथा अन्य कविताएं (Hindi Poetry): Mukul Tatha Anya Kavitayein (Hindi Poetry) (in Hindi). Bhartiya Sahitya Inc. ISBN   978-1-61301-461-5.
  53. 1 2 3 4 Sen, Indrani (2007). "Inscribing the Rani of Jhansi in Colonial 'Mutiny' Fiction". Economic and Political Weekly. 42: 1756.
  54. "झाँसी की रानी". www.goodreads.com. Retrieved 6 August 2021.
  55. "Jhansi Rani (1985)". Indiancine.ma.
  56. "Jhansi Ki Rani Laxmibai (2012)". Indiancine.ma.
  57. "Jhansi Ki Rani Laxmibai". Apple TV . 31 December 2011.
  58. Ramkumar, Anitha (16 May 2017). "Why Good Night Stories For Rebel Girls Is A Must Read For Both Girls and Boys [#BookReview]". Women's Web.

Sources

  • Vishnu Bhatt Godse.Maza Pravas: 1857 cya Bandaci Hakikat (Marathi "My journey: the truth about the 1857 rebellion")
  • Meyer, Karl E. & Brysac, Shareen Blair. Tournament of Shadows Washington D.C.: Counterpoint, 1999; pp. 138–145.
  • Verma, Janki Sharan Amar Balidani
  • Zila Vikas Pustika, 1996–97, Jhansi

Further reading