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Ronald Rand is an American stage and film actor, [1] [2] [3] educator, [4] [5] director, playwright, librettist, producer, and newspaper publisher. A U.S. Cultural Goodwill Ambassador, [6] [7] [8] [9] [10] [11] founder and publisher of the newspaper, The Soul of the American Actor, he is also the author of Create: How Extraordinary People Live to Create and Create to Live, [12] Acting Teachers of America, [13] [14] and Solo Transformation on Stage: A Journey into the Organic Process of the Art of Transformation. [15] [16] [17] [18]
Rand was born and raised in Coral Gables, Florida, and began performing at the Merry-Go-Round Playhouse in Coral Gables at age six, appearing in over 200 children's theatre plays over ten years. Rand graduated from Coral Gables Senior High School. A graduate of New York University Tisch School of the Arts in New York City, he received a Bachelor of Fine Arts, studying with Stella Adler. Two of Rand's classmates were Bill Paxton, for whom Rand wrote monologues to perform in class, and Kate Valk. Subsequently, Rand also studied with Harold Clurman, Robert Lewis, Joseph Chaikin, with Jerzy Grotowski at Columbia University, and at the Royal Academy of Dramatic Art's summer program in London. Rand began developing his one-man show in 2000, for which he is best known, called "Let It Be Art!" [19]
Rand's odyssey as Harold Clurman began with his first performance of his play, "Let It Be Art" directed by Gregory Abels, at the Sande Shurin Theatre in New York City in 2001. Rand performed his play in three productions Off-Broadway, first at the Sande Shurin Theatre, at the Century Center Theatre under the play's previous title, Clurman, produced by J.C. Compton, the second wife of Harold Clurman, and then by the Mirror Repertory Company at the ArcLight Theatre. Rand made his New York debut in 1978 at the Brooklyn Academy of Music as a member of the cast of Julius Caesar with Richard Dreyfuss, George Rose, Austin Pendleton, René Auberjonois, and Tom Hulce.
Rand's transformation into a 79-year-old Harold Clurman in his play, Let It Be Art! comes through a two-hour transformation process in his dressing room, based on Konstantin Stanislavski's Method of Physical Actions. [20]
Rand has performed in Let It Be Art! in 26 countries and represented the United States in the 8th Theatre Olympics performing in his solo play at the Kamani Auditorium in New Delhi, and Tagore Theatre in Thiruvananthapuram. [21] [22] [23] Rand is the first American to perform in a solo play at the International Bafa Arts Festival in Harare, Zimbabwe, Kenya International Theatre Festival at Nairobi's National Theatre, Voices of History International Theatre Festival in Vologda, Russia, MerCoSur Interior Althuapua De Cioppo International Festival in Paysandú, Uruguay, Bareilly International Theatre Festival, India, Baptizer International Theatre Festival in Bangalore, India, San Vicente del Caguán Cultural Arts Center in northern Colombia, Patravadi Theatre in Bangkok, Trade Unions Palace of Culture in Minsk, Belarus, Palace Dar el-Makhzen in the Kasbah, Tangier, Morocco, and Cayman National Cultural Foundation Harquail National Theatre, Grand Cayman in the British West Indies. [24] Rand has performed his solo play in the International Theatre Festival for Peace in Barrancabermeja, Colombia, Kathmandu International Theatre Festival in Nepal, Act Alone Festival in Suðureyri, Iceland, as a Festival judge and performed in the M.E.S.S. International Theatre Festival at the Chamber 55 Theatre, Sarajevo, Bosnia & Herzegovina, [25] WAAE Global Arts Education Summit Athens 2024 [26] Colombo International Theater Festival in Sri Lanka, [27] [28] International Winter Festival in Sarajevo, Bosnia & Herzegovina, Chevolek International Theatre Festival in Chelyabinsk, Russia, Georgia International Theatre Festival in Tbilisi, Georgia, Slavija International Theatre Festival in Belgrade, Serbia, Lithographeion Theatre, Patras, Greece, and in the Inaugural Harold Clurman Festival of Arts in New York City. [29] Rand has completed five goodwill tours across India, performing his solo play and teaching his master acting workshop at universities and festivals including Rangayana Theatre in Mysore, [30] [31] Manipal University in Jaipur, at Christ University as a Festival judge and performed in Baptizer International Theatre Festival in Bangalore, AddLife Caring Minds Wellness Centre in Kolkata, Jawaharlal Nehru University, Chilsag Chilies Acting Academy, and R.K. Film and TV Media Academy in New Delhi, Anupam Kher's Actor Prepares Academy in Mumbai, University of Calicut, Pondicherry University, Sri Aurobindo Auditorium in Auroville, and appeared in Great Mind at Work, a play by the India playwright, Sachin Gupta, at L'Alliance française de Delhi, performing in Hindi, a language he does not speak.
Rand starred as Harry in Luv at The Barnstormers Theatre in Tamworth, New Hampshire, as The Stage Manager in the 75th Anniversary production of Our Town (2013), as Captain Keller in The Miracle Worker opposite Marla Schaffel (2014), and as Polonius in Hamlet opposite Nicole Ansari (2015), in Vermont at the Greensboro Arts Alliance Summer Stock Theatre in Greensboro, Vermont. [32] Rand brought to life Charles Dickens in "An Evening With Charles Dickens Reading A Christmas Carol at the 8th Annual Dickens Feast at the Tuscumbia Roundhouse in Tuscumbia, Alabama, acting as more than a dozen characters in a new adaptation he created and directed (2018). [33] Rand performed in a new solo play he created, "The Tuscumbia I Know: A Talk by Captain Keller" playing Captain A.H. Keller at the Helen Keller Library as part of The Helen Keller Festival in Tuscumbia, Alabama, Helen Keller's birthplace (2017–2019). [34] [35] Rand's film appearances include opposite Yoko Ono in her film Homeless (1989), Family Business (1989), Reversal of Fortune (1990), "The Return of Superfly" (1990), Another You (1991), The Hard Way (1991), The Super (1991), Six Degrees of Separation (1993) The Jerky Boys (1995), The Royal Tenenbaums (2001) and Garden State (2004). Rand was cast by Aaron Russo as President Richard Nixon in Rude Awakening (1989), by Robert Redford in Quiz Show (1994) opposite Ralph Fiennes and Paul Scofield, and as a business magnate opposite Anjelica Huston in When in Rome (2010). Rand appeared as Milton Sterns in A Marriage: O'Keeffe and Stieglitz opposite Christopher Plummer and Jane Alexander on PBS American Playhouse (1991) [36] Rand appeared as the Judge in a KRS-One video produced by Boogie Down Productions (1987).
The J. William Fulbright Foreign Scholarship Board and The Bureau of Educational and Cultural Affairs chose Rand as a Fulbright Specialist Scholar during 2021–2025. Rand was also chosen as a Fulbright Specialist Scholar during 2013–2018. Rand has received four Fulbright Awards. In 2013 he became the first Fulbright Specialist Scholar to teach for six weeks at the University of Sarajevo's Academy of Dramatic Arts, University of Tuzla Academy of Dramatic Arts, Mostar Youth Theatre, and the Druga Gimnazija, an IB World School in Sarajevo. [37] In 2015, he became the first Fulbright Specialist Scholar to teach for six weeks at the University of Malaya Cultural Centre Drama Department in Kuala Lumpur, Malaysia. Rand was the first American invited by the Jabatan Kebudayaan dan Kesenian Negara, known as the Malaysian Ministry of Tourism and Culture – National Department for Culture & Arts to teach and perform at Malaysia's JKKN State Theaters in Ipoh, Alor Setar and Kuala Terengganu. In Kuala Lumpur, Rand was invited to teach and perform at the National Arts Culture and Heritage Academy Aswara, Islamic International University Malaysia, Universiti Teknologi MARA, and to teach at the Penang Temple of Fine Arts Academy. In 2017 he became the first Fulbright Specialist Scholar to teach four 7-hour master acting workshops using Constantin Stanislavsky's "Method of Physical Actions" chart for five weeks at the Taller de Teatro in Paysandu, Uruguay, and taught two workshops for ages nine to fifteen at the Family Instituto y Colegio de Inglés in Paysandu, performed in his solo play, and directed an adaptation of the play, Our Town by Thornton Wilder in Spanish with Spanish actors. In 2024, Rand was invited as the first Fulbright Specialist Scholar to teach for six weeks in seven different classes at the Department of Theatre Studies at the University of Patras, Greece. Rand taught his master workshop at the Drama School of Patras, and at the Lithographeion Theatre in Patras. He was an adjunct professor of Acting and Directing at Pace University in New York City for four years, an Adjunct professor of Acting at Northern Illinois University, and adjunct professor of Theatre History at the University of North Alabama. He has brought his solo play and Art of Transformation Master Acting Workshop to 26 countries and 20 states, including Gonzaga University, Western Washington University, University of Missouri in Columbia, University of Alaska, Syracuse University, Lycoming College, Louisiana State University, University of Zagreb Academy of Dramatic Art – Croatia, Anadolu University in Eskisehir, Turkey, National and Kapodistrian University of Athens, in Athens, Greece, University of the Visual and Performing Arts – Colombo, Sri Lanka, Shota Rustaveli Theatre and Film University – Tbilisi, Georgia, Belarusian State University – Minsk, Belarus, National Theatre of British West Indies – Cayman National Cultural Foundation, [38] IB World School – Sarajevo, Bosnia & Herzegovina, National School of the Arts in Johannesburg, South Africa, Auroville – India, at several community theaters across America, [39] [40] and at the Joint Personnel Recovery Agency – Fairchild U.S. Air Force Base. Rand, an acrylic painter, had originally studied at the Arts Student League in New York City in the late 1970s, gave a talk and painting demonstration on bark for The Shoals Artists Guild at the Kennedy Douglass Center for the Arts, in the Arts Alive Festival, Florence, Alabama in 2019. His artworks were on display in the Mostly Blues Exhibit at Kennedy-Douglass Center for the Arts, Florence, Alabama, and in the ArtWorks Exhibit at The Tennessee Valley Art Museum in Tuscumbia, Alabama (2019–2021). [41]
Rand is the founder, publisher and editor-in-chief of the newspaper, The Soul of the American Actor (founded in 1998), [42] [43] [44] the only printed and online newspaper in America dedicated to the artistic process of the actor and the art of theater. [45] [46] Rand has conducted over 1000 interviews including Alec Baldwin, Theodore Bikel, Lee Blessing, Claire Bloom, Kate Burton, Rita Gam, Andre Gregory, George Grizzard, Charles Grodin, A.R. Gurney, Marcia Gay Harden, Kitty Carlisle Hart, Geoffrey Holder, Celeste Holm, Anjelica Huston, Valerie Harper, Ruben Santiago-Hudson, Judith Ivey, Kevin Kline, Jackie Mason, Terrence Mann, Lloyd Richards, Cliff Robertson, Maureen Stapleton, Peter Weller, and Elie Wiesel. [47] Essays have included those by Stella Adler, Edward Albee, Harold Clurman, Eugenio Barba, William Esper, Jerzy Grotowski, James Earl Jones, Laurence Luckinbill, Sanford Meisner, Arthur Miller, and Lee Strasberg. [48] [49] Rand is the author of three books. Create! How Extraordinary People Live to Create and Create to Live, Finalist for the Indies Book of the Year Awards for Performing Arts & Music and Finalist in the 12th Annual National Indie Excellence Awards, is a collection of over 100 interviews exploring the creative process of many of the world's most acclaimed actors, actresses, artists, choreographers, composers & lyricists, dancers, directors, educators, musicians, playwrights, poets, singers, and writers of our time, including Carol Burnett, Ellen Burstyn, Martha Carpenter, Dick Cavett, Brian Cox, Ossie Davis, Ruby Dee, Katherine Dunham, Michael Frayn, Kelsey Grammer, Joel Grey, Marvin Hamlisch, Julie Harris, Chaka Khan, Odile Gakire Katese, Everett Raymond Kinstler, Stephen Lang, Jane Maxwell, Patricia Neal, Jerry Orbach, Christopher Plummer, Luise Rainer, Tony Randall, Phylicia Rashad, Chita Rivera, Apriana Taylor, Ben Vereen, Sir Derek Walcott, Robert Wilson, and Eugenia Zukerman. [50] [51] [52] [53] [54] His second book is Acting Teachers of America [55] with interviews of one hundred influential acting teachers, actors, and directors in America, including Anne Bogart, Steve Buscemi, Olympia Dukakis, Zelda Fichandler, James Gandolfini, Gene Hackman, Michael Howard, William Hurt, Michael Kahn, Milton Katselas, Laura Linney, Edward Norton, Sidney Poitier, and Terry Schreiber. [56] Rand's third book, Solo Transformation on Stage: A Journey into the Organic Process of the Art of Transformation, includes a foreword by Stephen Lang, Ronald Rand's two-hour transformation into Harold Clurman, Rand's personal experiences with his teachers, Stella Adler, Harold Clurman, and Jerzy Grotowski, life-changing ‘moments of depth’ from some of the world's memorable performers including Cicely Tyson, Paul Robeson, Ira Aldridge, James Earl Jones, Sidney Poitier, John Barrymore, Laurette Taylor, and Marlon Brando, and over twenty interviews including Christopher Plummer, Eve Ensler, Ben Vereen, Billy Crudup, Adrienne Barbeau, Olympia Dukakis, Hershey Felder, Marga Gomez, Spalding Gray, Stephen Lang, Tony Lo Bianco, Laurence Luckinbill, Angelica Page, Elizabeth van Dyke, Jean-Claude van Itallie, and Julie Harris. [57] [58] [59] As a poet, Rand's poetry appeared in Where the Mind Dwells: Salvation, and in Huntsville Literary Association's magazine, Poem. Rand created the libretto for a new opera, IBSEN, about the final days of Henrik Ibsen, opera score by German composer, Hartmut von Lieres. [60]
In 2013 Rand became the second U.S. director to direct in the 60-year history of the historic Chamber Theatre 55 in Sarajevo, Bosnia & Herzegovina. [61] Rand was invited by the Director of Chamber Theatre 55, Dragan Jovicic, to direct Murray Schisgal's comedy, LUV, translated by Mirjana Jovicic. The cast included Muhamed Hadzovic, Moamer Kasumovic, and Zana Marjanovic. The set and costumes were designed by Vanja Popovic. [62] The production was performed as part of the theatre repertory for eight sold-out years in repertory, and traveled to Montenegro, Slovenia, Croatia, Serbia, and across Bosnia & Herzegovina, winning awards in state festivals. [63] [64] [65] Rand became the first American director to direct at the Aras Theatre in Paysandu, Uruguay. He directed an adaptation from the Pulitzer Prize winning play, Our Town by Thornton Wilder translated by Ilse Olivera into Spanish, (a language he does not speak), with actors of Paysandu. [66] Rand conceived and directed a site-specific interactive performance, "Living Roots: Who We Are" with the students of the Department of Theatre Studies at the University of Patras performing in Greek in the lobby of the University of Patras Conference Center. Rand produced and co-translated the American premiere of Spanish playwright, Inigo Ramirez de Haro's most controversial play, "We Couldn't Call It What We Wanted To Call It, So We Called It Holy Crap!!" starring Stephen Mo Hanan at La MaMa, E.T.C. directed by Erica Gould in New York City in 2011. [67] Rand directed and appeared in [[Voices from Chernobyl|A Meltdown from Chernobyl, The Oral History of a Nuclear Disaster]] by Svetlana Alexievich, a dramatic adaptation by Spencer Smith with Frances Crowe, Ruth Hooke, Sister Jane Morrissey, and Jean-Claude van Itallie across northern New England at churches and meeting houses. [68] [69] Rand created and moderated a Drama Desk Panel Event, The Art of Storytelling, at Sardi's Restaurant in New York City, interviewing Bertie Carvel, Jayne Houdyshell, Kristine Nielsen, and David Hyde-Pierce. [70]
Uta Thyra Hagen was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre.
Clifford Odets was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. From January 1935, Odets's socially relevant dramas were extremely influential, particularly for the remainder of the Great Depression. His works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, and David Mamet. After the production of his play Clash by Night in the 1941–42 season, Odets focused his energies primarily on film projects, remaining in Hollywood until mid-1948. He returned to New York for five and a half years, during which time he produced three more Broadway plays, only one of which was a success. His prominence was eventually eclipsed by Miller, Tennessee Williams, and, in the early- to mid-1950s, William Inge.
The Group Theatre was a theater collective based in New York City and formed in 1931 by Harold Clurman, Cheryl Crawford and Lee Strasberg. It was intended as a base for the kind of theatre they and their colleagues believed in—a forceful, naturalistic and highly disciplined artistry. They were pioneers of what would become an "American acting technique", derived from the teachings of Konstantin Stanislavski, but pushed beyond them as well. The company included actors, directors, playwrights, and producers. The name "Group" came from the idea of the actors as a pure ensemble; a reference to the company as "our group" led them to "accept the inevitable and call their company The Group Theatre."
Stella Adler was an American actress and acting teacher.
Luther Adler was an American actor who worked in theatre, film, television, and directed plays on Broadway.
Harold Edgar Clurman was an American theatre director and drama critic. In 2003, he was named one of the most influential figures in U.S. theater by PBS. He was one of the three founders of New York City's Group Theatre (1931–1941). He directed more than 40 plays in his career and, during the 1950s, was nominated for a Tony Award as director for several productions. In addition to his directing career, he was drama critic for The New Republic (1948–1952) and The Nation (1953–1980), helping shape American theater by writing about it. Clurman wrote seven books about the theatre, including his memoir The Fervent Years: The Group Theatre and the Thirties (1961).
Bobby Steggert is an American therapist and former actor of theatre, television and film.
The Meisner technique is an approach to acting developed by American theatre practitioner Sanford Meisner.
Robert Lewis was an American actor, director, teacher, author and founder of the influential Actors Studio in New York in 1947.
A solo performance, sometimes referred to as a one-man show, one-woman show, or one-person show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music and dance. In 1996, Rob Becker's Defending the Caveman became the longest-running one-person play in the history of Broadway theatre.
Bill Bowers is an American mime artist and actor based in New York City. As an actor, mime and educator, Bill has performed throughout the United States, Canada, Europe and Asia. He is a Movement for Actors Instructor at NYU Tisch School for the Arts and also teaches at the William Esper Studio and the Stella Adler Studio in NYC.
Wendy Barrie-Wilson is an American stage actress who has performed in more than 100 plays on Broadway and around the world.
Susan Batson is an American producer, actress, author, acting coach, and a life member of the Actors Studio. Batson graduated from Girls Latin School and Emerson College.
Jack Gelber was an American playwright best known for his 1959 drama The Connection, depicting the life of drug-addicted jazz musicians. The first great success of the Living Theatre, the play was translated into five languages and produced in ten nations. Gelber continued to work and write in New York, where he also taught writing, directing and drama as a professor, chiefly at Brooklyn College, City University of New York, where he created the MFA program in playwriting. In 1999 he received the Edward Albee Last Frontier Playwright Award in recognition of his lifetime of achievements in theatre.
Larry Carpenter is an American theatre and television director and producer. In the theatre, he has worked as an artistic director, associate artistic director, a managing director and general manager in both the New York and Regional arenas. He also works as a theatre director and is known primarily for large projects, working on musicals and classical plays equally. In television, he works as a director for New York daytime dramas. He has served as executive vice president of the Stage Directors and Choreographers Society, the national labor union for professional stage directors and choreographers. He is also a member of the Directors Guild of America PAC.
Ronald Melville Whyte (1941–1989) was an American playwright, critic, and disability rights activist.
Haris Pašović is a Bosnian theatre director. Over the course of his career, he has also worked as a playwright, producer, choreographer, performer, and designer. He is best known for his productions of Wedekind's “Spring Awakening”. He is the artistic leader of the East West Theatre Company in Sarajevo and tenured Professor of Directing at the Academy of Performing Arts in Sarajevo.
The Michael Howard Studios is an acting studio for the performing arts located in at 152 West 25th Street in Chelsea, Manhattan, New York City; the studio was founded in 1953 by actor/director Michael Howard.
Juleen Compton is an American independent filmmaker, writer, and actor. She is best known for Stranded (1965) and The Plastic Dome of Norma Jean (1966), which she wrote, directed, and financed. She also starred in and distributed Stranded.
The Center for Spiritual Living Asheville will host an engaging workshop titled "Art of Transformation," led by renowned Goodwill Cultural Ambassador and international performing artist Ronald Rand. Rand's workshop promises to be both inspiring and enjoyable, offering participants a chance to explore their creativity through storytelling improvisation poetry, song, and movement exercises. Central to the experience is the use of Stanislavsky's original "Method of Physical Actions" acting chart which consists of 40 tools designed to help individuals express themselves authentically on stage and in daily life. In a statement about the workshop, Rand shared, "Art teaches us we each carry tools to transform not only in our own lives but to share truths about how to live with those around us. We can shape our joys into creative expressions of storytelling through transformation as long as we're willing to find ways to teach each other a way forward through peace, through love. We each carry within us a deep well we can draw from every day to guide ourselves. Through the power of art, we can inspire each other to come together to live in harmony."
Goodwill Cultural Ambassador Ronald Rand, during his 20th year touring around the world to 25 countries will perform at the Theatre of Changes' 17th International Festival of Making Theater in his celebrated solo play, LET IT BE ART! as Harold Clurman, "the Elder Statesman of the American Theatre," on August 2nd at Theatre of Change, 19a Tritus Septemuriou Street in Athens, Greece.
For the first time ever, world-acclaimed solo performer Ronald Rand and Goodwill Cultural Ambassador in 25 countries reveals how a solo performance is born, takes off, and can change the face of the world. Step inside his extraordinary two-hour transformation becoming 79-year-old theatre director Harold Clurman in his celebrated solo play LET IT BE ART! to discover an organic process creating your own dynamic solo performance on stage using Stanislavski's original acting chart "The Method of Physical Actions" to live completely inside your storytelling.
Ronald Rand has performed among, but was also trained by giants of the theatre. An actor known around the world for his portrayal of Harold Clurman in the one-man show "Let It Be Art!" Rand outlines not only his own life and career, but that of many of his peers in "Solo Transformation On Stage: A Journey into the Organic Process of the Art of Transformation," his latest release on Brown Posey Press.
RONALD RAND Author – Goodwill Cultural Ambassador – Performing Artist Ronald's inspiring books include "Solo Transformation on Stage: A Journey into the Organic Process of the Art of Transformation," "CREATE! How Extraordinary People Live to Create and Create to Live" and "Acting Teachers of America." Dedicating his work towards the affirmation of humanity as a Goodwill Cultural Ambassador and Performing Artist, Ronald has thrilled audiences over the past twenty years as Harold Clurman, the "Elder Statesman of the American Theatre," in his solo play, LET IT BE ART! in three critically-acclaimed Off-Broadway productions, in 25 countries, across twenty states, at the World Theatre Olympics, and at over fifty universities and colleges.
Ronald Rand is an actor, author and Goodwill Ambassador. Ronald Rand has appeared in many theatre plays, his latest is the solo play, Let It Be Art! about the life of Harold Clurman, which he tours worldwide. He is also the Founder of the newspaper – "The Soul of The American Actor." His book is "Solo Transformation On Stage" and is available now to purchase and includes a foreword by Stephen Lang, most recently famous for playing the part of Miles Quaritch in the Avatar movies by James Cameron.
Rand, who also wrote the play, stars in the solo performance, taking viewers on a journey through Clurman's long and varied career.
In front of our eyes we could see vivid image of 79 years old Harold Clurman, co-founder of the famed Group Theatre of the 1930s in America. Harold Clurman was known as a "True Man of the Theater" who brought a world of new knowledge.Harold Clurman was brought to us on Christmas evening by incomparable Ronald Rand, who truly transformed himself through two hours long preparation into the elder statesman of the American theater.
International Cultural Ambassador Ronald Rand recently performing at Colombo's Elphinstone Theatre, Nairobi's National Theatre in The Kenya International Theater Festival, and in Iceland, will perform as Harold Clurman, the "Elder Statesman of the American Theatre" in his critically-acclaimed solo play, LET IT BE ART! approaching his 25th year of world tours, on October 19th at the Aula Theatre in Athens, Greece during the Global Arts Education Summit of the World Alliance for Arts in Education (WAAE) at the School of Philosophy, National and Kapodistrian University of Athens.
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: CS1 maint: location (link)For the first time ever, Ronald Rand allows us to enter into his two-hour transformation as he embodies 79-year-old Harold Clurman, the "Elder Statesman of the American Theatre," as he brings him to life in his world-acclaimed solo play, LET IT BE ART! performing in 25 countries and twenty states.
On Thursday, March 17, Rand was a guest at the regular lunch meeting of the Civitan Club of Tuscumbia at the Helen Keller Library. Rand gave an in-depth presentation of his new book, including insight into what went into making the work and why decided to put the book together in the first place. The author and actor will next be performing in Iceland as part of the Act Alone Festival.
Solo performer Ronald Rand shares a step-by-step guide to creating your solo performance using Stanislavski's original acting chart and his own two-hour transformation into Harold Clurman. Included in the book are interviews with performers of solo plays such as Christopher Plummer and personal experiences with others like Stella Adler.
For theater lovers weekend will bring unique event in many ways. In the interview with director Jill, and actress Heeba Shah we find out why Ibsen, why opera in progress. Libretto was done by Ronald Rand, who visited Auroville last year with his play, and series of workshops, and music is work of Hartmut von Liers, but however it is, for the first time that Ibsen will be in opera, and it is Hartmut's first opera composing, and for Auroville is the first opera performance ever. Audience will confront with Ibsen's passion for self realization.
The theatre play 'Ljupaf', directed by American actor, director and Professor Ronald Rand, and roles by Zana Marjanović, Muhamed Hadžović and Moamer Kasumović will be performed in Kamerni Theatre on 22 November at 20:00.